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SEMIOSIS PROCESS IN THE SOUNDS OF GAMELAN AND PESINDEN IN SANDEKALA FILM Pratama, Andri Albertha; Soewarlan, Santosa
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

The research investigates the use of the sign (code) used by Amriy Ramadhan as the director when delivering messages through the sounds of ‘gamelan’ and ‘pesinden’ in the Sandekala film. Conflicts emerged when the signs that are used have broad interpretations for the audience. The signs are discribed and analyzed using the ten-sign classification analysis method from the Peirce semiotic trichotomy concept. This study shows the important meaning of the semiosis process of the distribution of other signs which in their presentation are interrelated to lead the audience's interpretation in the sounds of ‘gamelan’ and ‘pesinden’ presented in the Sandekala film. The using signs which the characteristic based are generally accepted convention such as non-verbal dialect (kinesics) can lead the audience's interpretation that the sound of ‘gamelan’ and ‘pesinden’ in the Sandekala film is a metonym of magical figure who has long hair, white dress based on the semiosis process of signs which are interrelated in the presentation of the narrative structure of the film with repeated indexical relationship patterns.

REYOG OBYOGAN IN PHOTO ESSAY Nugroho, Oki Cahyo; Tricana, Deny Wahyu
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Reyog is one of the traditional arts that shows a richness of Indonesian culture. This art is unique and interesting to be realized in the form of visual works and meaningful, especially the art of photography. Photography has an important role as a medium for delivering information in the form of images, moreover images are a universal language. This research uses the method of creation with stages, namely observation, exploration, selection, and correction as well as analysis and presentation of data in order to uncover the phenomena that occur in Reyog Ponorogo. The results of this study indicate that 1) the shooting of an essay about performance of reyog obyogan Ponorogo's typical requires adequate photographic technical mastery; 2) the use of digital processing can support the visualization of photos essays of reyog obyogan; and 3) the mastery of technical shooting and digital processing is able to portray the characteristics of the reyog obyogan that are distinctive and full of traditional aesthetic values.

THE CONCEPT OF CHINESE-INDONESIAN-NESS AS SEEN FROM ERNEST PRAKASA’S ROLES IN NGENEST, CEK TOKO SEBELAH, SUSAH SINYAL AND STIP & PENSIL Sutandio, Anton; Angjaya, Sonny
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

This article discusses four films entitled Ngenest (2015), Cek Toko Sebelah (2016), Susah Sinyal (2017), and Stip & Pensil (2017) in which Ernest Prakasa played a role, in the context of how the four films construct Chinese-Indonesian-ness. In the context of cinema, the appearance of Chinese-Indonesians on the screen during the New Order regime was scarce, and if there is any, the depiction was highly stereotyped. Only after Reform era in the late 1990s that Chinese-Indonesians and their culture began to re-appear on screen. Ernest Prakasa is one of few Chinese-Indonesians who publicly celebrates his Chinese-ness through entertainment platform. Ethnic identity theory applied on the discussion of the film cinematography and mise-en-scene to show what the films say about the concept of Chinese-Indonesian-ness. The findings show that Prakasa not only celebrates being a Chinese-Indonesian, but he also performs a self-mockery as Chinese-Indonesians by explicitly emphasizing the Chinese-Indonesians stereotypes. He also tries to re-establish inter-ethnic relationship and introduce contemporary Chinese-Indonesian-ness concept through his films.

CREATIVE STRATEGY IN PRODUCTION OF PROMOTION VIDEO FOR THE RATTAN TOURISM VILLAGE OF TRANGSAN Morgana, Daniel Andhika; Rizal H, Sigit; Bilankawa, Firdana; Ramadhian, Alpin; Ardi Candra D.A, Nur Rahmat
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

One aspect that affects the speed of development of a tourist village is the promotion of the village. Promotion of village tourism is very important especially for villages that are pioneering. Village promotion can be carried out by internal elements who carry out promotions and information intensively. Therefore, it is necessary to involve the village youth group "Susilo Bhakti" of Trangsan Village. Research methods with a focus on creative strategies implemented in the preproduction, production and post-production stages. The results of the study showed that 1) village youth group were able to make creative videos that highlighted the uniqueness of the Rattan Tourism Village of Trangsan; 2) Strategy in the preproduction stage is to emphasize the importance in determining ideas and concepts that are the main theme, 3) Strategy in the production phase is to focus on understanding about the several types of shooting of local village tourism objects, and 4) Strategy in the post-production stage is focus on image editing and publication on social media Youtube and Instagram.

EDITING CROSS-CUTTING IN THE FILM HAJI BACKPACKER Mulia, Prajanata Bagiananda; Dharsono, D.,
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v11i1.2686

The aim of this research is the revealing the use of editing cross-cutting formed in Haji Backpacker’s film. This research uses qualitative research method: interpretative analysis formalist aesthetics approach, editing cross-cutting of Karel Reisz through Sergei Eisenstein’s montage theory. This research focuses on studying the aesthetic and the application of editing cross-cutting in Haji Backpacker’s film. Editing cross-cutting observed from the forms, functions, relations of themes, and motivation of existence, until analysis of Sergei Eisenstein’s montage, those are metric, rhythmic, tonal, overtonal and intellectual. The results of this research reveals the artistic meanings of Haji Backpacker’s film as formalist aesthetics, and editing cross-cutting’s concepts that formed in Haji Backpacker’s film by Danial Rifki through montage analysis of Sergei Eisenstein.

