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All Journal Buletin Al-Turas STUDIA ISLAMIKA Al-Zahra : Journal for Islamic and Arabic Studies Jurnal Adabiyah Hikmah : Journal of Islamic Studies Aphorisme: Journal of Arabic Language, Literature, and Education Linguistics Initiative LISANIA: Journal of Arabic Education and Literature
Yaniah Wardani
UIN Syarif Hidayatullah Jakarta
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Al-Imsal al-Arabiyah Fununuha wa ilwanuha Wardani, Yaniah
Buletin Al-Turas Vol 11, No 1 (2005): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v11i1.6788

Abstract

The proverb in Arabic Literature study consisted of five kinds: proverb of wisdom (al-Amsal Hikamiyah), Proverb of history (al-Amsal al-Tarikhiyah), Proverb of the nation (al-Amsal al-Syababiyah), Proverb of mistic (al-Amsal al-Fukahiyah). These proverbs above widely developed in the era of Jahiliyah and the first Islamic period. They also played a very important role in improving the Arabic literature.
Al-Ḥadāthah al-Islāmīyah al-mutaghayyirah: Ṣuwar li al-ṣūfīyah al-ḥaḍarīyah fī Indonesia wa Pakistan R. Yani'ah Wardani; Muhammad Nida' Fadlan
Studia Islamika Vol 28, No 3 (2021): Studia Islamika
Publisher : Center for Study of Islam and Society (PPIM) Syarif Hidayatullah State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36712/sdi.v28i3.17453

Abstract

Over the last few decades, socio-religious changes in the middle-class Muslim community have transformed individual conceptions of what it means to be a ‘modern’ Muslim. It can be practiced even in conventional ways; joining a Sufi order (tarekat) group. This way refutes the perception of some groups who stigmatize Sufism as a ‘people’s religion,’ a form of rural religious practice. This article depicts Indonesia and Pakistan’s urban middle-class Muslim trend to practice the Qadiriyah tarekat. Although using the classical Sufism method, the middle-class Muslim in both countries still practice Sufism in a modern trend. This tarekat can facilitate the middle-class Muslim community to achieve a degree of ‘unity with God’ by using the tools of modernity. Besides its role as a medium for psychological therapy in the modern era, the Qadiriyah tarekat also contributes to various government programs, especially in anticipating humanitarian conflicts, preventing radicalism, strengthening harmony between communities, and initiating women’s empowerment movements.
DEVELOPING RELIGIOUS MODERATION IN STATE ISLAMIC RELIGIOUS COLLEGE INDONESIA: TEXT AND CONTEXT-BASED UNDERSTANDING OF ISLAM Wardani, Yaniah; Siti Sajaroh, Wiwi; Suprapto
Jurnal Adabiyah Vol 22 No 1 (2022): June (Islamic Humanities)
Publisher : Faculty of Adab and Humanities - Alauddin State Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/jad.v22i1a1

