Jurnal Budaya Nusantara
Diterbitkan dalam bentuk jurnal yang berfungsi sebagai media hasil disseminasi penelitian dan karya ilmiah, yang bertujuan untuk menambah wawasan dalam science, knowledge, skill, dan ability dalam bidang pendidikan, seni, budaya dan desain pada aspek olah gerak, rupa, teater, sastra, suara dan bunyi-bunyian yang berada dalam khasanah budaya Nusantara.
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<![CDATA[BUDAYA DAN KEARIFAN LOKAL MASYARAKAT SAMIN MASA DULU DAN SEKARANG ]]>
<![CDATA[Faradiba Surya Bestari]]>;
<![CDATA[Anak Agung Sagung Alit Widyastuty]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 4 No 1 (2020): NUSANTARA & RUANG VIRTUAL ]]>
Publisher : <![CDATA[LPPM Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol4.no1.a3261
<![CDATA[Budaya merupakan sesuatu yang sangat menarik dari suatu wilayah, dilihat dari segi pola ruangnya, struktur ruang dan adat yang ada di dalamnya. Penelitian ini bertujuan untuk mengetahui bentuk pola ruang berupa guna lahan dan zonasi, kondisi struktur ruang berupa sarana yang difokuskan pada permukiman, prasarana yang berupa aksesbilitas dan kearifan lokal yang ada disana terkait pola dan struktur ruang. Penelitian ini menggunakan metode analisis deskriptif kuantitatif dengan menggunakan software Arcmap 10.2 untuk mengetahui pola ruang dan menggunakan metode analisis deskriptif kualitatif dengan teknik pengumpulan data deep interview. Hasil penelitian menunjukkan bahwa masyarakat Samin memiliki karakteristik yang unik dari segi budaya dan ajarannya, namun seiring berjalannya waktu, kebudayaan di sana beberapa sudah mengikuti era yang modern, sedangkan untuk pola ruang dapat dilihat bahwa Kampung Samin yang terletak di Dusun Jepang memang memiliki wilayah paling luas yaitu berupa hutan dan pertanian yang merupakan sumber mata pencaharian mereka. Pada wilayah permukiman, bentuk rumah di sana bisa dibilang sangat sederhana karena memang masyarakat di sana tidak mau mengganti atau merubah design rumah karena mereka percaya bahwa bentuk rumah pada masa dulu merupakan saksi bisu perjuangan Samin Surosentiko melawan Belanda dengan sifatnya dan warisan budaya yang tidak bisa digantikan.]]>
<![CDATA[Menelisik MENELISIK KEBUDAYAAN BANTEN MELALUI PEMANFAATAN MEDIA VIRTUAL ]]>
<![CDATA[Herdin Muhtarom]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL ]]>
Publisher : <![CDATA[LPPM Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol4.no2.a3360
<![CDATA[ABSTACT Indonesia has a variety of cultures that are formed from the diversity of ethnicities, languages, and races so that they have a value, characteristics and characteristics that are in accordance with the cultural origins of their respective regions or are often known as regional cultures. This study uses a type of literature study research in the process of obtaining information related to the research title. The purpose of this research is to find out about the process of investigating Banten culture through the use of virtual media in the digitalization era as a medium to preserve the philosophical values ​​contained in the culture in the Banten area. Virtual media in the era of digitalization is very easy to access so that it can provide an understanding process related to a culture by using information and communication technology. Keyword: Indonesia, Culture, Virtual Media]]>
<![CDATA[ESTETIKA GASTRONOMI NUSANTARA DALAM MEDIA DIGITAL ]]>
<![CDATA[Pratiwi, Ilma]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL ]]>
Publisher : <![CDATA[LPPM Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol4.no2.a3628
<![CDATA[The development of the digital technology affects how humans perceive aesthetics in digital media. Including how the Indonesia gastronomic presentation is perceived in digital media both visually and audio. Gastronomy is the study of food and food culture. The development of digital information technology creates a space that is full of information, how can information about the Indonesian gastronomy continue to exist in the midst of cross-cultural information on today's digital media. People's behavior is influenced by the perceptions of netizens formed from digital information media, be it social media, television media, film media, even entertainment media on demand. This study uses a phenological approach to describe how the Indonesian gastronomic aesthetics are presented in various digital media platforms, namely social media Instagram, social media Facebook, social media Youtube, digital television media, digital film media, and entertainment digital media on demand. The data was obtained through observation of these various digital media platforms. This study produces a comparison of the aesthetic elements used in each of these digital media and how the existence of Indonesian gastronomy is presented in it.]]>
<![CDATA[ANALISIS STRATEGI AKTUALISASI DIRI SASYA TRANGGONO PEREMPUAN PERUPA INDONESIA DALAM MASA PANDEMIK COVID-19 ]]>
<![CDATA[Adriati, Ira]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL ]]>
Publisher : <![CDATA[LPPM Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol4.no2.a4023
