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All Journal JURNAL PESONA METASASTRA: Jurnal Penelitian Sastra
Aksa, Yati
Universitas Padjadjaran
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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REPRESENTASI BUDAYA DALAM NOVEL HUJAN BULAN JUNI KARYA SAPARDI DJOKO DAMONO Amelia, Nenden Rizky; Rahayu, Lina Meilinawati; Aksa, Yati
JURNAL PESONA Vol 3, No 1 (2017)
Publisher : JURNAL PESONA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26638/jp.299.2080

Abstract

This paper is determine representation about culture in the Hujan Bulan Juni novel by Sapardi Djoko Damono. This paper based in the issue that comes from the novel related to the chracteristic of Javanese and Manado culture. The aim of this paper is to describe culture representation that shows by the concept of this novel. This explanation based on the theory about Javanese people’s characteristic from Geertz, Manado people’s characteristic from Sumampow and concept culuture identity from Hall and Woodward. The result of  the analysis shows that the novel displays the cultural characteristics of Java wich is different for each character. The ‘ethok-ethok’ (pretend), ‘wedi’(afraid),’ isin’(shame), dan ‘sungkan’ attitude displayed by the character that has the constancy of identity. While being open, straight foward and aggressive attitude. While Manado characters are represented through characters steady by showing agrressive attitude, overt, brave, culinary practice, character name and Christianity. Different cultural characteristics to each person indicate the liquid identity. 
Perlawanan Perempuan dalam Novel Sunda Sandekala Karya Godi Suwarna Maryanti, Sri; Rahayu, Lina Meilinawati; Aksa, Yati
JURNAL PESONA Vol 3, No 2 (2017)
Publisher : JURNAL PESONA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26638/jp.446.2080

Abstract

Abstract Female figures position in a Sundanese novel entitled Sandekala is in accordance with the concept of docile bodies which is stated by Michael. In general, the novel tends to present obedient women. The female figures are disclosed passively and gagged with the result that oppression undergone is blurred due to less resistance. Some argument prompt this research, particularly in relation to women issue. The other supporting issue is concerned with women represented in Sundanese social condition and Sundanese women attitude who is willing to discharge from being inferior. The most interesting of the novel is when the main character named Dewi, is accentuated. She is depicted as a college student and an activist who struggles similarly as men do. The presence of Dewi is peculiar in the novel. Since she is portrayed differently from other female characters. The novel exposes the character of Dewi as a symbol of women resistance.Key words:  female, oppression, resistance
PERSPEKTIF FEMINIS AFRIKA DALAM NOVEL RIWAN OU LE CHEMIN DU SABLE KARYA KEN BUGUL (THE AFRICAN FEMINIST PERSPECTIVE IN THE NOVEL RIWAN CHEMIN OU LE DU SABLE BY KEN BUGUL) Subekti, Mega; Priyatna, Aquarini; Aksa, Yati
METASASTRA: Jurnal Penelitian Sastra Vol 6, No 2 (2013)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2013.v6i2.91-102

Abstract

Penelitian ini ditujukan untuk mendeskripsikan bagaimana perspektif feminis Afrika ditampilkan dalam karya autobiografis Ken Bugul yang berjudul Riwan ou Le Chemin du Sable (1999). Dalam karya itu, perspektif feminis  ditampilkan melalui kacamata narator sebagai perempuan Senegal ketika dihadapkan pada persoalan poligami. Analisis menggunakan teori feminisme yang kontekstual dengan isu yang dihadapi perempuan di Senegal, terutama yang dipaparkan oleh Hashim dan D’Almeida serta pendekatan naratologi autobiografis. Saya berargumentasi bahwa perspektif feminisme dalam karya Bugul itu adalah konsep famillisme yang merujuk pada penyuaraan rasa solidaritas antarperempuan Senegal dan keterlibatan aktif laki-laki demi terciptanya keberlangsungan dan kesejahteraan sebuah keluarga.Abstract:The present research aims at  describing  how African feminist perspectives features  in Ken Bugul’s  autobiographical work entitling  Riwan ou Le Chemin du Sable (1999). In the paper, the feminist perspective is shown through the eyes of the narrator as Senegalese women when faced with the question of polygamy. The analysis uses the theory of feminism that contextual issues faced by women in Senegal, mainly presented by Hashim and D’Almeida and by applying the approach of autobiographical approach narrathology.  I argue that the feminism perspective in the Bugul’s works  is a familliasm concept that refers to the voicing solidarity among Senegal’s women  and the active involvement of men in order to create sustainability and a well-being  family.
MASKULINITAS KULIT PUTIH DALAM BURMESE DAYS DAN SHOOTING AN ELEPHANT KARYA GEORGE ORWELL (The Masculinity of White Men in George Orwell’s Burmese Days and Shooting An Elephant) Rikma Dewi, Nenden; Priyatna, Aquarini; Aksa, Yati
METASASTRA: Jurnal Penelitian Sastra Vol 6, No 2 (2013)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2013.v6i2.103-114

