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All Journal Titian: Jurnal Ilmu Humaniora Ideas: Jurnal Pendidikan, Sosial dan Budaya SERVIRISMA: Jurnal Pengabdian kepada Masyarakat
Baene, Basituasi
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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PEMBELAJARAN KOLABORATIF BERBASIS PROYEK PADA PEMBUATAN MURAL DI TB-TK SANTA URSULA BANDUNG Aryani, Dewi Isma; Pandanwangi, Ariesa; Wangsaputra, Priscylia Susanto; Baene, Basituasi
Servirisma Vol. 4 No. 1 (2024): Servirisma : Jurnal Pengabdian kepada Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Universitas Kristen Duta Wacana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21460/servirisma.2024.41.62

Abstract

Maranatha Christian University is a private university in Bandung which claims to be a research- based teaching university by upholding the ICE values, namely integrity, care, excellence in its tridharma program. One of them is in the form of community service activities through the art medium of wall painting (murals) involving lecturers from the Bachelor of Visual Communication Design Program and the Bachelor of Fine Arts Program, Faculty of Fine Arts and Design as material formulators and facilitators. The activity entitled "Community Service through Making Flora and Fauna Themed Murals at TB-TK Santa Ursula Bandung" was carried out using the Asset Based Community Development (ABCD) method for project-based collaborative learning for the students involved in two implementation sessions. This activity targets partners, namely the basic education institution TB-TK Santa Ursula Bandung. This community service activity succeeded in providing technical insight and creativity in terms of illustration design in several public space locations at TB-TK Santa Ursula Bandung. These outcomes are demonstrated in several wall paintings, or murals, that the Maranatha Christian University faculty and student service team did.
Representasi Perempuan dalam Seni Lukis Kontemporer Berbasis Media Cat Air: Kajian Narasi Visual dan Identitas Sanjaya, Jesslyn; Djenmakani, Laurens Enrico; Baene, Basituasi; Ernawan, Erika; Suryana, Wawan
Titian: Jurnal Ilmu Humaniora Vol. 9 No. 2 (2025): Desember 2025
Publisher : Fakultas Ilmu Budaya, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/titian.v9i2.50151

Abstract

The power of female figures is often invisible and implied, but in many works of art, women often become symbols of beauty and hidden strength. Identity, existence, and social reflection are often represented in female figures behind the visible visual side. The issue raised is how female figures depicted in visual form can still have a strong visual narrative and identity that supports the visual work. The aim of this research is to reveal the visual form of female figures represented in contemporary art based on watercolor media so that they have a strong visual narrative and identity. The method used is qualitative descriptive with literature studies and analysis of the works of artists who raise the theme of women.  The results show that with personal experience as a woman and comparing with other artists, the representation of female figures can also reveal emotional narratives and complex social identities behind their beautiful and aesthetic visual forms. This paper is expected to provide new insights into the representation of female figures in contemporary art, especially from the perspective of visual narrative and identity. Abstract Kekuatan dari sosok perempuan sering kali tidak terlihat dan tersirat langsung, namun dalam banyak karya seni rupa, perempuan sering menjadi simbol kecantikan sekaligus kekuatan yang terselubung. Identitas, eksistensi, dan refleksi sosial sering direpresentasikan ke dalam sosok perempuan dibalik sisi visual yang terlihat. Permasalahan yang diangkat adalah bagaimana sosok perempuan yang digambarkan ke dalam bentuk visual tetapi memiliki narasi visual dan identitas yang kuat. Tujuan dari penelitian ini untuk mengungkapkan wujud visual figur perempuan yang direpresentasikan ke dalam seni kontemporer berbasis media cat air sehingga memiliki narasi visual dan identitas yang kuat. Metode yang digunakan adalah deskriptif kualitatif dengan pendekatan estetis.  Hasilnya menunjukkan bahwa dengan pengalaman pribadi yang direpresentasikan sebagai wujud visual perempuan dapat memperlihatkan narasi emosional dan juga identitas sosial yang kompleks dibalik bentuk visualnya yang terlihat cantik dan estetis. Hasil penelitian ini diharapkan dapat memberikan pemahaman baru tentang representasi figur perempuan dalam seni rupa kontemporer khususnya dari sisi narasi visual dan identitasnya.
Eksplorasi Visual Flora dan Fauna dalam Ilustrasi Kontemporer Berbasis Medium Gutta Tamarind Diatas Kain Armani Wijaya, Olivedia Justin; Nafi, Diva Graciella Augusta; Djenmakani, Laurens Enrico; Baene, Basituasi; Wen, Karen Christl; Suryana, Wawan
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 11 No 4 (2025): Ideas: Pendidikan, Sosial, dan Budaya (November)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v11i4.2388

Abstract

This study discusses the visual exploration of flora and fauna in contemporary illustrations based on Armani fabric using the gutta tamarind technique. The purpose of this study is to identify the visual advantages of natural organic forms when processed through a creative experimental approach in textile painting courses. The method used is a creative experimental method with an artistic approach that includes four stages, namely visual exploration, creation of works, analysis of works, and conclusions. Visual exploration is carried out through visual observation, data collection, and literature studies with relevant sources. The creation stage focuses on the application of the gutta tamarind cold wax technique and the exploration of natural and pastel colors. The use of cold wax includes the stages of line formation, coloring, drying, and repeated washing within a period of one to two weeks. The analysis of the work emphasizes that the combination of the entire process can create imaginative visuals. The results of this study confirm that the gutta tamarind technique on Armani fabric has the potential to produce distinctive and unique visual qualities through a combination of lines, motifs, shapes, textures, and colors. Although the gutta tamarind technique is not yet widely used, the findings of this study can be a source of information that can be used and developed further by the community in the process of community development and art practice
Co-Authors Ariesa Pandanwangi Dewi Isma Aryani Djenmakani, Laurens Enrico Ernawan, Erika Nafi, Diva Graciella Augusta Sanjaya, Jesslyn Suryana, Wawan Wangsaputra, Priscylia Susanto Wen, Karen Christl Wijaya, Olivedia Justin