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Jurna lAntropologi Indonesia
Published by Universitas Indonesia
ISSN : 1693167X     EISSN : 16936086     DOI : 10.7454
Core Subject : Social,
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ANTROPOLOGI INDONESIA was published to develop and enrich scientific discussion for scholars who put interest on socio-cultural issues in Indonesia. These journals apply peer-reviewed process in selecting high quality article. Editors welcome theoretical or research based article submission. Author’s argument doesn’t need to be in line with editors. The criteria of the submitted article covers the following types of article: first, the article presents the results of an ethnographic/qualitative research in certain topic and is related with ethnic/social groups in Indonesia; second, the article is an elaborated discussion of applied and collaborative research with strong engagement between the author and the collaborator’s subject in implementing intervention program or any other development initiative that put emphasizes on social, political, and cultural issues; third, a theoretical writing that elaborates social and cultural theory linked with the theoretical discourse of anthropology, especially in Indonesia anthropology; last, the article is a critical review of anthropological reference and other ethnography books that must be published at least in the last 3 years.
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Articles 579 Documents
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"Tantangan Kajian Kesenian Kontemporer: Ruang Publik, Pasar, dan Kekuasaan" Tito Imanda
Antropologi Indonesia Vol 33, No 1 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

There are two traditions in the anthropology of art: art as abstract cultural representation and art as expression or message of the artists to their audience. This article aims to balance these two traditions as alternative approach in the study of anthropology of art. Alternative approach is needed for most studies in the anthropology of art in Indonesia encounter difficulty to explain contemporary and traditional arts in the context of contemporary society. This alternative approach offers a view that art product is a synthesis of art production and history of political economy of the society. Marshall Sahlins (1976) suggests this approach which leads us to understand that culture is a symbolic order as also popularized by Louis Althusser. Hence, this article tries to understand symbolic order in the art product by discussing relevant theories in the anthropology of art. Keywords: cultural representation, political economy, symbolic order, holistic approach
Kolaborasi dan Refleksifitas dalam Penciptaan Representasi Etnografi Visual dalam Bentuk Film Dokumenter: Sebuah Pengalaman Rhino Ariefiansyah; Hestu Prahara
Antropologi Indonesia Vol 33, No 1 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

Various endeavors to quest for ethnographic representation have been conducted to answer questions about authority and relationship between the ethnographer and its subject. This quest brought about issues of collaboration and reflexivity as important themes in the visual anthropology discourse. This paper is an effort to expose our experiences in doing anthropological research using documentary video. Collaboration, reflexivity and complicity are concepts that become our concern in a research project in Indramayu. What we did is a kind of possibility to create ethnographic representation through visual medium. Keywords: collaboration, reflexivity, ethnographic representation, documentary video
Ekshibisi, Kekuasaan, dan Identitas: Tafsir atas Politik Representasi Tiga Museum di Yogyakarta Khidir Marsanto
Antropologi Indonesia Vol 33, No 1 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

This article will clarify political representation of exhibition at Ullèn Sentalu Museum, Monumen Jogja Kembali, and Affandi Museum. These three museums are considered as proponent of Yogyakarta’s identity as the central of Javanese culture, struggle city, and the barometer of Indonesian fine art. The issue then, is it true that in the exhibitions’ at the three museums are appropriate with the identity of Yogyakarta, or in the contrary, the exhibitions have no correlation with this city’s identity discourse. There is a possibility that museum precisely bringing self-interest for specific purposes. Therefore, this paper needs to observe how the exhibitions at these museums were implemented. Through interpretive approach, the exhibition at the museum may be analogous similar with language phenomenon, and hence museum is considered as text that can be read and interpreted. Exhibition at the museum was developed within framework of thoughts (ideology), motives, and specific discourses, which all of these are articulated through a set of symbols (collection), that arranged with special layout procedure (display procedure). Thus, museum becomes ‘political’ since, in this perspective, museum has power over the formation of discourse through their exhibition. Keywords: museum critics, museum politics, political representation, hermeneutic anthropology, display interpretation.
Gondang di Komunitas Parmalim Batak Toba: Teks, Konteks, dan Aspek Performatif Irwansyah Harahap
Antropologi Indonesia Vol 33, No 1 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

