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All Journal Jurnal Cahaya Mandalika Global Art Creativity Conference
Jaya Putra, I Gede
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Arts Humanities Languange, Linguistic, Communication & Media

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Journal : Global Art Creativity Conference

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Echoes of Waste: Eco-Conscious Fashion Expression in the Spirit of Pramoedya Ananta Toer Wulansari, Vita; Jaya Putra, I Gede; Patricia Putra, Evelyn
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.625

Abstract

This work serves as a visual expression rooted in deep concern over environmental exploitation and the ongoing degradation of marine ecosystems. Through a sustainable fashion approach, this couture garment is crafted using post-consumer materials such as discarded denim, damaged compact discs, and plastic bottles, serving as a critical response to the consumerist culture that negatively impacts nature. The research adopts a descriptive qualitative method, utilizing the stages of exploration, experimentation, and formation as outlined by Alma M. Hawkins. It also incorporates the humanistic philosophy of Pramoedya Ananta Toer as a cultural lens to frame the narrative. The creative process reveals that fashion design can be a powerful medium for ecological critique, offering an alternative narrative that fosters collective environmental awareness. This work affirms that fashion is not merely about visual aesthetics, but also a space of resistance—one that advocates for humanity and sustainability.
Senandung Tak Bertahta Exhibition in the Frame of Socialist Realism Pramoedya Ananta Toer Jaya Putra, I Gede; Wulansari, Vita; Devi Krishnanandayani, Jyothi
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.631

Abstract

This article discusses about Senandung tak Bertahta exhibition which departs from the situation and conditions of Balinese society in the frame of socialist realism Pramoedya Ananta Toer. Balinese society is still struggling to meet their living needs behind the glittering tourism sector. Take for example the Kerobokan area of Bali which is always under pressure with the rate of growth, between struggling, surviving, actually giving up, especially on the issue of land which is squeezed and lured by investors' enticements. The data source was obtained through a qualitative approach using a descriptive analysis method by utilizing library media. The Senandung tak Bertahta exhibition is a representative to voice the phenomenon, through three works that represent the voices of the buried community, the context of body ownership and the issue of fake identity. The Senandung tak bertahta exhibition will be studied using the theory of Socialist Realism which is in line with Pramoedya's thoughts and the works will be studied using theories by Adorno, Foucault and Julia Kristeva which describe the problem of the helplessness of society which is in line with the context of socialist realism. By studying symbolic elements, visual composition, and social context, this exhibition shows how contemporary art is still relevant as a medium for the struggle of lower-class discourse, as proposed in Pramoedya's literature.
Co-Authors Devi Krishnanandayani, Jyothi Gede Budayana , I Wayan Patricia Putra, Evelyn Wulansari, Vita