<![CDATA[Sasya Tranggono is an Indonesian female artist who works with the subjects of puppets, flowers and butterflies. Her work is well known in the Indonesian art social scenes; she has actualized herself. In this research condition analyzes the self-actualization process during the Covid-19 pandemic. This research is a qualitative research. Using Abraham Maslow's theory of self-actualization which has been converted to fine arts, Hans Van Maneen's theory for the exhibition process, and Hennessy's theory relating to publication on social media. Based on the analysis, it can be seen that Sasya Tranggono tries to maintain her self-actualization even through social media such as Instagram and the web. She has collaborated with several galleries to exhibit her work online and offline. All of her publication strategies kept her at the pinnacle of self-actualization.]]>
<![CDATA[APLIKASI TEKNOLOGI AUGMENTED REALITY DALAM KONSERVASI SITUS WARISAN BUDAYA DAN MITIGASI BENCANA GUNUNG GALUNGGUNG JAWA BARAT INDONESIA ]]>
<![CDATA[wanda listiani]]>;
<![CDATA[Sri Rustiyanti]]>;
<![CDATA[Fani Dila Sari]]>;
<![CDATA[IBG. Surya Peradantha]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL ]]>
Publisher : <![CDATA[LPPM Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol4.no2.a4054
<![CDATA[The name Galunggung is very well known to the people of Indonesia as the name of the mountain and the name of an Old Sundanese Manuscript. The ancient manuscript of Amanat Galunggung is a manuscript written in the 16th century and contains the teachings of life or local genius of the Sukapura or Tasikmalaya people. Mount Galunggung has experienced several eruptions from 1822 to 1983. The eruption of Mount Galunggung has had a catastrophic impact on the community and provided long term benefits for improving the soil fertility around the Mount Galunggung site such as the Indihiang site. Various disasters that have occurred due to volcanic eruptions in various regions have become a source of learning for the community to mitigate disasters from an early age. This research uses qualitative methods and digital augmented reality techniques. Augmented Reality can be used in visualizing and simulating mountain sites or other cultural heritage sites. The results of this study recommend the application of Augmented Realty technology in the conservation of cultural heritage sites and disaster mitigation as well as the planning program for the nomination of mountain sites in Indonesia for UNESCO’s world cultural heritage by the Indonesian government. Various efforts to develop site conservation with digital 4.0 technology and assistance for local communities involving universities, local governments, museum communities and the cultural arts tourism industry. The use of Augmented Reality can be useful for increasing understanding and learning experiences about cultural sites and heritage in tertiary, primary and secondary education.]]>
<![CDATA["Seni Teks" Dalam Prespektif Dunia Virtual ]]>
<![CDATA[Rahmat Jabbaril]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL ]]>
Publisher : <![CDATA[LPPM Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol4.no2.a4055
<![CDATA[If that is the priority in weighing the mind and exploring the core of the perspective of thinking, of course, will move on to a "statement". Where the platform of thought will be the entrance and open a gap for other thoughts, because the thinking perspective finds the value of "abstract". The context of thinking is more about extracting the essence of thinking, so the value of art becomes abstract. The reality of the meaning of art is not only a question of form, but more than that, art will play freely about form. The basic theory of writing, using a qualitative frame of mind, using a curatorial approach. The form of virtue in art is actually not based on purely aesthetic values, but the depth of ideas as a way of "enlightenment" to determine the direction where we should be oriented. The result of this thought is, the continuity of artistic value is certainly constructed by; Awareness of the value of intensity, ethics-technique, psychology and full awareness of the essence of ideas (philosophy of art). So the perspective of virtue in art is the awareness of thinking about the abstraction of the universe itself, which is manifested in the form of works, namely the work of two dimensions of Text Art.]]>
<![CDATA[Inspirasi Batik Tamarind dari Cerita rakyat ]]>
<![CDATA[Belinda Sukapura Dewi]]>;
<![CDATA[ARLETI M. APIN]]>;
<![CDATA[Ariesa Pandanwangi]]>;
<![CDATA[Nuning Damayanti]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL ]]>
Publisher : <![CDATA[LPPM Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol4.no2.a4056
<![CDATA[Batik is known not only for its beauty, but also for the values ​​it contains. This potential is very inspiring and gives an idea visualized into batik storytelling using the cold method of tamarin paste, a new approach that is more environmentally friendly. This technique has also been tested both domestically and abroad and has great potential for opportunities batik development with new ideas. An opportunity to preserve batik novelty that have no potential harass to traditional batik. This study applies the discussion of visual language to folklore theme batik works. In the earlier times, speech was common culture carried by elders to their children or grandchildren. Folktales in the form of legends, myths and fables are moral messages way conveyed in a friendly, fun but also educating with devotion. The theories and methods used to discuss two batik samples are taken from folklore which contains educational moral values. Based on a study of selected samples of batik works, it is known that the images or shapes on batik use the Space Time Flat (RWD) and Naturalist Perspective Moment Opname (NPM) systems simultaneously. Most of the depictions of motifs and shapes in batik still use the RWD system, although some forms also use NPM.]]>
