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Adabiyyat: Jurnal Bahasa dan Sastra
Published by Universitas Islam Negeri Sunan Kalijaga Yogyakarta
ISSN : 25491482     EISSN : 25492047     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Adabiyyāt: Jurnal Bahasa dan Sastra, memiliki fokus kajian pada lingkup bahasa, sastra, dan terjemah (Arab, Inggris, dan Indonesia-terkecuali bahasa lokal). Bahasa pengantar yang dipakai dalam penulisan artikel jurnal Adabiyyāt adalah bahasa Indonesia. Jurnal Adabiyyāt diterbitkan dua kali dalam satu tahun oleh Fakultas Adab dan Ilmu Budaya, UIN Sunan Kalijaga Yogyakarta, berdiri sejak tahun 2002.
Arjuna Subject : -
Articles 4 Documents
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Search results for , issue "Vol 9 No 2 (2025)" : 4 Documents clear
FIGURASI النسآء/AL-NISĀ’/ DALAM MEDIA MASSA ARAB BBC NEWS ARABIC (TINJAUAN SEMANTIK PROSODI) Khairunnisa, Annisa; Idris, Mardjoko; Reflinaldi, Reflinaldi
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9 No 2 (2025)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2025.090202

Abstract

Women's issues in online discourse are increasingly urgent to study. This is because more and more narratives that ruminate on women's problems are more complex and sentimental, because the language space is getting wider (cyberspace). Therefore, it is important to examine the figuration of النسآء/al-Nisā'/ as a diction that represents “women”, specifically in the Arabic mass media BBC News Arabic with a prosodic semantic approach. The aim is to reveal the figuration of women clearly and become a reference for the public to respond to women's issues wisely, even responsively. The data of this research are keywords النسآء/al-Nisā'/ and relevant lingual units. The data source is the BBC News Arabic mass media site in the شؤون المرأة column (https://www.bbc.com/arabic/topics/c404vr23qydt) during January-October 2023. The data collection method is by the computerized process of LanscBox and Antcont software. Then it was analyzed with John Sinclair's perspective prosodic semantic approach through collocation and concordance. The results showed that from 340 news files during January-October 2023, the words with the highest frequency of 20 tended to portray women in negative values, intimidating relationships, and subordination. Both in the position as subject and object, which tends to be reflected in the situation of Middle Eastern women.
عبد القاهر الجرجاني مادحًا نظام الملك: استغلال الفضاء الأدبي للدعم السياسي وعلاقة المثقّف بالسلطة في الإسلام الكلاسيكي Muhdhor, Ahmad
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9 No 2 (2025)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2025.090203

Abstract

اشتهر عبد القاهر الجرجاني بوصفه أبرز منظري البلاغة العربية. غير أن سيرته الذاتية لم تزل شحيحة بالمعلومات عن حياته، لا سيما فيما يتعلق بالجوانب الاجتماعية والسياسية المحيطة به. ومن الجدير بالدراسة قيامه بمدح نظام الملك - الوزير السلجوقي - من خلال أبيات شعرية. وهذا مثير للتساؤل، إذ إنه، إلى جانب كونه لغويا، كان معروفًا أيضًا بالزهد، الأمر الذي تناقض في الظاهر مع مدحه للحاكم. علاوة على ذلك، استخدم الجرجاني في مدحه الشعر، وهو أهمّ أشكال أدبية تتمتع بالمكانة العليا في نظام التواصل العربي. ستُجيب هذه الدراسة على سبب إنشاء الجرجاني أبياتا شعرية في مدح نظام الملك، بالرغم من تناقضها مع نزعته الزهدية، وكيف تبلورت العلاقة بين المثقفين والسلطة السياسية في هذه الحالة. بعد تحليل المعطيات بواسطة مقاربة تحليل الخطاب النقدي، توصّل الباحث إلى أن شعر الجرجاني تم صياغته كدعم فكري للنظام الذي دعم الخطاب الديني المشترك بين الكيانين، حيث يتمثّل ذلك في المذهبين الشافعي والأشعري. وتسفر العلاقة بين الجرجاني ونظام الملك تناغمًا متبادلًا بين السلطتين المعرفية والسياسية في الإسلام الكلاسيكي. فكان النظام بحاجة إلى دعم المثقّفين لكسب الشرعية والشعبية؛ وفي المقابل، قامت السلطة السياسية بدعم المثقّفين من خلال الترسيم الأيديولوجي لمدرستهم الفكرية، الأمر الذي يمكّن من انتشار الأيديولوجيا التي يتبناها المثقفون.
THE REPRESENTATIONS OF TOXIC MASCULINITY IN THINGS FALL APART (1959) Muhlisin, Muhlisin; Syahid, Agus
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9 No 2 (2025)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2025.090201

Abstract

Toxic masculinity refers to certain masculine behaviors and traits that can have adverse effects on both men and those around them. This study aimed to identify the concept of masculinity, forms, causes, and impacts of toxic masculinity on the protagonist, Okonkwo, and those around him in Chinua Achebe’s Things Fall Apart, based on Connell’s hegemonic masculinity theory. This qualitative study employed a textual analysis method and a close reading approach. The primary data for this study were drawn from the novel Things Fall Apart. The results indicated that in Igbo culture, masculinity is defined by the man’s role as the primary leader and decision-maker within the family unit. Okonkwo exhibits several forms of toxic masculinity, including physical violence, dominance over women, misogyny, coercion, and homicide. Various factors, such as a dysfunctional family, exposure to violence, peer rejection, bullying, fear of weakness, and fear of failure influenced Okonkwo’s behaviors. As a consequence, he suffered from depression, anxiety, and encouragement to violence, which ultimately led him to be aggressive to those around him, and this culminates in his suicide.
POSTCOLONIAL MELANCHOLY AND FEMINIST AESTHETICS IN SITI RUKIAH’S 1950 NOVEL KEJATUHAN DAN HATI: A SUBVERSIVE TENDERNESS Candraningrum, Dewi; Setyabudi, Titis; Bening Rahmayna, Kania
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 9 No 2 (2025)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2025.090204

Abstract

This study reexamines Kejatuhan dan Hati (1950) by Siti Rukiah Kertapati as a foundational yet neglected work in Indonesian literary modernity. Departing from the masculinist and nationalist revolutionary narratives of its time, the novel articulates postcolonial melancholy through emotional interiority, intimate loss, and the crisis of female subjectivity. Using qualitative textual analysis informed by feminist narratology and postcolonial theory, the study investigates how Rukiah’s fragmented, epistolary form constructs a feminine interiority that resists nationalist and patriarchal ideologies. The analysis draws on the critiques of gendered silencing by Chandra Talpade Mohanty and Trinh T. Minh-ha to interpret Susi’s psychological fragmentation as an act of affective and epistemic resistance. The results reveal that Rukiah transforms vulnerability and melancholy into political agency, redefining emotion as a site of historical meaning. Her narrative techniques—fragmentation, introspection, and affective honesty—subvert the masculine heroism of socialist realism, asserting tenderness as a radical feminist aesthetic. The article also traces the novel’s critical reception, from early marginalization to later reevaluation by scholars such as Annabel Teh Gallop and Yerry Wirawan. As an affective archive of postcolonial disillusionment and feminine resistance, Kejatuhan dan Hati emerges as a politically potent reimagining of nationhood through gendered emotion.

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