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All Journal Gorga : Jurnal Seni Rupa PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Jurnal Kajian Bali Segara Widya: Jurnal Penelitian Seni VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Journal of Music Science, Technology, and Industry (JOMSTI) Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Ghurnita: Jurnal Seni Karawitan Abdi Widya: Jurnal Pengabdian Masyarakat Global Art Creativity Conference Open Access DRIVERset
Indra Sadguna, I Gde Made
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Sonic Hybridity, Cultural Continuity, and Musical Identity: Gamelan Pesel in Contemporary Bali I Wayan Suharta; I Gde Made Indra Sadguna; Yung-Hsin Wang
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p01

Abstract

This article examines gamelan pesel, an innovative hybrid ensemble created by I Wayan Arik Wirawan that fuses the sonic and material characteristics of semar pegulingan and selonding. Through qualitative methods, including organological analysis, participant observation, interviews, and digital ethnography, this research explores how gamelan pesel embodies “sonic hybridity,” a process through which Balinese musicians negotiate between tradition and innovation. The findings reveal that gamelan pesel’s creative design integrates bronze and iron instruments to generate a new timbral spectrum, while its unique tuning system and intercontextual performances across ritual, social-cultural, and digital media articulate a dynamic redefinition of Balinese musical identity. Rather than signaling a rupture with tradition, the ensemble exemplifies progressive traditionalism, where renewal sustains continuity. This study contributes to ethnomusicological and cultural discourse by illustrating how new ensembles can nurture cultural continuity through experimentation and adaptation.
A Composition Titled “Sriya Dasami” Wigraha, I Made Andika Candra; Yudarta, I Gede; Sadguna, I Gde Made Indra
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa (On Going)
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i2.68028

Abstract

This study aims to describe and understand the process of creating the Karawitan Sriya Dasami Composition Work, to find out the form and structure of the Karawitan Sriya Dasami Composition Work, to know and understand the value contained in the Karawitan Sriya Dasami Composition Work. The process of creating Sriya Dasami's Karawitan Composition Works is carried out through imaginative and systematic artistic methods, involving six main stages: inspiration, imagination, exploration, formation, refinement, and presentation. This method is rooted in conceptual needs, traditional approaches, contemporary reinterpretations, as well as the empirical experience of creators. The application of this method allows the work to be formed in its entirety with a strong philosophical and musical foundation, and manifested in the form of a presentation based on cosmic symbolism. The creation process is carried out with a musical and visual approach, and utilizes instruments from Gong Kebyar gamelan as a medium of expression. The form and structure of the work are divided into four main sections, which represent the four phases in the astronomical system of the same period. Each piece contains its own musical character with different durations, creating a unique flow dynamic. The main value in this work lies in the efforts of the creator in formulating a new compositional system through the partition of the number ten, as well as the processing of the playing technique that is sourced from the slow but with a contemporary perspective, which reflects the artistic and spiritual identity of the creator.
Co-Authors Antara, I Kadek Agus Dwi Darmawan I Made Yudi Desiari,  Made Ayu I Gede Yudarta, I Gede I Kadek Agus Dwi Antara I Ketut Sariada, I Ketut I Nyoman Kariasa, I Nyoman I Wayan Suharta, I Wayan In Diana Sari, Ni Luh Desi Kadek Dimas Mahardika M.Pd Prof. Dr. I Nyoman Sudiana . Noorwatha, I Kadek Dwi Setiana, Margaretha Christie Sudirana, I Wayan Suratni, Ni Wyn. Sutirtha, I Wayan Wasista, I Putu Udiyana Wigraha, I Made Andika Candra Yung-Hsin Wang