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All Journal KEMBARA Indonesian Language Education and Literature Journal of Language and Literature Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Kamaya: Jurnal Ilmu Agama Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya
Sri Ratna Saktimulya
Department Of Languages And Literature, Universitas Gadjah Mada
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Custom and Syarak as the Theme in Tambo Minangkabau Yosi Wulandari; Pujiharto Pujiharto; Sri Ratna Saktimulya
Indonesian Language Education and Literature Vol 7, No 1 (2021)
Publisher : Jurusan Tadris Bahasa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/ileal.v7i1.8944

Abstract

The aim of the research to describe (1) Sembilan Pucuk laws in Tambo Minangkabau; (2) custom and syarak as the guidelines in Tambo Minangkabau; (3) the command to obey Penghulu based on the custom and syarak. This study concludes that the three theme motifs in Tambo Minangkabau strengthen the role of adat and religion. In Minangkabau, both are present in the history of creating the Minangkabau country, which began with the Nan Nine Pucuk Law as legitimacy. Further, Balai adat (customary hall) and mosques are symbols of harmony between customs and religion in determining the provisions. Indeed, the community leaders, in this case, Penghulu, need to be obeyed because the customs have appointed them based on Qur’an and Hadith (religion).Tujuan penelitian ini adalah untuk mendeskripsikan (1) Undang-Undang Nan sembilan pucuk dalam Tambo Minangkabau; (2) adat dan agama sebagai pedoman dalam Tambo Minangkabau; (3) perintah menaati penghulu berdasarkan adat dan agama. Penelitian ini menyimpulkan bahwa ketiga motif tema dalam Tambo Minangkabau memberikan penguatan peran adat dan agama. Di Minangkabau, keduanya hadir dalam sejarah penciptaan negeri Minangkabau yang diawali dengan adanya Undang-Undang Nan Sembilan Pucuk sebagai legitimasi. Selanjutnya, balai adat dan masjid adalah simbol keharmonisan adat dan agama yang saling berkaitan dalam menentukan keputusan dan ketentuan. Bahkan pemimpin kaum, dalam hal ini penghulu, perlu ditaati perintahnya karena penghulu merupakan pemimpin yang ditetapkan oleh adat dan ditentukan oleh al Quran dan hadis atau agama.
Implementasi Metode Sariswara Karya Ki Hadjar Dewantara pada Sekolah Dasar di Kecamatan Mergangsan Yogyakarta Sri Ratna Saktimulya; Akhmad Nugroho; R. Bima Slamet Raharja
Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Vol 2, No 1 (2019)
Publisher : Faculty of Cultural Sciences

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (634.932 KB) | DOI: 10.22146/bb.45026

Abstract

Today's elementary school students assume that the Javanese language is a foreign language. Tis situation had been predicted by Ki Hadjar Dewantara, therefore in 1930 he created Sariswara method as a means of facilitating the learning of Javanese language and literature. Tis community service aims in sharing the concept of Ki Hadjar Dewantara’s Sariswara method in improving Javanese language profciency and enriching knowledges of Javanese literatures through songs and dances in the targeted community. Tis community services involved teacher representatives, students, and parents of students of 12 Elementary Schools in Mergangsan Sub-district. Te provision of the materials and training is expected to foster a sense of pride in their own culture, so that they will be motivated to preserve and develop it, afterward. Eventually, it is hoped that a community that preserves the Sariswara method will emerge. Strengthening the sense of love for Javanese language and literature through tembang dolanan (songs of singing games) and dance movements stimulates students’ intelligence.================================================================== Murid sekolah dasar masa kini menganggap bahasa Jawa sebagai bahasa asing. Keadaan seperti ini telah diprediksi oleh Ki Hadjar Dewantara sehingga pada 1930 diciptakan Metode Sariswara sebagai sarana mempermudah pembelajaran bahasa dan sastra Jawa. Tujuan pengabdian kepada masyarakat ini adalah menyebarkan konsep Ki Hadjar Dewantara tentang Metode Sariswara melalui pengayaan materi bahasa, sastra, tembang, dan gerak tari. Melalui pemberian materi dan pelatihan (praktik) kepada perwakilan guru, siswa, dan orang tua siswa di 12 sekolah dasar se-Kecamatan Mergangsan ini diharapkan dapat menumbuhkan rasa bangga terhadap budaya bangsa sendiri dan mengembangkannya, yang pada akhirnya akan terbentuk komunitas pecinta Metode Sariswara. Penguatan rasa cinta terhadap bahasa dan sastra Jawa dengan sarana tembang dolanan dan gerak tarinya menstimulasi kecerdasan siswa.
Writing the Self: Interior Voyage in 19th Century French Travel Writing Andi Mustofa; Wening Udasmoro; Sri Ratna Saktimulya
Journal of Language and Literature Vol 23, No 1 (2023): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v23i1.4844

