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All Journal JMARS: Jurnal Mosaik Arsitektur RUANG: JURNAL LINGKUNGAN BINAAN (SPACE: JOURNAL OF THE BUILT ENVIRONMENT) Panrita Abdi - Jurnal Pengabdian pada Masyarakat Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan LANGKAU BETANG: JURNAL ARSITEKTUR Dinamisia: Jurnal Pengabdian Kepada Masyarakat IJEAS (International Journal of Environment, Architecture, and Societies) Jurnal Teknologi Lingkungan Lahan Basah
Fery Andi, Uray
Department Of Architecture, Faculty Of Engineering, Universitas Tanjungpura, Pontianak, Indonesia
Arts Civil Engineering, Building, Construction & Architecture Energy Engineering Environmental Science Immunology & microbiology Public Health Social Sciences Other

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IDENTIFIKASI KENYAMANAN TERMAL RUANG PADA RUMAH BETANG ENSAID PANJANG DI KABUPATEN SINTANG Meidycharlos Amos Ondion Situmeang; Tri Wibowo Caesariadi; Uray Fery Andi
JMARS: Jurnal Mosaik Arsitektur Vol 10, No 2 (2022): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v10i2.55797

Abstract

Traditional architecture is an architectural form that passed down from one generation to the next. Traditional houses are formed through a long time that are responsive to the environment. The traditional houses adapt with the environment to increase their level of comfort and reduce disturbances for a comfortable living. This study aimed to identify the thermal comfort of Betang Ensaid Panjang, which is the traditional Dayak houses in Sintang Regency. Identification of the thermal comfort was done by measuring the influential thermal variables; air temperature, humidity, wind speed, the clothing insulation and the metabolism at Betang Ensaid Panjang. As a building that located in a tropical climate, an analysis of the tropical architecture theories was carried out at Betang Ensaid Panjang. The results of the analysis become the hypothesis that the building applies the principles of humid tropical architecture. Based on PMV and PPD analysis by ASHRAE 55 Standard, it can be identified that the Betang Ensaid Panjang have different levels of thermal comfort in ruai, bilik and tingkak at different times. In the morning it can be identified as slightly cool, in the afternoon and evening, can be identified as slighltly warm and at night, it can be identified as neutral or comfort.
PENDAMPINGAN DESAIN ULANG SURAU SEBAGAI WADAH BERKUMPUL MASYARAKAT MUSLIM DARI 3 RUKUN TETANGGA (RT) Zairin Zain; Jawas Dwijo Putro; M. Nurhamsyah; Irwin; Uray Fery Andi
Panrita Abdi - Jurnal Pengabdian pada Masyarakat Vol. 6 No. 2 (2022): Jurnal Panrita Abdi - April 2022
Publisher : LP2M Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20956/pa.v6i2.14458

Abstract

Surau is an essential facility in the community that plays a significant role in the Islamic life of the people in an urban area. Surau features' capacity in a re-design plan is needed to enhance the strength of togetherness as a gathering facility to develop community bonds by utilizing computer technology to produce digital images. The Project Assists the Muslims Community in 3 RTs on Jalan Parit H. Husin Pontianak to re-design Surau Darur Risalah to meet the needs of community activities and provide a construction phasing plan to obtain a fitting costs target. The communication method for design assistance is through 2 times face-to-face meetings (Focus Discussion Group) and WhatsApp social media to assimilate some figures from the community for Surau design needs. The resulting product has become the basis for the Muslim community in 3 RT to commence the construction of the Darur Risalah. In addition, the community also has a base for utilizing social potential by mobilizing togetherness through scheduled community self-help (Gotong Royong) activities. --- Surau merupakan bangunan komunitas penting yang memberi peran besar dalam kehidupan keislaman masyarakat di suatu wilayah. Perencanaan re-desain Surau dibutuhkan dengan memanfaatkan teknologi komputer untuk menghasilkan gambar digital dengan aplikasi AutoCAD dan SketchUp dengan tujuan memudahkan masyarakat dalam memahami rencana re-desain ini. Pendampingan desain surau dengan khalayak sasaran komunitas Muslim di 3 RT di Jalan Parit H. Husin Pontianak dalam re-desain surau Darur Risalah untuk memenuhi kebutuhan aktivitas masyarakat serta memberikan rencana pendanaan yang sesuai dengan pentahapan konstruksi. Metode komunikasi pendampingan desain melalui 2 kali tatap muka (Focus Discussion Group) dan media sosial WhatsApp untuk menyerap masukan kebutuhan desain surau dari masyarakat. Produk yang dihasilkan telah menjadi dasar masyarakat Muslim di 3 RT memulai konstruksi surau Darur Risalah. Selain itu, masyarakat juga memiliki dasar untuk memanfaatkan potensi sosial dengan menggerakan kebersamaan melalui kegiatan gotong royong terjadwal.
PERANCANGAN GALERI SENI KERAJINAN KABUPATEN SINTANG DENGAN PENDEKATAN NEO-VERNAKULAR Laura Karina; Uray Fery Andi; Tri Wibowo Caesariadi
JMARS: Jurnal Mosaik Arsitektur Vol 10, No 2 (2022): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v10i2.56916

