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ika ismurdiyahwati
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INDONESIA
Jurnal Budaya Nusantara
Published by Universitas PGRI Adi Buana Surabaya
ISSN : 23553367     EISSN : 25978802     DOI : https://doi.org/10.36456/b.nusantara.vol3.no2
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Social Sciences
Diterbitkan dalam bentuk jurnal yang berfungsi sebagai media hasil disseminasi penelitian dan karya ilmiah, yang bertujuan untuk menambah wawasan dalam science, knowledge, skill, dan ability dalam bidang pendidikan, seni, budaya dan desain pada aspek olah gerak, rupa, teater, sastra, suara dan bunyi-bunyian yang berada dalam khasanah budaya Nusantara.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 216 Documents
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CADIK SAMUDRA BOROBUDUR : Jenius Lokal Nusantara Primadi Tabrani
Jurnal Budaya Nusantara Vol 1 No 1 (2014): BUDAYA ADILUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no1.a284

Abstract

Dugout canoe is from prehistory. It develops to become outrigger canoe: catamaran, one out- rigger and two outrigger. Then it is equipped with sails. After that came the plank built outrigger. There are still many mystery about the development of dugout canoeinto plank built outrigger. When and where does it appear? What about its dispersal so that outrigger canoe is every where in Austronesia? The ocean outrigger vessel as seen in the Borobudur relief, is a Nusantara local jenius. It is for voyages between islands, trading, passenger, war, even ocean liner. With this kind of ship Sriwijaya and Majapahit became great maritime kingdom, not only in South East Asia, but also in Asia and in the world as well.With this kind of ship, Nusantara are able to wander to the Pacific, the Indian and the Atlantic, all three Ocean in the world. At those times, Nusantara is the only people that are able to do that.
Batik Klasik: Aspek, Fungsi, Fiosofis dan Estetika Batik dalam Pandangan Budaya Nusantara Dharsono .
Jurnal Budaya Nusantara Vol 1 No 1 (2014): BUDAYA ADILUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no1.a297

Abstract

Batik is a painting or drawing on mori cloth created by using a tool called "canting ". People painting or drawing or writing on mori cloth with canting is called by membatik. It produces various forms and motifs of Batik and has special properties possessed by batik itself. The emergence of printed batik although it’s not as soft as handiwork batik, is enough to maintain the contained value of traditional batik. The Subsequent developments, batik is no longer used to accelerate the process, but accelerate the depiction of patterns and coloring, so the result of fabric batik is really similar to batik . This batik cloth is called " printing batik " . The dynamics of the Batik develop- ment divert the attention of Batik consumers. People turn to Batik motif textiles while Indonesian bourgeoisie was clothed in handiwork batik for the purposes of official events and formal parties. This dynamics will bring batik ( handiwork Batik) exclusively to the throne . Batik becomes a source of exaltation later on, then it will be a role model (philosophy) and a source of inspiration for the manufacture and further development of batik. Batik in a view of the archipelago culture alongside of its beautifulness (aesthetics), It’s also a guidance (teaching) painted on motives / classic batik pattern. That’s why that batik is a masterpiece heritage of the nations in the world from Indonesia, and It is now recognized widely as intangible and tangible heritage.
TRANSFORMASI VISUALISASI GAMBAR ILUSTRASI : pada Naskah Jawa Periode 1800-1920, Sebagai Refleksi Gejala Sosial-Budaya Masyarakat Jawa Nuning Damayanti Adisasmito
Jurnal Budaya Nusantara Vol 1 No 1 (2014): BUDAYA ADILUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no1.a298

Abstract

The tradition of writing and drawing illustrations found in old manuscripts in various ethnic In- donesia, especially on Java community. Most Old Javanese manuscript contains illustrations that unique and local characteristics of Javanese art. Illustration of the ancient Javanese manuscripts are well documented and have a varied range of visual form, unique in styling, how to draw, the theme, as well as a visual object. Visual image is an illustration concept frameworks Java community, as well as a reflection of social life - Javanese culture Colonial period. Illustration on Java Script period 1800-1920 as an aesthetic concept attainment the expression symbol of the Java community. The illustrations in old Javanese manuscripts in 1800-1920 showed a correlation sustainability of such visual language in the era of the past to the present and into the characteristics of Java illustration style, which is the development over time. Illustration of the old Javanese manuscript in the year 1800-1920 has changed and developed its visual state as the interaction between the animism in the Pre-Hinduism era, cultural of Hinduism-Budhism, Islamic and Colonialism paradigms. Of all these characteristics into the connecting thread is narrative, symbolic and simplification form of the nature (stylized), two-dimensional shapes and stylized concepts wayang. Keywords: illustration, illustration tradition, colonialism 1800-1920, Java script, stylized
BUDAYA NUSANTARA MELALUI DAMAR KURUNG : Analisis Bahasa Rupa ika ismoerdjahwati
Jurnal Budaya Nusantara Vol 1 No 1 (2014): BUDAYA ADILUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no1.a387

