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Pendhapa
Published by Institut Seni Indonesia Surakarta
ISSN : 20868138     EISSN : 27457249     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 7 Documents
 1 
Search results for , issue "Vol 11, No 2 (2020)" : 7 Documents clear
Revitalizing the Interior of Ndalem Puspowijoto as a Laweyan Batik Shop and Museum in Surakarta. Yosafat Adi Pradipta; Raden Ersnathan Budi Prasetyo
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (648.846 KB) | DOI: 10.33153/pendhapa.v11i2.3618

Abstract

Revitalizing the Interior of Ndalem Puspowijoto as a Batik Shop and Museum in Laweyan Surakarta is an effort to preserve cultural heritage buildings. The revitalization aims to maintain the building and as a means of education about batik and local wisdom of Laweyan village for the visitors and general public who care about batik. The design process is carried out using Kurtz programming including the orientation stage, the base program stage, interative programming, and design as feedback. The design approach uses the Art Deco style with the theme of Parang Saudagar. The results of the revitalization are in the form of the museum that can be used for educational purposes, and Laweyan Batik shop which has a place that is comfortable, safe, and able to accommodate the needs of both managers and visitors. The facilities consist of a lobby, café, deposit counter, shop, ticketing room, digital audio education, main display, fabric display, item display, maintenance room, multipurpose room, pantry, toilet, office, and prayer room.
The Interior Design of Domestic Departure Hall of Tanjung Emas Port Semarang with Venetie Van Java Concept Jaza Chehata Hadi
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2766.315 KB)

Abstract

Port is a place of land surrounded by waters with certain boundaries as a place for both government and economic activities used as a place to berth, board and disembark passengers, also load and unload goods. Passenger port is a sea transportation infrastructure for the purposes of facilitating passengers sea trips in terms of their arrival and departure. Currently, PT. Pelabuhan Indonesia III is continuously improving in terms of quantity and quality. In this case, the interior design can be influential as a supporting attraction for sea transportation in Indonesia. One of them is through the design of the Tanjung Emas passenger terminal, by elevating the image of the city of Semarang through its colonial buildings which are the identity of the city of Semarang with supporting facilities based on the needs of the passengers. This design work applies the method of innovation design process by Vijay Kumar with seven modes of activities, such as: understanding objectives, knowing the context, knowing the community, compiling ideas, exploring concepts, developing solutions, and realizing offers. The design of the Tanjung Emas domestic departure terminal adopts the architectural form of Lawang Sewu and Mandiri Bank buildings in Kota Lama (old city) of Semarang and is combined with modern facilities inside.
The Interior Designing of Omah Batik in Bayat Annisa Isma; Joko Budiwiyanto
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (818.73 KB) | DOI: 10.33153/pendhapa.v11i2.3278

Abstract

The interior Designing of Omah Batik in Bayat is aimed at accommodating the activities of developing traditional batik, especially in Bayat by presenting the theme of several motifs on batik which are packaged in art deco style. This design offers facilities such as galleries, shops, vehicle repair shops, cafes, and lobbies. This goal is achieved by a design method that uses a design process including input, synthesis, and output. The input is in the form of literature, field data, and synthesis through the design analysis process; whereas the output is in the design results. The approach used is the approach to function, ergonomics, themes, and styles as well as materials. The design analysis takes ideas from several batik motifs, such as kawung, sidomukti, and parang motifs combined with art deco patterns. The design result is the interior design of Omah Batik in Bayat which has several main facilities such as a lobby, shop, gallery, café, and vehicle repair shop. Supporting facilities include inns, audio-visual rooms, and a library in art deco style. 
The Interior Designing of Lawu Resort Hotel with Tirta Intanpari Batik Theme in Tawangmangu Wahyu Tri Widiyanto; Putri Sekar Hapsari
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (540.494 KB) | DOI: 10.33153/pendhapa.v11i2.3617

Abstract

The increasing number of tourists visiting Tawangmangu tourist attraction, Central Java, and yet insufficient lodging facilities are some of what is behind the interior designing of Lawu Resort Hotel. Lawu Resort Hotel is a lodge with facilities to accommodate tourist activities. The design theme is intanpari tirta batik design with a contemporary style, meanwhile the design goal is to present an interior that follows current times advancement but still concerns on the culture. The design method adopted the stages of the Pamudji Suptandar design process with an outline of the process consisting of input, synthesis and output. The scope of work includes a lobby, restaurant, coffee lounge and guest room. The design results are in the form of a design proposal, which includes design concepts, work drawings, material schemes and animation.
The Sensory Sensitivity of Blind People in Creating the Convenience Concept in their House Interior Mahdi Nurcahyo
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1560.485 KB) | DOI: 10.33153/pendhapa.v11i2.3616

