RIZKYHIMAWAN, ADHYTIA
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Inovasi Evaluasi Pembelajaran Elemen Seni Lukis Berbasis Crossword RIZKYHIMAWAN, ADHYTIA; Wahyu Lestari; Udi Utomo
Jurnal Senirupa Warna Vol. 13 No. 1 (2025): Lokalitas dan Universalitas
Publisher : Faculty of Arts and Design, Jakarta Institute of the Arts

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36806/jsrw.v13i1.191

Abstract

This study aims to explore the potential for innovation in the evaluation of learning elements of painting based on crosswords in the context of education, learning painting has an important role in developing students' abilities to observe, imagine, and communicate through visual mediums. However, traditional evaluation is often limited to written tests or practical projects that may pay less attention to aspects of students' creativity and imagination. Therefore, innovation is needed in the evaluation of learning elements of painting. One interesting approach is to use game elements in the evaluation process, such as crosswords. This study uses research and development methods referring to Sugiyono and data collection techniques through observation, interviews, and documentation. Data were analyzed using an interactive method explained by Prof. Tjetjep Rohendi Rohidi. It is hoped that by introducing painting crosswords as a medium in learning, students can be more involved in the process of learning painting, increase their understanding of important concepts, and develop critical thinking skills and creativity. Suggestions for teachers are to utilize this evaluation tool in other subjects, with the implications of using technology in independent curriculum-based learning.
Aesthetic Representation of the Character Values of Tolerance and Nationalism in Chinese-Motif Batik Lasem Rizkyhimawan, Adhytia; Syah, Naziah Nilda; Suparti
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.30148

Abstract

This study explores the aesthetic representation of tolerance and nationalism as character values embedded in the visual elements of Chinese-motif Batik Lasem. As a cultural artifact rooted in a history of intercultural exchange, Batik Lasem reflects not only artistic beauty but also deep social and moral meanings. Using a qualitative descriptive approach, this research employs visual analysis to examine the formal elements—such as color, shape, composition, and symbolism—found in selected Chinese-influenced Batik Lasem patterns. The findings reveal that the fusion of Chinese and Javanese visual motifs embodies messages of cultural harmony, mutual respect, and national identity. The aesthetic choices made by artisans—ranging from symbolic flora and fauna to harmonious compositions—serve as a medium to communicate values of tolerance and national pride. This study contributes to the field of visual communication design by demonstrating how traditional art forms can function as effective channels for character education and interethnic understanding through visual aesthetics.
Genealogical Inheritance Model of Javanese Coastal Batik: a Double Case Study on Batik-Making Families in Lasem and Tuban RIZKYHIMAWAN, ADHYTIA; Eko Sugiarto; Wandah Wibawanto
Catharsis Vol. 13 No. 1 (2024): June 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Coastal Batik is a traditional artistic expression that thrives in the coastal areas of Indonesia, known for its beauty and resilience of character. The aims of this research are: (1) to examine and describe the special characteristics of Pesisir Batik work produced by batik-making families in Lasem and Tuban; (2) to analyze how various social, economic, and cultural aspects influence the practice of batik in families in Lasem and Tuban; and (3) to investigate the model or pattern of inheritance of batik skills and the Coastal Batik tradition in batik-making families in Lasem and Tuban. This research uses qualitative approach  with a multiple case study research design and an art anthropology approach. Research data were collected using three techniques: observation, interviews, and documentation studies. Data analysis employs interactive analysis according to Milles & Huberman's view, which includes data reduction, data presentation, and drawing conclusions. Based on the results of this research, in the family realm, the inheritance process can be achieved through three methods: (1) conditioning, (2) imitation or modeling, and (3) internalization or learning to cope. This research reveals the complexity of the inheritance of cultural traditions. Cultural, social, and economic factors play a significant role in shaping batik practices in both regions. It also highlights how batik-making families strive to maintain their traditional heritage while adapting to changing times. The implications of this research extend to a deeper understanding of cultural preservation efforts in an ever-changing context, providing valuable insights for cultural preservation in Indonesia.
Perancangan Logo Sebagai Representasi Nilai dan Filosifi PT. Tunas Mekar Group Kota Semarang Sirojuddin, Muhammad; Suparti, Suparti; Rizkyhimawan, Adhytia
Jurnal Teknik Informatika dan Desain Komunikasi Visual Vol 4 No 2 (2025): Jurnal Teknik Informatika dan Desain Komunikasi Visual
Publisher : Fakultas Komputer Dan Desain

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51792/jtd.v4i2.02

Abstract

PT. Tunas Mekar Group, perusahaan yang bergerak dibidang jasa transportasi penumpang, pengiriman barang dan logistik di Kota Semarng, menyadari pentingnya identitas visual dalam membangun citra perusahaan ditengah persaingan industri. Hingga saat ini, perusahaan belum memiliki logo yang secara optimal mempresentasikan nilai dan filosofi yang dianut. Penelitian ini bertujuan merancang logo yang tidak hanya menarik secara visual, tetapi juga mampu, mencerminkan visi, misi, serta komitmen perusahaan terhadap kualitas dan pelayanan berkelanjutan. Metode yang digunakan mencakup studi literatur, wawancara, observasi, serta analisis elemen visual, dengan pendekatan desain grafis dan teori semiotika visual sebagai dasar perancangan. Hasilnya adalah logo baru yang menggambarkan kekuatan, profesionalisme dan dedikasi perusahaan, serta diharapkan mempu memperkuat identitas visual PT. Tunas Mekar Group secara menyeluruh.
Karya Seni Scribble Wajah Pahlawan Indonesia sebagai Upaya Mengingat Jasa Pahlawan terhadap Generasi Muda Rizkyhimawan, Adhytia; Susilo, Mas Bayu; Suparti, Suparti
Jurnal Teknik Informatika dan Desain Komunikasi Visual Vol 4 No 2 (2025): Jurnal Teknik Informatika dan Desain Komunikasi Visual
Publisher : Fakultas Komputer Dan Desain

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51792/jtd.v4i2.08

Abstract

Art plays a crucial role in the commemoration and historical study of a nation. This research focuses on the use of scribble technique as a medium in visual art depicting portraits of Indonesian heroes. Using qualitative methods and Narrative Analysis, the study illustrates scribble as an effective medium in fostering appreciation for heroic works and reinterpreting historical values for younger generations. Thus, scribble emerges not only as a significant expression of creativity but also as a tool for historical education, inspiring the youth. The research highlights that scribble art possesses strong visual appeal and is accessible to younger audiences. Moreover, it underscores its utility as educational material for relearning the values of heroism. In conclusion, scribble art transcends mere creative expression to function as an innovative tool for historical education. Leveraging modern artistic media, it aims to enhance awareness and appreciation among the youth towards the contributions of national heroes.