Abstract

The presence of religious moderation in Indonesian society with the emergence of radical groups has become hope for people who crave a comfortable life in religion. This paper aims to find out how students understand the text (verses of the Qur'an and Hadith) according to the context of religious moderation. In addition, how to prevent the emergence of Radicalism and provide solutions to academics in developing an attitude of religious moderation in Indonesia. The method used in this study is a mixed method, namely by using qualitative and quantitative research. Qualitative research is carried out by reviewing various literatures, in-depth interviews, participating in observations, and FGDs with resource persons who are experts in their fields. While quantitative research uses Linear Regression Analysis through IBM SPSS data processing which is the strengthening data from the literature study on Text-Based and Context-Based Islamic Understanding in Developing Religious Moderation in State Islamic Higher Education which was carried out in five universities in Indonesia. This study aims to get a positive response from the UIN academic community about the importance of understanding religious moderation. This is based on the results of the T-test and description of the data which shows that students have the same perception in responding to the statements presented in the results of surveys, interviews, and FGDs. The implementation strategy is to socialize the understanding of religious moderation based on the text and context in the curriculum and the importance of establishing religious moderation institutions/schools on campus. الملخص أصبح وجود الاعتدال الديني في المجتمع الإندونيسي مع ظهور الجماعات المتطرفة أملًا للأشخاص الذين يتوقون إلى حياة مريحة وصحية في الدين. تهدف هذه الورقة إلى معرفة كيفية فهم الطلاب للنص (آيات من القرآن والحديث) وفقًا لسياق الوسطية الدينية. إلى جانب ذلك ، كيفية منع ظهور الراديكالية وتقديم الحلول للأكاديميين في تطوير موقف الاعتدال الديني في إندونيسيا. الطريقة المستخدمة في هذه الدراسة هي الطريقة المختلطة ، أي باستخدام البحث النوعي والكمي. تم إجراء بحث نوعي من خلال مراجعة الأدبيات المختلفة ،والمقابلات المتعمقة ، والمشاركة في الملاحظات ، وعمل مجموعات التركيز مع أشخاص ذوي خبرة في مجالاتهم. بينما استخدم البحث الكمي تحليل الانحدار الخطي من خلال معالجة بيانات IBM SPSS والتي أصبحت البيانات المعززة من الدراسات الأدبية حول التفاهم الإسلامي القائم على النص والقائم على السياق في تطوير الاعتدال الديني في الكلية الدينية الإسلامية التابعة للدولة ، والتي تم إجراؤها في خمس جامعات في إندونيسيا . يهدف هذا البحث إلى الحصول على رد إيجابي من المجتمع الأكاديمي التابع لكلية الدين الإسلامي في الدولة الإسلامية حول أهمية فهم الوسطية الدينية. ويستند إلى نتائج اختبار T وأوصاف البيانات التي تظهر أن الطلاب لديهم نفس التصور في الاستجابة للبيانات المقدمة في الاستطلاعات والمقابلات ونتائج مجموعات النقاش المركزة. تتمثل استراتيجية التنفيذ في إضفاء الطابع الاجتماعي على فهم الاعتدال الديني بناءً على النص والسياق في المناهج الدراسية وأهمية إنشاء مؤسسات / مدارس للاعتدال الديني .في الحرم الجامعي
القيم البلاغية في ثلاثيات البردة وانتشارها في اندونيسيا ومصر: دراسة موازنة Wardani, Yaniah
Jurnal Adabiyah Vol 23 No 1 (2023): June (Islamic Humanities)
Publisher : Faculty of Adab and Humanities - Alauddin State Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/jad.v23i1a2

