cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Arif Try Cahyadi
Contact Email
arif3cahyadi@email.unikom.ac.id
Phone
+6281998522354
Journal Mail Official
jurnalvisualita@email.unikom.ac.id
Editorial Address
Universitas Komputer Indonesia, Fakultas Desain, Desain Komunikasi Visual Jl. Dipatiukur No. 112-116, Kota Bandung, Smart Building Unikom, 6th Floor, Room 6027
Location
Kota bandung,
Jawa barat
INDONESIA
Visualita : Jurnal Online Desain Komunikasi Visual
Published by Universitas Komputer Indonesia
ISSN : 26552140     EISSN : 23015144     DOI : https://doi.org/10.34010/visualita
Core Subject : Humanities, Art,
Arts Humanities
The Online Visual Communication Design Visualita Journal is dedicated to disseminating findings or research and original ideas about design, applied arts, and visual culture, which is published in 2 (two) episodes a year, namely in April and October. The scope of the Visualita Journal covers an unlimited variety of visual culture starting from visual, contemporary, and traditional arts, visual communication design, and graphic and technical design with other sciences such as communication, culture, sociology, marketing, psychology, language, etc.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 154 Documents
 4   5   6   7   8 
LENSA CANON L SERIES PUTIH DAN GAYA HIDUP KOMUNITAS FOTOGRAFI Kurniawan, Ivan
Visualita Jurnal Online Desain Komunikasi Visual Vol 3 No 2 (2011): Agustus
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (319.441 KB) | DOI: 10.33375/vslt.v3i2.1120

Abstract

Saat ini, fotografi tidak hanya berada dalam lingkup ruang seni saja. Sejak ditemukannya kamera dalam bentuk yang kompak dan praktis, fotografi telah menjadi bagian hidup masyarakat luas sehari-hari. Kamera tidak hanya menjadi alat para fotografer professional, namun telah menyebar luas pada masyarakat. Fenomena tersebut ternyata telah membuat sebuah gaya hidup yang baru di masyarakat, kamera dan aksesorisnya kini telah menjadi pelengkap dentitas diri. Salah satu diantara aksesoris tersebut adalah lensa L series berwarna putih yang diproduksi oleh Canon. Dengan warna yang berbeda dari lensa-lensa sejenis yang beredar di masyarakat, lensa L Series memiliki sebuah nilai yang unik. Lensa tersebut telah dianggap menjadi patokan mengenai kualitas sebuah lensa dan juga kualitas keterampilan seorang fotografer. Artikel ini secara khusus akan membahas mengenai fenomena lensa L  Series versi warna putih, dilihat dari lifestyle trajectory dan teori psikologi Hurlock.Kata kunci: lensa, Canon, gaya hidup, komunitas, fotografi
Proses Kreasi Seorang Desainer Grafis (Studi Kasus : Stefan Sagmeister) Maulina, Rini
Visualita Jurnal Online Desain Komunikasi Visual Vol 4 No 1 (2012): February
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1089.66 KB) | DOI: 10.33375/vslt.v4i1.1111

Abstract

Proses kreasi merupakan tahapan penting bagi seorang desainer grafis dalam pencapaian karya. Proses kreasi yang dialami oleh seniman, desainer grafis atau pelaku kreatif biasanya tidak disadari oleh pelaku kreatif itu sendiri. Dalam keilmuan psikologi khususnya psikologi seni proses kreasi dapat dikategorikan berdasarkan tipe-tipe dari cara berfikir atau cara bagaimana pelaku kreatif tersebut memecahkan masalah yang dihadapi ketika bekerja kreatif. Proses kreatif seorang kreatif dipengaruhi oleh beberapa factor yang ditelaah lewat psikologi personal dari pelaku kreatif. Stefan Sagmeister adalah seorang desainer grafis sekaligus seniman yang memiliki beberapa tipe proses kreasi. Beliau adalah seorang kreatif yang pola berkreasinya dapat dijadikan sebagai pembelajaran. Penilitian ini merupakan tinjauan dari Stefan sagmeister, mengenai proses kreasi seorang desainer grafis sekaligus seniman kontemporer yang menciptakan karya desain dengan melewati batas-batas desain dan seni. Karya-karya Stefan sagmeister menggambarkan cirri-ciri kontemporer. Tinjauan ini dilakukan untuk mengetahui dan mempelajari apakah proses kreasinya dipengaruhi oleh perkembangan dunia seni rupa dan desain secara umum, dimana saat ini merupakan era kontemporer yang mengusung eksperimental, eklektik, simbolik sekaligus spiritual yang mempengaruhi pola berfikir dan berkarya di segala bidang khususnya bidang desain grafis.
KLASIFIKASI ALAT TRADISIONAL SAWAH PAYO KOMUNITAS ETNIK MELAYU JAMBI Fadilah, Nurul; Maulina, Rini
Visualita Jurnal Online Desain Komunikasi Visual Vol 7 No 2 (2019): February
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (419.889 KB) | DOI: 10.33375/vslt.v7i2.1451

