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Acintya

acintya
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Published by Institut Seni Indonesia Surakarta

ISSN : 20852444 EISSN : 26555247 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Arjuna Subject : -

Articles 24 Documents

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Search results for , issue "Vol. 2 No. 2 (2010)" : 24 Documents clear

KARYA KOMPOSISI KARAWITAN MIRAT DANA Saba, I Ketut
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Art work creation, one of which is music composition, can occur because of a variety of internal and external motives. The music composition entitled Miratdana is created because of concern with various social agitations among a group of people who makes the society restless as shown in printed and electronic media. For example: murder, robbery, corruption and the similar deeds resulting in otherâ€™s loss of both property and even life. Music composition is one means of music that is expected to bring the people back into the right way because within it there are many song verses of life speech. The person, who had committed crime and tended to be anarchic, in my opinion, has forgotten a variety of life enjoyment that the God had bestowed as the universe creator. In Balinese the similar thing is called Miratdana. Keywords: fluctuation, forget yourself, awareness.

PENCIPTAAN MOTIF BATIK UNTUK SERAGAM(UNIFORM) CIVITAS AKADEMIKA ISI SURAKARTA SEBAGAI UPAYA PENCITRAAN INSTITUSI YANG BERKARAKTER Marwati, Sri
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Batik is one of the Indonesianâ€™s prides. The government, batik craftsman, and people have tried many efforts to preserve batik. We have to be proud of for based on the decision of the United Nations Educational, Scientific, and Cultural Organization (UNESCO) it is decided that batik Indonesia is considered to be an intangible cultural Heritage of Humanity. Batik as a uniform of a community or an institution is actually able, psychologically, to bring it to the sense of kinship, togetherness, and solidarity. Batik as a uniform is also able to form peopleâ€™s brand image toward the community or institution. It means that, indirectly, imaging of a certain community or institution can be built up by the uniform adjusted to its vision and mission. One of the efforts is through â€œPenciptaan Motif Batik Untuk Seragam (Uniform) Civitas Akademika ISI Surakarta Sebagai Upaya Pencitraan Institusi Yang Berkarakterâ€ (Creating A Batik Motive for Uniform of All Staffs in ISI Surakarta as An Effort to the Imaging of A Characteristic Institution). The motives that can be created have some elements that are motives of logo ISI Surakarta, the gate of ISI Surakarta, Pendapa (grand hall), book and lotus flower as well as plants â€œlungâ€. The motive elements are held together to be the symbol of ISI Surakarta as a home for togetherness in reaching the highest ideals in the field of science, art and culture including education, research, and workmanships, as well as community services by upheld the sustainable honesty and integrity. The color of purple represents greatness. Keywords: character, batik motive, imaging

FOTOGRAFI URBAN LANDSCAPE DENGAN MENGGUNAKAN KAMERA LOMO Rahmad, Cito Yasuki
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Landscape photography is not a new thing in photography. It is similar to the temple or street photography, only that the objects in focus are in urban regions. By using lomography camera the urban landscapes are captured in special manners that new, extraordinary images appear. They are like unnatural colour, fish eye effects, and others. Keywords: Urban landscape, Lomography

STUDI PENCIPTAAN KARYA SENIRUPA WAYANG BEBER MENGGUNAKAN TEKNIK KOLASE DENGAN MEMANFAATKAN KORAN BEKAS Zarkasi, Much Sofwan
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Research on the creation of works of art entitled The Creation Studies of Fine Art on Wayang Beber Using Collage Techniques by Utilizing Newspapers, in 2011 by Much. Sofwan Zarkasi aims to open up wide and open opportunities related to creativity in traditional art and in an increasingly globalized environment. It also creates works of art on Beber puppets using collage techniques and newsprint as an alternative form in viewing works of art on Beber puppet that has used paint manufacturer with natural dyes and painting techniques. The creation of art works on beber puppets with collages technique using newspapers is an engineering development that is undertaken in the work of art of collage using feathers (hair painting) and collage using banana tree bark. The novelty of the study on the creation of arts works in this research is on visual form and technique that has been there in the beber puppet that is using decoration techniques, natural dyes and the manufacturer. The research is the creation of works of art on beber puppet made by collage technique using glue and old newspapers and not using any dyes. The method applied in the creation of the work on this research is a method of experimentation that is the process of conducting experiments put forward from designing plan, preparation and realization of the work in the media. Keywords: Beber puppet, technique, modes of creation,Â experimental method,Â