Abstract

The rise of poets from every generation wrote poems in praise of the Prophet Muhammad SAW called Kasidah Burdah. However, due to limited information, not all literary works of the Kasidah Burdah are known. Literary scholars and researchers conclude into three great Burdah or known as "Tsulatsiyatul Burdah" written by Ka'ab bin Zuheir, Al-Bushiry and Ahmad Syauqy. This research discusses how Great Burdah works from the above poets compared from the aesthetic aspect of the beauty of the language and the aspect of its spread among Muslims in Indonesia and Egypt. The result of this study shows the Great Burdah works of the poets above have the same theme of praising the Prophet Muhammad SAW using the same Bahar but different Qafiyah with different numbers of stanzas. The differences also exist in aesthetic aspects such as diction and style of tasybih and isti'arah (metaphor) chosen by each poet. When viewed from the side of literary aesthetics, Burdah Ka'ab is more superior than others, because there are many imaginary languages and the classical language Jahily is full of tasybih, isti'arah as well as the form of symbols of women, camels and Indian swords. This is in contrast to Al-Bushiry and Ahmad Syauqi who were full of Islamic ideas using a literary language that was relatively easy to understand. Tsulatsiyatul Burdah (Great Burdah) spreads throughout Islamic countries in the world, including Indonesia and Egypt. In Indonesia, it spreads in religious assembly, Islamic boarding schools even in universities. While in Egypt it spreads in the society, sufi madrasas, universities and also in opera (arts halls). الملخص إن الشعراء عبر العصور الذين ألفوا قصيدة في مدح النبي صلى الله عليه وسلم المعروفة بـــــ " قصيدة البردة" جم غفير، ولكن بسب قصر المعلومات الموثقة الموجودة تؤثر على عجز العثور على معرفة جميع القصائد المذكورة، كما أن الخبراء والباحثين في مجال الأدب العربي استنتجوا بعد البحث إلى ثلاثيات البردة المشهورة وهي : قصيدة البردة لكعب بن زهير وقصيدة للبوصيري وقصيدة أحمد شوقي. والغرض من هذا البحث عن ثلاثيات البردة بدراسة موازنة من الناحية البلاغية وانتشارها في إندونيسيا ومصرمستخدما نظرية دراسة الأدب المقارن. ونتيجة هذا البحث أن ثلاثيات البردة تتفق في القضية التي تكلمت عنها تعنى مدح النبي صلى الله عليه وسلم كما اتفقوا على استخدام البحر البسيط مع اختلاف القوافي لكل منها وعدد الأبيات كما اختلفوا كذلك في ناحية البلاغة في اختيار العبارات والكلمات واستعمال التشبيهات والاستعارات . واذا قمنا بدراسة المقارنة الدقيقة نجد أن قصيدة كعب فاقت الاخريتين من الناحية الخيالية والمجازية واستعمال الكلمات الجاهلية القديمة والاستعارات المتنوعة مثل كنايات المرأة والجمل والسيف ونحوها. أما قصيدتي البوصيري وشوقي فاضت بالقيم الإسلامية واستعمال العبارات السهلة السلسة، كما أن ثلاثيات البردة وبوجه خاص قصيدة البردة للبوصيري قد انتشرت انتشارا واسعا في أقطار العالم بما فيه اندونيسيا ومصر ، وفي اندونيسيا انتشرت في مجالس التعليم والمعاهد الدينية والجامعات بينما في مصر انتشرت في وسط شعبها والمدارس الدينية وحلق العلم ومجالسه ومجالس شيوخهم ومجالس الطرق الصوفية ومراكز عرض الفنون والأشعار والأدب العربي مثل اوبر هوس . الكلمات الإفتتاحية: القيم البلاغية - ثلاثيات البردة - اندونيسيا - مصر Abstrak Maraknya para penyair dari setiap generasi menulis syair pujian kepada Nabi SAW yang dinamakan Kasidah Burdah. Akan tetapi karena keterbatasan informasi sehingga tidak diketahui semua karya sastra Kasidah Burdah tersebut. Para pakar dan peneliti sastra menyimpulkan menjadi tiga Burdah besar (Great Burdah) atau dikenal “Tsulatsiyatul Burdah” yaitu Burdah yang ditulis Ka’ab bin Zuheir, Al-Bushiry dan Ahmad Syauq. Penelitian ini membahas tentang sastra banding dari aspek estetika keindahan bahasanya dan bagaimana pula penyebarannya di kalangan umat Islam di Indonesia dan Mesir. Hasil dari penelitian ini, Great Burdah memiliki tema yang sama yaitu memuji Nabi SAW, dengan memakai Bahar yang sama tetapi Qafiyah berbeda dengan jumlah baitnya pun berbeda. Perbedaan pula terdapat dalam aspek estetika seperti diksi dan gaya bahasa tasybih dan isti’arah. Burdah Ka’ab lebih unggul dari yang lainnya, karena terdapat banyak ungkapan bahasa khayal dan klasik Jahily sarat dengan tasybih, isti’arah juga bentuk simbol perempuan, unta dan pedang India. Hal ini berbeda dengan Al-Bushiry dan Ahmad Syauqi yang sarat gagasannya islami dengan memakai bahasa sastra yang relatif mudah dipahami. Dari sisi penyebarannya, Tsulatsiyatul Burdah (Great Burdah) tersebar di seluruh negara di dunia termasuk di Indonesia dan Mesir. Di Indonesia tersebar di majelis ta’lim, pesantren, bahkan di perguruan tinggi. Sedangkan di Mesir banyak tersebar selain di masyarakat, madrasah sufi, perguruan tinggi, juga di tempat-tempat hiburan seperti opera (gedung pertunjukan seni). Kata Kunci: Estetika; Great Burdah; Indonesia; Mesir
al-Jamāliyyah al-Uslūbiyyah fī Qaṣīdah Muʾtamar Nahḍah al-‘Ulamā` li al-Kiyāhi al-Ḥājj Afīfuddīn Muhājir: الجمالية الأسلوبية في قصيدة مؤتمر نهضة العلماء للكياهي الحاج عفيف الدين مهاجر Yaniah Wardani; Suci Ramadhani; Aghnin Khulqi
LISANIA: Journal of Arabic Education and Literature Vol. 8 No. 2 (2024)
Publisher : Fakultas Tarbiyah dan Ilmu Keguruan IAIN Salatiga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/lisania.v8i2.275-296

