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All Journal Puitika Andalas International Journal of Socio-Humanities (AIJOSH)
Qarimah, Aryana Nurul
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Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Romanticism and Rebellion: Coleridge’s Poetic Resistance to the Enlightenment through The Rime of the Ancient Mariner Pratiwi, Dyani Prades; Qarimah, Aryana Nurul
Andalas International Journal of Socio-Humanities Vol. 7 No. 1 (2025)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/aijosh.v7i1.79

Abstract

This research aims to see the romanticism contained in the poem and uses descriptive qualitative as the method. The results of this research are characteristics from the romantic era, which are nature, freedom, supernatural, and gothic. The choice of supernatural and gothic themes came from Coleridge's childhood memories of folk oral traditions as a child; "Gothic Ballads." Childhood memories were also chosen because of the saturation at that time, which only discussed something empirical and did not believe in something that could not be proven. This poem shows that the world as a strange experience is an important relationship between humans and their feelings. It offers the spirit and soul as weapons against the Enlightenment era, which is full of science and rationalism. This poem becomes one of the ways to express the freedom of thought. This spirit also makes “Lyrical Ballads” as the opening door of the romantic era.
Formasi Ideologi dalam Cerita Pendek “God Sees Truth, But Waits” Karya Leo Tolstoy Qarimah, Aryana Nurul; Pratiwi, Dyani Prades; Komariya, Siti
Puitika Vol. 21 No. 2 (2025)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v21i2.735

Abstract

Formasi ideologi dalam cerita pendek “God Sees the Truth, But Waits” menjadi fokus utama penelitian ini, khususnya terkait bagaimana berbagai ideologi direpresentasikan dan dinegosiasikan dalam cerita. Dengan menggunakan kerangka hegemoni Antonio Gramsci, penelitian ini memandang teks bukan hanya sebagai cerita moral, tetapi sebagai ruang kontestasi ideologi. Pendekatan kualitatif diterapkan dengan desain analisis wacana kritis melalui teknik close reading untuk mengidentifikasi struktur naratif, penokohan, dialog, dan simbol sebagai penanda ideologis. Hasil penelitian menunjukkan bahwa tradisionalisme, materialisme, anarkisme, humanisme, dan spiritualisme hadir dan saling berinteraksi melalui hubungan ideologi kontradiktif, korelatif, dan subordinatif. Materialisme tampak sebagai ideologi dominan pada awal narasi, sementara spiritualisme secara bertahap menjadi ideologi penengah melalui transformasi tokoh utama. Pergeseran ini menunjukkan adanya negosiasi ideologi yang berlangsung melalui mekanisme konsensus alih-alih paksaan sebagaimana konsep hegemoni Gramsci. Penelitian ini menyimpulkan bahwa “God Sees the Truth, But Waits” tidak hanya menampilkan nilai moral dan spiritual, tetapi juga merepresentasikan ideologi kolektif yang mencerminkan pandangan sosial-politik Tolstoy sebagai pengarang.
Co-Authors Dyani Prades Pratiwi Komariya, Siti Pratiwi, Dyani Prades