MODEL PENGARSIPAN MUSEUM SENIRUPA Syamsiar, Syamsiar
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

This research tried to expose a model which is affiliated to the maintainance of fine art collections through the archives pattern. Archival models was the one of severals possibilities which is useful for the collections in any object. According to the main focus, this research identified some samples in the fine art collections related to the museum management and its urgency in their public interest. For this reason some comparative archival models will be referred from Bentara Budaya Yogyakarta and other established archival model. The database models was also referred to the comparative archival models. This article will expose empirical data from archival models to bring up the best choice of museum management. Keywords: archives, models, museum of fine art.

VISUALISASI DAN NARASI BUDAYA NUSANTARA DALAM PERSPEKTIF POSKOLONIAL PADA PROGRAM BELAJAR INDONESIA Utami, Citra Dewi
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Television, both as a phenomenon as well as a cultural agent, is framing the world by means of linguistic codes. This cultural and media studies-based research applies Stuart Hallâ€™s theories of representation and identity by which the Barthesianâ€™s visual semiotics approach and postcolonial perspective as analysis method are used. This research aims at (a) identifying how Indonesian culture has been visualised and narrated. The result of the research confirms several points: hybrid condition bedwen tradisional and modern, the Indonesian culture has been uttering by the narrator.Keywords: postcolonial perspective, visualisation, narative, Indonesian culture

KARYA TARI GLADEN Rahayu, Nanuk
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

The continuity of physical exercises is most required for the dancer who depends on their body as a tool and expression source. Phisycal exercises or known as â€œ injeksi â€œ is expected to make the body smart, responsive and has a performance power or the expression power in every single dance work.â€œInjeksiâ€ as a body exercise can give provisions to the dancer candidate student in order to have a good stamina and be ready to do all kinds of movements. Through these â€œ Injeksi â€œ activities, the choreographer wants to revitaling again the dance concepts which has been created by The late Gendhon Humardani. One of those concepts is simple dance concept which is manifested through the dance workâ€Female group and push forward on active, lively and quick movements, also gentle and glorious movementsâ€. The working of this dance work takes the one of Srikandi figure with all her problems that attitude is placed and reflected in a whole united work â€œGLADHENâ€ Keywords: gladhen, stamina, dancework

TIPOLOGI-MORFOLOGI INTERIOR RUMAHTINGGAL DIBALUWARTI SURAKARTA Sulistyani, Harmilyanti
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

House as a shelter relates with the life style in community. On the other hand, the environment conditions influence the life style and the interior of the house. Those conditions occur in Baluwarti Surakarta, the settlement which is placed surrounding the Surakarta Palace. The settlement has a chain with the history of Surakarta Kingdom, at the moment it has changed because of the changes of social culture in their community. Architecture has diversity and uniformity to describe the objet group based on their basic property by sorting or classifying their diversity and uniformity. Typology is used to categorize the formal structure in each architectural object, furthermore, morphology has a function to see and interpret the development of design in their environment especially interior design. Settlement in Baluwarti has a unique interior because of the changes of people who use it.Baluwarti community, in the early, was Javanese people who had their own vision about house. Nowadays,the community changes are more complex than before and that it causes the shape and form of the environment development. The result of typology and morphology are important for the community. It can be used to make the prototype which can be useful for the conservation of the Baluwarti environment. Keywords: Baluwarti, typology, morphology, interior, home living

STUDI EKSPERIMEN LIMA MACAM WARNA GLASIR PADA LIMA KARAKTER TANAH LIAT Yustana, Prima
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

