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Jodog , I Made
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Arts Humanities

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English English Winata, I Made Agus Arya; Jodog, I Made; Adi Sucipta, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4462

Abstract

This report discusses the utilization of technological advancements along with the work experience that can be gained while being in the digital industry. Fine art is a human expression that combines emotions, beauty, and visual techniques to create works that inspire and communicate meaning. From traditional art forms such as painting and sculpture to modern evolutions like photography, videography, and digital art, fine art has seen significant developments in the media and technology used. Creating art in the digital era is known for its technicalities or complexities, where one needs to understand and operate the tools or software used before diving into the creative process and freedom in applying artistic elements. This development not only expands artistic boundaries but also embraces changes in social, cultural, and technological progress. Digital art, for example, not only offers new possibilities for creative expression but also provides a broader and more accessible platform for artists to convey their messages to a global audience. Thus, fine art not only becomes a part of everyday life but also serves as a key driver in the development and understanding of contemporary art in today's world. With the utilization of technological advancements and the current digital industry, our ability to adapt and provide alternative paths for artists in pursuing their careers has significantly increased.
GANGGUAN KECEMASAN SEBAGAI SUMBER INSPIRASI IDE DALAM PENCIPTAAN KARYA SENI LUKIS Bayu Arisuta, I Gede; Tjokropramono, I Gede Yosef; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4472

Abstract

This final report of this independent study/project raises the theme of anxiety disorders as a source of inspiration for the idea of creating a work of art. Anxiety disorders are a category of psychological disorders associated with feelings of anxiety and fear that occur excessively. Fear usually arises because of emotional or psychological feelings. Fear can also arise because of threats both physically and non-physically. The factors that underlie anxiety disorders are trauma, environment, and genetic factors. The problem faced is how to apply the concept, how to visualize the meaning contained in the work of art, what materials and media will be used in creating the work. The goal to be achieved in creating this work is to find out how anxiety disorders through creativity and imagination into the form of a work of art by combining certain techniques, styles, colors, and references to achieve the desired goal. From the theme above, there are 5 (five) works that can be realized with the titles: Claustrophobic, I Got PTSD, I Got GAD, Keep It Clean, and I Feel To. It can be concluded that anxiety disorders inspire the author in creating works of art and developing imaginative ideas and concepts, which will become valuable and meaningful works. With the creation of this work, it is hoped that it will be able to convey a moral message, as well as being an educational medium about anxiety disorders.
Siklus Kehidupan Kupu-Kupu Sebagai Inspirasi Penciptaan Seni Patung Widi Apriana, I Wayan; Jodog , I Made; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1537

Abstract

The life cycle of a butterfly in the Butterfly Park as an object of research on the creation of art works (sculptures), with the title “The Life Cycle of a Butterfly As Inspiration for the Creation of Sculpture Artwork.” To find out the problems faced by the author, it is necessary to research steps creation of works of art using construction theory approaches, semiotic theory, and aesthetic theory, while the research process uses a qualitative approach using data collection methods: observation, interviews, documentation, and literature study. The results of the discussion (1) the author makes with a representation of the butterfly’s life cycle, namely: (a) mating, (b) birth, (c) writhing (d) transitional period, and (e) rebirth. (2) in the process of carrying out the work using reinforced concrete materials with the technique of forming, sticking, adding and subtracting. (3) the embodiment of the author’s work displays a visual of the butterfly’s life cycle with a natural style in every work that is embodied. The color in each work that is realized by the author, namely the color of each object the is used as a reference for every three- dimensional artwork (sculpture). From this concept, a thesis work will be created. Five sculptures and journals.
Ekspresi Gerak Ikan Dengan Media Sampah Plastik Dalam Penciptaan Karya Seni Patung Arsana Putra, I Made Deny; Jodog, I Made; Rinu, Ni Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1836