Abstract

The typical handicrafts of Sintang Regency have been known worldwide and have been registered by UNESCO as an Intangible Cultural Heritage. The handicrafts that are quite famous for being typical handicrafts of Sintang Regency are Dayak Ikat Woven, Bead Embroidery, and Rattan Weaving. The current problem is the lack of adequate facilities for craftsmen in marketing, exhibiting, and introducing handicrafts so that the development of the creative economy is slow. The purpose of designing the Art Craft Gallery is as a place for production, exhibitions, and buying and selling activities for handicrafts typical of Sintang Regency by applying traditional architectural forms through a Neo-Vernacular design approach. The design uses the J.C. Jones, which contains ideas, information, and analysis, synthesis, evaluation, and optimization. Located on Jl. Sintang-Putussibau, Kelam Permai District, Sintang Regency, the design consists of many mass buildings with the main function being the Art Craft Gallery as an exhibition place and the art market as a place for buying and selling, supporting functions in the form of a multipurpose hall, studio workshop, plaza, and cafeteria. Supporting functions accommodate service activities such as prayer rooms, lavatory, and management areas. Through the Neo-Vernacular approach, the main building design refers to the Betang Ensaid Panjang House as a concept of traditionality which is applied through the shape of the building, the provision of Dayak motifs, to the outer and inner layout with a symmetrical pattern such as the Neo-Vernacular design principle.
PANTI ASUHAN ANAK DI KOTA PONTIANAK DENGAN PENDEKATAN DESAIN INKLUSIF Mardiyanto Mardiyanto; Tri Wibowo Caesariadi; Uray Fery Andi
JMARS: Jurnal Mosaik Arsitektur Vol 10, No 2 (2022): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v10i2.57203

Abstract

Institutions such as orphanages are needed throughout Indonesia for the welfare and protection of children's rights. Pontianak City has the largest population in West Kalimantan Province with the welfare and protection of children's rights cannot be said to be feasible. This design uses an inclusive design approach. Inclusive design is a design approach that focuses on meeting the needs of children both socially and physically, it requires a facility and product for everyone (as users) in general, without physical limitations, age range and gender. The purpose of this design is to design an orphanage that can meet the needs of orphans and children with special needs. The design is carried out using the Design Thinking method, namely by collecting ideas from various literatures to obtain a solution. The results of this design are an orphanage that can accommodate the needs of orphanage children in the form of buildings with rooms arranged in a zoning manner, the shape of the building is made thin to maximize natural lighting and ventilation, the park as an open space for children's social activities, and self-development facilities for children in the form of recreation rooms and hydroponic gardens. The orphanage also uses room facilities with railings, guiding blocks, braille letters, efficient furniture for everyone to use, including for children with disabilities with an inclusive design approach.
GEDUNG PERTUNJUKAN SENI AUDIO VISUAL DI PONTIANAK DENGAN PENDEKATAN FOLDING ARCHITECTURE Amelia Putri Sukmawan; Tri Wibowo Caesariadi; Uray Fery Andi
JMARS: Jurnal Mosaik Arsitektur Vol 10, No 2 (2022): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v10i2.56877

