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All Journal Religious: Jurnal Studi Agama-Agama dan Lintas Budaya MUDRA Jurnal Seni Budaya Syntax Literate: Jurnal Ilmiah Indonesia Journal on Education Jurnal Informasi dan Teknologi Journal of Social Science Indonesian Journal of Multidisciplinary Science JOMPA ABDI: Jurnal Pengabdian Masyarakat Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Abjad : Journal of Humanities & Education Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
I Ketut Mustika
Institut Seni Indonesia Denpasar
Religion Arts Humanities Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Public Health Social Sciences Other

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Fungsi dan Makna Patung Kayu Inovatif Karya I Ketut Muja di Desa Singapadu, Gianyar I Ketut Mustika
Mudra Jurnal Seni Budaya Vol 26 No 1 (2011): Januari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (293.288 KB) | DOI: 10.31091/mudra.v26i1.1592

Abstract

Estetisasi adalah merupakan proses perubahan dalam patung kayu inovatif karya I Ketut Muja di Banjar Mukti Desa Singapadu, Gianyar. Pada awalnya, dia adalah pematung dengan gaya tradisi. Dengan bakat dan kemampuan membentuk yang dimiliki, Muja akhirnya mampu membuat patung modern, namun mendapat respons kurang baik dari masyarakat lingkungannya. Dia yang hanya berpendidikan Sekolah Rakyat mengembangkan bakatnya membuat patung inovatif dengan bongkah kayu, dengan tema yang di ambil dari epos Ramayana, kehidupan sehari-hari, dan mitologi diwujudkan dalam bentuk patung yang naturalis-dekoratif dan ekspresif. Proses kreativitas dalam perwujudan patung kayu inovatif karya Muja meliputi pencarian bahan, penemuan inspirasi, proses penggarapan, distribusi, dan konsumsi. Inovatif dalam proses kreativitas memadukan gaya tradisi dengan gaya modern yang dilakukan Muja menghasilkan varian bentuk patung inovatif, adalah usaha pencarian estetika baru dan merupakan proses penyegaran. Makna dan dampak patung kayu inovatif karya Muja adalah makna estetika dan pelestarian nilai-nilai budaya. Rutinitas dan semangat kerja dalam proses yang panjang dilakukannya nampaknya tidak sia-sia, berdampak pada kreativitas terus berkembang, apresiasi makin meningkat, dan hasilnya dapat meningkatkan taraf hidup.
Meningkatan Promosi Digital Di Wisata Waterfall Aan Secret Desa Aan Klungkung Bali I Wayan Dikse Pancane; I Ketut Mustika; Agus Supranartha
Jompa Abdi: Jurnal Pengabdian Masyarakat Vol. 2 No. 2 (2023): Jompa Abdi: Jurnal Pengabdian Masyarakat
Publisher : Yayasan Jompa Research and Development

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Abstract

Desa Aan secara historis telah berkembang menjadi desa wisata karena memiliki keunikan yang berbeda potensinya dibandingkan desa lain. Akibat dampak dari pandemi covid-19, terjadi penurunan jumlah kunjungan wisatawan dan perlu dilakukan tindakan serius bagi pengelola desa untuk menjaga kelestarian desa wisata ini. Pengabdian masyarakat ini bertujuan untuk mengetahui upaya yang dilakukan oleh pengelola wisata Waterfall Aan Secret selama masa pandemi dengan melakukan promosi berdasarkan pendekatan digitalisasi. Pelajaran ini mengindikasikan bahwa salah satu penyebab yang memungkinkan desa wisata Aan kesulitan bersaing dengan wisatawan baru atraksi di era transformasi digital adalah skenario penggunaan dan pemanfaatan teknologi digital. Kesempatan ini perlu dimanfaatkan oleh pengelola Waterfall Aan Secret untuk menarik wisatawan untuk berwisata kembali pasca pandemi, seperti pembinaan minat wisatawan berwisata menggunakan virtual tour untuk mempromosikan wisata di Desa Aan Klungkung Bali.
Penciptaan Seni Lukis Padma Dewata I Nengah Wirakesuma; I Ketut Mustika
Syntax Literate Jurnal Ilmiah Indonesia
Publisher : Syntax Corporation

