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All Journal Gorga : Jurnal Seni Rupa PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Segara Widya: Jurnal Penelitian Seni VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Journal of Music Science, Technology, and Industry (JOMSTI) Ghurnita: Jurnal Seni Karawitan Abdi Widya: Jurnal Pengabdian Masyarakat Global Art Creativity Conference Open Access DRIVERset Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Indra Sadguna, I Gde Made
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Analisis Karya Musique Concrete: The Genesis Chapter One Margaretha Christie Setiana; I Gde Made Indra Sadguna; I Wayan Sudirana
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol. 6 No. 2 (2024)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v6i2.170

Abstract

Purpose: Musique concrete creation ‘The Genesis Chapter One’ explores the theme of the creation of the universe based on the Bible in Genesis 1:1-31. This composition encompasses natural soundscapes as sound sources and presenting the work in spatial audio. This project aims to articulate the aesthetics of musique concrete as a reference for future creations and to explore how communication is established with the audience through spatial audio techniques. Unlike conventional musique concrete, this work assigns meaning to each medium used and presents it in a spatial audio format. Methods:The creation process is guided by theories of musique concrete and Roland Barthes' semiotics, using a method developed from Alma M. Hawkins' approach, which includes three stages: pre-production (exploration and improvisation), production (forming), and post-production (recording). Results and Discussion: The mediums used include soundscape sampling, synthesizers, human vocals, and drums, with live presentation utilizing spatial surround 6.1. Conclusion: The work is divided into three parts: Part I depicts the state before creation, Part II focuses on the growth of the universe with rhythm, and Part III is inspired by the human heartbeat, symbolizing life and its correlation with the universe.
Co-Authors Antara, I Kadek Agus Dwi Darmawan I Made Yudi Desiari,  Made Ayu I Gede Yudarta, I Gede I Kadek Agus Dwi Antara I Ketut Sariada, I Ketut I Nyoman Kariasa, I Nyoman I Wayan Suharta, I Wayan In Diana Sari, Ni Luh Desi Kadek Dimas Mahardika M.Pd Prof. Dr. I Nyoman Sudiana . Margaretha Christie Setiana Noorwatha, I Kadek Dwi Setiana, Margaretha Christie Sudirana, I Wayan Suratni, Ni Wyn. Sutirtha, I Wayan Wasista, I Putu Udiyana Wigraha, I Made Andika Candra Yung-Hsin Wang