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Reizki Habibullah
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INDONESIA
Sorai: Jurnal Pengkajian dan Penciptaan Musik
Published by Institut Seni Indonesia Surakarta
ISSN : 24073938     EISSN : 26849445     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to music creation, music studios, and ethnomusicology. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics include: 1) Review of Nusantara Music 2) Sociology of Music 3) Anthropology of Music 4) World Music Culture 5) Digital Music Studies 6) Archaeology of Music 7) Intercultural Studies of Music 8) Ethnography of Music 9) Music and Multicultural Education 10) Music Criticism 11) Musician Profile and Thought 12) Artistic Review of the Music Creation Process.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 16 Documents
 1   2 
Search results for , issue "Vol. 16 No. 2 (2023)" : 16 Documents clear
BENTUK DAN FUNGSI ENDE MANDIDENG PADA MASYARAKAT DESA KAMPUNG BARU KABUPATEN MANDAILING NATAL SUMATERA UTARA Mangunsong, Melani Eklesia; Manggala, Bondan Aji
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5236

Abstract

The article “The Form and Function of Ende Mandideng in the Community of Kampung Baru Village,Mandailing Natal Regency, North Sumatra”, is a presentation of a study to answer two problems, (1) what is the form of Mandideng singing in the community of Kampung Baru Village, North Panyabungan District, Mandailing Natal Regency, Province North Sumatra, and (2) how the Mandideng song functions in the culture of the people of Kampung Baru Village. The research in this article applies qualitative research methods using field research methods under the umbrella of Budilinggono and Alan’s theory. P. Merriam about the form of serving as well as function and uses. According to Budilinggono, the presentation form analyzes melodic phrases in songs and song structures related to rhythmic, melodic and time signature motifs. According to Merriam, an analysis of use and function includes a discussion of how music is used in human activities and the reasons why music is used. The results of the research in this article state that Ende Mandideng, in content analysis, reveals the concept of moral instillation in children. In terms of its function, Ende Mandideng has five functions, namely: (1) emotional expression function, functioned to express the parents’ love for their children when putting the child to sleep, (2) entertainment function, functioned as a reliever of parents’ boredom from their daily activities, ( 3) communication function, functions as a means of conveying messages through songs sung by parents to their children, (4) function of strengthening adjustment to social norms, this function can explain that Mandideng songs have the power to instill the child’s mindset. children from childhood in accordance with applicable social norms, especially regarding social norms related to the relationship between children and parents, (5) the function of preserving and stabilizing culture, functioning as the preservation of folk songs which are currently almost being displaced by developments over time.
PERAN PUSAT PELATIHAN SENI BUDAYA (PPSB) JAKARTA SELATAN DALAM REPRODUKSI KESENIAN GAMBANG KROMONG Suseno, Dava Widyanti; Mulyana, Aton Rustandi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5266

Abstract

Along with the development of the capital city, the Betawi people and their culture have faced various challenges related to their identity and existence as “natives”. This condition has had a lot of influence on the condition where traditional arts are no longer alive and developing, one of which is Gambang Kromong. The Provincial Government of DKI Jakarta with various other interests, then carried out cultural preservation through the Cultural Arts Training Center (PPSB). This study describes how the Gambang Kromong Training Program is organized by PPSB, through the ethnographic method which has been carried out since 2018, then by data collection techniques through observation, interviews, and literature review related to the research object. The results of the collected data are then analyzed through the perspective of the theory of cultural reproduction and the theory of hegemony. The PPSB Gambang Kromong Training Program in the 2016-2019 period has succeeded in forming an ideal cultural reproduction system. The stages of the program cover quite a lot of aspects and various factors that also support a cultural reproduction effort, especially for the Gambang Kromong traditional arts in DKI Jakarta. Unfortunately this program had to stop due to policies that forced restructuring. The role of PPSB, which is part of a political society, unfortunately has to lose in the hegemony game of the institution above it, and this also has an impact on civil society which includes art galleries, schools, traditional arts practitioners, and the Betawi community in general. Policies that show the government’s inconsistency in carrying out the preservation and reproduction of culture, eventually add to the question in terms of cultural programs to the interests of the institution alone.
KIDUNG PARI: EKSPRESI KEARIFAN LOKAL PEREMPUAN RURAL JAWA UNTUK KINI DAN NANTI Fatimah, Mutiara Dewi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5470

Abstract

The concept of the Kidung Pari work broadly draws inspiration from the role of rural Javanese women in farming activities, starting from pre-production, farming production, post-production, to activities outside the agricultural space, such as ngliwet or cooking rice. By drawing inspiration from each detail of these activities, positive values about the attitudes and roles of Javanese women in their social environment will become apparent. Although women’s roles in these activities may appear as “rough labor,” their involvement is significant in almost every stage of farming, from the rice fields to the kitchen. Through the composition of the Kidung Pari music, it will reveal another aspect of women, who are generally known for being gentle, beautiful, emotional, and nurturing. This community empowerment project through the arts is an effort to explore the intrinsic values and local knowledge possessed by the residents, as well as the development of existing traditional art potential as a means of preservation, education, and promotion of the region’s untapped potential. The activities to be carried out in this program include collaborative practices in visual arts and performing arts, including training in Karawitan for the mothers of the Tani Makmur group in Tawangrejo Village, and the results of this training will be showcased. The Kidung Pari work is an endeavor to immortalize the story of rural Javanese women in history, culture, society, worldview, and self-reflection in Javanese society. Through the Kidung Pari work, Indonesia needs to explore and develop new values to elevate the status of rural Javanese women, making them more superior, resilient, and empowered in the present and future.
TRANSFORMASI KESENIAN POJHIÂN KE DALAM PENCIPTAAN KOMPOSISI MUSIK TRADISI INOVASI BERBASIS LOKAL WISDOM Sugmatimur, Yuddan Fijar; Widianto, Suwandi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5480

Abstract

The transformation of Pojian art into the creation of innovative music compositions can be an alternative to regenerate the existance of Pojhian art actors. This effort is to maintain the existence of Pojhian art in the midst of the onslaught of increasingly sophisticated technology, so that it can stimulate the attractiveness of the millennial generation to be proud and take part in the Pojian art which is full of noble values. The purpose of this research is to find out the extent to which the potential of the performance form and song material in Pojian can be exposed to be fresher through the novelty of original musical works. The method used in this research consists of 2 stages, namely; conceptual stage and operational stage. The conceptual stage con- sists of determining objectives, determining musical themes, gathering information, analyzing information, determining instruments, melodies and determining artistic design. The operational stage includes music exploration, notation modification, arrangement variation, music composition, song verse writing, notation writing, artistic design selection and artistic research. There are 3 types of data in this research that are used as measuring instruments, namely; validity, originality of artwork, and novelty. The test subjects in this study were two validators, namely validators of traditional art preservationists to measure the suitability of the appli- cation of the Pojhiân art presentation structure contained in the Gâdhisa ritual and validators of music experts (composers) to measure the originality of the work, and the novelty of the music composition presented.
PERAN KONTEN VIDEO MUSIK DALAM MENINGKATKAN MOTIVASI INTRINSIK BELAJAR MUSIK PADA SANGGAR BIOLA QUINTA YOGYAKARTA de Fretes, Daniel; Kartika, Hedwigis Nada Candra; Swara, Lintang Pramudia; Purwitasari, Nathalia Desy
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5642

Abstract

Due to rapid technological advances, innovation and creativity are necessary in every sector of life, including the world of arts education. This article aims to determine the role of music video content in increasing intrinsic motivation to learn music at Sanggar Biola Quinta Yogyakarta. Intrinsic motivation for learning music is an essential concept because the motive is built through habits that encourage students’ curiosity and high enthusiasm for music learning. Sanggar Biola Quinta Yogyakarta is a non-formal music education provider that is active in producing music video content on its YouTube channel. This research uses a qualitativemethod with a case study approach. Observation, documentation studies, and interviews carried out data collection. The research results show that the production of music video content in the form of violin solo cover videos on the Sanggar Biola Quinta YouTube channel plays a decisive role in increasing students’ intrinsic motivation to learn music, and increasing intrinsic motivation to learn music results in a high desire to study music more actively. The production of music video content that offers novelty in music learning tools at Sanggar Biola Quinta has a positive impact on student knowledge development.
JEJAK MAJAPAHIT: KOMPOSISI MUSIK PROGRAMA BERDASARKAN CERITA LEGENDA AIR MAJAPAHIT DI NEGERI EMA Maitimu, Frengky; Lestari, Dewi Tika
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5651