Abstract

Travel is a momentum to look inside that influences the travelers' existence, along with meeting and interacting with others. The self as a traveler experiences internal dynamics reflected in the travel writings. This paper analyzes five French travel writings to reveal the self-construction of travelers who explored the East in the 19th century. The analysis results show that travelers’ self-construction is divided into Enlightenment or Romantic subjects and true travelers or travelers as tourists. The Enlightenment subject prioritizes facts and empirical knowledge outside of the self for the broader interest. In contrast, the Romantic subject puts forward subjective and emotional attitudes in dealing with and narrating others used for personal gain. True travelers look for difficulties in other places to prove themselves in conquering the challenges. Travelers as tourists try to avoid the obstacles by seeking safety and comfort during the trip. The East as a travel destination is a space that offers difficulties in constructing and legitimizing the traveler's self-image with the attributes that society expects, such as courage and persistence. The five French travelers, both Enlightenment or Romantic subjects and true travelers or tourists, had various knowledge of the others due to factors such as the purpose of the trip, profession, social status, and duration of the trip. Knowledge of the others and self-disclosure narrated in travel writings manifest the French travelers’ power to control and manage themselves and represent the Other.
Fungsi Kertas Ber-kop dan Makna Sengkalan dalam Manuskrip Kepangeranan di Yogyakarta pada Awal Abad ke-20 Saktimulya, Sri Ratna
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 25 No. 1 (2024)
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.492

Abstract

Kertas berkop pada manuskrip kuno digunakan oleh para pangeran Keraton Yogyakarta pada kisaran tahun 1900-1920. Mereka menyalin teks dengan disertai sengkalan (penanda angka tahun yang disamarkan melalui kata dan memiliki makna khusus). Permasalahannya adalah untuk apa mereka memakai kertas berkop dan mengapa disertai sengkalan? Penelitian ini bertujuan menunjukkan fungsi kertas berkop dan makna sengkalan yang ditulis oleh para pangeran pengguna kertas berkop. Adapun pendekatan dan metode yang digunakan adalah filologis dan kodikologis. Melalui penelitian ini diketahui bahwa pengguna kertas berkop adalah para pangeran keturunan Hamengku Buwana VI yang melakukan penyalinan manuskrip pada masa Hamengku Buwana VII. Fungsi kertas berkop adalah sebagai afirmasi kepemilikan melalui penyebutan nama, jabatan,tempat tinggal, dan tahun cetak kertas. Adapun makna sengkalan pada teks yang ditulis di atas kertas berkop milik para pangeran Yogyakarta itu selain sebagai penanda tahun juga untuk menyamarkan kata hati atas peristiwa yang sedang dihadapinya.
Mapping the field: A bibliometric analysis of oral tradition research in Indonesia Andalas, Eggy Fajar; Prawiroatmodjo, Sudibyo; Saktimulya, Sri Ratna; Wulandari, Arsanti
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 2 (2024): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v10i2.36077