Abstract

Research on the creation of this work of art with this paper is intended to turn plastic waste, which is currently a serious problem, increasingly polluting the environment of rivers and waterways. This environmental problem prompted the author to process plastic waste into sculptures. This work raises the theme of waste to increase public awareness so as not to litter, especially in the river environment which not only disturbs the habitat of aquatic creatures but also the environment that is essential for all creatures including humans. The river environment in the writer's area has begun to be filled with plastic waste which makes the water polluted and cannot be utilized optimally. The making of this sculpture is based on the theories of sculpture including art theory, aesthetic theory, and semiotic theory. This creation uses a method of creating, knowledge transfer, technology, skills that are adapted to the needs of the author in processing plastic waste to be made into environmentally friendly sculptures and expressing fish movements.
Susu Ibu Sebagai Inspirasi Dalam Penciptaan Karya Seni Patung Kresna Yoga, I Gede Deva; Jodog, I Made; Setem , I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1845

Abstract

Breastfeeding is the process of giving milk to a baby or child with breast milk form the mother’s breast. Through the breastfeeding process, there is a personal relationship between mother and child in loving energy. Various perspective on breastfeeding occur in the community, including knowledge about the importance of breastfeeding. The concept of breastfeeding, breastfeeding attitudes, visuals of the breastfeeding process are interesting thing to research and the serve as the basis for creating ideas. This creation aims to remind the importance of breastfeeding and increase knowledge and the creation of sculptures. The analysis is carried out based on aesthetic, semiotic and deformation theories. The research was conducted by means of observation, interviews, documentation and stages of creation with exploration, experimentation and formation. Utilization of the element and principles of sculpture is the basis of creation. The main media used are cornice and banana trees. As a form of creation are sculpture entitled “Mother’s Milk” and “ Mother’s Happiness”.
Usaha Pemanfaatan Kain Kanvas dan Perca Endek sebagai Tas yang Bernilai Seni Komalayakti, Diah; Gunawan, I Wayan; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1850

Abstract

Endek is a traditional Balinese cloth that has a variety of motifs such as stylization of flora and fauna. Now many endek fabrics are also designed into clothing such as official clothes and so on. So, in the process of making these clothes, of course, there will be a lot of leftover patchwork for making clothes. Therefore, innovation in the form of using patchwork with canvas is an effort to preserve the existence of endek with bag products as a fashion complement. Bags are a fashion item that cannot be separated from the daily style of teenagers. The creation of bag products is done by self-manufacturing. So, of course, has a high artistic value. The selected bag design is a consideration of the uniqueness and tastes of the community, especially teenagers. The process of creating something so that it can add value in the economy is the meaning of entrepreneurship. In that case, the creation of a product with innovation and creativity is very important. The use of endek textiles and patchwork into a product in the form of a bag is an innovation in the creative industry and develops creativity. In addition, efforts to preserve the existence of endek in the midst of modern times that orient modern culture as a fashion trend can be done by collaborating with emerging trends.
Penataan Ruang Pameran Seni Lintas Batas Mahendra, I Komang Aditya; Sujana, I Wayan; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2329

Abstract

The arrangement of an exhibition space is the main focus raised in the writing of this thesis with the title "Spatial Arrangement of Cross-border Art Exhibitions" from an observation of spatial arrangement in the previous exhibition "Makna Murni; Two Sides” in terms of spatial planning, display, lighting and circulation which is carried out without being organized. From these problems the author finally wrote an article which contained procedures for designing exhibition space arrangements, room and work lighting, work display, and circulation of exhibition visitors and also discusses making spatial planning not only display and arrange the room but also manipulate the mood of exhibition visitors so that they get the impression when visiting the exhibition that the author designed, the purpose of this thesis work is to provide an understanding of spatial arrangement, work, light and visitor circulation and also Hopefully it will be useful in the arrangement of exhibition space. The design of this art exhibition was carried out at the Arshika hotel, an exhibition room with a different type and using natural and artificial lighting to illuminate the works on display.
Peran Katalog dalam Pameran Seni Rupa Makna Murni: Lintas Batas 19 Saputri, Deta Anggara Wahyu; Ruta, I Made; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2337

