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Analysis Slang Words In The Fast Five Movie Ida Bagus Dwitiya Prajnyawedanta; I Gusti Agung Istri Aryani; Galuh Febri Putra
J-CEKI : Jurnal Cendekia Ilmiah Vol. 4 No. 1: Desember 2024
Publisher : CV. ULIL ALBAB CORP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jceki.v4i1.5973

Abstract

This study aims to determine the types and function of slang words found in Fast Five movie. In this study, the researchers analyzed the types of slang words based on the theory from Allan and Burridge (2006). This study employed a qualitative research approach based on Creswell's (2007) theory. The data was gathered using the observation approach, which involved downloading the film, watching it, and then noting any slang terms that were used. The data source of this study was taken from the movie of Fast Five, directed by Justin Lin and written by Chris Morgan. Based on the result, there were fresh and creative type of slang, flippant type of slang, imitative type of slang, clipping type of slang.
Deixis and References in The Alice in Wonderland Movie Ida Ayu Komang Pradnya Paramita; I Gusti Agung Istri Aryani; Galuh Febri Putra
LITERACY : International Scientific Journals of Social, Education, Humanities Vol. 4 No. 1 (2025): April : International Scientific Journals of Social, Education, Humanities
Publisher : Badan Penerbit STIEPARI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56910/literacy.v4i1.2132

Abstract

This study, entitled “Deixis and References in the Alice in Wonderland Movie,” aims to identify various types of deixis and analyze the reference of the meaning of each type of deixis used in the movie Alice in Wonderland. The data source was obtained from the Alice in Wonderland movie, an American fantasy film directed by Tim Burton and produced by Walt Disney Pictures, released on February 25, 2010, based on a screenplay by Linda Woolverton. This study uses a qualitative method with documentation and observation techniques. The data was taken from Scripts.com and completed with repeated movie viewing. The steps include downloading the script, watching the movie, identifying utterances containing deixis, and analyzing them according to Levinson’s (1983) deixis theory and Cruse’s (2006) reference theory. The analysis is presented using informal descriptive methods. The results of this study indicated that five types of deixis were employed in the movie: person deixis, place deixis, temporal deixis, discourse deixis, and social deixis. The movie Alice in Wonderland (2010) data represented each type of deixis. The analysis revealed that each deixis category appeared with varying frequency: 334 instances of personal deixis, 35 instances of place deixis, 27 instances of time deixis, 87 instances of discourse deixis, and 41 instances of social deixis. These findings suggest that personal deixis was the dominant type used by the characters in the movie, emphasizing the role of speaker-hearer reference in the narrative discourse. Furthermore, two kinds of reference were found, anaphora and cataphora.
Category Shift in English-Indonesian “The Lion King” Movie Subtitle Gaudensius Jordan De Martin; Ni Luh Ketut Mas Indrawati; Galuh Febri Putra
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.5603

Abstract

This study investigates category shifts in the Indonesian subtitle translation of The Lion King (2019) using a combination of qualitative and quantitative methods. Drawing on Catford’s Category Shift Theory (1965), the research identifies four types of shifts—structure, class, unit, and intra-system—within the film’s subtitles. The data, collected through documentation and note-taking techniques, were analyzed to determine the nature and frequency of each shift type. The findings show that structure shifts are the most dominant (54%), followed by unit shifts (21%), class shifts (18%), and intra-system shifts (7%). These shifts demonstrate the translator’s strategy in adapting the source language to suit the target language's syntactic and semantic norms. By focusing on the linguistic and functional aspects of subtitle translation, this research highlights the importance of translation shifts in maintaining clarity, naturalness, and audience engagement in cross-linguistic audiovisual media.
The Characterizations and Moral development of the Main character in The Nightingale Novel Komang Trie Nanda Pertiwi; I Nyoman Aryawibawa; Galuh Febri Putra
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.5854

Abstract

This study explores the character development of Vianne Mauriac in Kristin Hannah’s historical novel The Nightingale, with a particular focus on how her moral progression is revealed through characterization. It aims to examine how direct and indirect characterization contribute to the portrayal of Vianne’s evolving moral reasoning under the pressure of wartime experiences. Employing a descriptive qualitative method, the analysis uses Rimmon-Kenan’s theory to identify characterization techniques and Kohlberg’s stages of moral development to interpret Vianne’s ethical transformation. The findings indicate that Vianne shifts from self-preserving and fear-driven decisions to socially conscious choices and ultimately to morally autonomous actions grounded in universal principles. Her characterization, through action, speech, appearance, and environment, functions not only to construct Vianne’s identity but also to trace her moral journey. Her development demonstrates how literature, particularly historical fiction, can reflect and explore complex ethical growth. The study contributes to understanding how characterization and moral development work together in shaping a compelling and morally resonant protagonist.