Article Per Year (5 Year)
p-Index From 2020 - 2025
9.373
P-Index
This Author published in this journals
All Journal SURYA SENI MUDRA Jurnal Seni Budaya Randwick International of Social Science Journal Journal of Aesthetics, Creativity and Art Management Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Retina Jurnal Fotografi
I Made Saryana
Institut Seni Indonesia Denpasar
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 42 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 42 Documents
Search

 1   2   3   4   5 
Keindahan Di Balik Tragedi I Made Saryana
Mudra Jurnal Seni Budaya Vol 22 No 1 (2008): Januari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (270.353 KB) | DOI: 10.31091/mudra.v22i1.1544

Abstract

The use of transportation facilities represents the metaphor of “double-sides sword”; on the one hand it gives usefulness, on the other hand it gives destructiveness. An ideal dualism of modern culture achievement, and the tragedy inherently implied. While the comfort of traveling embodies the positive side, the pollution and car accident re- present the negative side. We have no other alternative, nevertheless, since the modern culture demanded such a high mobility that the use of modern transportation is unavoidable. Almost everyday we heard and read in mass media about various acci- dent of car crashes. Even in minor cases, the victims or damages are al- ways unavoidable. In a huge scale, the accident of transportation might take a great many victims and material damages. Consequently, the sur- vivors or the relatives of the casualties might experience mourning and sadness, even trauma. These are what we might call tragedies, the ones causing human suffering. Viewed as an event, accident left at least two realities: the one asso- ciated with mental/psychological implication and the other related to the factual objects that create automatically new “meaning”, even trans- formation to other “meaning”. In my opinion, the wrecked cars, or those with the paint peeled off, or the chassis detached, or the whole body burnt out, represent the factual reality of the objects undergone the transformation of “meaning”. A paradoxical reality of meaning: Between the one referring to the traumatic side, and the other that sig- nify the visually artistic side. It is on this paradoxical meaning that I based my creative exploration to create my photographic artworks. Observation might inspire an unexpected visual composition. By photographing the most unique and the most interesting of the bro- ken pieces of the wrecked cars using the close-up function, an artistic and aesthetical photographic artwork might be created. That is the reason for me to choose the title “Beauty behind Tragedy”.
KEINDAHAN DI BALIK TRAGEDI I Made Saryana
SURYA SENI Vol 3, No 2: September 2007
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/pasca.v3i2.72

Abstract

The use of transportation facilities represents the metaphor of “double-sides sword”, on the one hand it gives usefulness, on the other hand it gives destruc- tiveness. An ideal dualism of modern culture achievement, and the tragedy in- herently implied. While the comfort of traveling embodies the positive side, the pollution and car accident represent the negative side. We have no other alternative, nevertheless, since the modern culture demanded such a high mobility that the use of modern transportation is unavoidable. Almost everyday we heard and read in mass media about various accident of car crashes. Even in minor cases, the victims or damages are always unavoidable. In a huge scale, the accident of transportation might take a great many victimsand material damages. Consequently, the survivors or the relatives of the casualties might experience mourning and sadness, even trauma. These are what we might call tragedies, the ones causing human suffering.Viewed as an event, accident left at least two realities: the one associated with mental/psychological implication and the other related to the factual objects that create automatically new “meaning”, even transformation to other “meaning”.In my opinion, the wrecked cars, or those with the paint peeled off, or the chassis detached, or the whole body burnt out, represent the factual reality of the objects undergone the transformation of “meaning”. A paradoxical reality ofmeaning: between the one referring to the traumatic side, and the other that signify the visually artistic side. It is on this paradoxical meaning that I based my creative exploration to create my photographic artworks. Observation mightinspire an unexpected visual composition. For example, a vehicle with its fabulous design might experience a sudden crash that creates effects such as dented or broken into pieces, while at the same time it creates something unique or fascinating. Here, I saw “the meaning of the beauty” behind the tragic outcome.  By photographing the most unique and the most interesting of the broken  pieces of the wrecked cars using the close-up function, an artistic and aesthetical photographic artwork might be created. That is the reason for me to choose the title “Beauty behind Tragedy”. Keywords: photographic artworks, tragedy and beauty.
Desain Ilustrasi Foto Pada Baju Kaos Dengan Media Fotografi Digital Pendukung Pariwisata Budaya Di Pura Tanah Lot Dan Taman Ayun I Made Saryana; Anis Raharjo; Amoga Lelo Octaviano
Mudra Jurnal Seni Budaya Vol 33 No 1 (2018): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v33i1.313

Abstract

Penelitian ini bertujuan untuk mengembangkan industri kreatif dengan menerapkan fotografi digital melalui pengembangan produk instan dengan desain ilustrasi foto pada baju kaos. Pemilihan Obyek wisata Pura Tanah Lot Tabanan dan Pura Taman Ayun Badung Bali, dijadikan obyek penelitian karena obyek wisata tersebut selalu ramai dikunjungi wisatawan. Pengumpulan data dilakukan dengan observasi, wawancara dan studi pustaka. Data yang diperoleh dari hasil observasi dan wawancara dianalisis dengan menggunakan metode penciptaan seni, sehingga hasil análisis dapat dijadikan pedoman atau konsep dasar dalam pengembangan produk sovenir baju kaos. Penelitian ini dilakukan dengan (1) Mengidentifikasi berbagai jenis sovenir baju kaos yang dijual pada kawasan obyek wisata Tanah Lot Tabanan dan Pura Taman Ayun Badung Bali, baik dari bahan, desain ilustrasinya serta teknik pembuatannya. (2) Menganalisis harga, tingkat penjualan, serta bahan, desain ilustrasinya dan teknik pembuatannya.  (3). Melakukan eksperimen desain ilustrasi foto dengan fotografi digital dan pengolahan melalui komputer. (4) Pembuatan ilustrasi foto dan menerapkannya dengan fotografi dan sablon digital pada baju kaos.This research started with observation of several tourism destinations  in Bali such as Tanah Lot in Tabanan and Taman Ayun Badung. The observation is that by taking pictures of tourists and then selling it on photo printed  paper, profit margins are minimized. Furthermore, selling t-shirts as souvenirs on which the design is lacking in representation of the location show restricted and minimized monetization capabilities. Based on these observations, the researcher intends to conduct research while creating an innovative product which is capable of representing the aforementioned locations. Through implementation of digital photography and patternization modalities, designed photos can instantaneously be printed on the t-shirt, and automatically it may be worn by tourists. This technique can prove to have drastic impact upon the profit margins of vendors in comparison to conventional modalities. The aim of the research is to develop creative industry by applying digital photography through the development of instant product through creative design on t-shirts. The option to choose Tanah Lot and Taman Ayun temples because these toruism objects are of the most favorite tourism destinations steadily receive visitation from many tourists from all around the world. This research focuses on (1) The identification of T-shirts as souvenirs sold in Tanah Lot temple in Tabanan and Taman Ayun temple in Badung, based on  fabric, lllustration design and the production techniques. (2) Price analysis, seeling rank, fabric, illustration design and production techniques; (3) To conduct experimental photography llustration design through digital photography and computer-driven image processing; (4) The production of photo llustration and digital patterns on t-shirts. Data collection is taken based on observation, interviews and library research. The data is analyzed using art creation method therefore it can be used as guidance or a basic concept in developing t-shirts as souvenirs
Angkara Movie Based on Bali Traditional Art I Komang Arba Wirawan; I Made Ruta; Paul Trinidad; I Dewa Made Darmawan; I Made Saryana; Made Rai Budaya Bumiarta
Mudra Jurnal Seni Budaya Vol 38 No 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v38i1.2164

Abstract

This research aimed to discover how the Angkara movie is based on Balinese traditional art and to find out the mise and scene in the pre-production, production, and post-production processes. Clekontong Mas for the Balinese people is a comedian studio (Bondres), which is well known and admired by the community. Clekontong is translated as ritual media, and Mas means noble. This studio was founded in Denpasar in 2012 and pioneered by I Komang Dedi Diana (Tompel), I Ketut Gede Rudita (Sokir), and I Nyoman Ardika (Sengap). Bondres  profoundly has the opportunity to be the inspiration for innovative film productions. However, there is no related research that has examined it further. The data sources used Angkara movies, film directors, cultural experts, and the audience. The method of data collection was conducted through observation, interviews, and documentation; online and offline. The Angkara movie was analyzed from the initial scene to the final scene qualitatively using the approach of setting, directing style, blocking, costumes, lighting, and revealing the aesthetics of the Angkara film. The result found that Angkara is a comedy genre film based on Balinese traditions. Directing style, and blocking the placement of Clekonteng Mas were successful role measurements in acting. The costumes of Angkara actors with traditional Balinese characteristics can describe the comedian's situation based on Balinese’s local wisdom. The social phenomenon in the production of the Angkara movie was produced and won national and international festivals. Presenting local Balinese cultural identity can be a source of film creation and characteristics to enrich the aesthetics of Balinese’s local wisdom in the form of films.
The Rwa Bhineda Painting Principles: The Art of I Dewa Nyoman Batuan I Made Ruta; Ni Wayan Masyuni Sujayanthi; Ni Made Purnami Utami; I Made Saryana; Gede Yoga Kharisma Pradana
Randwick International of Social Science Journal Vol. 4 No. 1 (2023): RISS Journal, January
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i1.591

Abstract

Rwa Bhineda are two distinct characteristics that exist in this life. The goal of this article is to reveal the principle of rwa bhineda in I Dewa Nyoman Batuan's mandala paintings. The mandala paintings by I Nyoman Batuan are very distinctive and have inspired many other artists' paintings. However, there has been no study that discusses the principle of rwa bhineda, which makes mandala paintings by I Dewa Nyoman Batuan look distinctive. This article discusses the principle of rwa bhineda in a painting by I Dewa Nyoman Batuan and the meaning of rwa bhineda in a mandala painting by I Dewa Nyoman Batuan. This study uses a qualitative method. The data sources for this study were mandala paintings by I Dewa Nyoman Batuan himself, mandala painters, cultural observers, and people observing mandala paintings selected based on purposive sampling and snowball techniques. All data obtained through observation, interviews, and literature studies were analyzed qualitatively and interpretatively using aesthetic theory and deconstruction theory. The results of the research show that the principle of rwa bhineda in the mandala painting by I Dewa Nyoman Batuan is made in the form of a circle, which is beautified by the duality motif. The principle of rwa bhineda in mandala paintings by I Dewa Nyoman Batuan has an aesthetic meaning, a cultural meaning, and a counter-destruction meaning.
ELABORASI DAMPAK NEGATIF SAMPAH ANORGANIK KARYA CIPTA FOTOGRAFI EKSPRESI Anis Raharjo; I Made Bayu Pramana; I Made Saryana
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 2 (2022): Prosiding Bali Dwipantara Waskita: Seminar Nasionar Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Dalam kehidupan sehari-hari tidak bisa lepas dari sampah salah satunya sampah anorganik. Bahan anorganik sebagai produk industri semakin mendominasi kehidupan manusia. Disadari atau tidak masyarakat telah masuk kekondisi ketergantungan terhadap bahan bahan anorganik yang sangat parah. Penggunaan sampah anorganik dapat merugikan lingkungan, apalagi digunakan secara berlebihan, karena dapat mencemari air, tanah, udara dan unsur lingkungan lainnya. Sampah anorganik memiliki keragaman jenis seperti plastik, kaca, keramik, kain dan logam. Sampah anorganik berdampak negatif pada realitas lingkungan sehingga dapat membahayakan kelangsungan makhluk hidup seperti manusia, hewan, tumbuhan. Berdasarkan hal tersebut pencipta tertarik untuk mengangkat tema ”Elaborasi Dampak Negatif Sampah Anorganik Karya Cipta Fotografi Ekspresi”. Dalam mewujudkan ide pada karya seni fotografi ekspresi tersebut melalui proses observasi, eksperimen, persiapan, pembentukan dan penyelesaian akhir. Dengan demikian melalui lima karya yang digarap, dapat merepresentasikan elaborasi dampak negatif sampah anorganik yang diungkap secara estetik dan metaforik. Hal tersebut dapat tercipta makna yang komunikatif dan mampu memberikan suguhan visual kebaharuan dengan tujuan berkontribusi pada penyadaran pelestarian lingkungan sehingga terwujud hubungan manusia yang harmoni dengan alam semesta.
Aji Susanto Anom's Black and White Photographic Works: A Study of Visual Psychology Widhiyanti, Ni Wayan Widhi; Saryana, I Made
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3704