Abstract

Audio-visual art is an art that combines motion, tone, and visuals that is received by senses of sight and hearing, such as dance, music, and theater. The existence of dance, music, and theater arts in Pontianak is still anticipated by society with more than 1,000 visitors to the Taman Budaya Pontianak per month, but it can’t accomodate people on large capacity. Art makes artist want to express their works through a performance, this triggers the need for a new art building in Pontianak to support art performance activities for artists. The design of the Auditory Visual Art Center in Pontianak is located on Jalan M. Sohor using five stages design methods that contain ideas, information, analysis, synthesis, evaluation, and optimization. The function of the Auditory Visual Art Center in Pontianak is divided into three, namely primary as performances and rehearsals, secondary as commercial and public facilities, and supporting as management. The design implements folding architecture approach which have the same characteristics as art that reflects a form of creativity, flexibility, and dynamics. The result design of Auditory Visual Art Center in Pontianak is consisting one building mass with three section of areas, which called area of artists, performances, and management.
PERANCANGAN MUSEUM KOTA PONTIANAK Humaira Humaira; Uray Fery Andi; Tri Wibowo Caesariadi
JMARS: Jurnal Mosaik Arsitektur Vol 11, No 1 (2023): Maret
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v11i1.60743

Abstract

A museum with artistic value and function is a building created to maintain and retell a silent evidence relating to the history of a field, place and nation. This design is intended as an effort to meet the needs of the Pontianak City museum which is also the discourse of the city government in the near future. The design of the Pontianak City Museum was deemed necessary, because as the provincial capital, Pontianak City is a city that has a variety of cultures. Heritage objects that need to be maintained and preserved need a place such as the city museum. The steps taken in designing the Pontianak City Museum were using the 5-step analysis design method by J.C Jones: Idea, Analysis, Synthesis, Evaluation, and Optimization. Data collection techniques in the design of the Pontianak City Museum used primary data obtained from observations and field interviews regarding visiting data and arrangements at the West Kalimantan Provincial Museum as well as secondary additional data collected from books and articles. The result of this design is the building design of the Pontianak City Museum which is included in the landscape of the riverside area with the adaptation of the iconic city monument. Consists of permanent and non-permanent showrooms, auditorium, storage and conservation rooms.
Analisis Kapasitas Tampung Saluran Drainase Utama di Kawasan Perkantoran di Kabupaten Melawi Kristovianus, Edwin; Nurhayati, Nurhayati; Andi, Uray Fery
Jurnal Teknologi Lingkungan Lahan Basah Vol 12, No 3 (2024): Juli 2024
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jtllb.v12i3.80922

Abstract

Flooding is a river flow that overflows natural or artificial dikes, thus inundating several areas, including the central office area. Flood control and prevention in the central office area can be done by analyzing hydrological conditions in the catchment area, where the central office area is in its area. One of the central office areas that often experience flooding is in Melawi Regency. The existing condition of the area is between 2 rivers, namely the Melawi River and the Pinoh River. This study aims to analyze the drainage system's capacity in the Melawi Regency office area. The study was conducted in Melawi Regency which is located at 0°07' - 1°21' South Latitude and 111°07' - 112°27' East Longitude. The data used are primary data and secondary data. The primary data used is the channel dimension. The secondary data used are rainfall, population, and topographic maps. The hydrological analysis was carried out, namely the analysis of rainfall intensity, waste discharge, and design discharge using the Rational method. The results showed that the largest design discharge was found in Region VII, which was 0.21272 m3/sec.
Action on Heritage Conservation of Wooden Structures: Enhancing the Cultural Spaces of Pontianak by Reconstruction of a Traditional Malay House Zain, Zairin; Irwin, Irwin; Andi, Uray Fery
International Journal of Environment, Architecture, and Societies Vol. 3 No. 01 (2023): Strengthening the Resilience of Heritage to The Nature of The Environment, Arc
Publisher : Institute of Research and Community Services of Universitas Tanjungpura and Center of Southeast Asian Ethnicities, Cultures and Societies (Joint collaboration between Universitas Tanjungpura and National Taitung University)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/ijeas.2023.3.01.34-43

