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All Journal Corak : Jurnal Seni Kriya Jurnal Abdi Insani Journal of Artificial Intelligence and Digital Business Jurnal bahasa, sastra, seni, dan pengajarannya Biodiversitas Journal of Biological Diversity
Aryo Anggorojati
Program Studi Desain Mode Kriya Batik, Jurusan Kriya, Fakultas Seni Rupa Dan Desain, Institut Seni Indonesia Yogyakarta
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Other

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Eksplorasi Nilai Estetika Batik Kontemporer sebagai Identitas Budaya Lokal dalam Industri Kreatif Global Anggorojati, Aryo; Romadhon, Achmad Gilang; Handayani, Evy Fenny; Jahroo, Wafaa Letya; Mukti, Putri Utami
RIGGS: Journal of Artificial Intelligence and Digital Business Vol. 4 No. 3 (2025): Agustus - October
Publisher : Prodi Bisnis Digital Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/riggs.v4i3.3036

Abstract

Batik kontemporer telah mengalami transformasi signifikan dari warisan budaya tradisional menjadi produk industri kreatif yang memiliki daya saing global. Penelitian ini bertujuan untuk mengeksplorasi nilai estetika batik kontemporer dan bagaimana nilai tersebut memperkuat identitas budaya lokal di tengah persaingan industri kreatif global. Melalui pendekatan kualitatif dengan metode observasi, wawancara mendalam, dan analisis visual, penelitian ini mengkaji transformasi motif, teknik produksi, dan strategi pemasaran batik kontemporer. Hasil penelitian menunjukkan bahwa batik kontemporer berhasil mempertahankan nilai filosofis tradisional sambil mengadopsi inovasi desain yang sesuai dengan selera pasar global. Nilai estetika batik kontemporer tidak hanya terletak pada aspek visual, tetapi juga pada makna simbolis, kearifan lokal, dan proses penciptaan yang autentik. Penelitian ini menemukan bahwa pelaku industri batik kontemporer menggunakan strategi hibridisasi budaya, yaitu memadukan elemen tradisional dengan desain modern untuk menciptakan produk yang unik dan kompetitif. Kesimpulannya, batik kontemporer mampu menjadi jembatan antara pelestarian budaya lokal dan tuntutan pasar global, sekaligus memperkuat identitas bangsa di kancah internasional. Implikasi penelitian ini menunjukkan perlunya dukungan kebijakan yang komprehensif untuk pengembangan industri batik kontemporer sebagai bagian dari ekonomi kreatif nasional.
Revitalisasi Batik Tuban: Eksplorasi Pewarnaan Sogan Sebagai Strategi Peningkatan Nilai Estetis Sugeng Wardoyo; Yonata Buyung Mahendra; Aryo Anggorojati
Corak Vol 15, No 1 (2026): Corak : Jurnal Seni Kriya
Publisher : Corak

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v15i1.20238

Abstract

Penelitian ini bertujuan mengeksplorasi pewarnaan sogan sebagai alternatif warna khas batik Tuban. Eksotika warna sogan pada sentra batik Tuban merupakan karakter yang unik selain warna wedel. Warna sogan ini dihasilkan dari pohon mengkudu yang spesifikasinya berasal dari bagian akar. Keterbatasan bahan baku akar mengkudu ini menjadi kendala dalam proses produksi skala besar. Upaya revitalisasi batik Tuban dengan berfokus pada peningkatan artistik melalui eksplorasi pewarna soga alami menjdi Solusi alternatif dalam menghadapi tantangan di pasar modern yang didominasi oleh pewarna sintetis. Penelitian ini merupakan penelitian kualitatif yang mengutamakan pendekatan metode Practice-Based Research, dengan serangkaian proses kreatif termasuk eksperimen pencelupan, penyempurnaan motif, dan analisis dampak visual. Temuan ini mengungkapkan bahwa penerapan pewarna soga secara signifikan meningkatkan kedalaman, kekayaan, dan kompleksitas artistik batik, menciptakan gradien warna unik yang sulit ditiru dengan pewarna sintetis. Proses ini tidak hanya melestarikan pengetahuan tradisional tetapi juga menghasilkan produk batik dengan nilai estetika yang unggul, membuka peluan pasar yang menghargai keahlian dan keaslian. Studi ini menyimpulkan bahwa revitalisasi teknik pencelupan tradisional seperti soga adalah strategi yang tepat untuk pelestarian budaya berkelanjutan dan pemberdayaan ekonomi, dan memberikan alternatif warna estetis pada batik Tuban.
Batik Motifs for the Distinctive <i>Jarik</i> of the Samin Community in Reinterpreting the Essence of Samin <i>Surosentiko Pitutur Luhur</i> Wardoyo, Sugeng; Anggorojati, Aryo; Wulandari, Tri
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The Samin community (Sedulur Sikep) in Margomulyo, Bojonegoro, has the value of Pitutur Luhur inherited by Samin Surosentiko, but it has not been represented in the batik jarik motif as a communal identity. This creation-based research aims to explore this value, realize it in the design of written batik, and examine its philosophical meaning as an effort to preserve intangible cultural heritage. The method used is practice-based research with a qualitative approach through literature study (ethical data), participatory observation, and in-depth interviews with elders (emic data). The creation process refers to the stages of experimentation, manekung, and the formation of the work. The result was in the form of three prototypes of jarik batik written with a dye cover technique with napthol dye (dark blue (wedel), brown (sogan), white), displaying the main motif of Wijaya Kusuma flowers combined with supporting motifs as a representation of the principle of Pitutur Luhur. The three designs (Manunggal Jati, Kamulyan Jati, and Margomulyo) reflect the values of unity, wisdom, and communal harmony. This research contributes to the development of the aesthetics of the archipelago, the enrichment of Indonesian batik motifs, and the strengthening of the visual identity of the Samin people through an adaptive and sustainable approach to cultural preservation.
Visualization of paddy in Panel 65 of the Karmawibhangga section of Borobudur Temple ARYO ANGGOROJATI; RAHMANU WIDAYAT; SETYO BUDI
Biodiversitas Journal of Biological Diversity Vol. 24 No. 2 (2023)
Publisher : Society for Indonesian Biodiversity

