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All Journal PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Jurnal Kajian Bali Segara Widya: Jurnal Penelitian Seni VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Journal of Music Science, Technology, and Industry (JOMSTI) Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Ghurnita: Jurnal Seni Karawitan Abdi Widya: Jurnal Pengabdian Masyarakat Global Art Creativity Conference Open Access DRIVERset
Indra Sadguna, I Gde Made
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Sonic Hybridity, Cultural Continuity, and Musical Identity: Gamelan Pesel in Contemporary Bali I Wayan Suharta; I Gde Made Indra Sadguna; Yung-Hsin Wang
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p01

Abstract

This article examines gamelan pesel, an innovative hybrid ensemble created by I Wayan Arik Wirawan that fuses the sonic and material characteristics of semar pegulingan and selonding. Through qualitative methods, including organological analysis, participant observation, interviews, and digital ethnography, this research explores how gamelan pesel embodies “sonic hybridity,” a process through which Balinese musicians negotiate between tradition and innovation. The findings reveal that gamelan pesel’s creative design integrates bronze and iron instruments to generate a new timbral spectrum, while its unique tuning system and intercontextual performances across ritual, social-cultural, and digital media articulate a dynamic redefinition of Balinese musical identity. Rather than signaling a rupture with tradition, the ensemble exemplifies progressive traditionalism, where renewal sustains continuity. This study contributes to ethnomusicological and cultural discourse by illustrating how new ensembles can nurture cultural continuity through experimentation and adaptation.
Co-Authors Antara, I Kadek Agus Dwi Darmawan I Made Yudi Desiari,  Made Ayu I Kadek Agus Dwi Antara I Ketut Sariada, I Ketut I Nyoman Kariasa, I Nyoman I Wayan Suharta, I Wayan In Diana Sari, Ni Luh Desi Kadek Dimas Mahardika M.Pd Prof. Dr. I Nyoman Sudiana . Noorwatha, I Kadek Dwi Setiana, Margaretha Christie Sudirana, I Wayan Suratni, Ni Wyn. Sutirtha, I Wayan Wasista, I Putu Udiyana Yung-Hsin Wang