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Sabda: Jurnal Kajian Kebudayaan

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Published by Universitas Diponegoro

ISSN : - EISSN : 25491628 DOI : -

Core Subject : Education,

Education

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Articles 9 Documents

Search results for , issue "Vol 10, No 1: 2015" : 9 Documents clear

TRADISI MUNGGAH MOLO DI PEKALONGAN ULA, MIFTAHUL
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This study will attempt to uncover the tradition of munggah molo in Pekalongan to explore its forms of language; meanings embodied in symbols of munggah molo tradition; and the relationship between the function symbols in munggah molo tradition with social values and religious in Pekalongan.This study uses anthropology of linguistic approach looking through the prism of the core concepts of anthropology, culture, and look for the hidden meaning behind the use or misuse of language in different forms, namely registers and style.In the tradition of munggah molo performed by the Java community in Pekalongan are forms of language in the form of a special lexicon commonly used in munggah molo tradition. Likewise, in this tradition contain the symbolic languages that contain the values of life like munggah, molo, blandar, uwat-uwat, bengking, Gendero, kembang setaman (flower setaman), banan Sepet, basin, money nickels, canticles, coconut, umbrellas, golden spikes, rays, juwadah pasar, and so forth.The symbols contained in molo munggah tradition means and intent that is hope. These symbolic meanings in some ways, a myth or public trust Pekalongan in understanding life. It occurs in hereditary and implemented to date in spite of the shift even a change in the procession and implementation.The tradition of munggah molo in Pekalongan has a very important social function, especially in establishing social harmony in the society of Pekalongan. This harmony is not only applied for the Java community alone, but also the impact of this harmony can also be perceived by others as Chinese and Arabic ethnic.

POSISI PEREMPUAN DALAM TRADISI BUKA MEJA (Studi Di Desa Cikeusal Lor, Kecamatan Ketanggungan, Kabupaten Brebes) Fadhilah, Iman
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Berbicara soal budaya, memang sangat unik dan menarik; unik karena membahas satu kesatuan yang integral dalam suatu masyarakat, akan tetapi selalu ada kekhasan didalamnya, yang itu membedakan antara lokus yang satu dengan yang lain. Menarik karena bahasan budaya selalu memantik para ilmuwan untuk selalu mendalami budaya secara detail yang terkait dengan cita rasa dan kompleksitas masyarakat. Ada hal yang menarik terkait dengan Budaya buka meja yang dilakukan secara kontinyu di masyarakat Desa Cikeusal, Ketanggungan, Brebes. Pemilihan Desa Cikeusal, karena tradisi di Desa ini unik, berbeda dengan Desa-Desa pada umumnya di Kecamata Ketanggungan, Desa Cikeusal mengunakan bahasa sunda, padahal sekitarnya berbahasa Jawa, juga dengan tradisi perbatasan Sunda-Jawa. Ada relasi yang tidak imbang antara perempuan dan laki-laki dalam tradisi buka meja. Laki-laki menjadi subjek "yang berkuasa" atas perempuan

Dua Budaya, Pertanian dan Industri - Mata pencaharian dalam Masyarakat Pesisir Dukuh Tapak, Tugurejo, Tugu, Kota Semarang Ningwuri, Astrid Aditika
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This study examines two cultural forms of livelihood in coastal communities Dukuh Tapak, Kelurahan Tugurejo, Semarang. This research purpose is to identify the conditions of each individual and family livelihood, a reason to the dualism of livelihood, and the influence of industry on the social and economic life. This research use a qualitative method, collecting primary data through in-depth interviews and observation, secondary data obtained from study of literature and documents. The results showed that Dukuh Tapak's people have a livelihood as factory employees while managing the fish farm as a sideline. Most people who work in factories are women and youth as a bid to shore up their family economy. Industrialization did not significantly affect the socio-economic conditions, in which a sense of kinship and mutual help are still well preserved. While in terms of economic, a family with two types of livelihood tend to be more established than a family with only working either in the industry or the agricultural sector.

