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All Journal Bumi Lestari Jurnal Kajian Bali Berkala Arkeologi SANGKHAKALA Forum Arkeologi Berkala Arkeologi Jurnal Penelitian Arkeologi Papua dan Papua Barat Siddhayatra: Jurnal Arkeologi Sangia : Jurnal Penelitian Arkeologi (Journal of Archaeology Research) Pustaka : Jurnal Ilmu-Ilmu Budaya Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Amerta Ulil Albab

I Wayan Srijaya

Universitas Udayana

Author-ID : 2491323

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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KEHIDUPAN BERAGAMA GOLONGAN RESI DI SITUS GUNUNG KAWI TAMPAK SIRING Tiga, Hagim Ginting; Srijaya, I Wayan; Laksmi, Ni Ketut Puji Astiti
Siddhayatra Vol 26, No 1 (2021): JURNAL ARKEOLOGI SIDDHAYATRA
Publisher : Balai Arkeologi Sumatera Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/siddhayatra.v26i1.204

Penelitian ini membahas tentang kehidupan beragama golongan resi pada masa lampau, sekitar akhir abad ke-10 hingga akhir abad ke-12, di Situs Gunung Kawi, berdasarkan peninggalan purbakala dan didukung oleh sumber-sumber tertulis. Tujuan dari penelitian ini adalah untuk merekonstruksi kehidupan beragama golongan resi pada masa lampau di Situs Gunung Kawi melalui peninggalan budaya material yang mereka tinggalkan. Selain itu, penelitian semacam ini belum pernah dilakukan sebelumnya, sehingga berguna untuk menambah khazanah penelitian di Situs Gunung Kawi. Penelitian ini dil-akukan berdasarkan langkah-langkah kerja dalam penelitian arkeologi. Kesimpulan dari penelitian ini adalah bahwa Situs Gunung Kawi adalah sebuah Mandala (kadewaguruan) atau tempat suci bagi para pertapa/resi, sedangkan fungsi religi dari pahatan-pahatan candi di Situs Gunung Kawi adalah sebagai yantra atau sarana meditasi dalam praktik yoga Tantra. Makna simbolis pahatan-pahatan candi di Situs Gunung Kawi berlipat ganda. Di satu sisi melambangkan gagasan Mahameru-amerta, dan di sisi lain merupakan metafora untuk jalan Tantra Kundalini, dan melambangkan kesatuan dualisme Siwa dan Sakti sebagai tujuan akhir dari jalan Tantra. Praktik keagamaan di Situs Gunung Kawi pada masa lalu mencapai kalepasan sebagai pembebasan terakhir.

AKTIVITAS RELIGI DI SITUS CANDI PERTAPAN KABUPATEN BLITAR PADA MASA KADIRI HINGGA MAJAPAHIT M Satok Yusuf; I Wayan Srijaya; Coleta Palupi Titasari
Berkala Arkeologi Sangkhakala Vol 24 No 2 (2021)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v24i2.467

Society in the Classical period had view that most sacred buildings were erected in the highlands, such as an Mount Pegat, Blitar Regency. This study seeks to reveal the religious activities that occured at Pertapan Temple Site on Mount Pegat from the Kadiri to Majapahit Kingdom, along with the community’s conception of the mountain. The method used in this study includes data collection in the form of observations and interviews, as well as qualitative descriptive analysis through the help of classification, comparison, and contextual analysis. Semiotic theory is used to assist the analysis. The result of this study indicate that the sacred building at the Pertapan Temple site is use as a place of worship for Sang Hyang Kabuyutan in Subhasita in 1120 Saka, the pendharmaan temple of King Wisnuwarddhana in 1202 Saka, and place of worship of Dewaraja Wisnuwarddhana in 1237 Saka. the community views Mount Pegat as a holy place, because it has several features, such as according to the criteria for a holy place, the location is on the connecting route between Kadiri and Singhasari and Mount Kelud with the South Lime Mountains.

PLURALISME PADA MASA BALI KUNO ABAD IX-XIV BERDASARKAN REKAMAN ARKEOLOGI I Wayan Srijaya; Kadek Dedy Prawirajaya R
Forum Arkeologi VOLUME 34, NOMOR 2, OKTOBER 2021
Publisher : Balai Arkeologi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/fa.v34i2.695

Pluralism is a diction that is used to express diversity, a reality that exists in this archipelago. It is an idea or view of life that recognizes and accepts the existence of pluralism or diversity in a community group. This plurality is represented by differences in terms of religions/beliefs, ethnicities, races, customs, languages, and cultures. Archaeological remains dating from the Hindu Buddhist era in Bali provide information on this diversity. Therefore, the aim of this study is to explain the diversity that is reflected in the archaeological records. The method used is observation, literature study, and qualitative analysis. Archaeological records dating from the IX to XIV century AD in Bali, both in the artifactual and textual indicate that Balinese people can live in harmony amidst differences. Different beliefs do not cause social tensions in society. Based on the existing archaeological records, Balinese people have shown diversity since the IX century AD. This diversity was maintained and nurtured by the rulers at that time so that tolerance was built between people of different religions/beliefs. Pluralisme merupakan diksi yang digunakan untuk menyatakan keberagaman, sebuah realita yang ada di bumi Nusantara ini. Pluralisme adalah suatu paham atau pandangan hidup yang mengakui dan menerima adanya kemajemukan atau keanekaragaman dalam suatu kelompok masyarakat. Kemajemukan tersebut direpresentasikan oleh adanya perbedaan dari sisi agama/ kepercayaan, suku, ras, adat istiadat, bahasa, dan budaya. Tinggalan arkeologi yang berasal dari masa Hindu Buddha di Bali memberikan informasi keberagaman tersebut. Oleh karena itu, tujuan penelitian ini adalah untuk menjelaskan kemajemukan yang yang tercermin pada rekaman tinggalan arkeologi tersebut. Metode yang digunakan adalah observasi, studi pustaka, serta analisis kualitatif. Rekaman arkeologi yang berasal dari abad IX-XIV di Bali, baik yang berupa artefaktual dan tekstual mengindikasikan bahwa masyarakat Bali dapat hidup secara harmonis di tengah-tengah perbedaan. Perbedaan keyakinan yang dianut tidak menimbulkan ketegangan sosial di masyarakat. Berdasarkan rekaman arkeologi yang ada, masyarakat Bali telah menunjukkan kemajemukan sejak abad IX. Keberagaman ini terus dipelihara dan dipupuk oleh para penguasa ketika itu sehingga terbangun toleransi di antara masyarakat yang berlainan agama/kepercayaannya.

PENGELOLAAN CULTURAL LANDSCAPE PURA BATUKARU SEBAGAI DAYA TARIK EKOWISATA I Nyoman Wardi; I Wayan Srijaya
Bumi Lestari Journal of Environment Vol 16 No 1 (2016)
Publisher : Environmental Research Center (PPLH) of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/blje.2016.v16.i01.p09

The research aims to uncover the potential and management Cultural Landscape PuraBatukaru (Batukaru Temple) as the appeal of ecotourism in Tabanan and Bali in general.The study was conducted by the method of data collection and analysis. The data collectionis done by observation, interview (dept-interview), and literature study. The data wereanalyzed descriptively qualitative.The study showed that Pura Batukaru reserve that has been set by UNESCO as part ofthe World Cultural Landscape of Bali can be classified into Associative Cultural Landscape(Associative Cultural Landscapes). More details, namely the associative cultural landscapenuances of local culture (Bali). Cultural landscape nuances of local culture Bali includesthree main components of the environment (human-nature-god) in the relationship andinteraction interdependence known as Tri Hita Karana.Based on the names of palinggih (shrine), namely Pucak Kedaton / Sang HyangTumuwuh, and figures of other gods), stone shrines (natural stone) and communities tomanage these (community Bali Age / Bali Mula and Jero Kubayan), historically likelyHeritage Pura Batukaru already exist on prehistoric times (Neolithic-Megalithik). Then,when the kingdom’s political system (mornachi) introduced by Hindu culture, figures ofkings (royalty) was also honored at the site by building shrines as media for ancestralworship.Cultural Landscape of Pura Batukaru can be classified into Associative CulturalLandscape (Associative Cultural Landscapes), namely the associative cultural landscapenuances of local culture (Bali). Cultural landscape nuances of local culture Bali includesthree main components of the environment (human-nature-god) in the relationship andinteraction interdependence known as Tri Hita Karana.Heritage of Pura Batukaru with its jajar-kumiri network (pecan row) and relationswith Ulun Danu Tamblingan form a sacred area (sacred cultural landscape of Batukaru)and the rituals and myths that exist in it has important value in maintaining and preservingthe natural environment for a variety of purposes and interests of the community andgovernment in development, especially the development of ecotourism in a sustainablemanner in Tabanan and Bali in general.