This study attempts to solve common problems faced in ceramic finishing. Finishing ceramic objects is different from resolving other matters. Glaze is a type of glass coating that is applied to coat the ceramic object. This is an interesting layer to be studied because the success of glaze applications in ceramics is influenced by many factors. Glaze applications on ceramic objects have a very high level of difficulty. The difficulty is seen in glaze formulas, application techniques, firing temperature, shrinkage of dry matter and the successful achievement of color after glazing the combustion process. This research is to determine whether the clay character influence on the success rate of the color will appear. The research method uses the experimental method. This method is considered more appropriate to determine the level of success of an experiment relating to the material containing chemical elements. The research is done in the studio ceramics P4TK Art and Culture of Yogyakarta.The clay used is a type of stoneware clay which has five classes of characters. They are as follows: 1. Pacitan soil, wet soil that has a reddish color, 2. Singkawang soil, wet soil that has a whitish colour, 3.Sukabumi has a brightly colored ground and wet floor is beige, with 4. Sukabumi, the dark ground, wet soil that has a dark brown color, 5. Bojonegoro soil, wet soil that has a light brown color. The five characters color glazing that shall be applied on the surface of clay are: 1. young Greens, 2. Pink, and 3. Greenish blue, 4. Brown 5. Dark blue.The character of clay has relatively large contribution to the emergence of color glaze in accordance to the purpose or the plan, especially when using a formula based on the glossy glaze. Glaze formula will tend to be stable when there is a combination of stain with a glade oxide. Stable formula can also be found on the matched glaze because its glaze was close or not transparent. Coloring oxides are very sensitive to the character of soil. temperature change is cobalt and fee, experiment that required in advance when the formula contains two types of oxide glaze. Burning with the reduction or oxidation also will give effect to the glaze colors that will appear. Keywords: experiment, five colors glaze, five characters clay

DESAIN ALTERNATIF SENI PUBLIK DIBANDARA ADI SUMARMO SURAKARTA Cholis, Henri
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Adi Sumarmo airport in Surakarta is an international airport located at Boyolali regency which is close to Surakarta city. The aesthetic aspects and elements of the architecture and interior of the airport as an international one should give a strong impression. The character, style and meaning of the aesthetic elements used to beautify the interior and exterior should be adjusted to the vision and mission of Adisumarmo airport, in this case Angasa Pura I. This research was carried out as an effort to discourse on an alternative design of a publick space. Thatâ€™s why, this research studied the aesthetic elements of a public space and it aimed at providing Angkasa Pura I, Adi Sumarmo airport an alternative design of a public space. The other goal was that Adi Sumarmo airport would look more beautiful with the wisdom of local culture. This research is designed as a research studying the creation of a work of public art in a publick space located at Adi Sumarmo airport. The steps of the research are adjusted to the method for creating a work of art such as (1) an observation on the space form into which the work of art would be placed and the library study on public art and culture which would be an icon of Surakarta. (2) the data analysis and validation which would be used as the base or souce of creation, (3) the designing stage which brings out some alternative designs of a work of publick art which later become the aesthetic elements of the airport and a landmark of Surakarta as a city of culture. The result of this research is an alternative design of public art for the interior of Adi Sumarmo airport (Angkasa Pura I) consisting of a mural, reliefs of stone or brass/ bronze, threedimension statue, and a glass painting. The alternative design of public art for the interior of Adi Sumarmo airport (Angkasa Pura I) is adjusted to the image of the airport, the vision and mission of the airport as well as the aesthetic elements taken from the local culture, Javanese culture. Keywords: public art, publick space, Adi Sumarmo airport, cultural identityÂ

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Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

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acintya@isi-ska.ac.id

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acintya@isi-ska.ac.id

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Location
Kota surakarta,

Jawa tengah

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Abstract

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Home Page

OAI Link

Editorial Team

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Reviewer

Google Scholar

Contact Name Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email acintya@isi-ska.ac.id

Phone -

Journal Mail Official acintya@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

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Abstract

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Abstract

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA