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MUDRA Jurnal Seni Budaya

mudra
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Published by Institut Seni Indonesia Denpasar

ISSN : 08543461 EISSN : 25410407 DOI : https://doi.org/10.31091/mudra.v37i4.2084

Core Subject : Religion, Humanities, Education, Art, Social,

Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

AIMS The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. In accordance with the meaning of the word “Mudra”, which is a spiritual gesture and energy indicator, it is hoped that the journal will be able to vibrate the breath of art knowledge to its audience, both academics, and professionals. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of disciplinary/interdisciplinary approaches such as art criticism, art anthropology, history, aesthetics, sociology, art education, and other contextual approaches. SCOPE MUDRA, as the Journal of art and culture, is dedicated as a scientific dialectic vehicle that accommodates quality original articles covering the development of knowledge about art, ideas, concepts, phenomena originating from the results of scientific research, creation, presentation of fine arts, performing arts and new media from researchers, artists, academics, and students covering areas of study: Performing Arts: dance, puppetry, ethnomusicology, music, theater,performing arts education, performing arts management Fine Arts: fine arts, sculpture, craft art, fine arts education,fine arts management, including new media arts Design: interior design, graphic communication design, fashion design,product design, accessories and/or jewelry design Recording Media : photography, film, television, documentary, video art, animation,game Culture : linguistic, architecture, verbal tradition, as well as other communal tradition The object of research is explored in a variety of topics that are unique, relevant, and contextual with environmental and sustainability aspects, local wisdom, humanity and safety factors. In addition to that, the topic of research needs to be original, creative, innovative, excellence, and competitive.

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 12 Documents

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Search results for , issue "Vol 22 No 1 (2008): Januari" : 12 Documents clear

Ekspresi Seni Masyarakat Tradisional Desa Adat Penglipuran Bangli Sebagai Sarana Pemujaan Kepada Tuhan (Kajan Bentuk, Fungsi, Dan Makna) I Nengah Duija
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

In Balinese Culture art is substantial because it closely relates to the system of belief especially Hindu religion. Thus art is having inner power that is the spirit of the purity of Hindu itself. Therefore functionally art in Bali can be categorized into: seni wali, bebali and balih-balihan. The intensity of art activities relate to the ritualistic performance of Balinese Hindu society. In Ba- linese traditional society art activities relate to religious ritual are frequently performed even melted into the life of their rites. Likewise in the village of Adat Penglipuran Bangli, has expressed that art as an act of worship in the form of sacred Baris Dance. The performance of sacred Baris dance in the village of Adat Pengli- puran has form, function and meaning pertaining to worship, both to ancestors (cosmic axis) at Bayung Gede Kintamani and to God. The aesthetic concept that is used as a mean of worship borne theo- aesthetic term. Because of having those functions and meaning this sacred tradition survive. Besides that, this sacred Baris Dance as honor to geographical reality that has its upper reach at mountain, so it’s value-oriented is on war myth, fertility, water, etc. Thus the artistic expression of Penglipuran society as worship rites toward the Creator.

Penghancuran Estetika Kota: Bangunan Bersejarah di Kota Medan Asmyta Surbakti
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

In the last two decades, specially when Medan City has got involved in the urban developmentalism, through the modernization and capital globalization, many historical buildings are destructed in order to build shopping centres, through hegemony and/or demolition by neglection. Using their hegemonic discourses, the local government supports controversially the destruction although the Perda was already issued. The most important discourse is the promise that the shopping centres will create employment for the local people as well as generate revenues for the government. To resist the destruction, counter-hegemonic ones are built by the society supported by critical groups, such as non-governmental organizations called Badan Warisan Sumatra (Sumatra Heritage Trust (BWS/SHT) with the central figure Hasti Tarekat as well as intellectuals, and mass media. Such a destruction does not only omit history and identity of the city but also neglect the tourism development based on the aesthetics of the heritages, which is potential to emansipatory praxis of the society.

Ritual Ider Bumi Di Desa Kemiren, Kecamatan Glagah, Kabupaten Banyuwangi Sulistyani
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

Ritual Ider Bumi one of existing ceremony ritual society of Using Banyuwangi, as statement or expression thank goodness for blessing which have been accepted to the countryside security during one year. Society Using is original society Banyuwangi, (those who do not want to coexist with the society urban). Society Using in Ke- miren village, its confidence embrace the Islam, but also still run the culture which inherit from its ancestor. Religion and cultural walk along, till able to form the ceremony ritual like that ceremony of ritual Ider Bumi executed in each feast day of Ramadan Idul Fitri.

Pemujaan Siva-Buddha Dalam Masyarakat Hindu Di Bali I Ketut Widnya
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

Kesenian Ching Pho Ling Di Daerah Purworejo Jawa Tengah Cerminan Budaya Pisowanan Nanik Sri Prihatini
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

pisowanan in the perfomance of Ching Pho Ling, is a phenomenon sosio-kultural that is a demang report duty in its power region. To do the pisowanan, demang followed by the guard to show the spirit of pregnant patriotism assess the struggle, faithfulness, independence, togetherness, and others. In pisowanan of is in form of pageant carry arms to keep safety. Besides also simple music to eliminate tired during of journey. From the pageant form become the artistic idea source of performance in the functioning Ching Pho Ling as look oning/ entertainment amusement society. Creativity of there are at development move the, accompaniment and its cloth. This artistry is very concerning because omiting the single exist in Regency Purworejo, but still eksis. So that require to get the serious attention from local government.