Abstract

This research aims to reveal the contents of the Nahdlatul Ulama Muktamar Poetry written by KH Afifuddin Muhajir. This research uses Syihabuddin Qalyubi's stylistic theory as a tool. This poem is his offering to NU at the 34th Congress in Lampung. The aim of this research is also to try to reveal the beauty of the language of the Qasidah of the NU Congress using five levels, namely phonological, morphological, grammatical, semantic, and imagery theory. This research uses qualitative research with a literature review, namely by reviewing and analyzing data sourced from primary and secondary references that are still related to the topic of discussion. The results of this research prove that in terms of the content of this Qasidah, it includes the poet's praise for NU, the poet's hope for the success of the NU Congress, and the election of the best new leader. Meanwhile, from a stylistic perspective, it was found that qafiyah and bahar were by the content of the qasidah at the phonological level, the use of fi’il forms that were by the meaning of the qasidah at the morphological level, various sentence structures at the grammatical level, the existence of musytarak lafdzi at the semantic level, the discovery of tasybih and majaz at the level of imagery. So, it can be concluded that the language style of this Qasidah is beautiful because it fulfills every stylistic sub-theory.
Deskripsi Surga dalam Syair Ibnu Qayyim Al-Jawziyyah dan Nāzik Al-Malā’ikah; Kajian Sastra Banding Saidah, Siti Roudhotus; Wardani, R. Yaniah; Rokhim, Minatur; Pratama, M. Haikal Habibi; Auliyah, Nurul
Aphorisme: Journal of Arabic Language, Literature, and Education Vol. 6 No. 2 (2025): Arabic Language, Literature, and Education
Publisher : Study Program of Arabic Language Teaching

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/aphorisme.v6i2.8595

Abstract

This study compares two Arabic poems from different historical periods, namely Waṣf al-Jannah by Ibn Qayyim al-Jawziyyah and Ādam wa Firdawsuhu by Nāzik al-Malā’ikah, to examine how each poet constructs the imagery and meaning of paradise within distinct aesthetic systems. The research employs a qualitative literary approach based on Wellek and Warren’s intrinsic and extrinsic framework, complemented by Tötösy de Zepetnek’s systemic approach. The data consist of poetic texts that represent images, symbols, and thematic expressions of paradise in both poems. The primary data are drawn from recognized editions of Waṣf al-Jannah, contained in Hādī al-Arwāḥ ilā Bilād al-Afrāḥ, and Ādam wa Firdawsuhu, included in Nāzik al-Malā’ikah al-Mujalladu al-Awwal. The secondary data are obtained from relevant scholarly studies in Arabic literary criticism. Data were collected through close reading and textual documentation focusing on diction, imagery, symbolism, and emotional tone related to the representation of paradise. Data analysis was conducted by examining intrinsic elements such as theme, imagery, diction, and symbolism, as well as extrinsic aspects including socio-historical context and literary conventions, which were then interpreted using a systemic perspective. The findings suggest that Ibn Qayyim portrays paradise through vivid sensory imagery inspired by Qur’anic descriptions, employing metaphors of light, gardens, flowing rivers, and eternal rewards to evoke spiritual longing and reinforce religious motivation. In contrast, Nāzik portrays paradise as an inner and psychological realm marked by loss and existential tension, using symbolic language to reflect modern concerns such as violence, alienation, and human fragility. The study concludes that representations of paradise are shaped not only by theological perspectives but also by cultural and aesthetic environments, demonstrating how poetic discourse bridges classical and modern Arabic literary traditions.
SIMBOLISME IMAJINATIF DAN NUANSA SUFISTIK DALAM TASYBIH QASHIDAH AL-BURDAH Ekawati Ekawati; Yaniah Wardani; Ratna Dewi
Hikmah: Journal of Islamic Studies Vol 21, No 2 (2025): Hikmah Journal of Islamic Studies
Publisher : STAI ALHIKMAH Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47466/hikmah.v21i2.347

Abstract

AbstractQasidah Al-Burdah by Imam Al-Busiri is a masterpiece of classical Arabic literature, renowned for its spiritual values and aesthetic linguistic qualities. This study aims to describe the forms of tashbih (simile) found in Qasidah Al-Burdah, analyze their symbolic meanings, and explore the function of tashbih as an imaginative medium for conveying religious and Sufi messages. The research employs a descriptive qualitative method with stylistic and literary symbolism approaches. Data were analyzed through identification, classification, and interpretation of the verses containing tashbih. The results reveal that tashbih in Qasidah Al-Burdah plays a significant role not only as a rhetorical device, but also as a poetic symbol that enriches spiritual values, prophetic love, and Sufi experiences. These findings highlight the contribution of tashbih as a bridge between language, imagination, and spiritual messages within the aesthetic framework of classical Arabic poetry.AbstrakQashidah Al-Burdah karya Imam Al-Busiri merupakan salah satu mahakarya dalam sastra Arab klasik yang memadukan nilai spiritual dan keindahan estetika bahasa. Penelitian ini bertujuan untuk mendeskripsikan bentuk-bentuk tasybih yang terdapat dalam Qashidah Al-Burdah, menganalisis makna simbolik yang dikandungnya, serta mengeksplorasi fungsi tasybih sebagai sarana ekspresi imajinatif dalam menyampaikan pesan religius dan sufistik. Metode yang digunakan adalah deskriptif kualitatif dengan pendekatan stilistika dan simbolisme sastra. Data dianalisis melalui identifikasi, klasifikasi, dan interpretasi bait-bait qashidah yang mengandung unsur tasybih. Hasil penelitian menunjukkan bahwa tasybih dalam Qashidah Al-Burdah berperan penting tidak hanya sebagai ornamen retoris, tetapi juga sebagai simbol puitis yang memperkuat nilai-nilai spiritual, cinta profetik, dan pengalaman sufistik. Temuan ini menegaskan kontribusi tasybih sebagai jembatan antara bahasa, imajinasi, dan pesan spiritual dalam kerangka estetika sastra Arab klasik.
The Rhetoric of Supplication and Emotional Intelligence in Ibn Hajar al-ʿAsqalānī's Bulugh al-Maram Daud Lintang; Sukron Kamil; Bambang Suryadi; Siti Amsariah; R. Yaniah Wardani
Al-Zahra : Journal for Islamic and Arabic Studies Vol. 23 No. 1 (2026): Al-Zahra: Journal for Islamic and Arabic Studies
Publisher : Fakultas Dirasat Islamiyah, Univitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/zr.v23i1.51188