Abstract

This study aims to examine how a blind person recognizes and presents the aspects of convenience inside the house. The limited ability to see does not make the blind people weak, but it becomes an advantage and an easy walk when carrying out daily activities at home. The experience of the body and senses of the occupied space opens the blind people's awareness to be able to create a "feeling of home" as part of ways of giving the meaning of life for their days. Through a sense of experience, blind people have the ability to organize spaces including scale, shape, material, and distance according to their body's convenience. The sensory sensitivity of blind people in creating a sense of convenience is one of the parts of the process of forming the orderliness of the space they inhabit.
FOREWORD, Pendhapa: Vol. XI, No. 2. sumarno, sumarno
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (35.059 KB) | DOI: 10.33153/pendhapa.v11i2.3754

Abstract

History is the circumstances and events of human life in the past including previous achievements that are disclosed again. The glory, advancement, and fame of a certain nation, state, tribe or community group are often retold to educate, remember, and generate a positive spirit to build the future through various ways with various points of view in accordance with their respective fields of knowledge and passion.Jaza Chehata Hadi, in designing the interior of the Port, seeks to bring back the old Semarang atmosphere with the concept of Venice van Java, the nickname of Semarang city – Central Java Indonesia, years ago, due to many rivers in the middle of the city just like the city of Venice (Italy). The icons, documentation and knick-knacks of the past are presented to bring out the old Semarang atmosphere.The second article is Mahdi Nurcahyo's article, revealing how people with visual impairment or blindness recognize and present some aspects of convenience in the house where he lives in, as a part of giving meaning to everyday life through his sense of experience and sensitivity to arrange space according to his body's comfort. The third article by Muhammad Fadilah Fatah and his friends concerns on the design of a chair as a sitting facility which combines functions of bag, charger, as well as table by utilizing waste as its raw material to reduce environmental pollution.The existence of batik for Indonesian people is as the nation's ancestral cultural heritage. Batik covers various aspects such like philosophy, techniques or production, community economy, batik motifs, coloring, identity and other aspects. In the Edition XI, No. 2 of Pendhapa: Journal of Interior Design, Art and Culture, there are three articles related to batik. Two articles contain the results of some designs of the infrastructure facilities for the interiors to protect and develop batik. The revitalization of a noble's residence that had been neglected into a batik shop and museum in Laweyan village, Surakarta, Central Java, Indonesia, is the article of Yosafat Adi Pradipta and Raden Ersnathan Budi Prasetyo. Another article about batik is the interior design of Omah Batik in Bayat, Klaten, Central Java, Indonesia as a means of protecting and developing batik, by Annisa Isma Safitri and Joko Budiwiyanto. The last article is batik motifs as a design idea for hotel design, written by Wahyu Tri Widiyanto and Putri Sekar Hapsari.History stores a lot of knowledge, philosophy, science, wisdom, and many other things. The time span of batik work that has been going on for generations has become a part of the history of the cultural journey of the people, especially in Java. The preservation and development is a shared responsibility. The scholars, the researchers, and the academics morally have the obligation to always be sensitive to various things, especially related to phenomena in their surrounding environment.
A Combination Design of Bag, Chair, Charger, Tables Made with Hazardous Waste Raw Materials in Tackling Environmental Pollution in the 4.0 Revolution Era Muhamad Fadilah Fatah; Melyndo Ari Oftariano; Taksulanapurusa Zakly Setiabudi; Eko Sri Haryanto
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (841.703 KB) | DOI: 10.33153/pendhapa.v11i2.3614

Abstract

The design of bags, chairs, chargers and tables is intended for commuter workers who carry out mobility activities every day. Design works that help to support commuter worker activities use a multi-functional system. The multi-function system is indicate by the shape and features attached. This product design method uses several stages including; 1) problem identification; 2) literature study: 3) design sketches, and: 4) design. The design results are turned into chairs, tables for lesehan (sitting on the floor) and bags. In addition, the other things are the storage box to store equipments for commuter workers while doing mobility and a solar cell which functions to capture sunlight which will be converted into electrical energy for energy sources to charge cellphones. Design works can be used in accordance with their respective functions. Design works carry the principle of multifunction, easy use, strong, lightweight and flexible. It is hoped that the design for this multi-functional products can be practical in use in the development of creative industries, and can overcome environmental pollution problems. From a theoretical perspective, it can be a reference for academics and science.

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