Nilai Ajaran Inkarnasi Dalam Lakon Purbosejati I Nyoman Murtana
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

The script of Purbasejati emphasizes the importance of “tapa-brata” (praying and fasting action) or meditation, doing con- centration to communicate and harmonize him/herself in God. To reach that level, Javanese people must control their lust as a self sublimation process and increasing soul sensitivity to get miracle and also be able to awakening and manifesting the character of God into them self. The circumstances namely “Manunggaling Kawula lan Gusti”, the unity between human being and God, a high value level in Javanese life, such as able to reach a prudent of life and life spirituality. If God is being in theur side, human will get a superiority named sekti and wicaksana. Javanese people be- lieve that in deep inside of wisdom demesnor will shine a fresh pattern of tought and do a highly valued civilization, in order to increase a dignity and prestige of life. In social life context, the wisdome attitude is very useful for society, nation and country.

Konsep Karya Hiliran (Budaya Dan Masa Kini) Ni Komang Sri Wahyuni
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

Through various exploration and the research show in rural, in coast, non in stsge by using special settlement, as everyday refleksi life of society of Tejakula Village, what more signalizing of natural element and natural. This matter is with the Fistula meaning underside, representing Pate; Upstream antonym (upper). Settlement naturally in areal staging in the form of black sand with its cobblestones, grove become green in coastal periphery, free sea and small river stream, made by as very supporting shares of masterpiece perfection. left and Right backside of staging place attached by penjor and twenty umbul-umbul. Rear instrument of gambelan of Gong Kebyar to accompany the appearance of Krama Negak village, Krama Cendek and training dance the Kebyar Tarunajaya. In sea front, in bamboo tide to drape the net, what is being improve; repaired by all fisherman. In starboard, attached by place of grilling of haul fish of all fisherman.

Estetika Kakawin Ekadauauiwa I Made Latra
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

Bentuk-bentuk Petulangan Dalam Upacara Ngaben Ditinjau Dari Sudut Kesenirupaan Di Bali I Dewa Made Pastika
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

The Art of sarcophagus has been known in Bali since ancient up to now in relationship with a cremation ceremony called “ Ngaben” or “ Pelebon”. Its function is as a plase for the dead body during cremation in order that the dead body is protected and its ash can be easily collected after the cremation Phylosophically, sarco- phagi whith are shape of animals have. a meaning of a pach into the heaven for the soul of the cremated body. Besides, if we view them from the art aspect, they hava special artistic velues and special beauty which become an important cultural asset to attract tourist who want to watch them. Ornaments of the sarcophagi generally used in Bali, are taken from animals such as lion, deer, akin of dragon, gedarba, tiger, and kinds of fish. The shaped sarcophagi are adorned with carved ornaments or with cutouts which are stuck on them and made from paper with various carving motif and coloured-catton thread for example: takep pala, takep piah, pengampad, badong, bottems cover ornament, fire tongue, “ gunala”, “karang guak”, “dure “. Ornaments carved in va- rious motif such as “patra punggel”, “patra sari”, mas-masan, “cra- cap”, patra cina “ and other “ kekarangan “. Comparison elements have important role on the beauty of sarcophagus work such as the comparison between the height and the length of the sarcophagus. Sarcophagi not only have special religious meaning, but olso they have high artistic value which should be developed in the future.

Keindahan Di Balik Tragedi I Made Saryana
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

The use of transportation facilities represents the metaphor of “double-sides sword”; on the one hand it gives usefulness, on the other hand it gives destructiveness. An ideal dualism of modern culture achievement, and the tragedy inherently implied. While the comfort of traveling embodies the positive side, the pollution and car accident re- present the negative side. We have no other alternative, nevertheless, since the modern culture demanded such a high mobility that the use of modern transportation is unavoidable. Almost everyday we heard and read in mass media about various acci- dent of car crashes. Even in minor cases, the victims or damages are al- ways unavoidable. In a huge scale, the accident of transportation might take a great many victims and material damages. Consequently, the sur- vivors or the relatives of the casualties might experience mourning and sadness, even trauma. These are what we might call tragedies, the ones causing human suffering. Viewed as an event, accident left at least two realities: the one asso- ciated with mental/psychological implication and the other related to the factual objects that create automatically new “meaning”, even trans- formation to other “meaning”. In my opinion, the wrecked cars, or those with the paint peeled off, or the chassis detached, or the whole body burnt out, represent the factual reality of the objects undergone the transformation of “meaning”. A paradoxical reality of meaning: Between the one referring to the traumatic side, and the other that sig- nify the visually artistic side. It is on this paradoxical meaning that I based my creative exploration to create my photographic artworks. Observation might inspire an unexpected visual composition. By photographing the most unique and the most interesting of the bro- ken pieces of the wrecked cars using the close-up function, an artistic and aesthetical photographic artwork might be created. That is the reason for me to choose the title “Beauty behind Tragedy”.

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Agus Eka Aprianta

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penerbitan@isi-dps.ac.id

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+62361-227316

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penerbitan@isi-dps.ac.id

Editorial Address
Mudra Jurnal Seni Budaya Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Agus Eka Aprianta

Contact Email penerbitan@isi-dps.ac.id

Phone +62361-227316

Journal Mail Official penerbitan@isi-dps.ac.id

Editorial Address Mudra Jurnal Seni Budaya Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location Kota denpasar, Bali INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Agus Eka Aprianta

Contact Email
penerbitan@isi-dps.ac.id

Phone
+62361-227316

Journal Mail Official
penerbitan@isi-dps.ac.id

Editorial Address
Mudra Jurnal Seni Budaya Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA