Rowilson Nadeak
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Aransemen Lagu Amazing Grace Karya John Newton Dengan Quartet Saxophone Di Prodi Pendidikan Musik Gereja IAKN Tarutung Rico Andrian Saragih; Aprilnaldi Patiaraja Simorangkir; Robert K.A Simangunsong; Diana Martini Situmeang; Rowilson Nadeak
Bersatu: Jurnal Pendidikan Bhinneka Tunggal Ika Vol 2 No 3 (2024): Mei : Jurnal Pendidikan Bhinneka Tunggal Ika
Publisher : LPPM Politeknik Pratama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/bersatu.v2i3.706

Abstract

This research aims to arrange the song Amazing Grace for the Saxophone Quartet playing with the development of modern music science which is still hot to be studied. This thesis uses qualitative research methods. This research was carried out by collecting information through field research to be processed into accurate data. The processes carried out for data collection are: interviews and documentation. First, this thesis explains how to arrange the song Amazing Grace with Quartet Saxophone, then understand the melody of the song Amazing Grace to adapt it to the variations in rhythm and harmony of modern music in balance with the Quartet Saxophone instrument. So this research resulted in an arrangement of the song Amazing Grace with a Saxophone Quartet with a modern musical feel using extended harmonies with balanced inversions, rhythm adjustments with more varied construts and the selection of balanced melodic contours. This research provides information for Arrangers to understand the broad knowledge of music in order to produce Church Music Arrangements with a balanced, Modern feel. To understand how to arrange songs with a modern feel requires broad insight and consistent practice. Apart from that, this thesis concludes that the development of modern music science is not only to improve the results of commercial musical arrangements, but for the glory of God with balanced musical arrangements.
Teknik Permainan Appogiatura Piano Pada Lagu “Waltz In A Minor, B.150, Op.Posth” Karya Frederic Chopin Yoseph Fransiscus Sihombing; Testi Zebua; Aprinaldi Simorangkir; Monang Asi Sianturi; Rowilson Nadeak
Jurnal Nakula : Pusat Ilmu Pendidikan, Bahasa dan Ilmu Sosial Vol. 1 No. 6 (2023): November : Jurnal Nakula : Pusat Ilmu Pendidikan, Bahasa dan Ilmu Sosial
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/nakula.v1i6.268

Abstract

This research aims to determine the techniques for playing appogiatura piano in the song "Waltz in a minor, B.150, Op.Posth" by Frederic Chopin. The author uses descriptive qualitative methods. The object of this research is the score for Waltz in a minor, B.150, Op.Posth" by Frederic Chopin. The data analysis techniques used are data reduction, data presentation, and data conclusions. The results and discussion of this research are Frederic Chopin's "Waltz in a minor, B.150, Op. Posth" which is a solo performance that uses playing techniques such as Appoggiatura and is equipped with techniques such as mordent, trill, triplet-quintuplet, and legato, as well as dynamics so that what is produced in part A1, wants to describe a sad atmosphere because of the legato technique which makes it lilting, then in part B with appoggiatura and legato techniques wants to describe a cheerful atmosphere as if there is hope, supported by a Major chord at the beginning, variations melodies, and lots of appoggiatura, triplet-quintuplet ornaments as sweeteners. Next, section A' again depicts a sad atmosphere, but the modulation to A Major makes hope even more visible. But in section A2, the sweet dance atmosphere, the hopes built in sections B and A' return to an atmosphere of sadness which then in the Coda section ends with an ornamental trill at the end of the song so that it can depict an atmosphere of decline.
Makna Lagu Buku Ende No. 17 "Raja Natumimbul" Di GKLI Amborgang Resort Parlilitan Kabupaten Humbang Hasundutan Amri Tumanggor; Monang Asi Sianturi; Tezti Bazarni Zebua; Eben Haezarni Telaumbanua; Rowilson Nadeak
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 5 (2024): September : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.341

Abstract

This study focuses on the study to find out the meaning of the Ende Book Song No. 17 "Raja Natumimbul" and the way the congregation sings the Ende Book song at GKLI Amborgang Resort Parlilitan. This research uses a qualitative method with a research procedure that produces descriptive data in the form of written or spoken words from people and observable behaviors and data collection techniques through the results of interviews, observations, and documentation, The location of the research was conducted at the GKLI Amborgang Ressort Parliltan Church, Sihashabinsaran Village, Parlilitan District, Humbang Hasundutan The object of the research was 6 people, namely to Pastors, Church Teachers, Musicians and to. Thus, it can be concluded that the meaning of the song King Natumimbul has a very deep meaning, which means that here there is a confession of the Lord God, the creator of all things, so that all that he creates praises God because he is the most exalted king of all. The song of King Natumimbul when sung is also full of enthusiasm because this song means that only God is the supreme King, only He is the king who should be worshipped. The hope is that the people of the GKLI Amborgang congregation will receive blessings from God and invite sinners to worship him.