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ika ismurdiyahwati
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INDONESIA
Jurnal Budaya Nusantara
Published by Universitas PGRI Adi Buana Surabaya
ISSN : 23553367     EISSN : 25978802     DOI : https://doi.org/10.36456/b.nusantara.vol3.no2
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Social Sciences
Diterbitkan dalam bentuk jurnal yang berfungsi sebagai media hasil disseminasi penelitian dan karya ilmiah, yang bertujuan untuk menambah wawasan dalam science, knowledge, skill, dan ability dalam bidang pendidikan, seni, budaya dan desain pada aspek olah gerak, rupa, teater, sastra, suara dan bunyi-bunyian yang berada dalam khasanah budaya Nusantara.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 216 Documents
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KATURANGGAN WANITA MERUPAKAN SALAH SATU MEDIA TEKNOLOGI INFORMASI DAN KOMUNIKASI MASA LAMPAU Wahjudhi Dwidjowinoto
Jurnal Budaya Nusantara Vol 2 No 1 (2018): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no1.a1716

Abstract

In looking at the character and characteristics of a woman who is good and not good or who is called Katuranggan as a marker of the basic character. Katuranggan comes from the word turangga which means horse. The science of katurangan is actually a science of the traits and traits of horses as the mounts as well as the train pullers. Furthermore, this term katuranggan borrowed/used also to understand the characteristics of women based on their physical characteristics. This paper discusses female customers based on those of Serat Centhini, the character of Arjuna's wives, female characters from the face, the female character based on the impression of their body, the female character based on the expression of the expression, the female character according to the characteristics of their body.
PROBLEM SOSIAL DAN BUDAYA Iskandar Wiryokusumo
Jurnal Budaya Nusantara Vol 2 No 1 (2018): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no1.a1717

Abstract

Social problems in society often occur in increasingly complex social environments. Many things happen which are in line with human life that continues to evolve and fluctuate especially it happens in developing countries. This is usually caused by the existence of social sustainability in a community group and arousing social jealousy, thus generate to behavior with certain characteristics. Through several theories, the behavior is reviewed and the symptoms are also observed. Finally, a simple understanding is obtained, that social problems are caused by, among others; 1) young generation movements, 2) poverty groups, 3) education groups. It is not the wrong educational process, but the supporting factors that are not in line with the values in the learning process are the factors that support the problem insociety.
PERGESERAN MAKNA, FUNGSI, DAN BENTUK TEMBIKAR TRADISIONAL SUNGAI JANIAH DI TANAH AGAM SUMATRA BARAT Nuning Y Damayanti
Jurnal Budaya Nusantara Vol 2 No 1 (2018): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no1.a1718

Abstract

The background of the establishment of the earthenware craft of Sungai Janiah is acquired from the legend TheSacred Fish, which is a “karma” of the nature’s authority against a mother who neglected the care of her child, so thatthe child be came a fish. Since then every mother is forbidden to leave her child alone at home. The mother may work athome while taking care of her children. The work chosen is making earthenware, because the easily available rawmaterial, and easily done. The philosophy of the earthenware of Sungai Janiah is “Mother and Child Philosophy”. This isreflected by the attitude and behaviour in making earthenware like child-caring, and each stage of making earthenware isbased on that.The traditional earthenware craft today is decreasingly developing due to its inability to compete with industrial products. The problems most commonly faced are the technological development- and the marketingproblems. This study was done in Sungai Janiah Kabupaten Agam, West Sumatera, because it has never before researchhas been done in this field, and no written reference yet exists concerning this craft. This study had to be done so the nation’s cultural asset will be not forgotten without more and is needed for the scientific world. The method of study used is the qualitative method with the cultural approach. Data of study was acquired by direct observation, and interviews and field notes were made concerning matters that can support the study findings. The study findings can be explained as follow:Commonly the earthenware of Sungai Janiah is round-formed, functioning as household utensils receptacles. The Sungai Janiah earthenware has not experienced many changes in form, but in function and meaning. No changes in form is due to the limited capacity of the craftsmen and the local socio-cultural factor. The change in meaning is due to scientific developments and socio-cultural changes.
PRANATA MANGSA DAN BUDAYA KEARIFAN LINGKUNGAN Supardiyono Sobirin
Jurnal Budaya Nusantara Vol 2 No 1 (2018): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no1.a1719

Abstract

Pranata mangsa is a traditional calendar about the rules of the season which has long been known primarily bythe farming community in Java. This calendar is based on pseudo-circulation of the sun, which in the past was a reliableguide for farmers to schedule farming in the rice fields. Along with the progress of civilization of life, understanding of pranata mangsa has faded a lot, among other things because of environmental changes due to population growth, land use change, climate anomalies, and modernization of life. Although pranata mangsa has experienced many deviations, it is assumed that it can still be saved as a very wise and valuable ancestral heritage. One of the benefits is as a cultural aid in preserving the environment, and as a basis for understanding the current season's forecasting technology. A hope that pranata mangsa culture can be revived, namely if the concept of development is carried out on the basis of consistent ecological sustainability, with integrated support in the form of political will, educational will, and cultural will, and integrating traditional wisdom of pranata mangsa with modern technology.
ADAPTASI KEARIFAN LOKAL NUSANTARA PADA PERANCANGAN HURUF DIGITAL TAPIS DAN GORGA Agung Zainal Muttakin Raden
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1964