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.13057/biodiv/d240239

Abstract

Abstract. Anggorojati A, Widayat R, Budi S. 2023. Visualization of paddy in Panel 65 of the Karmawibhangga Section of Borobudur Temple. Biodiversitas 24: 990-1003. Borobudur Temple is a building whose reliefs depict the Buddhist scriptures in the form of pictures, reliefs, and statues. Each relief contains a certain message and interpretation that not all visitors can understand the storyline when they observe, especially only at a glance. The Karmawibhangga relief is found at the Borobudur Temple's lowest section. The lowest relief represents the hustle and bustle of worldly life, consisting of 160 panels, all of which have different images from one panel to another. Based on the existing literature results, an iconographic approach, reliefs in the form of paddy, is used to analyze the interpretation of the Karmawibhangga relief 65 on paddy to make it easier for people who desire to acquire information about it to symbolize prosperity. Paddy is depicted with plump grains, ready to harvest and being guarded by several people from rats. This study can be used as a reference in the future regarding the visualization description of paddy in the Karmawibhangga relief for future researchers.
PELATIHAN DAN PENDAMPINGAN ANYAMAN ECENG GONDOK UNTUK PEMBERDAYAAN IRT: STUDI PKM DI DESA BUGEL, KULON PROGO Riza Septriani Dwi; Danang Wahyudi; Yonata Buyung; Sumino Sumino; Aryo Anggorojati; Achmad Gilang Romadhon; Sarah Kasuhardi; Riski Kurniawan
Jurnal Abdi Insani Vol 12 No 12 (2025): Jurnal Abdi Insani
Publisher : Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/abdiinsani.v12i12.3084

Abstract

Water Hyacinth (Eichhornia crassipes) is a tropical aquatic plant known for its extremely rapid growth, often regarded as a water weed due to its negative impacts on aquatic ecosystems. Nevertheless, this plant possesses significant potential as a raw material for handicrafts with economic value. This community service program (PKM) was conducted in Bugel Village, Panjatan Sub-district, Kulon Progo Regency, Special Region of Yogyakarta, with a dual purpose: to empower the local community by transforming water hyacinth into economically valuable craft products and, at the same time, to contribute to aquatic weed control. The primary target of the program was a group of housewives who had available time but were not yet engaged in productive activities, along with several active participants, including Hery Prazogie, Eko, Tolob, Susilo Edi, and Fauzi. The methods employed included program socialization, craft production training (covering drying techniques, material sorting, and weaving skills), basic business management training, as well as continuous mentoring and monitoring. The program was implemented over eight months, from January to August 2025. The results showed a significant improvement in participants’ skills. After three training sessions, most participants were already able to independently produce simple craft items. By the end of the program, more than 60 craft products had been successfully created, including bags, baskets, table mats, chairs, pencil holders, and various household accessories. Institutionally, the program led to the establishment of a small business group named Anyaman Bugel Mandiri “Independent Bugel Weaving”, serving as a collective platform for the community to develop creative economy-based enterprises. The program outputs also included scientific publications, promotional media (posters, features in local newspapers), and a documentary video, all of which strengthened the sustainability of the initiative. Overall, this activity demonstrates that water hyacinth once considered an environmental problem can be transformed into a new economic resource that supports the improvement of rural community welfare.
Co-Authors Achmad Gilang Romadhon Danang Wahyudi Handayani, Evy Fenny Jahroo, Wafaa Letya Mukti, Putri Utami Rahmanu Widayat Riski Kurniawan Riza Septriani Dwi Sarah Kasuhardi SETYO BUDI Sugeng Wardoyo Sumino Sumino Tri Wulandari Yonata Buyung Yonata Buyung Mahendra