Article Per Year (5 Year)
p-Index From 2020 - 2025
0.61
P-Index
This Author published in this journals
All Journal Litera KEMBARA Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya
Prawiroatmodjo, Sudibyo
Unknown Affiliation
Humanities Education Languange, Linguistic, Communication & Media

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Mapping the field: A bibliometric analysis of oral tradition research in Indonesia Andalas, Eggy Fajar; Prawiroatmodjo, Sudibyo; Saktimulya, Sri Ratna; Wulandari, Arsanti
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 2 (2024): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v10i2.36077

Abstract

The study of oral traditions in Indonesia has a long history, dating back to the Dutch colonial period. The field developed following the country's independence. Subsequently, it received support from the Balai Pustaka and the Regional Government Language Center in the post-New Order period. Nevertheless, the current state of knowledge remains undocumented. This study employs bibliometric methods to map the knowledge landscape of oral tradition research in Indonesia over a 44-years (1980-2024), focusing on performance analysis and science mapping. This research analyzed 139 documents from 102 sources written by 312 authors from 10 countries from the Scopus database. The results indicate an increase in publication trends over the past nine years. The Malay World is the most prolific journal in terms of oral tradition research output in Indonesia. Research themes related to disasters and the environment have emerged as a significant area of interest. Fourth G is the most productive author in this field. The science mapping analysis indicates that oral tradition research in Eastern Indonesia is emerging as a new field of study. Topics on wisdom and the environment are unique to oral tradition research in Indonesia, and emerging themes are related to using oral tradition in education. Future research areas include ecological wisdom, regional architecture, and traditional ecological knowledge. These findings provide an overview of the development and direction of oral tradition research in Indonesia and insight into the current position of oral tradition research in the country. They are also helpful for researchers and decision-makers seeking a deeper understanding of the current state of oral tradition research in Indonesia.
Srikandi life fragments transformation in Panah Asmara Srikandi and Kekasih Musim Gugur novels Nastikaputri, Nadhila Hibatul; Pratama, Frengki Nur Fariya; Prawiroatmodjo, Sudibyo
LITERA Vol 23, No 3: LITERA (NOVEMBER 2024)
Publisher : Faculty of Languages, Arts, and Culture Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v23i3.71224

Abstract

One of the wayang (traditional Javanese puppetry) stories that continues to be explored by local and national Indonesian writers for storytelling is the tale of Srikandi. This research aims to identify the forms of transformation of Srikandi's life fragments in two contemporary Indonesian novels titled Panah Asmara Srikandi and Kekasih Musim Gugur using Julia Kristeva's intertextuality theory. This research is a qualitative descriptive study with data in the form of verbal symbols. The data were analysed using suprasegmental analysis and intertextual analysis methods. The research results indicate that (1) there is homology between Srikandi's transgender identity in the novel Panah Asmara Srikandi and Srikandi's bisexuality in Kekasih Musim Gugur with the character Bambang Kandihawa in the wayang narrative; (2) there are differences in the forms of transformation of Srikandi's life fragments in Panah Asmara Srikandi and Kekasih Musim Gugur due to differences in the authors' motives; (3) in Panah Asmara Srikandi which is an amplification of the wayang narrative and an affirmation of the author towards the wayang story, there is a process of transposition of the wayang text through transformation while retaining the story's conventions. Meanwhile, in Kekasih Musim Gugur which is an adaptation of the wayang narrative and a restoration by the author, there is a process of transposition of the wayang text through transformation by altering the story’s conventions.
From ‘artifact’ to stage ‘performance’: A comparison of the romantic-nationalist and performative paradigms in folklore studies Andalas, Eggy Fajar; Prawiroatmodjo, Sudibyo; Saktimulya, Sri Ratna; Indrastuti, Novi Siti Kussuji
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 8 No 2 (2025)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v8i2.1225

Abstract

The emergence of the text/context debate in folklore research has facilitated new interpretations of how researchers approach their objects. Folklore research focusing solely on "text" has faced criticism for disregarding the contextual factors surrounding the genesis of folklore. This study compares the paradigm that perceives folklore textually with the paradigm that contextualizes it by examining the Romantic-nationalist and Performative paradigms. The use of the Romantic nationalism paradigm as a representative of item-oriented research is based on its historical, epistemological, and practical aspects. This study uses a qualitative methodology with a literature review to evaluate and synthesize existing research on the Romantic-nationalist and Performative paradigms in folklore studies. The primary distinction lies in focus: Romantic-nationalism views folklore as a traditional artifact that fosters collective identity, while the performative paradigm sees folklore as a dynamic social event in constant flux. While each paradigm has distinct strengths and limitations, synthesizing both offers a comprehensive perspective encompassing the static and dynamic dimensions of folklore. This study provides a framework for understanding folklore as both cultural heritage and a mechanism for constructing identity within dynamic social change.
Co-Authors Andalas, Eggy Fajar Arsanti Wulandari Nastikaputri, Nadhila Hibatul Novi Siti Kussuji Indrastuti Pratama, Frengki Nur Fariya Sri Ratna Saktimulya