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Journal : Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage

Local Leadership Communications in the Tradition of Ngaruwat Bumi in the Traditional Village Of Banceuy, Subang District Vera Hermawan; Ardianti, Dhini
SAMPURASUN Vol 9 No 2 (2023): Sampurasun Vol. 9 No. 2 - 2023
Publisher : Lembaga Penelitian Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/sampurasun.v9i2.10429

Abstract

This research explains local leadership communication in the Ngaruwat Bumi tradition in Banceuy Village, Subang Regency. The description of the life of the Banceuy Village community as seen from local leadership based on social position and the social role of the actors in the Banceuy Traditional Village community is important in seeing the course of Ngaruwat Bumi rituals and traditions. This local leadership role is related to religion and belief which is centered on the Tatali Karuhun value system as a legacy of previous ancestral traditions. The myth of Dewi Sri, known as the spiritual figure Nyi Pohaci, was transformed into a rice plant, the staple food of the local community. So rice is considered a holy and sacred plant. This ritual is a way of honoring the existence of Dewi Sri (Goddess of Rice) who has given blessings to the lives of the people of Banceuy Traditional Village by dancing and singing Dewi Sri. The method used in this research is a qualitative method with a qualitative descriptive approach, through observation, literature study and interviews with traditional leaders of the Banceuy Indigenous village using purposive sampling techniques. The research results show that communication and the role of local leadership through the Ngaruwat Bumi ritual in Banceuy Subang Village is a local tradition that emphasizes the importance of ritual in fostering dialogue between humans and nature. This involves various aspects, including verbal, symbolic and social interactions, which aim to maintain and strengthen cultural identity and community values. These rituals also function as mediators of conflict between local residents and external authorities, increasing cultural awareness, environmental conservation, and social life.
ETHNOGRAPHY OF CULTURAL COMMUNICATION WAYANG GOLEK MADE FROM WASTE IN BOGOR CITY, WEST JAVA Ardianti, Dhini; Fariz, Muhammad
SAMPURASUN Vol 10 No 1 (2024): Sampurasun Vol. 10 No. 1 - 2024
Publisher : Lembaga Penelitian Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/sampurasun.v10i1.13761

Abstract

This research discusses the cultural communication of wayang golek performances made fromwaste in Bogor City, West Java. In the midst of the phenomenon of cultural degradation in bigcities, Sanggar Edas Bogor City is still maintaining the existence of wayang golek, especiallymaintaining cultural preservation while caring for the environment. This research uses anethnographic communication approach which consists of three stages, communicative situations,communicative events, and communicative actions. This research, which was conducted from 2023to 2024, used descriptive qualitative research methods through observation data collection,interviews and documentation studies. The research results show that the three stages of theethnographic communication study model, namely the communicative situation, explain that theconditions when communication occurs in a wayang golek performance are adjusted depending onthe place, time or communication activities in a wayang golek performance. The second stage,namely communicative events, explains that communicative events include all of the componentsand complete devices, starting from the purpose of communication, common topics throughmessages related to awareness of environmental damage due to uncontrolled waste, involvingparticipants who use the same language varieties, maintaining Sundanese language rules. the sameway to interact in a wayang golek performance. And the third stage, namely communicative action,is the process of exchanging environmental messages, ideas and feelings between the puppeteerand the audience