Abstract

The history of Air Majapahit is one of the events of the arrival of Princess Majapahit in Negeri Ema which has been told orally from generation to generation. The history of Majapahit Water can be proven true by the existence of Majapahit kingdom relics in the form of heirloom spears, Gamelan, Betel places and Majapahit springs which are still well preserved in Negeri Ema. Based on this phenomenon, it was then used as a nonmusical concept to work on a musical composition. The composition of Traces of Majapahit is a narrative program musical work which contains elements of the history of Air Majapahit, which was created in the form of varied music and using western instruments. The process of creating the musical composition Traces of Majapahit went through several stages, namely (1) exploration of literature regarding musical disciplines and observation of Majapahit water history; (2) processing the relationship between musical elements and nonmusical concepts as a basis for the construction of musical compositions; (3) cultivating musical elements into variations using the main theme development procedure from Leon Stein’s theory; (4) presentation of the work in orchestra format. This work contains cultural value in the almost forgotten relationship between the Majapahit kingdom and Negeri Ema, so that through this work it is hoped that the history of Air Majapahit will be preserved.
KONSEP MUSIK JAZZ FUSION BALI PADA KOMPOSISI SANGHYANG LEGONG KARYA INDRA LESMANA Fardian, Fardian
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5683

Abstract

Jazz Fusion music is one of the music styles currently developing in Bali. The characteristics of Jazz Fusion include combining two musical concept approaches, between local music concepts (Balinese tradisi) and foreign music (western), which results in a different Jazz musical identity. One musical work, Sanghyang Legong, describes the situation of Balinese Jazz Fusion music. Sanghyang Legong musical work results from a collaboration between famous Indonesian jazz musician Indra Lesmana and Balinese gamelan musicians I Made Subandi (alm.) and I Wayan Sudiarsa. This work uses Gending Sanghyang as a source of inspiration developed through a jazz music aesthetic approach. This composition received great appreciation from the music community inside and outside Bali. After being mass-produced in 2017, Sanghyang Legong attracted over 36,000 monthly views on YouTube, Spotify, and Apple Music. This article aims to educate the reader on the composer’s creative process, the resultant musical form, and the work’s significance. The formulation of the problem includes (1) the process of creation, (2) musical form, and (3) implications of Sanghyang Legong composition. The research method uses a qualitative design with a descriptive approach to musicology. Data collection through documentation and interviews. Analysis through the stages of data reduction, data presentation, and conclusion. The elaboration of instruments and playing techniques of Gamelan Singapraga, Suling (Balinese Flute), and Balinese Gending Vocal Style showed the concept of Jazz Fusion music in the composition of Sanghyang Legong. The song has five parts: Solo, Intro, Verse, Chorus, and Interlude. This work has an impactful implication for the sustainability of tourism and Bali’s creative economy.
HIERARKI ORGANISASI & TRANSMISI PENGETAHUAN HASIL PRODUKSI PERTUNJUKAN PADA MANAJEMEN YOGYAKARTA ROYAL ORCHESTRA (STUDI KASUS: PERTUNJUKAN RARÉ RUMPAKA YOGYAKARTA ROYAL ORCHESTRA) Setianjaya, Iwan; Dyah Fitriasari, Rr. Paramitha; Mulyana, Aton Rustandi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5704