Abstract

The study of oral traditions in Indonesia has a long history, dating back to the Dutch colonial period. The field developed following the country's independence. Subsequently, it received support from the Balai Pustaka and the Regional Government Language Center in the post-New Order period. Nevertheless, the current state of knowledge remains undocumented. This study employs bibliometric methods to map the knowledge landscape of oral tradition research in Indonesia over a 44-years (1980-2024), focusing on performance analysis and science mapping. This research analyzed 139 documents from 102 sources written by 312 authors from 10 countries from the Scopus database. The results indicate an increase in publication trends over the past nine years. The Malay World is the most prolific journal in terms of oral tradition research output in Indonesia. Research themes related to disasters and the environment have emerged as a significant area of interest. Fourth G is the most productive author in this field. The science mapping analysis indicates that oral tradition research in Eastern Indonesia is emerging as a new field of study. Topics on wisdom and the environment are unique to oral tradition research in Indonesia, and emerging themes are related to using oral tradition in education. Future research areas include ecological wisdom, regional architecture, and traditional ecological knowledge. These findings provide an overview of the development and direction of oral tradition research in Indonesia and insight into the current position of oral tradition research in the country. They are also helpful for researchers and decision-makers seeking a deeper understanding of the current state of oral tradition research in Indonesia.
From ‘artifact’ to stage ‘performance’: A comparison of the romantic-nationalist and performative paradigms in folklore studies Andalas, Eggy Fajar; Prawiroatmodjo, Sudibyo; Saktimulya, Sri Ratna; Indrastuti, Novi Siti Kussuji
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 8 No 2 (2025)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v8i2.1225

Abstract

The emergence of the text/context debate in folklore research has facilitated new interpretations of how researchers approach their objects. Folklore research focusing solely on "text" has faced criticism for disregarding the contextual factors surrounding the genesis of folklore. This study compares the paradigm that perceives folklore textually with the paradigm that contextualizes it by examining the Romantic-nationalist and Performative paradigms. The use of the Romantic nationalism paradigm as a representative of item-oriented research is based on its historical, epistemological, and practical aspects. This study uses a qualitative methodology with a literature review to evaluate and synthesize existing research on the Romantic-nationalist and Performative paradigms in folklore studies. The primary distinction lies in focus: Romantic-nationalism views folklore as a traditional artifact that fosters collective identity, while the performative paradigm sees folklore as a dynamic social event in constant flux. While each paradigm has distinct strengths and limitations, synthesizing both offers a comprehensive perspective encompassing the static and dynamic dimensions of folklore. This study provides a framework for understanding folklore as both cultural heritage and a mechanism for constructing identity within dynamic social change.
Aspek Semantik Teks-Teks Dongeng Skriptorium Pakualaman: Studi Naskah Sĕstra Agĕng Adidarma (Pi.35) Rahmat, Rahmat; Sangidu, Sangidu; Saktimulya, Sri Ratna
Kamaya: Jurnal Ilmu Agama Vol 8 No 1 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/kamaya.v8i1.3937

Abstract

The Sĕstra Agĕng Adidarma manuscript (abbreviated as SAA) with the code Pi.35 is a manuscript written in the mid-19th century in Pakualaman, Yogyakarta. It contains several texts, including various folktales. The aim of this study is to identify the number of folktale texts in the SAA manuscript and to analyze them narratively to uncover their structural composition. The theory employed is philology, supported by the narrative structure approach developed by Tzvetan Todorov, particularly focusing on semantic aspects. The benefit of this research is to present the distinctive characteristics of folktale texts from Pakualaman. The results show that there are 26 folktale texts in the SAA manuscript. The semantic aspects of the texts indicate that formally, the texts are composed in the form of macapat verse poetry. The chosen opening tembang (verse forms) include: Pangkur (2 texts), Sinom (8 texts), Asmaradana (6 texts), Dhandhanggula (7 texts), Gambuh (3 texts). The folktales convey allegorical meanings through human and animal characters. Substantively, the folktales in the SAA manuscript reflect aspects of human life, including traits such as character, deceit, incitement, gratitude, carelessness, obedience to orders or prohibitions, leadership, loyalty, justice, and inheritance.
Co-Authors Akhmad Nugroho Andalas, Eggy Fajar Andi Mustofa Arsanti Wulandari Novi Siti Kussuji Indrastuti Prawiroatmodjo, Sudibyo Pujiharto Pujiharto R. Bima Slamet Raharja Rahmat Rahmat Wening Udasmoro Yosi Wulandari