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Fadri Rahmat
Institut Seni Indonesia Padang Panjang
Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Smock Jepang pada Busana Exotic Dramatic Style Yusuf Pahreza; Fadri Rahmat; Nofi Rahmanita; Dini Yanuarmi
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/avpccs17

Abstract

This article is entitled " Japanese Smock Sewing Decorative Techniques on Exotic Dramatic Style Clothing". The creation of this work was inspired by an exotic dramatic style that displays a more expressive impression and elevates elements of local culture and wisdom. The artist embodies this concept into clothing by using Lurik Woven Fabric and Silungkang Songket combined with Satin material. The clothing created consists of three levels of clothing, namely Ready to Wear, Ready to Wear Deluxe, and Haute Couture. In the creation of this work, the artist uses the Japanese smock technique which will produce a raised texture in the form of waves arranged regularly to create decorative flowers. The choice of the Japanese smock technique is also based on the artist's experience in learning the technique through fabric manipulation during college so that the artist understands the character and visual potential that will be produced. The materials used in the creation of the work are Donatello satin fabric, Lurik woven fabric, Silungkang songket. The creation method starts from searching for sources of ideas and references, making designs, selecting materials, to changing the work. The results of the work show that the application of Japanese smocking techniques to Exotic Dramatic Style clothing is able to produce a unique clothing appearance through the Fabric Manipulation Technique.
De Stijl Busana Classic Elegant Silwi Azizah; Mega Kencana; Mirda Aryadi; Fadri Rahmat
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/ahf44018

Abstract

final project entitled “Grid in Motion: De Stijl Classic elegant Fashion” is a fashion design project that adopts De Stijl as the primary source of inspiration. De Stijl is a modern art movement that emphasizes simplicity through the use of horizontal and vertical lines, geometric forms, and a combination of primary and neutral colors. This concept is combined with the characteristics of classic elegant fashion, which is known for its neat, graceful, sophisticated, and timeless appearance. This project presents three categories of garments: ready to wear, ready to wear deluxe, and haute couture. These garments are created using semi-wool and lurik gerimis fabrics. The De Stijl concept is implemented through patchwork techniques to create geometric compositions, which are further enhanced using quilting  techniques and bead embellishments arranged along horizontal and vertical lines. The creative process consists of three stages: exploration, design development, and realization. The resulting collection, Grid in Motion, consists of three designs: Linear Motion, Framed Rhythm, and Dynamic Composition. This project aims to create aesthetically pleasing and functional garments while demonstrating that the visual principles of De Stijl can be successfully applied to classic elegant fashion without diminishing its elegant and modern character.
Penciptaan Busana Feminine Romantic Style  Terinspirasi dari Bunga Celosia Cristata Annisa Rizki; Desi Trisnawati; Novina Yeni Fatrina; Fadri Rahmat
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/2cw3ct78

Abstract

designers in creating clothing that has a strong aesthetic value and character. One of the fashion styles that remains in demand today is the Feminine romantic style. This style displays a soft, graceful impression, through silhouettes, decorative, and soft color choices. The work entitled "Feminine romantic style inspired by the celosia cristata flower" the creation of this clothing has the aim of designing and realizing feminine clothing inspired by the wavy celosia cristata flower. The method of creating this work uses three stages, the first is exploration, namely the process of finding ideas in creating clothing, the second is designing, namely the stage of making sketches and designs, and the third is realization, namely the process of creating works that begin with pattern making, sewing, and ending with finishing. The color selection is a derivative of the pink color of the celosia cristata flower. The materials used are yamaha silk, kawasaki silk, maxmara, tile sugar candy, organza, satin bridal, and Songket Silungkang. The sewing realization process uses ruffle techniques and sequin embroidery techniques. This work is realized in three levels of ready to wear clothing, ready to wear deluxe, and haute couture. This outfit can be worn at fashion shows. It is hoped that this work will inspire innovation in future creations
Art of Beat Style dengan Teknik Cut Out Dinda Dinda; Fadri Rahmat; Desra Imelda; Mirda Aryadi
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/cva77b34

