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All Journal Besaung : Jurnal Seni Desain dan Budaya Journal of Scientific Research, Education, and Technology Jurnal Ilmiah Nusantara
Osmond, Dony
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Arts Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Social Sciences

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Karya Pola Langkah Tigo Dalam Tari “Tolun Hati” Kumala, Siski Yanti; Osmond, Dony; Stevenson, Yan; Ariastuti, Idun
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6201

Abstract

The dance work "Tolun Hati" was inspired by a cultural phenomenon in Jorong Taeh Bukik, Payakumbuh District, Lima Puluh Kota Regency, namely the Dabuih Tradition. Dabuih is one of the traditional arts in the form of games or performances that involve skills, physical strength, immunity and courage. The creator translated it into a group choreography that was performed at the Huriah Adam Performance Building, Padangpanjang Indonesian Arts Institute. The work, which is divided into three parts, was performed by seven female dancers, where the seven female dancers played the role of the male body. The make-up used is beautiful stage make-up. While the clothes used are shiny gray creative kurung clothes with black pants. The methods used in creating this work are data collection or field observation, data processing, literature study, exploration, movement arrangement, improvisation, formation and evaluation.
Implementasi Model Project Based Learning (PjBL) pada Mata Kuliah Teknik Tari 1 di Prodi Sendratasik FKIP-Universitas Jambi Osmond, Dony
Besaung : Jurnal Seni Desain dan Budaya Vol. 7 No. 2 (2022)
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v7i2.2469

Abstract

Penelitian ini bertujuan untuk menerapkan model pembelajaran Project Based Learning (PjBL) pada mata kuliah Teknik Tari 1 di Prodi Sendratasik, FKIP-Universitas Jambi. Project Based Learning (PjBL) adalah model pembelajaran alternatif  yang memfokuskan pada eksplorasi dan kolaborasi. Metode pembelajaran yang digunakan antara lain: question, plan, schedule, monitoring, facilitate the proscess, dan evaluation. Penelitian ini memiliki 2 rumusan masalah, yaitu: 1) Bagaimana menyusun model pembelajaran yang sesuai dengan CPL mata kuliah Teknik Tari 1. 2). Bagaimana menerapkan Project based Learning (PjBL) pada mata kuliah Teknik Tari 1. Tujuan dari penelitian ini adalah mengidentifikasi kemampuan mahasiswa dalam memahami dan mengimplementasikan teori ke dalam gerak dalam mata kuliah Teknik Tari 1 di Prodi Sendratasik, FKIP-Universitas Jambi. Hasil yang dicapai dari penelitian ini adalah nilai hasil belajar mahasiswa meningkat dan memenuhi syarat. Kriteria peningkatan ini diuji dalam dua kali pertemuan dan yang diuji adalah beberapa teknik tari, seperti Roll Depan, Roll Belakang, Hansdstand, Headstand, Kick, Kayang, Split, Koprol, dan Cium lutut.
Di Nan Tangah Inspired by The Antaan Baka Tradition in Paninggahan Nagari Solok Regency West Sumatra Sari, Dermita Kumala; Rovylendes, Adjuoktoza; Syahril; Osmond, Dony
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 5 No. 1 (2026): Vol. 5 No. 1 2026
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v5i1.1022

Abstract

The dance work “Di Nan Tangah”  is a contemporary dramatic dance piece inspired by the Antaan baka tradition in Nagari Paninggahan, Solok Regency, West Sumatra. The creation of this dance piece aims to reflect the socio-cultural conflicts that arise from differing views between traditional values, religious understanding, and modern lifestyles. The creation process for “Di Nan Tangah“ utilizes the creative method according to Alma M. Hawkins, which includes data collection and field observation, exploration, improvisation, formation, and evaluation. The movement elements are derived from Minangkabau silat movements and daily activities, adapted in a contemporary way. This work is supported by the use of minimalist digital music, dramatic lighting, simple makeup and costume, and pandan mat props as symbols of the Antaan baka tradition.  
Co-Authors ela Noviana Idun Ariastuti Kumala, Siski Yanti Mahdi Bahar Rovylendes, Adjuoktoza Sari, Dermita Kumala Stevenson, Yan Syahril