Mukhlis Anton Nugroho
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Musescore Software Training for the Development of TPACK-Based Music Learning in Elementary Schools: Pelatihan Software Musescore untuk Pengembangan Pembelajaran Musik Berbasis TPACK di Sekolah Dasar Karsono; Joko Daryanto; Rukayah; Tri Budiharto; Ayyas Yahya; Mukhlis Anton Nugroho
Dinamisia : Jurnal Pengabdian Kepada Masyarakat Vol. 7 No. 4 (2023): Dinamisia: Jurnal Pengabdian Kepada Masyarakat
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/dinamisia.v7i4.14807

Abstract

Digital literacy and the skills of elementary school teachers in choosing and using scoring applications (musical notation) as a medium as well as a learning resource for students are essential to do. Elementary school education is experiencing several problems today, such as the government's inability to provide training on using applications for the learning process. In addition, not all teachers have the confidence in choosing and determining computer application software that can support learning in class, especially in the subject matter of Cultural Arts and Crafts (SBdP) material in the field of music. Elementary school teachers in the Laweyan sub-district of Surakarta do not yet have optimal insight regarding developing music applications to support material delivery in class. This community service activity is focused on training elementary school teachers to use music scoring (notation) software with the Musescore application. The results of this training found the formation of teacher skills using the Musescore music application to support music learning in elementary schools.
The Spaces of Sekaten: Contesting Islamic Values and Market Logic in the Ritual Landscape of Surakarta, Indonesia: - Mukhlis Anton Nugroho; Bambang Sunarto; Budi Setiyono
Fikri : Jurnal Kajian Agama, Sosial dan Budaya Vol. 10 No. 2 (2025): Fikri : Jurnal Kajian Agama, Sosial dan Budaya
Publisher : Institut Agama Islam Ma'arif NU (IAIMNU) Metro Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25217/jf.v10i2.7001

Abstract

Sekaten is a Javanese Islamic ritual that was originally designed as a medium of da‘wah, integrating Islamic teachings with local cultural expressions through music, symbols, and ceremonial spaces. While Sekaten is also celebrated in other Javanese courts such as Yogyakarta, the Surakarta version displays a distinctive spatial configuration in which the royal square is dominated by a large-scale commercial night market and its ritual sites are more sharply separated between sacred and profane functions. This study aims to explore the segmentation of space within the contemporary Sekaten ritual in Surakarta and to analyze the shift from its religious orientation toward a celebratory, commodified form. Employing a qualitative descriptive method, data were collected through field observation, in-depth interviews, and literature study. The findings reveal a spatial triad in the current ritual configuration: the courtyard of the Great Mosque functions as a site for symbolic Islamic da‘wah, the mosque interior serves as a contemplative spiritual space, and the royal square (alun-alun) has evolved into a festive marketplace. This spatial segmentation reflects a broader shift in public perception—where once the ritual emphasized spiritual reflection, it is now increasingly viewed as entertainment and economic spectacle. The study concludes that reinvigorating the ritual’s spiritual dimensions is essential to preserving Sekaten’s identity as a cultural heritage of Javanese Islam amidst the forces of secularization and market commodification.