Abstract

Culture is a culture of Nusantara Indonesian , which owns various cultures scattered throughout the islands , is highly variable and shifting orientation into the craft industry . In contemporary culture, the culture industry has experienced ‘ globalization. So some of the work of cultural products,which could not be untouched by globalization, becoming increasingly marginalized and not recognized, even then becoming more and more lost. Prior to all of that , then comes the initiativeto conduct a study of the works of cultural products fared thus , among others , lanterns Damarkurung of Gresik, by Masmundari (late) . Research using qualitative research paradigm constructivist.Through this research is expected to gain an understanding of the images contained on the rounded wall paper lanterns, its origin, its artists, and its supporting environment. The conclusionis, the pictures turned out to have the intent and purpose, as well as the old concept of how the reading of the temples in East Java, which is used to guide how to draw and how to tell the images that surround the lantern.
INFO INFO YANG MENDEBARKAN: Punden Berundak, Toba Purba, Banjir Besar, Wawasan Nusantara, Gunung Padang Primadi Tabrani
Jurnal Budaya Nusantara Vol 1 No 2 (2014): BUDAYA ADI LUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no2.a410

Abstract

This article is not yet a real research; it is more as a deep reflection. But those deep reflections are worth to be researched thoroughly by experts from many fields of study integratingly. Thinking of people in land-continent with many countries as Europe is different then thinking of people in one country as Indonesia, a maritime-continent. In land-continents thinking, sea is to separte, in maritime-continent Indonesia with its islands, sea is to unite, wawasan Nusantara as old as prehistory. Each countryin a land-continent are eager to differentiate and defend to other countries by ethnic, language, religion, ideology, while in Indonsia as a maritime-continent, we is one country, several parts are slightly different but we are “one”: “Bhinneka Tunggal Ika”. In land-continent countries, a city with walls fortification, a country with great walls fortification are usual. While it is not so in Maritime-continent Indonesia, as is Trowulan the capital of the great empire Majapahit. Our school books says that the population of Indonesia comes from Asia, 5000 BC and 2000BC, while it is known that the migration of homosapiens has reach West Nusantara about 60 – 80.000 BC, and experienced the ancient Toba Mountain great explosion and the three great floods.The west theory said that Indonesia is a country between two continents and two aceans, where culture, etnic, nation, religion, etc, criss cross ofer it. So Indonesia ’has nothing’. No local genius. Nusantara people cruises the Pacific and Indian ocean before Christ, the Atlantic in the first century. What about ”Atlantis” and ”Eden in the East” situated in Sundaland, that alter the world culture, history & development? Has all this a connection with the mistery of Gunung Padang? Keywords: Land-continent thinking, Maritime-continent thinking, Wawasan Nusantara, BhinnekaTunggal Ika, Gunung Padang.
DASAR HUMANISME LOKAL INDONESIA Jakob Sumardjo
Jurnal Budaya Nusantara Vol 1 No 2 (2014): BUDAYA ADI LUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no2.a411