Abstract

This study aims to map the aesthetics and emotional content implied in black and white photographic works by Aji Susanto Anom, a leading photographer from Indonesia. This research uses a visual arts approach and literature study to analyze various aspects which include techniques, compositions, themes, and messages conveyed in the works of Aji Susanto Anom. The research method used is a qualitative analysis of a number of black and white photographic works of Aji Susanto Anom that have been carefully selected. By paying attention to every visual and narrative detail, this study will identify the unique aesthetic characteristics and emotional content implicit in each work. It will also involve an understanding of the context of these works, including cultural influences, traditional values, and Aji Susanto Anom's career journey as a photographer. The results of this study are expected to provide a deeper understanding of how aesthetics and emotional content in black and white photography can be expressed through the works of Aji Susanto Anom. The findings of this study are also expected to contribute to the development of our understanding of black and white photography as a powerful artistic medium in conveying profound and inspiring messages.
TOLERANSI DALAM MULTIKULTURALISME KARYA CIPTA FOTOGRAFI EKSPRESI Raharjo, Anis; Pramana, I Made Bayu; Saryana, I Made
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini bertujuan untuk mengeksplorasi dan merefleksikan keindahan serta keragaman budaya masyarakat Indonesia khususnya Bali melalui karya fotografi ekspresi. Di Bali, yang terkenal dengan kekayaan budaya dan alamnya, multikulturalisme terlihat melalui ragam tradisi, agama, dan interaksi sosial. Dalam konteks ini, karya fotografi ekspresi diharapkan dapat menyampaikan pesan toleransi dan penghargaan terhadap keberagaman budaya. Penciptaan ini memanfaatkan teori estetika fotografi, teori multikulturalisme dan teori semiotika Roland Barthes. Teori estetika fotografi menjadi dasar pemahaman keindahan dalam seni fotografi, sementara teori multikulturalisme membantu menjelaskan nilai-nilai multikultural budaya tangible dan intangible, serta pengaruhnya terhadap cara pandang masyarakat. Semiotika Roland Barthes digunakan untuk menelaah simbol dan pesan dalam fotografi terkait identitas dan keragaman budaya. Metode penciptaan yang diterapkan meliputi observasi, eksperimen, pengolahan karya, penampilan akhir karya, dan analisis. Observasi pada interaksi sosial yang menggambarkan toleransi, sedangkan eksprerimentasi mencakup penggabungan teknik pemotretan fotografi dan editing, termasuk penggunaan mixed media. Hasil karya ini dirancang dengan prinsip komposisi visual yang komunikatif, yang diharapkan dapat meningkatkan apresiasi mengenai keberagaman budaya. Melalui fotografi ekspresi sebagai representasi visual media edukatif dan inspiratif. Penciptaan ini diharapkan mampu menginspirasi seniman dan masyarakat untuk terus menghargai serta melestarikan kekayaan budaya yang ada, terutama dalam konteks masyarakat multikultural seperti Bali.
PESONA JEMBER DALAM FOTOGRAFI LANDSCAPE Aditya Novianto Suwardi; I Made Saryana; Cokorda Istri Puspawati Nindhia
Retina Jurnal Fotografi Vol 1 No 2 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i2.786

Abstract

Jember Regency is a regency located in the province of East Java, Indonesia. Jember Regency is rich in reliable tourism objects and has great opportunities to be developed in the future. There are various natural attractions that save many small paradises that are still not widely known to the public. The creation of this work aims to introduce tourist objects to the wider community in Jember Regency in Landscape photography works. In making this Landscape photography work, the creator has the opportunity to know more and introduce various tourism places in Jember Regency to the wider community. The emergence of the idea started from the creator who likes to take landscape photos where landscape photos are divided into various kinds and the creator was born in the city of Jember, so the creator wants to learn more about landscape photography and introduce tourist objects to the wider community in Jember Regency in the work of Landscape photography. The creator uses the method of exploration, observation and literature study in order to get maximum results. After doing these three methods, the creator took pictures of various tourist objects in the city of Jember. These tourist objects consist of Papuma Beach in Lojejer Village, Payangan Beach and Teluk Love in Sumberrejo Village, Tea Gambir Gardens in Sumberbaru Village, Damar Wulan Waterfall in Ledokombo Village, Sucopangepok Rice Fields. View of Sucopangepok Village and SJ88 in Sucopangepok Village, Tobacco House in Mumbulsari Village, Dan Rejo Dam in Tempurejo Village and still some tourist attractions in Jember. Keywords: Enchantment, Jember, Landscape Photography
KEGIATAN ANAK-ANAK DOWN SYNDROME SEKOLAH LUAR BIASA SINGARAJA DIMASA PANDEMI DALAM FOTOGRAFI DOKUMENTER Kadek Yoga Riska Mahendra; I Made Saryana; Farhan Adityasmara
Retina Jurnal Fotografi Vol 1 No 2 (2021): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v1i2.790