Abstract

This research aims to reassemble the presence of hierarchical sketches in the work scheme that applies in the performance management of the Yogyakarta Royal Orchestra through a case study of the Raré Rumpaka 2023 performance. The study of performance management at the Yogyakarta Royal Orchestra is researched through the approach of management and bureaucracy. The effort was made to see the depth of the relationship that can be found between the orchestra’s performance governance and the royal bureaucracy. Another research focus is to see the extent to which knowledge transmission can be found from the journey of performance activities consisting of the preparation process, implementation to closing. This research uses a descriptive qualitative method to look at the phenomena of problems and events that occur in the research arena. The data was collected through interpersonal interview procedures with resource persons with research schemes including observation, field notes and processing of field documentation results. The data analysis process is carried out based on four stages, namely data collection, data reduction, data presentation and conclusion making. The results of the research attempt to reveal the openness of information in the implementation of the Raré Rumpaka performance, which focuses on the managerial management system of the Yogyakarta Royal Orchestra consisting of the existence of the royal bureaucratic system, the hierarchical work scheme that applies, and the results of knowledge transmission generated after the performance.
BENTUK DAN FUNGSI ENDE MANDIDENG PADA MASYARAKAT DESA KAMPUNG BARU KABUPATEN MANDAILING NATAL SUMATERA UTARA Mangunsong, Melani Eklesia; Manggala, Bondan Aji
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5236

Abstract

The article “The Form and Function of Ende Mandideng in the Community of Kampung Baru Village,Mandailing Natal Regency, North Sumatra”, is a presentation of a study to answer two problems, (1) what is the form of Mandideng singing in the community of Kampung Baru Village, North Panyabungan District, Mandailing Natal Regency, Province North Sumatra, and (2) how the Mandideng song functions in the culture of the people of Kampung Baru Village. The research in this article applies qualitative research methods using field research methods under the umbrella of Budilinggono and Alan’s theory. P. Merriam about the form of serving as well as function and uses. According to Budilinggono, the presentation form analyzes melodic phrases in songs and song structures related to rhythmic, melodic and time signature motifs. According to Merriam, an analysis of use and function includes a discussion of how music is used in human activities and the reasons why music is used. The results of the research in this article state that Ende Mandideng, in content analysis, reveals the concept of moral instillation in children. In terms of its function, Ende Mandideng has five functions, namely: (1) emotional expression function, functioned to express the parents’ love for their children when putting the child to sleep, (2) entertainment function, functioned as a reliever of parents’ boredom from their daily activities, ( 3) communication function, functions as a means of conveying messages through songs sung by parents to their children, (4) function of strengthening adjustment to social norms, this function can explain that Mandideng songs have the power to instill the child’s mindset. children from childhood in accordance with applicable social norms, especially regarding social norms related to the relationship between children and parents, (5) the function of preserving and stabilizing culture, functioning as the preservation of folk songs which are currently almost being displaced by developments over time.
PERAN PUSAT PELATIHAN SENI BUDAYA (PPSB) JAKARTA SELATAN DALAM REPRODUKSI KESENIAN GAMBANG KROMONG Suseno, Dava Widyanti; Mulyana, Aton Rustandi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5266

Abstract

Along with the development of the capital city, the Betawi people and their culture have faced various challenges related to their identity and existence as “natives”. This condition has had a lot of influence on the condition where traditional arts are no longer alive and developing, one of which is Gambang Kromong. The Provincial Government of DKI Jakarta with various other interests, then carried out cultural preservation through the Cultural Arts Training Center (PPSB). This study describes how the Gambang Kromong Training Program is organized by PPSB, through the ethnographic method which has been carried out since 2018, then by data collection techniques through observation, interviews, and literature review related to the research object. The results of the collected data are then analyzed through the perspective of the theory of cultural reproduction and the theory of hegemony. The PPSB Gambang Kromong Training Program in the 2016-2019 period has succeeded in forming an ideal cultural reproduction system. The stages of the program cover quite a lot of aspects and various factors that also support a cultural reproduction effort, especially for the Gambang Kromong traditional arts in DKI Jakarta. Unfortunately this program had to stop due to policies that forced restructuring. The role of PPSB, which is part of a political society, unfortunately has to lose in the hegemony game of the institution above it, and this also has an impact on civil society which includes art galleries, schools, traditional arts practitioners, and the Betawi community in general. Policies that show the government’s inconsistency in carrying out the preservation and reproduction of culture, eventually add to the question in terms of cultural programs to the interests of the institution alone.

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