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All Journal Gandiwa Jurnal Komunikasi El-Hikmah Jurnal Ilmu Dakwah dan Komunikasi Open Access DRIVERset
Adnan, Ahmad
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Religion Languange, Linguistic, Communication & Media Social Sciences

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Memperjuangkan Kasih Sayang Dan Cinta Sesama Jenis: Semiotika Budaya Terhadap Film Monster Sunaryanto, Sunaryanto; Adnan, Ahmad; Mufidah, Nur
Gandiwa Jurnal Komunikasi Vol 5, No 1 (2025): Gandiwa Jurnal Komunikasi
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/g.v5i1.4176

Abstract

The construction of homosexual identity in film is shaped through the representation of values, rituals, heroes, and symbols. Values are constructed through the deconstruction of dominant worldviews that regard homosexual identity as deviant, while rituals are portrayed to normalize such behavior within the film’s narrative. Heroes and symbols serve as visual and narrative representations that reinforce identity and demonstrate the equality of homosexual individuals with heterosexual groups This study aims to critically analyze the meaning of affection and love as advocated by homosexual groups in the film Monster (2023). The research method employed is qualitative with a textual analysis of mass media. Data analysis uses Roland Barthes' semiotics, consisting of denotation, connotation, and myth. Barthes' semiotics is then integrated with Hofstede’s cultural theory, which includes values, rituals, heroes, and symbols. The findings conclude that Monster (2023) represents the struggle of gay individuals to express affection and love through subtle yet meaningful symbolic signs such as gazes, caresses, embraces, and flowers. On the levels of connotation and myth, the film challenges heteronormative norms by asserting that love and happiness are universal rights not limited to heterosexual relationships. Through the value of “our future,” youth social rituals, heroic figures, and queer identity symbols, the film constructs a narrative of acceptance toward same-sex relationships.
ANALISIS KONTEN DAKWAH REMAJA DALAM AKUN TIKTOK @KADAM SIDIQ Adnan, Ahmad; Naufal
El-Hikmah: Jurnal Ilmu Dakwah dan Komunikasi Vol. 20 No. 11, Januari (2024): El-Hikmah: Jurnal Ilmu Dakwah dan Komunikasi
Publisher : STID DI AL-HIKMAH

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Abstract

This study aims to determine the content of youth preaching content contained in the Kadam Sidiq Tiktok account. This study uses a qualitative method with a content analysis method. Data collection was carried out through observation and documentation. The object of the study was the Kadam Sidiq Tiktok video content that was broadcast on the Kadam Siddiq Tiktok account from January to April 2022. The conclusion of this study is that there is content related to current youth problems, namely quoting Ali bin Thalib's quote from Google, rushing to pray, women who do not wear the hijab are reprimanded by their mothers, a trend of writing "Gw Kaget" but the letter "T" is replaced with a cross symbol, Shock to see Parents rules or rules in the family, and fasting but not praying. Content related to youth issues is interfaith marriage. Up to educational content, namely tips for completing the Qur'an during the holy month of Ramadan.
Makna Keislaman dalam Film Berlatar Belakang Budaya Jawa: Perspektif Semiotika Terhadap Film Pendek Pemean Hanani, Iman Nur; Sunaryanto; Adnan, Ahmad
Himada: Jurnal Mahasiswa Dakwah dan Komunikasi Vol 2 No 1, Januari-Juni (2025): Global Communico: Jurnal Mahasiswa Komunikasi dan Dakwah
Publisher : Program Studi Komunikasi dan Penyiaran Islam, STAI Dirosat Islamiyah Al-Hikmah Jakarta

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Abstract

The objective of this research is to analyze the Islamic values in a short film set in Javanese culture, namely the film Pemean. The research method is qualitative, using Charles Sanders Peirce's semiotic analysis, which consists of three concepts: signs, symbols, and interpretants. The conclusion of the study is that the short film Pemean, which was aired on the YouTube channel Paniradya Kaistimewan, is set against the cultural and environmental backdrop of Javanese Yogyakarta, yet it contains Islamic values in accordance with the Qur’an and the Prophet’s Hadith. From a semiotic perspective, the Islamic meanings based on the Qur’an and Hadith found in the short film Pemean include: the prohibition of showing off, lying, arrogance, and spreading slander; encouragement to maintain environmental cleanliness, to be content (qana’ah), to be patient, to avoid laziness, and to do good to neighbors. The implication of this research is to challenge the view that films with cultural backgrounds are inherently secular because they lack Islamic values. Films with diverse cultural settings can convey Islamic messages that can be interpreted based on the Qur’an and the Prophet’s Hadith.
Co-Authors Hanani, Iman Nur Mufidah, Nur Naufal Sunaryanto