<![CDATA[MOTIF TRADISI GAYA SURAKARTA Eksistensi Dan Pengembangannya Pada Ukir Kayu ]]>
<![CDATA[Rahayu Adi Prabowo]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL ]]>
Publisher : <![CDATA[LPPM Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol4.no2.a4057
<![CDATA[The existence of a wealth of ornament in Nusantara is a challenge in terms of recognition and learning. One important element is that learning can be accepted and understood easily so that the empowerment and development of traditional motifs, especially the Surakarta style, will experience development. Traditional motifs come from classical art or primitive art, but after receiving certain treatments, their benefits are preserved to meet needs, especially in terms of aesthetic needs. One of the motifs that are often found is those applied to wood craft products (wood carvings). The wood carving motifs in Indonesia have a rich variety of styles. The various forms of carving motifs each have their own characteristics according to the region. Like the Surakarta style carving motif, which is the focus of this study, it is known to have a strong and distinctive character that is needed by a series of actions in the framework of its preservation and development. To recognize or learn the characteristics and application of Surakarta-style wood carving, it is necessary to have a mature and structured visual identification so that it is able to present good and correct information. The identification in this study uses the interpretive description method with the enrichment of the hermeneutic approach. This method approach is expected to find a result of the focus of the discussion, namely the characteristics of the Surakarta-style carving motifs applied by the craftsmen and discovering the grooves and patterns of new Surakarta-style carving motifs.]]>
<![CDATA[Preservation of Pancasila Cultural Values by Millennials in The Development of Trends in Globalization Era ]]>
<![CDATA[Renata Noorawhita]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 5 No 1 (2021): NUSANTARA DAN RITUS ]]>
Publisher : <![CDATA[Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol5.no1.a3755
<![CDATA[Backgrounds: The current stronger current of globalization has created many trends among the millennial generation. Most of the current trends are trends with the "ideology of western countries". This shows that the cultural value of the Pancasila ideology is slowly eroding. Based on these problems, the researcher formulated a question: What is the role of the millennial generation in preserving the cultural values of Pancasila? Purpose: The purpose of this research is to find out the impact of trends that exist among the millennial generation on cultural values, knowing how the millennial generation can do in preserving the cultural values of Pancasila. Methods: the method used in this study is a literature review. A search for journals is done through google. Indirect interviews with Millennials and Observation of content on Social Media. Results: The results of this study indicate the influence of trends in the millennial generation on the cultural values of Pancasila and the extent to which the cultural values of Pancasila are preserved by the millennial generation. Conclusion: The conclusion of this study discusses the role of the Millennials Generation who preserve the cultural values of Pancasila in the midst of trend developments by showing their own way.]]>
<![CDATA[TRADISI “GUMBREGAN” BUDAYA SELAMATAN KEPADA HEWAN TERNAK OLEH MASYARAKAT DUSUN GERSONO KABUPATEN KARANGANYAR ]]>
<![CDATA[Rendi Nur Alim Universitas Muhammadiyah Surakarta]]>
<![CDATA[ Jurnal Budaya Nusantara Vol 5 No 1 (2021): NUSANTARA DAN RITUS ]]>
Publisher : <![CDATA[Universitas PGRI Adi Buana Surabaya ]]>
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DOI: 10.36456/b.nusantara.vol5.no1.a3781
<![CDATA[ABSTRACT This article aims to: (1). identify the background of the holding of the Gumbregan tradition, (2). Describe the implementation of the Gumbregan tradition, (3). identify the pros and cons of society related to the Gumbregan tradition. This study used qualitative methods, data collection was carried out by observation and in-depth interviews. The results of this study indicate that the gumbregan tradition is carried out based on the belief of the salvation community that livestock can protect and guard livestock against external disturbances of spirits that can threaten the safety of livestock and this tradition is the teaching of the prophet Solomon in the past which has been carried out for generations. the implementation of the Gumbregan tradition is carried out at wuku gumbreg (Javanese calculation), the sequence of the process starts from eating cows, ngalungi cows, herding cows, invitations. This event is held for one day from morning to evening. Community responses related to the Gumbregan tradition are very diverse, some people are pro with the Gumbregan tradition, some people do not agree or disagree with this Gumbregan tradition. The Gumbregan tradition is still carried out by the people of Gersono Hamlet because it is a symbol of the community's gratitude to the creator who has given all the pleasures and blessings to his people. Keyword: Tradition, Gumbregan, Salvation.]]>
