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Berkala Arkeologi SANGKHAKALA
Published by Balai Arkeologi Sumatera Utara
ISSN : 14103974     EISSN : 25808907     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
"SANGKHAKALA" refers to the shell horns that blown regularly to convey certain messages. In accordance with the meaning, this journal expected to become an instrument in the dissemination of archaeological information to the public which is published on an ongoing basis. Berkala Arkeologi Sangkhakala is a peer-reviewed journal published biannual by the Balai Arkeologi Sumatera Utara in May and November. The first edition was published in 1997 and began to be published online in an e-journal form using the Open Journal System tool in 2015. Berkala Arkeologi Sangkhakala aims to publish research papers, reviews and studies covering the disciplines of archeology, anthropology, history, ethnography, and culture in general.
Arjuna Subject : Seni dan Humaniora - Arkeologi
Articles 235 Documents
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MAKNA ARTEFAK MASA HINDU-BUDDHA DI KRATON KASEPUHAN CIREBON: TINJAUAN SEMIOTIKA PEIRCE Muhamad Alnoza
Berkala Arkeologi Sangkhakala Vol 24 No 2 (2021)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v24i2.457

Abstract

The research conducted in this paper focuses on answering the problem of the meaning of the artifacts of the Classical period found in the Kasepuhan Cirebon palace. The goal to be achieved in this research is to obtain an explanation of the position of the artifacts of the Classical period for the Kraton Kasepuhan Cirebon. In order to answer this research problem, three research steps were applied in the archaeological method, namely data collection, data analysis, and interpretation. Based on the entire research process that has been carried out, it can be seen that the artifacts of the Classical period that are stored in the Kasepuhan Cirebon palace are meaningful as symbols of the status of the king who occupies the highest power. Artifacts of the Classical period were used to strengthen the legitimacy of the King of Cirebon who had the status of "pandita ratu". Kebudayaan Hindu-Buddha di Indonesia banyak meninggalkan tinggalan kebudayaan di beberapa tempat. Salah satu tempat yang masih menyimpan tinggalan kebudayaan masa Klasik adalah Kraton Kasepuhan Cirebon. Artefak masa Klasik yang disimpan di Kraton Kasepuhan Cirebon antara lain berupa Arca Nandi, Lingga dan Yoni. Penempatan artefak ini dapat dihipotesiskan sebagai “kasus ekstrim”, karena biasanya unsur budaya Klasik yang masih dilanjutkan pada masa Islam sifatnya hanya samar-sama. Kajian ini berfokus dalam menjawab makna dari artefak masa Klasik yang terdapat di Kraton Kasepuhan Cirebon. Masalah ini diharapkan dapat menjelaskan kedudukan artefak-artefak masa Klasik tersebut bagi Kraton Kasepuhan Cirebon. Masalah penelitian ini dilakukan melalui analisis semiotika triadik Charles Sanders Peirce. Berdasarkan kajian yang dilakukan, dapat diketahui bahwa artefak-artefak masa Klasik yang disimpan di Kraton Kasepuhan Cirebon bermakna simbol raja sebagai pemegang kekuatan tertinggi. Artefak masa Klasik digunakan sebagai penguat legitimasi Raja Cirebon yang berstatus “pandita ratu”.
BATU NISAN TIPE LAMURI – ‘PLANGPLENG’ GANO – LAMDINGIN Dedy Satria
Berkala Arkeologi Sangkhakala Vol 24 No 2 (2021)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v24i2.458

Abstract

Tombstone type plangpleng is a type of tombstone typology from Aceh that has not been widely known and understood, compared to the type of Acehnese tombology or 'Aceh Batu'. The shape of the tombstone and the shape of the motive form, as well as this tombstone chisel style that distinguishes it with other tombstone typologies in Aceh. Local motif themes combined with the themes of adoption from the outside then transformed well from the Hindu-Buddha-Buddha tradition and the Islamic world arts tradition combined here. This collection of tombstones was found in many places in Aceh Besar and Banda Aceh, although in limited quantities. (Simpang) Gano-Lamdingin One of the locations known to have the type of ancient tomb findings like this. The beginning of the presence of Muslim communities with Islamic government systems was reflected in the heritage of this cultural object. The kings built a tomb monument with markers of this type of tombstone. Batu nisan tipe ‘plakpleng’ merupakan satu jenis dari tipologi batu nisan dari Aceh yang belum banyak dikenal dan dipahami, bila dibandingkan jenis tipologi batu nisan Aceh atau ‘Batu Aceh’. Bentuk batu nisan dan rangcangan bentuk motif, serta gaya seni pahat batu nisan ini yang membedakannya dengan tipologi batu nisan yang lain di Aceh. Tema-tema motif lokal dipadukan dengan tema-tema adopsi dari luar lalu ditransformasikan baik yang berasal dari tradisi Hindu-Buddha Asia Selatan dan tradisi kesenian dunia Islam berpadu di sini. Kumpulan batu nisan ini ditemukan dibanyak tempat di Aceh Besar dan Banda Aceh, walau dalam jumlah terbatas. (Simpang) Gano-Lamdingin salah satu lokasi yang diketahui memiliki jenis temuan makam kuno seperti ini. Awal kehadiran masyarakat muslim dengan sistem pemerintahan Islam tercermin dari warisan benda budaya ini. Para merah atau raja-raja kecil membangun monumen makam dengan penanda dari jenis batu nisan ini.
TIPOMORFOLOGI ARSITEKTUR BANGUNAN PECINAN DI KESAWAN MEDAN Rudiansyah Rudiansyah
Berkala Arkeologi Sangkhakala Vol 24 No 2 (2021)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v24i2.460