Abstract

Down syndrome is a genetic disorder that causes sufferers to have a low level of intelligence and experience a distinctive abnormality on the sufferer's face, the WHO data estimates that 3000 to 5000 babies are born with this condition each year, until now in Indonesia concern for children with Down syndrome is still relatively minimal, especially in Bali, due to lack of knowledge about children with special needs with Down syndrome, so many people still isolate children with Down syndrome. The purpose of the creator of using Down syndrome as an object of research is to change the stigma of people who consider Down syndrome to be small and to visualize "Singaraja Special School Down Syndrome Children's Activities in Documentary Photography" so that they get several benefits, namely for creators, they can apply the knowledge gained in lectures. , for Institutions can provide references, and add insight to each individual, for the community can provide information about the activities of children with Down syndrome. In the process of creating a photographic work, the creator uses several methods, including the observation method, literature study, and the interview method, after carrying out the method used as material for the creation of a photographic work, the creator uses EDFAT theory and aesthetics, after using several methods and theories in the creation process, the creator gets a conclusion and the results of 15 documentary photos, regarding the activities of children with Down syndrome Singaraja SLB School, among others, folding clothes, children's learning activities, playing activities and other activities. Keywords: Down Syndrome Children Activities, Singaraja Special School, Documentary Photography
Co-Authors Aditya Novianto Suwardi Aditya Ridwan Effendy Ahimsa, Ade Ahmad Nur Prasetyo Amoga Lelo Octaviano Anak Agung Ngurah Micko Indrawan Anggastya, Ida Bagus Nyoman Aulia Tegar Nusantara Bani, Anselans Petervi BAYU PRAMANA, I MADE Candrayana, Ida Bagus Cokorda Istri Puspawati Nindhia Dandy Prasetyo Desak Sekar Melati Sukma Pradnyani Dewa Gede Ardawa Putra Wicaksana Dewa Putu Gede Suryantara Dharayata, I Putu Restu Editama, Gusti Putu Tirta Rama Fadhilatun Niswah Farhan Adityasmara Fatima, Rachelia Garmita, I Komang Yorda Gede Arimbawa, I Made Gede Yoga Kharisma Pradana Gusti Putu Tirta Rama Editama I Dewa Made Darmawan I Gede Dalem Suardita I Gusti Agung Surya Widiapramana I Kadek Budi Antara I Komang Arba Wirawan I Komang Kusuma Adi I Komang Yorda Garmita I Made Adi Dharmawan I MADE ADI DHARMAWAN I Made Dwi Saputra Arimbawa I Made Ruta I Nyoman Putra Pramana I Putu Mahendra Dinata I Putu Restu Dharayata I Wayan Mudana I Wayan Mudra, I Wayan Ida Bagus Candra Yana Ida Bagus Nyoman Anggastya Jaya, I Gede Nanda Kumara Kadek Yoga Riska Mahendra Made Rai Budaya Bumiarta Nengah Adia Wiratna Ni Made Purnami Utami Niswah, Fadhilatun Nusantara, Aulia Tegar Octaviano, Amoga Lelo Paul Trinidad Pramana, I Made Bayu Putu Agus Bratayadnya Rachelia Fatima Raharjo, Anis Raharjo, Anis Sang Made Dwiki Hendri Yana Suardita, I Gede Dalem Sujayanthi, Ni Wayan Masyuni Widhiyanti, Ni Wayan Widhi Widiapramana, I Gusti Agung Surya Yana, Ida Bagus Candra