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (280.987 KB) | DOI: 10.36418/syntax-literate.v7i3.6463

Abstract

Padma Dewata merupakan bunga teratai yang disebut pula nawa ratna sebagai sumber inspirasi penciptaan karya seni lukis. Padma Dewata yang ada dibalik karakter nawa ratna Dewata Nawa Sangga sering dijumpai diberbagai media elektronik, media sosial, dan secara simbolis sering dijumpai sebagai simbol atau lambang identitas Pendidikan ; Akademisi, Universitas dan Perguruan Tinggi yang ada di Indonesia. Padma Dewata secara nyata sering pula kita jumpai dalam kehidupan sehari-hari yang menghiasi kehidupan alam semesta beserta isinya di dunia ini. Padma Dewata dengan berbagai dinamikanya menarik perhatian untuk dijadikan konsep, ide dan gagasan penciptaan karya seni. Metode penulisan yang digunakan dalam penelitian ini adalah menggunakan metode Observasi, Wawancara dan Dokumentasi. Kemudian dilanjutkan dengan menggunakan Metode Penciptaan seni antara lain: Eksistensi, Elaborasi, Eksperimen, Sistesis, Evaluasi penciptaan karya seni. Presentasi dan evalusi karya seni dapat dilakukan setelah tahapan seleksi dan penilaian karya seni lukis dilakukan. Pada tahapan seleksi karya seni lukis yang bertajuk Padma Dewata, maka dapat dipresentasikan beberapa karya seni lukis yang berjudul : 9 (Sembilan) Padma Dewata, Padma Hijau, Padma Violet, Padma Red, Padma Yellow, Padma White, Padma Oranye, Padma Abu-abu dan Padma Black. Luaran dari hasil penelitian dan penciptaan seni ini dapat dipublikasikan melalui jurnal ilmiah dan juga dilakukan pameran karya seni lukis secara Virtual. Evaluasi karya seni yang dihasilkan mengarah pada bentuk-bentuk karya seni lukis abstrak deformatif.
AESTHETIC FORM OF SEGARA ART Wirakesuma, I Nengah; Mustika, I Ketut
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 3 (2023): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Penciptaan karya seni rupa dalam berbagai dimensinya memiliki estetika yang unik dan menarik bagi orang lain yang melihatnya. Gaya, karakter dan identitas diri pada karya cipta seni sering kali mencerminkan ciri dan karakter diri para senimannya. Gaya sebagai identitas diri itu tidak muncul begitu saja akan tetapi muncul setelah melalui proses panjang pematangan ide, gagasan dan konsep penciptaan yang mendalam. Eksistensi penjelajahan, perenungan, eksperimen, eksplorasi dan evaluasi medium, bahan dan alat-alat yang digunakan harus terus-menurus diasah dan dipelajari secara sungguh-sungguh guna mendapatkan karya seni rupa yang berkualitas, bermutu tinggi serta memiliki nilai-nilai estetika yang menarik sesuai kebutuhan kreativitas senimannya. Perwujudan karya estetika segara rupa merupakan implementasi berbagai dinamika, misteri, dan dimensi permukaan gelombang samudra di muka bumi. Elemen-elemen seni rupa diantaranya cahaya, titik, garis, ruang, bidang, warna, tekture, dan komposisi sebagai elemen dasar dalam proses penciptaan seni harus di kuasai secara terstruktur agar karya cipta seni yang diciptakan menjadi lebih indah, menarik dan harmoni, serta memiliki kedalaman makna bagi masyarakat pendukungnya, penikmat seni, pengamat seni, kurator seni dan kolektor seni.
Application of Rating Scale Method to Design and Construct an Employee Performance Assessment Application System in National Charity Institutions Annisa Wahdiniawati, Siti; Zulkifli; Chrisnawati, Giatika; Sili Antari, Ni Luh; Mustika, I Ketut
Jurnal Informasi dan Teknologi 2024, Vol. 6, No. 1
Publisher : SEULANGA SYSTEM PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60083/jidt.v6i1.481

