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All Journal Titian: Jurnal Ilmu Humaniora Kalijaga Journal of Communication Pancasila: Jurnal Keindonesiaan
Clumpers, Pieter-Jan
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Suwardi Suryaningrat's Version of the Song L'internationale Based on History, Song Interpretation, and Song Structure Yuwono, Ardi Tri; Sebastian, Andi; Clumpers, Pieter-Jan
Titian: Jurnal Ilmu Humaniora Vol. 8 No. 2 (2024): Desember 2024
Publisher : Fakultas Ilmu Budaya, Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/titian.v8i2.39603

Abstract

L'internationale is a poem written by Eugène Edine Pottier in 1873. In 1888, the poem was converted into a song by Pierre Chrétien De Geyter and since then L'internationale has been rendered into multiple languages globally, including Indonesian. Suwardi Suryaningrat translated the song L'internationale into Indonesian in 1920. This study aims to find out Suwardi Suryaningrat's cause for translated the song into Indonesian as well as the interpretation and analysis of Suwardi Suryaningrat's version of the L'internationale song. The methods used in this study are musicological analysis and historical methods with a qualitative approach. Suwardi Suryaningrat's reason for translating the song L'internationale into Indonesian is related to his habit of writing and translating foreign languages into Indonesian. The song L'internationale version of Suwardi Suryaningrat conveys a message about liberation from oppression carried out by the colonizers. The song consists of three parts that are organized by following a strophic pattern and a 4/4-time signature.
The Development of Indonesian Press Freedom in the Period of Old Order (1950-1965) Sebastian, Andi; Yuwono, Ardi Tri; Clumpers, Pieter-Jan; Basara, Mustafa
Kalijaga Journal of Communication Vol. 7 No. 1 (2025)
Publisher : Communication and Islamic Broadcasting Study Program, Faculty of Da'wah and Communication, Universitas Islam Negeri Sunan Kalijaga Yogyakarta, Yogyakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/kjc.71.01.2025

Abstract

Freedom of the press is a basic principle that affirms that communication and expression through various channels, including publications, must be seen as a right that can be exercised without restrictions. However, during the Old Order period (1950-1965), the condition of the press in Indonesia fluctuated. This research aims to explore more deeply about press freedom in the Old Order era. The method used in this study is a historical method with a qualitative approach. In 1950-1956, the Indonesian press enjoyed a significant degree of freedom, where they could criticize the government through the print media. However, starting in 1956, signs of a decline in press freedom began to be seen, caused by the Old Order government's discomfort with criticism made by the press. In 1958, the government began to control the press by requiring a Printing Permit. When President Soekarno consolidated his power and began the era of guided democracy (1959-1965), press freedom in Indonesia effectively ended. This resulted in the press being under the control of Sukarno's power, although the press succeeded in overthrowing the power after the G30S incident in 1965.
Ethics of Writing History in the Axiological Perspective of Pancasila Yuwono, Ardi Tri; Braake, Gijsbert ter; Clumpers, Pieter-Jan
Pancasila: Jurnal Keindonesiaan Vol. 5 No. 2 (2025): VOLUME 5 ISSUE 2, OCTOBER 2025
Publisher : Badan Pembinaan Ideologi Pancasila

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52738/pjk.v5i2.849

Abstract

History is not merely a record of the past but an interpretation that shapes national identity and collective memory. In Indonesia, historical writing often faces challenges, such as political bias, Java-centrism, and narrative injustice, which contradicts the values of Pancasila. This study aims to analyze the relevance of Pancasila as an axiological framework to strengthen integrity and justice in historiographic practices. Using a qualitative approach with a normative framework design, this research examines historiographic texts, through thematic content analysis, hermeneutics, and critical discourse analysis. The findings indicate that Pancasila’s principles, Belief in the One and Only God, Just and Civilized Humanity, The Unity of Indonesia, Democracy guided by wisdom through deliberation and representation, and Social Justice for All the People of Indonesia, offer concrete ethical guidelines for historians. For instance, the principle of Social Justice mandates proportional representation, while Unity demands decentralization of historical narratives beyond Java. Meanwhile, the value of Divinity demands moral integrity in historical verification, the value of Humanity requires dignified representation of all subjects, and the value of Democracy requires inclusive participatory methods. However, the study also identifies challenges, such as political intervention and limited access. The case study of the 1965 Tragedy shows how the official narrative is dominated by a version of the regime that ignores the perspective of the victim and violates the principles of Humanity and Social Justice. This research contributes a critical synthesis of Pancasila values with global historiographical theories, providing an operational framework for ethical historical writing that is both contextually grounded and transformative.
Co-Authors Ardi Tri Yuwono Basara, Mustafa Braake, Gijsbert ter Sebastian, Andi