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PERBANDINGAN STRUKTUR NARATIF PENDERITAAN PEREMPUAN DALAM CERPEN GADIS KOREK API DAN PESTA TUBUH Maulidia, Zulia Khikmatul; Afdholy, Nadya; Purnomo, Antonius Rahmat Pujo; Bramantio
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 8 No 2 (2025): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v8i2.31262

Abstract

The aim of this study is to analyze the narrative structure in two short stories, Gadis Korek Api by Djenar Maesa Ayu and Pesta Tubuh by Oka Rusmini, using Genette’s narratology theory, particularly focusing on the aspects of order and frequency. The analysis shows that both stories employ the technique of analepsis, which is the insertion of past events into the present narrative in a non-chronological manner. In terms of frequency, Gadis Korek Api features anaphoric and iterative frequency, while Pesta Tubuh contains anaphoric and repetitive frequency. Both short stories present a non-linear narrative structure that emphasizes the recurring trauma and experiences of the main characters. The past is gradually revealed as part of a living narrative that shapes the characters’ identities. In terms of frequency, some events shows that the content of the fairy tale read or recited by the main character functions as a reinforcement and solace for the woman's suffering. This study demonstrates that the application of Genette’s narratology yields unique findings, particularly in identifying patterns of analepsis and narrative frequency in these two short stories. Thus, this research not only enriches the reading of both stories but also underscores the importance of structural approaches in modern narrative studies.
HOLY INSTITUTION, UNHOLY REALITY: ANALISIS WACANA KRITIS TERHADAP SUDUT PANDANG VICE INDONESIA TENTANG KEKERASAN SEKSUAL PESANTREN Maulidia, Zulia Khikmatul; Ariani Arimbi, Diah; Endah Srimulyani, Nunuk
SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Vol. 4 No. 10 (2025)
Publisher : Penerbit Lafadz Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/sibatik.v4i10.3082

Abstract

This article discusses how VICE Indonesia, through a documentary video titled “Breaking the Chain of Sexual Violence in Islamic Boarding Schools,” addresses the issue of sexual violence in religious education environments. The researchers used Fairclough's Critical Discourse Analysis (CDA) approach to examine how the language used in the video could shape public opinion. The analysis was conducted in three parts: textual analysis, discursive practice, and social practice. The research results show that VICE Indonesia presents the victims as the main characters who bravely speak out, and highlights the patriarchal culture as the main cause of sexual violence. This video also combines several perspectives such as law, religion, and the feminist movement to provide a broader picture of the issue. VICE Indonesia seems to support the feminist view that seeks equality between men and women, especially in Islamic boarding schools. This documentary not only criticizes religious institutions but also invites society to rethink religious values that have long been considered untouchable. This research shows that media such as documentaries can be an important tool for raising awareness and encouraging social change.
BENTURAN SUARA DAN MAKNA RUMAH DALAM CERPEN RUMAH-RUMAH NAYLA KARYA DJENAR MAESA AYU: KAJIAN DIALOGISME BAKHTIN Faizin, Ahmad; Maulidia, Zulia Khikmatul
Paramasastra : Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya Vol. 12 No. 2 (2025): Paramasastra : Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/paramasastra.v12n2.p299-314

Abstract

This research aims to analyze the meaning of home in the short story Rumah-Rumah Nayla by Djenar Maesa Ayu through Bakhtin's narratological perspective, particularly the concepts of dialogism and polyphony. The story represents home not merely as a physical dwelling, but as a space layered with voices, experiences, and meanings that often clash with each other. This study is qualitative research using narrative analysis to explore the various voices and consciousnesses of its characters, such as Nayla as a victim, wife, mother, and writer, as well as the voices of her husband and children. The results show that each voice in the story stands side by side without any single voice dominating. The interaction and collision among these voices create a complex and dynamic dialogic space where the meaning of home becomes fluid, open, and continuously shaped by each character’s personal experience. Thus, the story affirms that the meaning of home is dialogic and never singular, but always open to new interpretations in accordance with each individual’s experience.