Abstract

This study aims to analyze the asalib al-balaghah (rhetorical styles) found in selected prayers from Kitāb Bulūgh al-Marām by Ibn Ḥajar al-‘Asqalānī, focusing on three main branches of balāghah: al-bayān (figurative semantics), al-ma‘ānī (contextual semantics), and al-badī‘ (aesthetic language). This research also seeks to answer how the uslūb al-du‘ā (style of supplication) in Bulūgh al-Marām can influence emotional intelligence. This research uses descriptive-qualitative method and stylistic approach of balaghiyyah and generative transformative with the help of emotional intelligence theory. This research is a library research that searches for information through books, articles, and scientific journals. The primary source of this research is the book Bulugh al-Maram by Ibn Hajar al-‘Asqalani. The secondary sources are books and articles related to the theme of uslub al-balaghah and emotional intelligence. Data obtained from these two sources were analyzed using content analysis and comparative methods. The results show that the prayers are composed with a beautiful and rhetorical Arabic style, this beauty is seen in three elements of al-balaghah. First, the al-bayan element appears in the use of metaphors and parables that are able to evoke inner feelings. Second, the al-ma‘ani is seen from the sentence structure and word choice that is in harmony with the condition of the soul and feelings. Third, the al-badi'‘ element is present through the play of sound and the beauty of language styles that add emotional appeal. These three elements combine to create a prayer style that touches the heart and strengthens the spiritual connection between humans and God. This research also proves that asalib al-balaghah in these prayers such as al-tashbih, al-isti‘arah, al-kinayah, al- majaz, al- itnab, al-jinas, al-tibaq, al-saja’ are also factors in building emotional intelligence. The language style in these beautiful prayers is proven to instill the values of self-awareness (al-wa‘y al-dhati), self-control (dabt al-nafsi), self-motivation (al-tahfiz al-dhati), empathy (al-ta‘atuf) and social skills (al-maharat al-ijtima‘iyyah) which are fundamental aspects of emotional intelligence. Through field studies, this research also proves empirically that asa>li>b al-balaghah contained in prayers affects the psychology of its readers and the practitioners.
Balāghah analysis of the correspondence between al-Ḥajjāj ibn Yūsuf al-Thaqafī and Qaṭarī ibn al-Fujā’ah during the Battle of Dūlāb Rizka Khairianur; Isnayni Hadianti; Fitria Dinata; R. Yaniah Wardani
Linguistics Initiative Vol. 6 No. 1 (2026)
Publisher : Pusat Studi Bahasa dan Publikasi Ilmiah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53696/27753719.61419

Abstract

The Battle of Dūlāb was a conflict between the Khawārij al-Azāriqah group and the Umayyad Dynasty government, triggered by the Khawārij’s rejection of the Umayyad political and religious authority. This study aims to analyze the elements of balāghah contained in the correspondence between al-Ḥajjāj ibn Yūsuf al-Thaqafī and his adversary Qaṭarī ibn al-Fujā’ah, during this event. The research employs a qualitative method with a descriptive-analytical approach. Primary data consist of the letters exchanged between al-Ḥajjāj and Qaṭarī as found in classical sources, while secondary data are obtained from various literary works, historical documents, and relevant classical texts. The findings reveal three main results. First, from the perspective of ʿilm al-bayān, the study identifies 3 instances of tashbīh, 2 instances of majāz istiʿārah, and 2 instances of Kināyah. Second, from the perspective of ʿilm al-maʿānī, the analysis reveals 3 instances of kalām khabarī, 3 instances of kalām inshāʾī, 1 instance of qaṣr, 2 instances of iṭnāb, and 1 instance of Ījāz. Third, from the perspective of ʿilm al-badīʿ, the study identifies muḥassināt lafẓiyyah in the form of 5 instances of sajʿ, 3 instances of jinās, and 1 instance of iqtibās. In addition, muḥassināt maʿnawiyyah is represented 1 instance of ṭibāq.
Co-Authors Aghnin Khulqi Bambang Suryadi Daud Lintang Ekawati Ekawati Fadlan, Muhammad Nida' Fitria Dinata Isnayni Hadianti Nurul Auliyah, Nurul Pratama, M. Haikal Habibi Ratna Dewi Rizka Khairianur Rokhim, Minatur Saidah, Siti Roudhotus Siti Amsariah Siti Sajaroh, Wiwi Suci Ramadhani Sukron Kamil SUPRAPTO