Abstract

Pre-modern humans Indonesia is very respectful of nature which is a pair of human life. If youcut down a tree, picking rice, take honey, slaughtering animals, it is always preceded by a smallritual apology. To understand the local culture, it cannot be used the measures of modernity thatrejects the things metaphysical and supernatural things. Inevitably we have to be willing to leaveour modern rationality to understand other types of rationality that develops in the local culture of Indonesia. The realities for local cultures include things that are visible (empiricism) and invisible(hidden). Human being is in the nature both of them. The Local human pay attention more on thesupernatural than empirical, when the empirical is not able to solve their problems, at least there isa guarantee from supernatural power in solving the empirical ones. To realize the highest humangoal, people should become a perfect human being, and then every local knows the virtues of each.On the other hand, in fact, humans do not have any freedom which lies precisely in compliancein framed structures. When running what is in accordance with the concept structuralism, thenhumans really feel free, carefree, contented and happy, whatever happens, and surrender to the willof god. The main human always close and remember the Lord. He was gone just as a mere tool.For further explanation, in this study, it will discuss about National Unity, Concept of Almighty,Concept of Plurality, Relationships among the one with the Human life, the Almighty Patterns, andthe Concept of Freedom.Keywords: local human, supernatural, local culture.
KI HAJAR DEWANTARA, MENGURANGI PENGARUH BARAT SECARA KULTURAL Iskandar Wiryokusumo
Jurnal Budaya Nusantara Vol 1 No 2 (2014): BUDAYA ADI LUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no2.a412

Abstract

The entry of Western values, among others through culture, has been known recently. Culturalvalues are mostly among others enter through technology and consumer goods as product of technology.One attempt tobalancevaluesof the West, which would be cultural values, performed byKi Hajar Dewantara, a National Cultural Educator once was. In an attempt balancing the effortsmade on the basis of Javanese culture is more family-oriented, independence, a sense of moralhigh priority and live in harmony with nature. Many of the teachings of Java is developed throughslogans and statements originating and noble values normative religious. So Western culture, suchas individualistic, rationalistic, and intellectualism can be compensated fairly and naturally.Keywords: Western values, Javanese culture, cultural values.
KONSTRUKSI LANGEN TAYUB NGANJUK DALAM PERSPEKTIF BERGERIAN Anik Juwariyah
Jurnal Budaya Nusantara Vol 1 No 2 (2014): BUDAYA ADI LUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no2.a413

Abstract

Internalization’s phase of society as a subjective fact implies that the objective reality interpreted subjectively by the individual. In a process of interpreting that internalization took place. Internalization is the process experienced by humans to ‘take over’ the world that are inhabited neighbor. Internalization lasts a lifetime involving socialization, both primary and secondary. Developing knowledge in agrarian societies instituted in continuous tradition and heredity.In theory of Berger and Luckmann, this sort of thing is to be part of a social construction, in particular objectivationstage. For Berger, is a product of human society, rooted in externaliation phenomenon. Langen tayub is seen as a knowledge that is maintained and applied through tradition and process interactions that exist in society.Keywords: Langen Tayub construction, Nganjuk, Bergerian.
KORELAT EMPAT LEMBAGA KEBENARAN MANUSIA: Filsafat, Seni, Ilmu, dan Agama Tri Karyono
Jurnal Budaya Nusantara Vol 1 No 2 (2014): BUDAYA ADI LUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no2.a414

Abstract

Philosophy is a critical, rational, and radical reflection towards main things in human life. Reflection (Reflekture) is referred to deeply critical self-contemplation. Thinking in a critical manner is to mean to always place everything in consideration and awareness in order to find the answers to the occurring questions. Thus, every philosopher will find their own alternatives with differentlyspeculative answers. When philosophy defined as a science which has the characteristics mentioned above is related to art, another science which has its certain system, even to religion which has absolute truth, it will become something interesting for a study.In this article the author have made some comparison of them and found the tangent point where they complement each otherbecause they, basically, have scope of knowledge in common.
PENGUATAN OLAHRAGA PENCAK SILAT SEBAGAI WARISAN BUDAYA NUSANTARA muhammad muhyi; Purbojati purbojati
Jurnal Budaya Nusantara Vol 1 No 2 (2014): BUDAYA ADI LUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no2.a415

Abstract

Sports martial arts (pencak silat) has grown and developed over the establishment of the Indonesian nation, even before Indonesia’s independence. It needs to be strengthened in order to continue to grow stronger in Indonesia. In order to realize it, the pillars of the national culture must be upheld which includes (1) construction of identity and character of the nation (2) Preservation of cultural heritage (3) development work / innovation and cultural diplomacy (4) institutional and human culture, and (5) facilities and infrastructure culture. To strengthen the construction of the five pillars of culture-related sports martial arts, the various concrete support pillars can help in any martial arts in the cultural heritage of the archipelago of Indonesia as well maintained. Keywords: sports martia arts, national culture, culural heritage.

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