Abstract

Preserving damaged memorial buildings are vital to maintain a cultural identity to be reused and inherited by future generations. Buildings established in the past will overlook that they will be aging and weathering. Wooden construction in Malay traditional houses built more than 100 years ago faces durability issues. Environmental conditions equally make its structure unusable. In addition, its surrounding environment has changed, and the demands for new functions for improving the structure’s condition have become challenges in retrofitting the traditional roles into the current contemporary activities needs. The traditional Malay house in Kampung Bangka, Pontianak, which experienced a transfer of ownership from the original owner to the city government, altered its function from a residential house to a cultural house. Buildings having experienced weathering requires a well-planned reconstruction and re-functioning efforts from the city government. The reconstruction stages and house’s identification process of previous roles are required to accommodate new activities fit for culture and public space. Identification and analysis process carried out to resolve the damaged condition of structural elements of the building to maintain its authenticity as memorials building for the community. Identification is also required to anticipate the new function of the building by providing a new structure or reinforcement to govern the future activities during the operation period of the building. Cultural and structural analysis is carried out to improve the function of the building and the surrounding area into a cultural space that enhances its image as a public space.
PERANCANGAN UMKM CENTER DI KABUPATEN KUBU RAYA Amelia, Friska; Lestari, Lestari; Andi, Uray Fery
JMARS: Jurnal Mosaik Arsitektur Vol 12, No 2 (2024): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v12i2.69135

Abstract

The Small and Medium-Sized Enterprises (SMEs) Center is a place that is the center of SMEs activity to develop SMEs products and services. Based on data from the Ministry of Cooperatives and SMEs in 2021, SMEs in Indonesia absorb 96.9% of the total workforce and provide 99.9% of jobs. However, SMEs have Human Resources (HR), production and marketing, financing and institutional problems. This is because there are no facilities that provide integrated assistance for SMEs players. This problem occurs systematically, so a solution is needed which is also carried out systematically, namely by providing SMEs Center facilities in Kubu Raya Regency. The aim of the design is to produce an SMEs Center design that can accommodate Kubu Raya Regency SMEs development activities while also reflecting the identity of Kubu Raya Regency in the design. The design method used is the glass box method using five design stages, namely: ideas, information, analysis, synthesis, evaluation and optimization. The result is a building design that prioritizes functionality as the main building concept. The functional aspect can be seen in the spatial functions that complement each other and are integrated into one area to systematically facilitate the needs of Kubu Raya Regency SMEs. The building accommodates training, mentoring and commercial functions as the main functions. These functions are supported by management, distribution and regulatory functions and are supported by educational functions and service functions.  
PERANCANGAN BORNEO DESIGN DISTRICT DI KALIMANTAN BARAT Juhardi, Edbert Florentius; Alhamdani, Muhammad Ridha; Andi, Uray Fery
JMARS: Jurnal Mosaik Arsitektur Vol 13, No 2 (2025): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v13i2.88678

Abstract

Architects, interior designers, and contractors are key professionals in the construction industry who play a vital role in Indonesia's development. In the design process, designers must consider a wide range of building materials and furniture options, which are constantly evolving. Design District facilities serve as a platform for construction industry players to select appropriate materials based on their specific needs and preferences. One notable example is the Indonesia Design District (IDD), one of the country's largest design and lifestyle expo centers, spanning 12.1 hectares. It features a shopping center that acts as a primary destination for design inspiration and high-quality materials. The Borneo Design District is an innovative initiative aimed at responding to shifts in architectural design and form. It focuses on becoming a central hub for finishing materials and home furnishings, with the goal of consolidating building design needs within a single, integrated area. The project also seeks to enhance the potential of local materials in West Kalimantan. The design approach follows R. Whittaker's five-step method, which includes the stages of introduction, definition, preparation, analysis and synthesis, and evaluation. The outcome of this process is the Borneo Design District building design, developed under the Mixed-Use District theme and incorporating a Contemporary Architectural approach. This includes sustainable design, the use of innovative materials, and an emphasis on user experience. This serves as a solution to the challenge of attracting visitors to shop, enjoy recreational activities, work, and collaborate.
Co-Authors Abdi Gunawan, Abdi Alhamdani, Muhammad Ridha Amelia Putri Sukmawan Amelia, Friska Andi Andi Chandra, Helen Julia Christian, Vallen Diartini, Livia Hendrikus Trivaldo Humaira Humaira Irwin Irwin Irwin, Irwin Jawas Dwijo Putro Juhardi, Edbert Florentius Kristovianus, Edwin Laura Karina Lestari Lestari Mardiyanto Mardiyanto Meidycharlos Amos Ondion Situmeang Meyliany, Meyliany Muhammad Nurhamsyah Nurhayati Nurhayati Rahmaniawati, Dian Ayu Rudiyono Rudiyono Rudiyono, Rudiyono Rukiah Rukiah Tri Wibowo Caesariadi Waldi Apriadi Wicaksana, Raihan Yudi Purnomo Zairin Zain