NILAI-NILAI DAN MAKNA SIMBOLIK TRADISI NGANGGUNG DI DESA PETALING PROPINSI KEPULAUAN BANGKA BELITUNG Waluyo, Muhamad Edy
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The tradition of Nganggung in Petaling Bangka, Province of Bangka Belitung Islands is a tradition thatâ€˜s been rooted in its community. Although the origins of this tradition being searches up to now has not been scrapped, when and who to become pioneers of this tradition.This research reveal about values and symbolic meanings of the Nganggung tradition in the village of Petaling in which in the tradition have these values: a. Spiritual, b. Economical, c. Mutual cooperation and togetherness and d. Politically. And in the other side also has a symbolic meaning, we can see it at Nganggung attributes â€•tudung sajiâ€– represent the preservation of the indigenous plants of pandanus forest, as well as means of preserving of lofty values of its ancestors; from its shape, which resembles a parabole represents the tradition of Nganggung as a shelter for all; red, as dominant color of â€•tudung sajiâ€– symbolizes courage and high work ethic; cords symbolizes the fastener with a diversity of community and a sense of belonging; a round pan (talam) shape symbolizes the dynamic attitude and flexibility of its inhabitants

PASUWITAN: PERKAWINAN SEDULUR SIKEP Kushidayati, Lina
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Samin people are communities follow the teaching of Ki Samin Surosentiko. They live in north coast of Java Island. As other Javanese people, they speak Javanese although mostly in ngoko style compare to their fellow Javanese who concern about language hierarchy. This article discusses marriage ceremony among Samin people consisting of several steps: nyumuk, ngendek, nyuwito-ngawulo and paseksen. The marriage ceremony was held in modest style but rich in meaning. The center of the marriage ceremony is the groomâ€™s vow before the brideâ€™s parents to be a husband. The vow is in simple Javanese language. According to Samin people, marriage ceremony is personal matter that needs no government involvement. Thus they do not register their marriage.

ETIKA KEWARGANEGARAAN DALAM SERAT WULANGREH Zuhri, Amat
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Wulangreh is literature that contains piwulang written by Pakubuwana IV which it talks about the necessities to live and follow ethical kekratonan that has institutionalized. Although parts of this Wulangreh varies, but one thing that is clear is about the worship of the state, and more specifically the service to the king. Even likely be mentioned that the entire network of ethics and manners that diwejangkan stringing provisions or imperatives to devotion to the country and the king.Among the ethics that must be upheld by the citizens of the king is a necessity for absolute ruler without criticizing everything, and moral policy by not reveal ugliness. Ethics as it is based on the belief that the ruler is as representative of the Lord of all policies will always be true, so if it does not carry, let alone criticize, someone will meet disaster.Serat Wulangreh adalah karya sastra yang berisi piwulang yang ditulis oleh Paku Buwana IV yang isinya berbicara tentang keharusan-keharusan menghayati dan mengikuti etik kekratonan yang telah terlembagakan. Meskipun bagian-bagian dari Serat Wulangreh ini bervariasi, namun satu hal yang jelas adalah soal kebaktian kepada negara, dan lebih khusus lagi kebaktian kepada raja. Bahkan mungkin sekali dapat disebutkan bahwa seluruh jaringan etik dan tatakrama yang diwejangkan itu merangkai ketentuan-ketentuan atau keharusan-keharusan kepada pengabdian terhadap negara dan sang raja.Di antara etika yang yang harus dijunjung tinggi oleh warga negara terhadap raja adalah keharusan untuk mentaati penguasa secara mutlak tanpa mengkritik segala kebijakan serta moralnya dengan cara tidak membeberkan kejelekannya. Etika seperti itu didasarkan pada keyakinan bahwa penguasa adalah sebagai wakil Tuhan tentu segala kebijakannya akan selalu benar, sehingga apabila tidak melaksanakan, apalagi sampai mengkritiknya, seseorang akan menemui petaka

HANTU PEREMPUAN JAWA DALAM ALAMING LELEMBUT SEBAGAI REPRESENTASI FEMME FATALE Halimah, Umi
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This research entitled â€œThe Javanese Female Ghost in â€œPanjebar Semangatâ€ as a Representation of Femme Fataleâ€aims to show the feminist value in Javanese horror stories with female ghost as a villain and men as most of their victims. This research uses feminism as a main approach and femme fatale theory as the specific approach theory. This research shows that there are three kinds of of female ghost, they are female ghosts who experienced a miserable life before her death, sensual women and women whose background is not known. For the three kinds of women it can be revealed the causes of the female spirits to become evil spirits, the modes of female ghosts to ensnare and trap victims, the female ghostâ€Ÿs harmful effects to men, and the solutions as the anti-climac in the story

TRADISI NGUTANG DI PASAR TRADISIONAL (Studi di Pasar Tradisional Gunungpati) Baidhowi, Baidhowi
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The traditional market is an important place in the life of the Java community. For society, the market not only as a meeting place for sellers and buyers, but also as a forum for social interaction and representation of traditional values indicated by market actors (traders, buyers and banks thithil / renten). The actors in offering their goods prioritizing personal approach and familial / social networking. Established market atmosphere is not just a formal relationship of buying and selling between sellers and buyers, but more than that, that they greet each other and chat. So for the people shopping at a crowded market and not too clean it into the enjoyment of life of its own. Capital constraints for traders to be one of a phenomenon that is addressed to "ngutang". On the other hand not a few traders in traditional markets by way of its trading strategy are debted. What is interesting how the tradition owe both by traders and buyers as well to whom they debt.This is Qualitative research with phenomenological approach. Collect data with interview techniques. The results showed that the tradition of debt for the traditional market actors Gunungpati done with some motive or model. First group owe a shopper to traders in the market. In this group, in fact the buyer does not merely want to owe. Debt settlement, the traders wait for repayment by the buyer. The second group, the debt carried by traders to moneylenders / bank thithil. Capital constraints often encourage traders to seek additional capital. Their interest in debt to loan sharks, although the excess returns occur because of several motives, among other things, increase business capital, join friends / tempted by the offer attractive, need urgent funds for other purposes. While the model of the solution is the moneylenders who seized merchandise, no patient by giving time. Instead models of debt repayment by merchants a variety of characters, there is the discipline to pay any bank thithil paramedics came. There are â€œendoâ€/ evoid with unsold merchandise reason. Finally been booked to trust banks thithil real customers also remedy immediately pay off, not rare bicker.

SENI BUDAYA RIFAâ€™IYAH: DARI SYIâ€™AR AGAMA HINGGA SIMBOL PERLAWANAN (Menggali nilai-nilai seni budaya dalam Kitab Tarajumah dan Kehidupan Masyarakat Rifaâ€™iyah) Jaeni, Muhamad
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Seni dan budaya yang masih berlaku dan sampai saat ini masih dilaksanakan oleh sebagian besar masyarakat Rifaâ€™iyah tidak dipahami semata-mata sebagai kegiatan yang menghibur akan tetapi bentuk seni dan budaya tersebut dijadikan oleh masyarakat Rifaâ€™iyah sebagai media dakwah tentang nilia-nilai dan ajaran-ajaran agama. Bentuk-bentuk kesenian Rfaâ€™iyah juga memiliki nilai historis, dimana ada sebagian bentuk kesenian yang merupakan bentuk atau simbol perlawanan kepada para penguasa (pemerintahan) yang dianggap tidak adil dan juga kepada kaum kolonial, dalam hal ini adalah penjajah Belanda. Di samping itu, bentuk kesenian dan budaya Rifaâ€™iyah juga merupakan local identity di kalangan mereka sendiri bahkan menjadi pengikat kuat secara kultural di kalangan mereka. Di antara bentuk seni dan budaya Rifaâ€™iayah yang masih ada adalah; Syaâ€™ir-syair Jawa dalam kitab Tarajumah, Qashidahan dan Gamelan Pesantren (terbangan), Seni Kaligrafi Arab Pegon, Bentuk Pakaian dan Perumahan Jawa, dan Seni Batik Rifaâ€™iyah. Semua bentuk seni dan budaya ini memiliki nilai historis dan makna sendiri-sendiri.

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Contact Name
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Journal Mail Official
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Location
Kota semarang,

Jawa tengah

INDONESIA