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All Journal MUDRA Jurnal Seni Budaya Journal of Social Science Kartala Visual Studies Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Global Art Creativity Conference
I Wayan Sujana
Institut Seni Indonesia Bali
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Light Pattern, Labirin Ruang Masif I Wayan Sujana; Tjok Istri Ratna Cora Sudharsana
Mudra Jurnal Seni Budaya Vol 34 No 3 (2019): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v34i3.799

Abstract

Penelitian ini bertujuan untuk menemukan dan mempertunjukkan “intermingle art project Light Pattern, Labirin Ruang Masif” berbasis seni rupa pertunjukan untuk menjawab kurangnya seni rupa pertunjukan kontemporer yang berbasis riset. Permasalahan yang dirumuskan dalam penciptaan ini adalah Situasi dan keadaan psikologis seperti apa dari bentuk intermingle antara drawing on novel dengan seniman-seniman ? Gagasan atau konsep praksis seperti apa terekspresikan dari intermingle drawing on novel? Bagaimana bentuk presentasi intermingle art project ini ke ruang publik tertentu? Teori yang digunakan dalam penelitian ini adalah significant form, aesthetic relational serta teori presentasi, teori-teori tersebut sangat menunjang dalam penelitian. Pengumpulan data melalui observasi partisipatori, wawancara, dan studi kepustakaan. Model analisis interaktif digunakan dalam menyajikan data dan penyajian hasil analisis data disajukan secara informal dan formal. Hasil penelitian menunjukkan setiap seniman melahirkan sudut pandang yang berbeda sesuai dengan bidang seni yang ditekuni. Berbagai bentuk seni muncul: visual, verbal, sound, dan kenestetik seni kontemporer. Dipresentasikan dengan layer-layer ulang-alik senirupa-senipertunjukan.
POLA AIR SEBAGAI KONSEP VISUAL DALAM WORKSHOP SENI RUPA I Wayan Sujana; I Made Ruta; Luh Budiaprilliana
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 2 (2022): Prosiding Bali Dwipantara Waskita: Seminar Nasionar Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Penelitian ini bertujuan menuliskan hasil workshop guru-guru SMP seni rupa Buleleng, melalui penerapan pola air sebagai konsep visual dalam workshop seni rupa. Konsep dasar visual pola air berupa garis lengkung berulang-ulang menimbulkan citra gelombang air. Dipadu dengan permainan warna melalui pendekatan repetitif mengasilkan ekspresi seni rupa yang unik. Permasalahan dalam penelitian adalah kenapa menggunakan pola air sebagai konsep visual dalam workshop seni, bagaimana metode terapan workshop pola air sebagai konsep visual, serta jenis-jenis ekspresi yang dihasilkan? Beberapa teori yang dijadikan landasan penciptaan karya senirupa berbasis bambu antara lain: Menggunakan metode penciptaan MAL dalam merancang konsep. Pengumpulan data melalui observasi, implementasi, dan studi kepustakaan. Model analisis data disajikan secara formal dan informal. Hasil penelitian menunjukkan berbagai pola ekspresi dari setiap peserta. Implementasi pola-pola ekspresi implementasi dapat dijadikan pemantik pengembangan kekaryaan selanjutnya.
AIR MENGALIR, THE EXPLORATION PROCESS OF DRAWING ON NOVELS I Wayan Sujana
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

This study aims to write a model of the drawing on a novel exploration process, which has produced thousands of sheets of more visual concept patterns. This model project has been done for twenty years by the author and is continuing. Through intense and consistent expression, the estuary produces an approach to the art. The research problems were finding out the process of flowing water in drawing on Novels, investigating the correlation with automatic drawing, and exploring the types of expressions generated from year to year. Some theories used as the basis were the psychology of art and the method of creating MAL in the exploration process. Collecting data was done through observation, implementation, and literature study. The data analysis model was formal and informal. The results showed that human artists have a subconscious space with the potential to produce visual language. The expression of drawing on novels patterns indicated the transformation of shapes every year.
Banana Heart Sap Experiment I Nengah Wirakesuma; I Wayan Mudana; I Wayan Kondra; I Ketut Mustika; I Wayan Sujana
Journal of Social Science Vol. 5 No. 5 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v5i5.930

Abstract

A unique and interesting creative process using banana blossom sap as a medium. Banana flower sap has specific characteristics compared to other synthetic colors. Banana flower sap tends to display typical milky white, gray, light brown, yellowish-green, red and dark brown colors. Painting using banana blossoms starts from picking the banana blossom. Exploration of the technique of cutting the stem of the banana flower until the sap oozes out and drips onto the canvas. Since then I have been practicing spontaneously using banana sap, involving movements of my fingers, pressing the banana flower gently, medium and hard. The effect of the pressure of the banana flower sap produces natural colors, according to the intensity of the movement of the fingers on the canvas. The method used is carried out spontaneously, following the stages of the art creation process (E4): Existence, Exploration, Experimentation and Evaluation. Realization (E4) represents the existence of my creative process. Utilization of fine art elements such as light, point, line, space, plane, color, texture and composition. The resulting works of art include the following titles: Banana Sap Color 1, Banana Sap Color 2, Banana Sap Color 3, and so on. The use of banana blossom sap is driven by the need to express the soul in order to produce new works of art of high quality and have high aesthetic values
Sangka-Ku-Riang: Dekonstruksi Estetik Riak Ego dan Krisis Identitas dalam Ambiguitas Mozaik Digital : Mitologi Sangkuriang Generasi Moderen Deden Maulana; I Made Gede Arimbawa; Anak Agung Gde Bagus Udayana; I Wayan Sujana
Kartala Virtual Studies Vol 5 No 2 (2026): Juni 2026
Publisher : Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/kvs.v5i2.394

Abstract

Ancient mythologies of the Indonesian archipelago are frequently positioned as static didactic narratives. This study aims to recontextualize the legend of Sangkuriang into a new media art platform through an interactive digital mosaic installation. Employing a qualitative, practice-led research methodology, the name "Sangkuriang" is philosophically deconstructed into the conceptual framework of Sangka-Ku-Riang, a representation of the human ego's erroneous illusion of absolute control over reality and desire. This conceptual transformation is empirically articulated into visual computation parameters using the WebGL library, wherein the character's psychological dynamics are translated through fluctuations in fluid mosaic particle movement, geometric grid density, and lighting manipulation. The findings demonstrate that glitch art aesthetics specifically micro-stuttering and total system crashes effectively serve as semiotic signifiers to communicate the main character's identity crisis and raw destructive emotions. The final phase of form-setting into a mountain silhouette reflects a contemplative aesthetic sublimation that locks data chaos into a space of stability. Culturally, this visual articulation aligns with the Sundanese cosmology of darmaning satria, which asserts that human egoistic ambition must ultimately submit to macrocosmic cosmic laws. This study offers a novel method for conserving traditional heritage, transforming it into a living digital entity that adapts critically to contemporary technological advancement.
Co-Authors Anak Agung Gde Bagus Udayana BUDIAPRILLIANA, LUH Deden Maulana Gede Arimbawa, I Made I Ketut Mustika I Made Ruta I Nengah Wirakesuma I Wayan Mudana Kondra, I Wayan Ratna Cora Sudharsana, Tjok Istri