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Lakon Jurnal Pengkajian & Penciptaan Wayang

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Published by Institut Seni Indonesia Surakarta

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Core Subject : Education,

Education

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Articles 124 Documents

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Campur Kode Dan Alih Kode Dalam Teks Ginem/Dialog Pedalangan (Kajian Sosiolinguistik) Sri Hesti Heriawati
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

Sociolinguistics as a linguistics branch puts language in relation to the language usage. According to sociolinguistics point of view, language has variations. A sociolinguistics explains about the relation between variations and the social and situational aspect. In connection with the various usage of language, there appears what is called dwibahasawan (bilingualist). The effects the language used by the dalang which includes non puppet language anytime. The phenomenon of language usage changing because of the changing situation is called alih kode (code change). Alih kode is usually followed by campur kode (code mix) that is basic code which used and has autonomous function. A speaker who inserts other language into the language which he is using is called campur kode. Background of campur kode and alih kode can be seen in the language used by the user which uses more than one language. The special characteristics of the speaker will color his campur kode. A speaker who has mastered more than one language will has a change to execute campur kode. But it doesnâ€™t mean that a speaker who has mastered more than one language always have more campur kode.Â Key words: sociolinguistics, campur kode, alih kode.

SEKILAS WAYANG PANJI (GEDHOG) DAN FILSAFAT JAWA S., Suyanto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 12, No 1 (2016)
Publisher : Institut Seni Indonesia Surakarta

Javanese wayang consists of several kinds for example Wayang Purwa, Wayang Gedhog, WayangMadya, and Wayang Wasana. According to Serat Centini, Wayang Gedhog appeared in fifteenthcentury created by Sunan Ratu Tunggul in the era of Demak. Problems of the article include whatkind of values contained in Wayang Gedhog performance is? This article is supposed to describethe values of life contained in Wayang Gedhog. The values are analyzed by theory of philosophyadapted to the new paradigm in the development of philosophy today. The finding tells that thejourney of Panji Asmarabangun represents a spiritual act that leads to the deepest spiritual level.The obstacles passed by Panji shows the symbol of evil lust.Keywords: Wayang Gedhog, Panji, symbol, Philosophy, value.

KAJIAN ESTETIKA PERTUNJUKAN WAYANG KULIT LAKON SALYA BEGAL SAJIAN PURBO ASMORO S., Sugimo; S., Soetarno
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 11, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

This research was to gain an understanding of the form of the performance of the story SalyaBegal, the values it contained, and the treatment of the various elements of the performance ofSalya Begal by Purbo Asmoro. The study used an analytical descriptive method and an approachbased on the aesthetics of the art of puppetry. The data was collected through indirect observation, a bibliographical study and interviews. The results of the research showed that the form ofthe performance of Salya Begal by Purbo Asmoro was a condensed performance of shadowpuppet theatre, containing the essence of the story which carried weight and depth of meaning.The values contained in the story of Salya Begal include: loyalty, affection, heroism, humanitarianism, harmony, and justice. The arrangement and treatment of the performance of SalyaBegal not only paid attention to its visual or entertainment aspects but also placed strongemphasis on its important spiritual values, while at the same time taking careful consideration ofits aesthetical values. Hence, it can be said that the aesthetical values found in the treatment ofdialogue in Purbo Asmoroâ€™s performance of Salya Begal contain messages which can enrichspiritual experiences, broaden perceptions, and increase human pride and dignity, which in turnwill bring greater stability to peopleâ€™s lives.Keywords: aesthetical values, Salya Begal.

SIMBOL DALAM PAKELIRAN: PENGANTAR KE ARAH EPISTEMOLOGI SIMBOL Isa Ansari
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 7, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

This article aims to give a short explanation about the theory of symbol in epistemology perspective especially related to the assumption, model, concept and method developed in anthropology. From the assumption point of view, the theory of symbol assumeÂ human as being animal symbolicum who always use their own symbols in interaction so that there is any relationship between text and context. Text is a model of symbol while context is situation which gives meaning to the text (symbol). Positioning symbol in social context means enlarging the meaning of symbol. Meaning is not only what is inherited as we can found in Pakeliran but it is something negotiated because of social interaction process in space and time in society. for the reason, this article offers generic meaning concept and differencial meaning concept in order to avoid the establishing meaning. This implies methodologically especially in data collection, what is data and the interpretation method. In pakeliran, theory of symbol becomes the most important thing because pakeliran is aÂ symbolic world with various meanings.Â Â Â Â Â Â Â Key words:Â Theory of symbol, Pakeliran, Epistemology of Symbol

Riwayat Sukerta Sebuah Pengetahuan Kearifan Budaya Jawa Sumanto Sumanto
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

This article tries to describe the function and meaning of ruwatan for the Javanese. This is to answer the problem concerning ruwatan sukerta as a spiritual knowledge in Javanese culture. From the analysis, it can be found that ruwatan as one form of cultural events is neutral. It means that it can be used for any purpose; it depends on the arganizer motivation, for example, to increase prestige, to protect the ancestor tradition, as a purifying instruments, etc.The understanding or ruwatan as one of the cultural knowledge will be seen for example, from how people place themselves in the relation to the God, to other people, and tto nature and environment. Ruwatan is one form of beliefs so it depends oofn each individual. For the reason, it doesnâ€™t force anyone to believe.Â Key words: ruwatan sukerta, Javanese culture, a wise knowledge.