Abstract

Starting from the author's ignorance of exhibition cataloging. However, when I visited art exhibitions, I always found a catalog, so I became curious about the role of catalogs in art exhibitions. This prompted the author to examine more deeply the role of an art catalog and try to . The problem is how the catalog plays an important role in an exhibition. In the process of making it, the writer uses the method obtained from the MBKM process. The purpose and benefits are to show how a catalog plays a role in an art exhibition and to develop the creativity of writers in using digital media. In the process of making a catalog the author uses the creation method which includes several stages, namely observation, data collection, exploration, the process of creating. From this process the author produced an exhibition catalog in which there were 9 layouts of the contents of the fine art exhibition catalog. It can be concluded that the author creates works based on his interest in catalogs, with ideas originating from phenomena captured at the Rudana Museum and reading reference sources from the internet. At the processing stage the author refers to the results of the MBKM. Of all these processes are expected to find identity in the work.
Calonarang Mythology Putra, I Putu Deva Maha; Jodog, I Made; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3383

Abstract

Calonarang mythology depicts the story of Queen Nata Ing Girah (ruler in the village of Girah) which is considered scary because it has magical powers and supernatural. Various mythical stories and magical rituals always color the trail Airlangga in Kahuripan, East Java during the 11th century Javanese Hindu period. Research This aims to create and analyze Calonarang's mythological themes in the work art painting. Therefore, the author raised this story into the form of a work of art painting in this Final Project in partnership with Sanggar Wasundari Kamasan Klungkung Bali. Calonarang Mythology research problems in creation. This is the concept of painting that depicts the Calonarang Mythology, what is the process of creating a work of painting depicting mythology Calonarang, and how Calonarang Mythology paintings look like. Method The research used in this writing is text analysis and study literature. The results of this research are works of art with a mythology theme Calonarang with an explanation of the concept, origins of Calonarang mythology, characteristics main characters, and important events in the story are realized in paintings.
“Gelungan” Characters of Kamasan Puppet in the Magala-Gala Tradition Game Putra, I Made Pande Agus Cahyadi; Budiarta, I Dewa Putu Gede; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3641

Abstract

Feudalism, which is a social or political system that gives great power to the nobility, in Indonesia, especially in Bali, still adheres to this system, where in literature and in traces of discourse it is stated that this system was already in effect at that time. However, apart from the Feudal system, Indonesia, especially Bali, has many existing traditions, such as the art of wayang kamasan painting and also Ma-gala-galaan or Gala-gala. The techniques used in the process of creating works of painting are the Dussel and Sigar techniques and how to visualize them on plywood media. The method used in the creation process is Hawkins, which consists of three stages, namely idea exploration, improvisation, and realization or forming.The result of this method is to search for ideas and how to visualize the concept of the Gelungan Wayang Kamasan character on plywood media. Improvise to find harmonious proportions and colors. The manifestation (forming) of all visual results found related to the title adopted is undergoing development. With the creation of this work, it is hoped that it will be useful for the community related to this state system and also about traditional painting and traditional games in Bali.
Co-Authors Arsana Putra, I Made Deny Bayu Arisuta, I Gede Drs. I Wayan Mudana,M.Si. . Gulendra, I Wayan I Dewa Putu Gede Budiarta I Ketut Mustika I Made Ruta I Wayan Gunawan, I Wayan I Wayan Setem I Wayan Sujana I Wayan Sujana Komalayakti, Diah Kresna Yoga, I Gede Deva Mahendra, I Komang Aditya Putra, I Made Agus Darma Putra, I Made Pande Agus Cahyadi Putra, I Putu Deva Maha Rahmat, Joey Rinu, Ni Made Saputri, Deta Anggara Wahyu Sucipta, Wayan Gede Adi Tenaya, I Made Suwardana Tjokropramono, Gede Yosef Triani Sartika, Ni Nyoman Widi Apriana, I Wayan Winata, I Made Agus Arya