This writing is about Gondang music which exists among the Toba Batak Parmalim community of Hutatinggi in the district area of Toba Samosir, North Sumatra province of Indonesia. Content of discussion includes an historical background of the people and knowledge and expressions of Gondang music among Toba Batak people in general and Parmalim community in particular. The performance aspects of Parmalim gondangs, including music ensembles, repertoires and ritual-musical practices, will also be discussed as part of discussion. key words: Teks, Kontekstualisasi, Performatif, Kebudayaan, Ekspresi Makna
Handphone XXX: Video 3GP dan Moralitas Anzieb Anzieb
Antropologi Indonesia Vol 33, No 1 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

This article examines the development of cell phone technology in relation to the cultural practices, in particular the practice of making 3GP sex videos and how public responses to the spread of such video into the public domain. People who recorded their sexual activities mostly admitted that they did it spontaneously or just for fun. The majority of people who recorded their sexual activities aimed not to distribute the video. In addition, those recordings are generally not meant for commercial use, which differentiate them from porn movies. For both men and women making a 3GP video brings unique sensations and new experiences with it. Furthermore, 3GP video can be creative experiment that involves bodies and technology, a way of self-knowledge and self-reflection, and an expression of affection. Public reaction to 3GP video files which widely spread is usually negative. These videos were considered violating moral values as well as criminal acts. Most accusations are directed to the young people which allegedly having moral decadence and misused the technology. Injustice is found in the responses and the repressive attitudes given by certain individuals or institutions who feel they have the authority to judge people involved in 3GP video recording. Keywords: cell phone, sexuality, morality, and moral panics
Reproduksi Stereotip dan Resistensi Orang Katobengke dalam Struktur Masyarakat Buton Tasrifin Tahara
Antropologi Indonesia Vol 33, No 2 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

Buton manuscripts indicated that Buton Kingdom appeared in 14th Century. In the periods of the 17 th, 18th, and 19th centuries, Buton Kingdom initiated to be the free kingdom. In the begining of 20th , dutch colonial goverment incorporated that the Buton kingdom and placed it under their rule. The principles were laid down based on the social cultural in eceonomic development. Relation to be governed especially are in the field of education, health, and economy. In 1960, Buton kingdom was dissolved following the death of Sultan Laode Muhammad Falihi as the last sultan. During the kingdom era, Buton social system consisted of three groups namelly kaomu, walaka, and papara. The system was established as power of ideology in Buton social political system in the era of goverment the fourth Sultan Dayanu Ikhsanuddin in 1578-1615. The Katobengke people as the subject and object of this paper belong to papara group. In the era of Buton Kingdom, the society was dominated by kaomu and walaka groups. This condition existed until the new order era, where in this period the dominant groups still have cultural and stereotype views toward this people as ini the era Buton kingdom. This paper focuses on the phenomena of power in the dynamic Buton’s social structure. In the Buton social structure, kaomu and walaka groups claimed them selves as the groups who have higher civilization in comparation with the Katobengke people, until today. Key words: Stereotype, Resistance, Social Structure
(Re)produksi Piil Pesenggiri: Identitas Etnis Lampung dalam Hubungan dengan Pendatang Risma Margaretha Sinaga
Antropologi Indonesia Vol 33, No 2 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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This research is based on the mindset that any of heterogeneous in a society, they still could be identified based on the values or symbols that referred to them as an ethnic groups. The problem in this research comes from seeing the issues of Lampung ethnic as an experienced local ethnic domination that increasingly being desperate in their own cultural environment. Ambiguity and vagueness of identity as a local ethnic also reinforced by the attitude of immigrants towards them that affect the relationship between them and if it still left unchecked can potentially lead to conflict. This ethnography research aims to reveal how Lampung ethnic establish their existence of identity through cultural values of Piil Pesenggiri, which upholds the dignity contextually as Lampung identity which carried out in their actions as a strategy of contestation in the immigrant communities. The emergence of a awareness of their identity, reviving Piil Pesenggiri uphold the values of honour in local wisdom become a strategy and a capital that being used when they are dialing with immigrants. In their actualization, the reproduction of Piil Pesenggri still being based on its own basic values such as Pesenggiri, nemui nyimah, nengah nyappor, juluk adok, dan sakai sambayan. Contextually, Piil Pesenggiri become a strategy to manifested their existence as Lampung ethnic and it also used to change the stereotype that immigrants pinned to them with a new value such as (a) changing the work ethic that has been known so low that they are often associated with lazy, less ductile, weak competitiveness, and human resources are still limited; (b) are not stuck with the romance of the past as a landlord; (c) re-interpretation of the titles of nobility (juluk buadek) which has been become the pride and purpose to be achieved in the internal structure so that could be received in the external structure; (d) Piil Pesenggiri become an ethnic identity and politics identity. Piil Pesenggiri is a way of life how ethnic Lampung have to act and behave. For them, Piil Pesenggiri is an identity or reflects the identity so that their existence is recognized and valued in relation to immigrants. In order to confirm their identity as Lampung ethnics, then the actions and strategies they are doing is building a network through the structure of society, also using the idiom of kinship as a strategy to deal with the migrants so that their existence as an ethnic Lampung still got appreciation in accordance with the values of honour that contained in Piil Pesenggiri. Key words: Piil Pesenggiri, Reproduction, Identity
Identitas Tionghoa Muslim Indonesia Pasca-Orde Baru: Melampaui Batas-Batas Kategori Peranakan dan Totok Afthonul Afif
Antropologi Indonesia Vol 33, No 2 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