Stratifikasi sosial pada masa prasejarah di Bali I Wayan Ardika; I Ketut Setiawan; I Wayan Srijaya; Rochtri Agung Bawono
Jurnal Kajian Bali (Journal of Bali Studies) Vol 7 No 1 (2017): RELASI ETNISITAS DI BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Mortuary practices might have represented social stratification during the prehistoric period in Bali. Disposal treatment of the decease, burial goods, and containers that were utilized for burials may correspond with social identity and social persona of the deads and their family. This article will explore social stratification on the basis of burial systems and burial goods that were utilized during the prehistoric period in Bali. Field survey and study on documents have also been done for data collection. In addation, Postprocessual theory has been applied in this study. It seems that global contacts and access for exotic goods might have stimulated the ranked or social stratification during prehistoric period in Bali. Metal objects, which raw materials are absence in Bali, including stone and glass beads, gold foil eye covers that were utilized as burial goods might have represent a status symbol during prehstoric period in Bali. Local elits in Bali utilized material objects as well as burial systems as a symbol for social differentiation and hierarchies in the soceity. Ranked society occurred prior to the apperance of Early State in Bali.

Ikonografi Hindu Abad VIII-XII M di Kabupaten Gianyar, Bangli, dan Buleleng: Analisis Bentuk, Fungsi, dan Makna I Wayan Srijaya; Kadek Dedy Prawirajaya R; Coleta Palupi Titasari; A. A. Gde Bagus; I Nyoman Rema
Jurnal Kajian Bali (Journal of Bali Studies) Vol 10 No 2 (2020): TEKS DAN TRADISI BALI
Publisher : Pusat Kajian Bali Universitas Udayana

Iconography is the study of the art of sculpture. The statue is a symbol of God or the embodiment of a deceased public figure. In Indonesia in general and Bali in particular, the tradition of making statues has a long history, from the time of farming to the days of the influence of Hindu and Buddhist civilization. During the Hindu and Buddhist era, the development of statues with Hindu and Buddhist motifs was developed. This research is focused on Hindu-style statues found in Gianyar, Bangli, and Buleleng Regencies. Hindu iconographic research aims to obtain the historical pictures of the arts of the statues, their forms, functions, and meanings in people's lives. The results show that Hindu iconography in Bali has various forms, with different functions from the original functions. Likewise, the meanings depend on the community that makes meanings in the present context.

Air dan Peradaban Manusia pada Zaman Bali Kuno I Wayan Srijaya; Kadek Dedy Prawirajaya R.
Journal Social and Humaniora Vol 21 No 1 (2021)
Publisher : Udayana University Press bekerjasama dengan Fakultas Ilmu Budaya Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/PJIIB.2021.v21.i01.p10

Water is one of the natural elements that is needed by living things. Every living thing, including humans, cannot stay without water. Therefore water is one of the basic human needs besides the need for sanitation and shelter. Water functions as a thirst quencher when humans are thirsty, and functions as fertilizer for plants during the dry season. That is why water is indispensable for maintaining the survival of humans and other creatures. Water is also the starting place for the emergence of a human civilization.

BAHASA RUPA PADA RELIEF EROTIS DI PURA MEDUWE KARANG: VISUAL LANGUAGE ON THE EROTIC RELIEF IN MEDUWE KARANG TEMPLE Eldi Khairul Akbar; Coleta Palupi Titasari; I wayan Srijaya
Jurnal Penelitian Arkeologi Papua dan Papua Barat Vol. 13 No. 2 (2021): November 2021
Publisher : BALAI ARKEOLOGI PAPUA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/papua.v13i2.308

Relief erotis yang ditemukan di Pura Meduwe Karang merupakan salah satu bentuk karya seni rupa yang bersifat simbolis magis yang digunakan oleh para seniman masa lalu sebagai media komunikasi visual. Relief ini memiliki makna yang penting untuk dikaji lebih lanjut. Tujuan dari tulisan ini untuk mengetahui bentuk cerita serta makna dari penggambaran relief erotis tersebut dengan berdasarkan pada penelitian yang telah dilakukan. Dalam tulisan ini mengunakan metode penelitian kualitatif dengan pendekatan deskripsi analisis bahasa rupa. Pengumpulan data dilakukan melalui studi pustaka, survei, dan wawancara. Analisis dilakukan dengan cara mengkaji bentuk wimba, isi wimba, dan tata ungkapan dalam pada panil relief erotis. Hasil penelitian menunjukan bahwa bentuk cerita relief erotis yang dipahatkan pada dinding pelinggih Pura Meduwe Karang menggambarkan adegan senggama dengan latar kejadian di luar ruangan (alam). Penggambaranya merupakan bentuk simbol suci yang termasuk dalam wujud kepercayaan simbolis magis yang memiliki makna sebagai bentuk permohonan pertolongan, perlindungan, dan kesuburan terutama dalam bidang pertanian dan perladangan.