Abstract

Indonesia is a house of culture. Many tribes, language, art and traditional culture spread in the Indonesian regions. All of these have become a motto of Indonesia that is unity in diversity or Bhinneka Tunggal Ika. In relation to arts, it is recognized that before colonialism, Indonesia has several indigenous scripts in which the root of this typeface originating from south Indian. After colonialism, however, these indigenous scripts in Indonesia started to shifting direction to modern typeface. As a result, these indigenous scripts become endangered. In the meantime, the modern typeface is growing sustainable until nowadays. This research paper aims to design digital typefaces application with Lampung and north Sumatra local wisdom adaptation. The method in this research is descriptive analysis with typography approach. The result in this research is the production of digital typefaces with local wisdom forms which can be installed in computer.
Budaya Petung Dalam Masyarakat Jawa : Kajian Antropologi PANA PRAMULIA
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1965

Abstract

Javanese society is identical with mysticism. Everything that Javanese people do cannot be separated from the physical and metaphysical worlds. The physical and metaphysical worlds are interrelated, as these would form harmony of life between living beings and God. The harmony built by the Javanese community is not only for the people, but also for the whole living things in the world. That is what the Javanese community call the bebrayan agung. One of the patterns carried out by Javanese people to lead a bebrayan agung is by practicing the culture of petung. This culture is not only a calculation of life behavior, but also as a dialectic between humans and fate and the universe. Many people perceive that petung culture is only a prophecy, but in fact, it teaches wisdom ​​as a way of life. This is due to that the culture of Petung or Petungan in Javanese society is closely related to birthdays, pasaran, and neptu. All of these have to do with birth, sustenance, matchmaking, illness, and death. In short, everything is strung together based on the standard calculations contained in the primbon and the Javanese calendar. In this regard, Petung culture is a mathematical civilization technology that uses calculations of numbers in the Javanese calendar.This study, therefore, is focused on exploring the culture of petung in Javanese society framed within the anthropological analysis.
Era Cyberspace Sebagai Prospek dan Tantangan Pendidikan Karakter Bangsa Tri Karyono
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1966

Abstract

Cyberspace era is characterized by the blurring the different types of boundaries including nations, and is signalized by leaving the data trace (log files) and not leaving the physical documents (paperless). Industrial revolution 4.0 with its use of cyber physical systems is no exception. Information technology at one pointmakes the distance closer, but at another point it potentially also leads to educational, social, cultural and behavioural problems. In this regards, there should be an awareness of how to create healthier environment. This study, therefore, is aimed at providing illustrative solutions of the problems in connection with the accessibility of diverse information in the era of cyberspace which affect on the people’s way of thinking, actions and attitudes. The results of this study are expected to contribute to the ideas of charater education which is being the core to achieve the quality of national education in Indonesia. Moreover, the results of the study are expected to provide some insights of how to help society smarter in the era of cyberspace in which eventually they will have a capacity to reduce the big data information and empower this information for their better life.
Kajian Makna, Konsep, dan Teknologi Pembuatan Motif Batik Tradisional, Wilayah Barat, Provinsi Jawa Timur ika ismurdyahwati; Atiqoh .
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1967

Abstract

This research looks for the basic pattern of meaning that traversesall the journey soft tribal history,through the 'old' batik motif, which originates from the western part of the East Java province.Through these mythologies, the position of man will be reflected in his cosmology and try to surveyhis life, be safe and happy according to his position in thisworld order. Its in terestis to document themotives to make inspiration for the developmen to fart in the future, with out putting aside theconcept soft its predecessors and the technology it uses. His research method, using qualitativeresearch, by optimizing observation and observation. Another goal ist okey now the extent to whichthese motives develop. In connection with the government program on the creative economy, it ispossible to develop the forms of motifs and functions of batik cloth that are not only used as clothfor the lower part of clothing, and kebaya (women) or beskap (men) as superiors. The resultsobtained in its development were, batik cloth with sacred motifs, became profane because of thelack of understanding of the concep to motives in the younger generation. Then in itsdevelopment,the batik cloths not only became profane but became material forother things to use, such as;negligee, casualpants, vacationclothes, hotel sandals, to formal clothes for uniforms andcelebrations.
komparasi karya seni lukis MOOI Indie Antara Seniman Indonesia dan Seniman Dari Barat Periode 1930-an Ariesa Pandanwangi
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1968

Abstract

The purpose of this study is to compare the 1930s indie mooi painting works between Indonesianartists and western artists. The samples of this study were paintings of Indonesian artists andWestern artists made in 1930s. Each work of these artistsis selected to represent his period. Hiswork is, therefore, analyzed using Feldman's theory. The results of this study show that manyartists' creative ideas are inspired by the scenery of Indonesia. These creative ideas lead to themesemerged which visualizing fields and mountains on their indie mooi paintings. The primarilyreason of visualizing the beautiful scenery on their paintings is that these paintings are intended tofavourEuropean communities living in Java. Another result of the study is that paintings at thattime still used traditional techniques and media, oil paint on canvas and the colours used aremostly bright.
PENERAPAN METODE TUTOR SEBAYADALAM MENINGKATKAN KREATIVITAS BERMUSIK PESERTA DIDIK PADA MATA PELAJARAN SENI BUDAYADI KELAS VIISMP NEGERI 1 SUKARESMI Dedi Kurniadi
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1969

Abstract

This study aims to analyze the reality of improving the students’ musical creativity through peer tutor on arts and culture lesson at VII grade, State Junior High School 1 Sukaresmi. Quasi experiment with statistical test is used in this study. The result of the study shows that peer tutor significantly improves the students’ musical creativity compared to that of conventional method. This improvement can be seen from the control class which uses conventional method showing average score of 60.7 and the experiment class which uses peer tutor method showing the higher average score of 79.7.

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