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Analisis Karakteristik Materi Pai Bidang Akidah Akhlak Di Berbagai Jenjang Pendidikan Rahmah, Noor Syifa Azkia; Mahfuzah, Ghina Sofia; Hidayah, Aulia Azizatul; Noor, Hasni
Jurnal Pendidikan, Sains Dan Teknologi Vol. 4 No. 4 (2025): Oktober-Desember
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47233/jpst.v4i4.3798

Abstract

The rising cases of juvenile delinquency in Indonesia, such as theft, assault, drug abuse, and youth brawls, highlight a growing concern for society, particularly in preserving moral values among the younger generation. As the majority of Indonesians are Muslims, instilling moral values is crucial, one of which is through Islamic Religious Education (PAI). PAI plays a central role in shaping the character, morality, and spirituality of students. The Akidah Akhlak (faith and morality) component in PAI, which addresses the foundation of faith and ethics in daily life, is vital to the success of Islamic education. Akidah Akhlak is taught progressively from Primary School to University levels, with characteristics and approaches adapted to the cognitive, psychological, and social development of students at each level. This study aims to analyze the characteristics of Akidah Akhlak materials across various educational stages, ensuring their alignment with students' developmental needs and contributing to reducing juvenile delinquency. The results show that Akidah Akhlak is systematically designed, focusing on basic faith and good character habits in primary education, expanding on social and moral aspects in secondary education, applying Islamic ethics in society at the senior level, and offering more complex discussions at the university level. The material at each stage aims to produce individuals who are not only intellectually competent but also spiritually strong and morally sound.
Budaya Mamanda, Konsep, Filosofi, Identitas Dan Nilai-Nilai Pendidikan Islam Mahfuzah, Ghina Sofia; Jamalie, Zulfa; Wibowo, Fasih
Jurnal Pendidikan, Sains Dan Teknologi Vol. 5 No. 1 (2026): Januari - Maret
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47233/jpst.v5i1.4249

Abstract

Mamanda is a form of traditional folk theater from the Banjar community that serves not only as entertainment but also as a means of conveying moral, social, and religious values. This article aims to explore the concept, philosophy, cultural identity, and Islamic educational values embedded in Mamanda art. The research uses a qualitative-descriptive approach through literature studies of books, journal articles, and written sources related to the Mamanda culture. The findings indicate that Mamanda emerged from the social construction of the Banjar community, which had a strong curiosity about royal life, thus being presented with a royal palace setting and symbolic royal characters. Mamanda features a performing arts concept developed from the influence of Malay and local Banjar cultures, with a distinctive performance structure. The philosophy of Mamanda reflects the worldview of the religious, democratic, educational, and aesthetic Banjar people, while upholding the importance of togetherness. The cultural identity of Mamanda is evident through the use of Banjar and Malay Banjar languages, traditional costumes, music, and accompanying dances. Additionally, Mamanda contains Islamic educational values and character education such as religiosity, honesty, responsibility, discipline, social concern, and the spirit of togetherness. Thus, Mamanda holds great potential as an Islamic education medium based on local culture, while also serving as a means to preserve the local wisdom of the Banjar community.