Strategy For Management of the Soenda Ketjil Museum As A Tourism Attraction in Singaraja City, Bali Frika Yanuar Ramadhani; I Wayan Srijaya; Coleta Palupi Titasari
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 2 (2022): Budapest International Research and Critics Institute May
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i2.5040

The Soenda Ketjil Museum is one of the museums that is used as a tourist attraction in Singaraja City, Buleleng Regency, Bali. By seeing the importance of the role of museums in this era, the authors are interested in discussing management strategies and the potential of the Soenda Ketjil museum as a tourist attraction in the city of Singaraja, Bali. This study aims to maximize the potential and management of the Soenda Ketjil Museum, so that it can make the Soenda Ketjil Museum an attractive place for the public to visit. This research uses structural functional theory and management theory. The data collection method used is the method of observation, literature study, and interviews. The data analysis technique used is qualitative analysis and SWOT analysis. Soenda Ketjil Museum has internal potential and external potential. The internal potential of the Soenda Ketjil Museum consists of the collection and storyline it owns, the museum building, and the audiovisual room of the Soenda Ketjil Museum. Its external potential is the strategic location of the Soenda Ketjil Museum, and the existence of other supporting tours that can support the existence of the Soenda Ketjil Museum. To achieve the goals of the Soenda Ketjil Museum as a tourist attraction, it is formulated as follows: revamping the organizational structure of the museum, increasing human resources, improving the museum's security system, improving the management of museum collections, restoring the function of the audiovisual room, and revamping the facilities in the museum.

SAPATHA DALAM RELASI KUASA DAN PENDISIPLINAN PADA MASYARAKAT BALI KUNO ABAD IX-XIV MASEHI I Wayan Ardika; I Ketut Setiawan; IGN Tara Wiguna; I Wayan Srijaya
Berkala Arkeologi Vol 38 No 1 (2018)
Publisher : Balai Arkeologi Yogyakarta

Inscription is a written record which contains regulation or law and should be obeyed by officers or functionaries and community in general. Sapatha or curse was normally written at the end of the inscription which states the punishment for those who objected the regulations or laws. People punished morally if they objected the regulations or law include seven times to be reincarnated and surfering in all their lives. Sapatha or curse was seen as a discourse in relation of power and knowledge of the kings who reigned in the Old Balinese period. This article explores the sapatha or curse in Old Balinese inscriptions dated from the IX up to XIV century. The aim of this article is to describe the relationship of power and knowledge, as well as discipline and punishment in ancient Bali. Data was gained through documentary studies and interpreted hermeneutically. Theories of ideology, knowledge and power, as well as discipline and punishment will be applied in this article.

Co-Authors A. A. Gde Bagus Adzmi Akbar Maulana Anak Agung Gede Raka Dewantara Bella Kristina Bezaleel Yuhen Punto Adi Esthiyanto Coleta Palupi Titasari Ega Putri Febriani Eldi Khairul Akbar Eldi Khairul Akbar Frika Yanuar Ramadhani I Gede Arya Suartawan I Nyoman Rema I Nyoman Wardi I Nyoman Widya Paramadhyaksa I Wayan Ardika Ida Bagus Sapta Jaya Ida Bagus Sapta Jaya IGN Tara Wiguna Kadek Dedy Prawirajaya R Kadek Dedy Prawirajaya R. Kristiawan . Lila Jamilah M Satok Yusuf Mochamad Irfan Ni Ketut Miasih Ni Ketut Puji Astiti Laksmi Ni Luh Putu Meriandani Ni Putu Ari Trisna Amelia Nur Trias Anditasari Pandhu Nagara Prijatna Rochtri Agung Bawono Susi Melisa Anggraeni TATI NURHAYATI Thomas Nehemia Augie Geofernando Tiga, Hagim Ginting Zuraidah Zuraidah

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