Abstract

Orwell menjadikan pengalaman hidupnya sebagai bagian dari setiap karyanya dan menggunakannya untuk menyampaikan berbagai gagasannya. Melalui novel Burmese Days dan sebuah esai berjudul Shooting an Elephant yang keduanya saling berkaitan, Orwell mengemukan gagasannya mengenai wacana kolonialisme di wilayah koloni Inggris di Burma. Isu yang terkadang luput dalam pembacaan karya Orwell adalah isu gender. Oleh karena itu, kajian ini akan menganalisis bagaimana maskulinitas laki-laki kulit putih dipaparkan dan faktor-faktor pendorong atau penghalang maskulinitas tersebut. Agar dapat menganalisis isu tersebut, kajian ini menggunakan pendekatan yang ditawarkan Mosse, Bhabha dan Sinha mengenai maskulinitas dalam wacana poskolonial. Berdasarkan analisis yang dilakukan, kajian ini dapat menunjukkan bahwa maskulinitas laki-laki kulit putih koloni Inggris di wilayah Burma, khususnya Kyauktada disebabkan oleh konsep mereka mengenai isu superioritas dan inferioritas.Abstract:Orwell made his life experiences as a part of his works and used them to convey a variety of his ideas. Through his novel entitling  Burmese Days and his essay called Shooting an Elephant, both of them were related to, Orwell wrote his ideas about discourse of colonialism in the British colony in Burma. A peculiar issue in Orwell’s work is the gender issue. Therefore, this study shows masculinity of white men, and the factors motivating or obstructing such masculinity. In order to analyze these issues, this study applies George Mosse’s (1996), Homi K. Bhabha’s (1995) and Mrinalini Sinha’s (1995) approach on masculinity in postcolonial discourse. Based on the analy- sis, this study is to provide the assumption that masculinity of white men in the British colony in Burma, particularly Kyauktada, was caused by  their concept of superiority and inferiority.
MUSIK DAN SEKSUALITAS DALAM NOVEL DIE KLAVIERSPIELERIN KARYA ELFRIEDE JELINEK (Music and Sexuality in Elfriede Jelinek’s Novel “Die Klavierspielerin”) Hapitta, Okky Dwi; Aksa, Yati; Noorman, Safrina
METASASTRA: Jurnal Penelitian Sastra Vol 8, No 1 (2015)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2015.v8i1.91-104

Abstract

Musik banyak diangkat menjadi tema dalam karya-karya yang ditulis Jelinek. Dalam novel Die Klavierspielerin  yang terbit tahun 1983, Jelinek mengangkat tema musik. Tulisan ini bertujuan untuk mengungkapkan fungsi musik dan keterkaitannya dengan seksualitas tokoh utama. Kajian ini dilandasi oleh teori fungsi musik yang dikemukakan Alan P. Merriam, teori seksualitas yang dikemukakan oleh Padgug, serta teori seksualitas yang berkaitan dengan relasi kuasa yang dikemukakan oleh M. Foucault. Hasil analisis menunjukkan bahwa di dalam novel tersebut terdapat fungsi musik sebagai representasi simbolis yang dijadikan sarana antar tokoh untuk saling menekan antara ibu terhadap Erika sebagai anak, Erika sebagai guru terhadap Klemmer sebagai murid. Musik juga memunculkan relasi kuasa yang mempengaruhi seksualitas Erika.Abstract: Music was mostly taken as a theme in many works written by Jelinek.  In the Die Klavierspielerin novel  published in 1983, Jelinek took theme of music. The study is aimed at revealing music function  and its links with the main character’s sexuality. This study is based on music function theory introduced by Alan P. Merriam, sexuality theory introduced by Padgug, and sexuality theory concerning power relation introduced by M. Foucault. The  results of analysis indicate that in the novel there are musical functions as symbolic representation used as a reference between characters to repress each other, such as,  mother to Erika as a child, Erika as a teacher to Klemmer as a student.
Co-Authors Adji, M. Amelia, Nenden Rizky Aquarini Priyatna David Setiadi Hapitta, Okky Dwi Maryanti, Sri Mega Subekti Rahayu, Lina Meilinawati Rikma Dewi, Nenden Safrina Noorman, Safrina