The dramatic change in some important aspects of this country after the collapse of New Order Regime, primarily in the political aspect, provided larger opportunity to Indonesian Chinese in constructing their real identity, included to the Indonesian Chinese Muslim. In one hand, Indonesian Chinese Muslim tended to re-strengthen their cultural identity shown by articulating some features of their ethnic identity, and they show more the involvement in developing discourse of national building and the life of majority group by using their Islamic identity in the other hand. At this point, they then could not be categorized as ‘peranakan’ and ‘totok’, the binary category which is often used to refer to the asimilated and unasimilated Chinese into the cultural system practized by the native majority. After the state launched the new regulation of citizenship No. 12/2006, they were then positioned by the state as the ‘real’ citizen who had the same civil rights before the law as well as the other groups. The implication of this legacy in the social and cultural context is that they then developed the inclusive identity, such as absorbing the categories and features of identity of other group, involved in the activities of majority group, and occupied the same kind of majority group profession, until they felt that those had become part of their own identity. By sharing their identity with non-Muslim Chinese and majority group, they could take a strategic role as cultural mediators, political brokers and bridge builders. Keywords: Chinese Muslim, Identity, Peranakan, Totok, Hibridity, Post-New Order Indonesia.
Kebersamaan di Ruang Publik pada Pawai Perayaan Gotong Toa Pe Kong Berbasis Masyarakat Majemuk di Slawi Pasca Orde Baru 2010 Zeffry Alkatiri; Fabianus H Koesoemadinata
Antropologi Indonesia Vol 33, No 2 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

This article observes collective action of Toa Pe Kong celebration in the public space during Post-New Order era in Slawi, Central Java. This celebration involves local people from different religions and cultures. Why this celebration can be done after New Order? What aspect functions as collective bond among Slawi plural society? Using historical and cultural sources, this study analyses function and meaning of the ritual in relation to the collective aspect of Toa Pe Kong celebration. Keywords: collective, public space, Toa Pe Kong, Slawi
Makna Kultural Mitos dalam Budaya Masyarakat Banten Ayatullah Humaeni
Antropologi Indonesia Vol 33, No 3 (2012): Antropologi Indonesia
Publisher : Department of Anthropology

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Abstract

This article discusses various myths spread in several areas of Banten. How Bantenese society understands and believes in myths that have spread and are still maintained from generations to generations and how the roles and functions of myths for Bantenese society constitute the main focus of this article. This article is field research using ethnographical methods based on in anthropological perspective. To analyze the data, the researcher uses a structural-functional approach. Library research, participant-observation, and depth-interview are methods used to collect the data. Myth is a part of folklore that appear in almost every culture of the world, especially in traditional or pre-literate cultures. Various researches, especially conducted by Western scholars, show how myths appear in various socio-religious activities of the society. Myths are also considered have moral values for the society that believes in them. The existence of myths in Bantenese society has influenced, more or less, the socio-religious life of the Bantenese. Myths, in some cases, also play significant roles and functions for Bantenese society such as strengthening something, maintaing cultural identity and solidarity of the society, and keeping prestige and social status. Key-words: myth, cultural meaning, Banten

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