Abstract

This research aims to find out how to design and build an employee performance assessment information system using the rating scale method. The data collection methods used were observation, interviews, and literature study. The research used the rating scale as the employee performance assessment method. The author used the Rapid Application Development (RAD) method in system development. The researcher designed an employee performance assessment information system using UML (Unified Modeling Language) tools at this stage. In this stage, the system is built using the PHP and MySQL programming languages for the database. The research results show that the developed performance appraisal system can provide significant benefits in monitoring employee performance more efficiently. Using this system makes the performance appraisal process easier, reduces file buildup, and increases the speed of the process from one week to only three days to complete the appraisal report. A data collection center also provides additional value by ensuring the security and orderliness of information.
Rutinitas Petani Arak Di Karangasem Bali Sebagai Ide Penciptaan Karya Seni Patung Naturalis Suarsa, Si Ngurah; Mustika, I Ketut; Sukarya, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.717

Abstract

The routine of arak farmers in Karangasem Bali is very interesting to be made an object of research on the creation of fine art (statues) with the title "Routines of Arak Farmers in Karangasem Bali as an Idea for Creating Naturalist Sculpture Art". To find out the problems of creation above, research steps, creation and presentation of art were carried out using the approach of art theory, aesthetics, construction and semiotics. The research approach uses a qualitative approach using the method of collecting observation data, interviews, documentation and literature studies. Results of the discussion: (1) the form of the statue from the representation of the routine of arak farmers in Karangasem Bali: (a) nadah tuak, (b) harvest tuak, (c) mulangin tuak, (d) ngedig lau, (e) nginum arak. (2) the technique used is the technique of adding and reducing materials. (3) the author displays the visual form of arak farmers who are carrying out daily activities or routines of the arak farmers, with a naturalistic style in each form of work emphasizing naturalness and beautifying without significantly changing the shape of the object. From this concept, 5 works were created that can be reviewed from the ideoplastic aspect and the physioplastic aspect. The output of this research is in the form of a thesis, five pieces of sculpture.
Siklus Kehidupan Kupu-Kupu Sebagai Inspirasi Penciptaan Seni Patung Widi Apriana, I Wayan; Jodog , I Made; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1537

Abstract

The life cycle of a butterfly in the Butterfly Park as an object of research on the creation of art works (sculptures), with the title “The Life Cycle of a Butterfly As Inspiration for the Creation of Sculpture Artwork.” To find out the problems faced by the author, it is necessary to research steps creation of works of art using construction theory approaches, semiotic theory, and aesthetic theory, while the research process uses a qualitative approach using data collection methods: observation, interviews, documentation, and literature study. The results of the discussion (1) the author makes with a representation of the butterfly’s life cycle, namely: (a) mating, (b) birth, (c) writhing (d) transitional period, and (e) rebirth. (2) in the process of carrying out the work using reinforced concrete materials with the technique of forming, sticking, adding and subtracting. (3) the embodiment of the author’s work displays a visual of the butterfly’s life cycle with a natural style in every work that is embodied. The color in each work that is realized by the author, namely the color of each object the is used as a reference for every three- dimensional artwork (sculpture). From this concept, a thesis work will be created. Five sculptures and journals.
Bangunan Pelinggih Merajan Alit Sebagai Inspirasi Penciptaan Karya Seni Lukis Neode, Haris Candra; Budiaprilliana, Luh; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1843

