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Journal : Excellence

Students’ L2 Motivation Shift in Two-Year Access Microscholarship Program Khasanah, Wirdatul
EXCELLENCE: Journal of English and English Education Vol 5 No 1 (2025): EXCELLENCE
Publisher : English Education Study Program FKIP Universitas Alwashliyah Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47662/ejeee.v5i1.1137

Abstract

This study investigates the changes in English learning motivation among Indonesian university students participating in the US-sponsored English Access Microsholarship program. Using Dornyei’s L2 Motivational Sels system as a framewrok, the research examines students’ motivation before and after the program. Using semi-structured interview as the main data collection, this study found that students joining Access program in Jember experienced motivational changes after 2 years. They shifted from local oriented into more internationally driven motivation to learn English. The findings also found that positive learning experiences and cultural exposures can transform learner’s goals and attitudes.
Reading Tim Blake Nelson’s O Adapting and Obfuscating Othello’s Blackness Umayfa, Suyanti Fatma; Khasanah, Wirdatul; Imaduddin, Muhammad
EXCELLENCE: Journal of English and English Education Vol 5 No 1 (2025): EXCELLENCE
Publisher : English Education Study Program FKIP Universitas Alwashliyah Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47662/ejeee.v5i1.1157

Abstract

This study analyzes Tim Blake Nelson’s “O” (2001) as a modern film adaptation of William Shakespeare’s “Othello”, with particular attention to the representation of Blackness and how it is reshaped or obscured in the cinematic form. Using a qualitative, interpretative textual analysis method, the research explores how racial identity, which is central in the original play, becomes muted or recontextualized in the film adaptation. The study applies adaptation theory, semiotic analysis, and critical race theory to examine both narrative and visual elements of the film—including dialogue, characterization, cinematography, and symbolism. Through a comparative framework, the analysis identifies key thematic shifts, such as the movement from overt racial tension in “Othello” to internal psychological conflict in “O”. Visual aids and a comparative table support the findings, illustrating the adaptation’s emphasis on personal trauma over racial discourse. The results reveal how the film strategically downplays racial markers, offering a layered yet potentially problematic reading of race in contemporary adaptation. This research contributes to broader discussions of race, identity, and representation in Shakespearean film adaptations.