Abstract

Most of the buildings in Kesawan-Medan still maintain the Dutch-Chinese architecture of the transitional period or the Transitional architecture, although the awareness to preserve this historical heritage is still low. Furthermore, there is no regulation limiting changes that may be made, yet it has not been designated as a Cultural Conservation Building. This situation raises fears of losing track of the original building. This paper intends to explain the typomorphological characteristics of the Chinatown building architecture in Kesawan-Medan. The method used is desk research on research reports, various sources of books, and journals. The theory used is the theory of area morphology and building typology from Andre Loeckx and Markus Zahnd. The general condition of the building has not lost its original form. Renovations were carried out within the limits of repainting, repairing damaged elements, and changing functions. Typomorphology is evident from the materials used and their layout. Building materials used are from the surrounding environment, such as bricks, tile roofs, and windows. The layout of the building is in the residential emplacement area of the city center, with a flat topography in the tropical wet climate of Indonesia. Permukiman kesawan Medan sebagian besar masih mempertahankan arsitektur bangunan Belanda-China periode peralihan atau arsitektur Transisi, walaupun kesadaran pelestarian peninggalan bernilai sejarah masih minim. Belum ada peraturan batasan perubahan yang boleh dilakukan dan belum ditetapkan sebagai Bangunan Cagar Budaya. Keadaan ini menimbulkan kekhawatiran akan kehilangan jejak bangunan aslinya. Tulisan ini bermaksud untuk menjelaskan karakteristik tipomorfologi arsitektur bangunan pecinan di kesawan Medan. Metode yang digunakan adalah desk research terhadap laporan hasil penelitian, berbagai sumber buku dan jurnal. Menggunakan teori morfologi kawasan dan tipologi bangunan dari Andre Loeckx dan Markus Zahnd. Kondisi bangunan secara umum belum kehilangan bentuk aslinya. Renovasi dilakukan dalam batas pengecatan ulang, perbaikan elemen yang rusak, dan perubahan fungsi. Tipomorfologi khasnya tampak dari bahan yang digunakan dan tata letaknya. Bahan bangunan dari lingkungan sekitar, seperti bata, keramik atap genting dan jendela. Tata letak bangunan berada di kawasan emplasemen permukiman pusat kota, dengan topografi lahan datar dalam lingkungan iklim tropis basah Indonesia.
RENTANG MASA DAN BUDAYA MANDAILING PADA PUSTAHA LAKLAK DAN NASKAH BAMBU DI BAGAS GODANG HUTA GODANG, MANDAILING NATAL Churmatin Nasoichah; Nenggih Susilowati; Andri Restiyadi
Berkala Arkeologi Sangkhakala Vol 24 No 2 (2021)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v24i2.461

Abstract

The Mandailing people have a writing habit that develops in their region. The influence of Hindu-Buddhist culture has influenced the culture of writing in the communities around the area. The use of written sources with local characters, one of which is found in Bagas Godang Hut Godang, Kec. Ulu Pungkut, Mandailing Natal. From the results of the research that has been carried out, it is not certain that the time span of making and using these manuscripts by the Mandailing people in the past cannot be ascertained. Through this background, the research problem is related to the span of time of making and using pustaha laklak and bamboo manuscripts stored in godang huta Godang bagas, Ulu Pungkut District, Mandailing Natal Regency, North Sumatra. Besides that, what is the description of the Mandailing community during that period. The research method used is qualitative research methods. From the analysis, it is known that pustaha laklak A-2/2014 was made and used in the range of 1720 - 1890 AD and the bamboo manuscript B-5/2014 was made and used in the range of 1790 - 1950 AD. The existence of pustaha laklak A-2/2014 and bamboo manuscripts B-5/2014 is proof that in the 18-20s AD the Mandailing region was still a small kingdom consisting of several huta (villages).
AKTIVITAS RELIGI DI SITUS CANDI PERTAPAN KABUPATEN BLITAR PADA MASA KADIRI HINGGA MAJAPAHIT M Satok Yusuf; I Wayan Srijaya; Coleta Palupi Titasari
Berkala Arkeologi Sangkhakala Vol 24 No 2 (2021)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v24i2.467

Abstract

Society in the Classical period had view that most sacred buildings were erected in the highlands, such as an Mount Pegat, Blitar Regency. This study seeks to reveal the religious activities that occured at Pertapan Temple Site on Mount Pegat from the Kadiri to Majapahit Kingdom, along with the community’s conception of the mountain. The method used in this study includes data collection in the form of observations and interviews, as well as qualitative descriptive analysis through the help of classification, comparison, and contextual analysis. Semiotic theory is used to assist the analysis. The result of this study indicate that the sacred building at the Pertapan Temple site is use as a place of worship for Sang Hyang Kabuyutan in Subhasita in 1120 Saka, the pendharmaan temple of King Wisnuwarddhana in 1202 Saka, and place of worship of Dewaraja Wisnuwarddhana in 1237 Saka. the community views Mount Pegat as a holy place, because it has several features, such as according to the criteria for a holy place, the location is on the connecting route between Kadiri and Singhasari and Mount Kelud with the South Lime Mountains.

Page 24 of 24 | Total Record : 235

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