FUNGSI PERGELARAN WAYANG KULIT DI MONUMEN TIEN SOEHARTO JATEN KARANGANYAR Sri Harti
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 15, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Monument of Jaten or Monument of Tien Soeharto locates in Getas Village, Jaten Karanganyar. The initial purpose of the monument building was to commemorate the birthplace of RAJ. Siti Hartinah, the wife of President Soeharto. Since 2009, the function of the Monument of Jaten has developed.This place is also used for the performances of young puppeteers. The monument is a promotional event for young puppeteers to be better known by the wider community. The shadow puppet show is finally held every night of Rebo Pon. Puppet shows performed on the monument Jaten may have primary and secondary functions. The primary function is that the puppet are watched by the public so that their beauty or aesthetic elements can be enjoyed. In addition, puppet shows can also provide entertainment for the community. The secondary function is that by holding a puppet show, the values contained in the play performed by the puppeteer are expected to be able to provide students with value for their audience; strengthen the rope of solidarity; and revive the economic turnaround the small traders around it.Keywords: monument, Jaten, puppet show, function.

PENGALAMAN KETUBUHAN SEBAGAI KONSTRUKSI TEKSTUR PERTUNJUKAN TEATER KALANGAN REMAJA Isa Ansari
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 12, No 1 (2016)
Publisher : Institut Seni Indonesia Surakarta

This article aims to provide a description about the existence of a tradition as the realityexperienced by adolescents and presented in a theatrical performance. The quistion is how theJavanese tradition experienced by adolescents and applied in a theatrical performance? Toanswer of this, the reseacher has used Brunerâ€™s theory on the anthropology of experiance anddramatic structure from George Kernodle. Collecting datas is done by observation of differentform of theatre performance by teenegers and interviews to the actors and theatre director.The reseacher conclude that mental disposition and muscle memory was experianced by actorsand directors which is expressed in dialog, mood, and spectacle through theatre performance.Keywords: Javaness tradition, Structur, Mental Disposition.

KARAWITAN WAYANG GOLEK MENAK YOGYAKARTA VERSI KI SUKARNO Aji Santoso Nugroho
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 11, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

The presentation of karawitan wayang Golek Menak Yogyakarta of Ki Sukarno style is notdifferent from karawitan Wayang Kulit Yogyakarta. Issues of this article include what thestructure, the form, garap, and the function of karawitan presented by Ki Sukarno is. Theresearch aims to describe the structure, the form, garap, and the function of karawitan presented by Ki Sukarno. Based on the qualitative approach through musicology analysis of garapkarawitan, the finding shows that there is a difference between the presentation of laya orrhythm and kendhangan pattern that is ater-ater of wayang movement, ater-ater of bukaplayonand suwuk playon. Laya or rhythm is used by referring to dance karawitan and kendhanganpattern for Wayang Golek Menak contains vocabularies of dance movements. The gending usedin Wayang Golek Menak has gending baku of Ketawang Gending Kabor Topeng, Ayak-ayakKembang Jeruk, Playon Kembang Jeruk, Playon Gegot, and Playon Gambuh. The function ofkarawitanWayangGolekMenak is as a sign of the scene changing, the scene nuance, the dramatic element, the characterâ€™s characteristic, and the characteristic of wayang movement. Thepresentation structure of Wayang Golek Menak Yogyakarta refers to the structure of WayangKulit Purwa Yogyakarta. The difference lies on the dance movements before the war and thescene of gecul war.Keywords: karawitan, wayang golek menak, structure, function.

Merancang Boneka Wayang Remaja Junaidi Junaidi; Haryono Haryono
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 5, No 1 (2008)
Publisher : Institut Seni Indonesia Surakarta

Planning the doll of adolescent puppet is creating the puppet doll especially for the adolescene. It is supposed to be a media for character education and entertainment. For the moment, puppet has been focused on the adult problems so that adolscene world has been left, consequently, we lack the adolescent appreciation toward puppet. For the reason we make a set of shadow puppet doll which is physically, suitable to the development of adolescent physic that is realistic and romantic.Keyword : puppet doll, adolescent,plan.

Lakon Banjaran : Apa dan Bagaimana ? Timbul Subagya
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

As we know that before Ki Nartasabda appears, puppet society only has standard story (lakon baku) or jejer, carangan and/or carang kadhapur. The appearance of banjaran puppet in 1970s by Ki Nartasabda leads to the pros and cons in puppet society. Nevertheless, the kind of story is often presented by some dalag today. This paper illuminates briefly about the existence of banjaran puppet story introduced by Ki Nartasabda. Because of the minimum abservation, this paper just tries to convey what andÂ how the storyÂ of banjaran is and is still seem incomplete.Key words: lakon banjaran, Nartasabda.

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