Abstract

Jambi Malay ethnic communities in the province of Jambi have livelihoods as farmers. In farming, they use the ways and tools of traditional. Farm tools of the Jambi Malay ethnic communities are the artifacts that need to be analyzed, scrutinized, and recorded as the corpus of the thinking and creativity of the community ancestor Jambi Malay. The aim of the research is classifying the traditional tools in farming system payo on Jambi Malay ethnic communities. The approach used in this study is the ethnographic and the methods used to obtain data is a research library, observation, and interviews. The research showed that Jambi Malay ethnic community uses traditional farming tools namely Parang Panjang, Kayu Pengait, Pangkur, Keruntung, Ambung, Tajak, Sabit, Kisaran, Nyiru, dan Tikar Rumbai. The Jambi Malay ethnic communities traditional tools classified into two major class i.e cutter (dynamic) and container (static) tools. Classification obtained is expected to motivate the holding of study, research, and comprehensive archiving of traditional agricultural tools of Jambi Malay ethnic communities as part of Indonesian culture artifacts.
SUDUT PANDANG SINEMATIK FILM “PRIDE AND PREJUDICE” TAHUN 2005 DENGAN VERSI SERIAL TELEVISI TAHUN 1995 Tarmawan, Irwan; Amalina, Rima Nur
Visualita Jurnal Online Desain Komunikasi Visual Vol 7 No 2 (2019): February
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (276.481 KB) | DOI: 10.33375/vslt.v7i2.1454

Abstract

Film is communication and entertainment media comprising artistic and aesthetic elements. The source of stories in the film can be inspired by various sources, one of them is novel. Pride and Prejudice is one of Jane Austen’s works in which its stories have been adapted in various artworks, such as film. Popular adaptation of Pride and Prejudice with similar title is the feature length film version published in 2005 and tv serial published in 1995. Film has two main elements of film making, namely: narrative and cinematic elements. Both elements related to each other for create cinematic point of view and aesthetic film.
TEKNIK KLOWONG DALAM UPAYA PENGEMBANGAN MODEL PEWARISAN TRADISI MEMBATIK WARGA RIFA'IYAH DI DESA KALIPUCANG WETAN, JAWA TENGAH Prizilla, Aquamila Bulan; Sachari, Agus
Visualita Jurnal Online Desain Komunikasi Visual Vol 7 No 2 (2019): February
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (929.332 KB) | DOI: 10.33375/vslt.v7i2.1455

Abstract

Batik Rifa’iyah is a batik created and developed by followers of Shaikh Ahmad Rifa’i, also known as the Rifa’iyah. The tradition stemmed from Shaikh Ahmad Rifa’i's prohibition of drawing living beings. Today, the Batik making tradition is in decline, and would go extinct without proper preservation efforts. One way to preserve the tradition is by passing the Rifa’iyah batik making tradition to the next generation of the community. This study is limited to the next generation of Rifa’iyah community in Kalipucan Wetan whose age between 15-30 years old. This study focuses on one of batik making technique called the klowong. The study’s methodology is adopted from ethnographic approaches. The approach analyzes socio-cultural aspects, of which are experimented and applied by using the klowong technique to pass down the batik making tradition to Rifa’iyah in Kalipucang Wetan. Qualitative methods used are literature studies, field study by observation, in-depth interviews, voice recordings, and photography. Currently, the klowong technique is passed down by imitation. Preservation of the klowong technique requires innovation to help apprentices learn the technique. It is found different models of passing down the klowong technique are required to suit a batik maker’s skills.
ANALISIS USER INTERFACE SITUS WEB IWEARUP.COM Rochmawati, Irma
Visualita Jurnal Online Desain Komunikasi Visual Vol 7 No 2 (2019): February
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1312.955 KB) | DOI: 10.33375/vslt.v7i2.1459

Abstract

IWEARUP.COM is a website that is an e-commerce based. It contains information about buying, selling, distributing, and marketing fashion products. A business website is an example of using design as a marketing tool. Display of charming website with design is an attraction. However, a good website design must be able to display information clearly. Especially how to make the interface possible as it is not confused with the information displayed. Poor interfaces affect the users productivity or experience in visiting a website. This is a visual hierarchy which is the most important principles behind every website design. With an instrumental case study of the approach to produce conclusions that can be applied in designing e-commerce-based website. The goal is to make the website design in line with the content that will increase the website design and increase knowledge about the visual hierarchy of web design and its relation to the user interface.
INDUNG PADA WADITRA KACAPI Maulina, Rini
Visualita Jurnal Online Desain Komunikasi Visual Vol 7 No 2 (2019): February
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (717.786 KB) | DOI: 10.33375/vslt.v7i2.1461

Abstract

Indung is a Sundanese word. The word in Indonesian and English means mother. The word Indung is found in Sundanese cultural artifacts, one of which is in the waditra, a Sundanese traditional musical instrument, for example in the waditra Kacapi called Kacapi Indung. This research is a pre-research that uses library research methods and aims to know Indung as a symbol of Sundanese culture, by conducting a study on Kacapi Indung and the theories used are psychoanalysis and culture. Analysis of Indung with the use of these theories indicates that the existence of Indung is present in all categories made by experts and shows significant suitability.
Analisis Semiotika Sampul Buku Soulscape Road Karya Oscar Motuloh Desintha, Siti
Visualita Jurnal Online Desain Komunikasi Visual Vol 8 No 1 (2019): Agustus
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (870.576 KB) | DOI: 10.33375/vslt.v8i1.1234

Abstract

Soulscape Road is one of the compilations of Oscar Motuloh's work against the background of the disaster that occurred in Indonesia. Photographs of spot or news photos are recorded in essays in the social and cultural context of Oscar Motuloh as a journalist. Book Cover is basically an information that represents the contents of a book. Book Cover as a point of interest gives the perception and image formed through the visual. Soulscape Road book Cover by Oscar Motuloh has a distinctive character by using several media (mix media) as its illustration and becoming a differentiator with general book Covers. The study was conducted to determine the image relation or image of the sign construction on the book's Cover. This study uses a descriptive method, with the Peirce semiotic approach
Kaca Aklirik (Plexiglas) sebagai Medium Alternatif Lukis Kaca Bahari, Nooryan; Kurniawati, Dyah Yuni; Adi, Sigit Purnomo
Visualita Jurnal Online Desain Komunikasi Visual Vol 8 No 1 (2019): Agustus
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (420.771 KB) | DOI: 10.33375/vslt.v8i1.1235

Abstract

The research aim of art creation and presentation is to revitalize traditional glass painting in Indonesia by utilizing plexiglas flexibility as a medium in fine artwork. This is due to the use of glass as a medium is very heavy and easily broken when moved or taken for display. The research method used in the creation of art uses experimental method with the order of exploration stage, design stage, and realization stage. Exploration stage is an exploration activity that explores the source of ideas, including exploring plexiglass materials using various types of water-based and oil-based paints, as well as gravur and grinder techniques to erode the surface. Next is collecting data and references, as well as processing and analyzing data which results are used as the basic for making designs. Design Stage visualizes exploration results into various design alternatives which then the best is chosen and used as references in making works. Realization Stage is the process of manifesting the chosen design into the real work. Research showed that the use of plexiglass material as a medium of traditional glass painting has a very good results, and plexiglas can fully replace glass in terms of aplicable to various paint types, even plexiglas has excellence over ordinary glass that is water-based acrylic paint can be applied better in plexiglas and can fused (compound). Exploration of works visualization using plexiglas as medium has a very good result, as applied to ordinary glass. Exploration of works visualization has a very good result, some works still use traditional motifs and symbols combined with modern motifs and symbols with illustrative, expressionist and pop art style.
Diseminasi Batik Papua melalui Video Dokumenter (Studi Kasus Pada Sentra Batik Phokouw Faa) Darmawan, Andrie Rizky
Visualita Jurnal Online Desain Komunikasi Visual Vol 8 No 1 (2019): Agustus
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (345.968 KB) | DOI: 10.33375/vslt.v8i1.1774

Abstract

Papuan batik is batik originating from the Province of Papua, Indonesia. The batik was produced by the Phokouw Faa batik center in Papua Province. The batik center of Phokouw Faa realizes that the batik that he manufactures is not evenly recognized in Papua Province, so that efforts are needed to inform the existence of the Papua batik. The method used in this research is an experiment on the application of elements and principles of visual communication design using non-conventional media (non-print), namely on time-based digital media in the form of documentary videos. Data to design a visual communication about Papuan batik was obtained during a field survey by observing and interviewing. The identities of the Papua province were applied in developing the documentary video. The full results of the research can be seen on the Youtube link as follow https://youtu.be/M5EP0b3jaBs.

Page 6 of 16 | Total Record : 154

 4   5   6   7   8 

Filter by Year

2009 2025


Reset
Filter By Issues
All Issue Vol 14 No 1 (2025): Oktober 2025 Vol 13 No 2 (2025): April 2025 Vol 13 No 1 (2024): Oktober 2024 Vol 12 No 2 (2024): April 2024 Vol 12 No 1 (2023) Vol 11 No 2 (2023) Vol 11 No 1 (2022) Vol 10 No 2 (2022) Vol 10 No 1 (2021) Vol 9 No 2 (2021) Vol 9 No 1 (2020) Vol 8 No 2 (2020) Vol 8 No 1 (2019): Agustus Vol 7 No 2 (2019): February Vol 7 No 1 (2018): Agustus Vol 6 No 2 (2018): Februari Vol 6 No 1 (2017): August Vol 5 No 2 (2014): February Vol 5 No 1 (2013): August Vol 4 No 1 (2012): February Vol 3 No 2 (2011): Agustus Vol 3 No 1 (2011): February Vol 2 No 2 (2010): Agustus Vol 2 No 1 (2010): February Vol 1 No 1 (2009): August More Issue