Abstract

Merajan Alit is a place of worship in every Balinese Hindu family house. Visual beauty and its close relationship with self-identity and family make the creator interested in visualizing it into painting works. The foundation used was the Alma M. Hawkins method, Exploration, Improvisation, and Forming. Each of these methods contains methods and stages of creation that are applied by MBKM partners. From these methods and successes, six works were produced, entitled; 1) “Kemulan”, 2) “Taksu”, 3) “Aku Ingin Pulang”, 4) “Punggel”, 5) “Mencari Kedalam Diri”, 6) “Happy Family”. In these six works, the creators combine the transfer of technology, skills and knowledge obtained from campuses and partners, so as to create works that are expected to become the characteristics of the creators. With this work, it can be said, Merajan Alit can be a personal trigger because it is very closely related to personal and family identity. The feelings that arise can be very unique and varied so it is very suitable to be visualized as a work of painting. In addition, the use of traditional painting tools is also important because of the ancestral heritage so that it does not become extinct.
Tas Kanvas Lukis dengan Perca Endek Bali dan Kain Motif Khas Lombok yang Bernilai Seni dan Ekonomis Komalayakti, Diah; Mustika, I Ketut; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2335

Abstract

The process of creating something so that it can have added value in the economy is the notion of entrepreneurship. In that case, the creation of a product with innovation and creativity is very important. The use of textile materials in the form of canvas, endek patchwork and typical Lombok fabrics into a product in the form of a painted bag is an innovation in the creative industry and develops creativity. In addition, efforts to preserve the existence of traditional fabrics such as Endek fabrics and typical Lombok fabrics in the midst of modern times that lead to modern culture as a fashion trend can be carried out by collaborating with current trends. Endek is a traditional Balinese cloth that has a variety of motifs. Many endek fabrics are also designed to be clothing, so there is a lot of patchwork left. Meanwhile, typical Lombok fabrics are generally only used for certain activities as traditional clothing, but with creativity the two types of traditional fabrics can become unique works in the form of painted bags in collaboration with canvas as the main material. Bags are a fashion item that cannot be separated from the daily lifestyle of teenagers. The creation of bag products is carried out on a self-manufactured basis. So, of course it has high artistic value. The chosen bag design is a consideration of the uniqueness and tastes of the general public
ISI Denpasar Fine Arts Study Program MBKM 2023 Artwork Exhibition Display at Living World Denpasar Ivana, Jessica; Mustika, I Ketut; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2864

Abstract

Display is a system of arranging objects in a room which aims to display or show off these items. Display in the exhibition space is an important element that needs to be implemented to create an exhibition space that is comfortable for viewing works of art. This becomes a challenge for the exhibiton designer/gallerist to design the best possible exhibition space. The design of the artwork display will affect the visuals and atmosphere of the displayed artwork. In designing exhibition space displays, various concepts, approaches to methods of presenting works can be used. It is this variation of display design that will determine how visitors can perceive the meaning of exhibitions and works of art. Displays that are well designed will increase aesthetic value, value and can highlight the uniqueness of the work of art.
Co-Authors Agus Supranartha Annisa Wahdiniawati, Siti Antari, Ni Luh Sili BUDIAPRILLIANA, LUH Chatarina Umbul Wahyuni Chrisnawati, Giatika Dewa Ayu Eka Savitri Sastrawan Drs. I Wayan Mudana,M.Si. . Fauzi, Ivan Frasnanda, Nyoman Ferry Halim, Ivana Gabriella I Dewa Putu Gede Budiarta I Gede Jaya Putra I Made Bendi Yudha, I Made Bendi I Nengah Wirakesuma, I Nengah I Wayan Dikse Pancane I Wayan Mudana I Wayan Setem I Wayan Sujana I Wayan Sujana Indrawan, I Ketut Deni Ivana, Jessica Jodog , I Made Johnson, Davida Komalayakti, Diah Kondra, I Wayan Nataprawira, Muhammad Rafli Ramdhani Neode, Haris Candra Ni Ketut Riska Dewi Prawita Ni Made Purnami Utami Pancane, I Wayan Dikse Rahditya, Ida Bagus Mas Putra Suarsa, Si Ngurah Sucipta, Wayan Gede Adi Sukarya, I Wayan Tenaya, I Made Suwardana Tjokorda Udiana Nindhia Pemayun Pemayun, Tjokorda Udiana Nindhia Pemayun Tjokropramono, Gede Yosef Widi Apriana, I Wayan