Abstract

This fashion work is based on the development of fashion that increasingly emphasizes freedom of expression and the exploration of form in design. The Art of beatstyle was chosen as the source of inspiration due to its eccentric, creative, and unconventional visual characteristics. The purpose of this creation is to produce fashion designs that represent freedom of expression through the application of fabric manipulation techniques, particularly the cut-out technique, combined with Sashiko as a decorative element. The creation process consists of several stages, including idea exploration, design development, technical experimentation, pattern making, production, and presentation. Visual inspiration is realized through organic forms applied to the cut-out technique, creating the interplay of space, texture, and visual dimensions within the garments. The Sashiko technique is utilized to enrich surface details and enhance the aesthetic value of the designs. The final collection consists of three fashion categories: Ready-to-Wear entitled “Ruang Celah” (The Space of Gaps), Ready-to-Wear Deluxe entitled “Ruang Tumbuh” (The Growing Space), and Haute Couture entitled “Ruang Antara” (The Space Between). These three works embody the characteristics of Art of beatthrough the use of contrasting colors, organic forms, and increasingly complex cut-out explorations in each category. The collection demonstrates that the cut-out technique functions not only as a decorative element but also as a means of creating an expressive, dynamic, and artistic visual identity in fashion design.
Penciptaan Busana Art of Beat Style  Menggunakan Teknik Fabric Thread Collage Bidayatunnisa’i Bidayatunnisa’i; Fadri Rahmat; Desi Trisnawati; Desra Imelda
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/120tke04

Abstract

This work, titled "Art of Beat Style with Fabric Thread Collage," is inspired by the freedom of contemporary visuals manifested in eccentric, artistic, and antimainstream fashion concepts. The garments are designed with dynamic asymmetrical cuts to challenge mainstream mass trends. The Art of Beat concept is visualized on the fabric surface through rich textural plays and striking, contrasting color combinations. The creator integrates Batik Truntum from Surakarta to elevate local elements and the deep philosophical meanings of tradition combined  into contemporary fashion. The color palette selection employs bold and clashing hues, namely red, yellow, pink, blue, and turquoise. The materials used in this collection include woolpeach, toyobo, texas, drill, organza, tulle, woolen threads, and Batik Truntum as the combination fabric. The creation method begins with the preparation (exploration) stage, which involves field surveys through visual observations of international designers' fashion show videos, literature reviews to gather relevant theoretical foundations, and formulating visual design ideas through moodboard compilation. The primary techniques utilized in this work are fabric thread collage (fabric surface manipulation using free-motion stitching), double-edged ruffle technique, flounce technique, and pearl bead embellishments. The final realized collection consists of three tiers of fashion lines: ready-to-wear titled (The Beat Play), ready-to-wear deluxe, and haute couture.
Busana Kontemporer Terinspirasi  dari Bentuk Angsa Vina Okta Sari; Mirda Aryadi; Nofi Rahmanita3; Fadri Rahmat
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/cgtrpg88

Abstract

The creation of this work was inspired by the beauty of the swan's form, which possesses distinctive visual characteristics such as a long curved neck, layered feathers, and graceful movements. These characteristics were used as the main source of inspiration in designing contemporary fashion through the application of embroidery techniques as the primary decorative element. The objectives of this project were to design, realize, and present a contemporary fashion collection inspired by the form of a swan. The creation method consisted of three stages: exploration, design, and realization. The exploration stage was conducted through direct observation of swans and literature studies related to the topic. The design stage included trend analysis, moodboard development, alternative sketch creation, and design selection. The realization stage involved the process of garment construction by applying embroidery and beadwork techniques. The materials used included satin bridal fabric, Angso Duo batik fabric, organza, and other supporting materials.The final works consisted of three fashion categories: Ready-to-Wear, Ready-to-Wear Deluxe, and Haute Couture. The characteristics of the swan were represented through embroidered motifs, wing- and feather-inspired garment details, and the use of earth-tone colors such as dark brown, mocha, and cream. The resulting collection combines traditional and modern elements, creating contemporary fashion pieces that are unique, aesthetically appealing, and possess strong artistic value.
Co-Authors Annisa Rizki Bidayatunnisa’i Bidayatunnisa’i Desi Trisnawati Desra Imelda Dinda Dinda Dini Yanuarmi Mega Kencana Mirda Aryadi Nofi Rahmanita Nofi Rahmanita3 Novina Yeni Fatrina Silwi Azizah Vina Okta Sari Yusuf Pahreza