CREATIVE DIRECTION OF IKA MAHARDIKA IN THE PREPRODUCTION OF THE UNREMEMBERED DOCUMENTARY FILM Syam, St. Hadidja; Afrianto, Damar Tri; Wastiwi S, Sri
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

This study aims to describe Ika Mahardika's creative process in directing the documentary film The Unremembered, especially in the preproduction stage. The research method uses descriptive qualitative. The results showed that director Ika Mahardika's creativity in digging data about Salawati Daud lies in the ability to use ethnographic research methods in a coherent manner starting from literature search, field observations, interviews and documents. In addition, Ika Mahardika's creativity also lies in data processing starting from selecting data with consideration of the capacity of the information provided then how the data is displayed chronologically.

ACTUALIZATION OF WOMEN IN DOMESTIC AREAS IN THE GALUH FILM Aryawaningrat, I Gusti Ayu Agung; Santosa, Hendra; Wirawan, I Komang Arba
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

This research focuses on the actualization of women in the domestic area in the film Galuh. This film is an interesting study because the content in this film that contains local wisdom with the source of film ideas from marriage Pada Gelahang and also emphasizes the identity of conventional women with their domestic space. The formulation of the problem in the research is how the actualization of women in their domestic areas in the film Galuh. The purpose of this study is to study the actualization of women in their domestic territory in the film Galuh. This study uses descriptive qualitative research methods, with interpretive analysis. This research uses film’s elements such as narrative film and cinematic as well as ecofemism to present the spectrums that are seen in films that show women in quite different ways by complementing Galuh and which load more in the domestic area. The results of this study provide a specific understanding of Galuh through narrative and cinematic films that depict Galuh and her daughter as conventional and unconventional female characters with their domestic space.

REYOG OBYOGAN IN PHOTO ESSAY Nugroho, Oki Cahyo; Tricana, Deny Wahyu
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v11i1.2247

Reyog is one of the traditional arts that shows a richness of Indonesian culture. This art is unique and interesting to be realized in the form of visual works and meaningful, especially the art of photography. Photography has an important role as a medium for delivering information in the form of images, moreover images are a universal language. This research uses the method of creation with stages, namely observation, exploration, selection, and correction as well as analysis and presentation of data in order to uncover the phenomena that occur in Reyog Ponorogo. The results of this study indicate that 1) the shooting of an essay about performance of reyog obyogan Ponorogo's typical requires adequate photographic technical mastery; 2) the use of digital processing can support the visualization of photos essays of reyog obyogan; and 3) the mastery of technical shooting and digital processing is able to portray the characteristics of the reyog obyogan that are distinctive and full of traditional aesthetic values.

CREATIVE STRATEGY IN PRODUCTION OF PROMOTION VIDEO FOR THE RATTAN TOURISM VILLAGE OF TRANGSAN Morgana, Daniel Andhika; Rizal H, Sigit; Bilankawa, Firdana; Ramadhian, Alpin; Ardi Candra D.A, Nur Rahmat
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v11i1.2581

One aspect that affects the speed of development of a tourist village is the promotion of the village. Promotion of village tourism is very important especially for villages that are pioneering. Village promotion can be carried out by internal elements who carry out promotions and information intensively. Therefore, it is necessary to involve the village youth group "Susilo Bhakti" of Trangsan Village. Research methods with a focus on creative strategies implemented in the preproduction, production and post-production stages. The results of the study showed that 1) village youth group were able to make creative videos that highlighted the uniqueness of the Rattan Tourism Village of Trangsan; 2) Strategy in the preproduction stage is to emphasize the importance in determining ideas and concepts that are the main theme, 3) Strategy in the production phase is to focus on understanding about the several types of shooting of local village tourism objects, and 4) Strategy in the post-production stage is focus on image editing and publication on social media Youtube and Instagram.

ACTUALIZATION OF WOMEN IN DOMESTIC AREAS IN THE GALUH FILM Aryawaningrat, I Gusti Ayu Agung; Santosa, Hendra; Wirawan, I Komang Arba
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v11i1.2651

This research focuses on the actualization of women in the domestic area in the film Galuh. This film is an interesting study because the content in this film that contains local wisdom with the source of film ideas from marriage Pada Gelahang and also emphasizes the identity of conventional women with their domestic space. The formulation of the problem in the research is how the actualization of women in their domestic areas in the film Galuh. The purpose of this study is to study the actualization of women in their domestic territory in the film Galuh. This study uses descriptive qualitative research methods, with interpretive analysis. This research uses film’s elements such as narrative film and cinematic as well as ecofemism to present the spectrums that are seen in films that show women in quite different ways by complementing Galuh and which load more in the domestic area. The results of this study provide a specific understanding of Galuh through narrative and cinematic films that depict Galuh and her daughter as conventional and unconventional female characters with their domestic space.

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Contact Name
Ranang Agung Sugihartono

Contact Email
ranang@isi-ska.ac.id

Phone
-

Journal Mail Official
ranang@isi-ska.ac.id

Editorial Address
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Location
Kota surakarta,

Jawa tengah

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

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Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Ranang Agung Sugihartono

Contact Email ranang@isi-ska.ac.id

Phone -

Journal Mail Official ranang@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Ranang Agung Sugihartono

Contact Email
ranang@isi-ska.ac.id

Phone
-

Journal Mail Official
ranang@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA