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Balong International Journal of Design
Published by Universitas Kuningan
ISSN : -     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 1, No 1 (2018)" : 7 Documents clear
The Meaning Of Nutmeg And Clove North Maluku In Popular Culture Jerry Dounald Rahajaan
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1198

Abstract

AbstractPhilosophical meaning contained in nutmeg and clove is an interpretation of inter-relationships between language, culture and cognition with the theory of Cognitive Anthropology which is analyzed by visual structure in the culture of Ternate’s People (North Maluku). In Cognitive Anthropology Perspective of North Maluku people (Ternate), there are studies of Interpretation of Nutmeg and Clove which departs from the backgrounds of the people of North Maluku (Ternate), as well as the philosophy associated with the ecological community of Ternate (North Maluku). In this study there are some components examined including: Nutmeg and Clove treatment period, the period before harvesting the Nutmag, nutmeg and clove harvest time, the drying and sale time, this is an interpretation of the nutmeg and cloves into Jujaro and Ngungare philosophy of Ternate (North Maluku). The purpose of this journal is to convey the meaning of Nutmeg and Clove in philosophy of North Maluku people (Ternate) which is understood by generations and becomes verbal tradition in its delivery in the form of immortal truth meaning. This paper is more focused on visual analysis of nutmeg and clove concept with reference to the interpretation theory of Cognitive Anthropology approach from the native society. As a result, this Journal discusses the visual analysis focused on the philosophical meaning in the concept of Nutmeg and Clove associated with the Jujaro and Ngungare meaning, so that it is synergy with the ecological community which is viewed nutmeg and cloves as society commodity, and its contribution as a model for studies in theory of Interpretation and Cognitive Anthropology in a social order.Keywords— Nutmeg and Clove, Ternate (North Maluku), Theory of Interpretation.
THE PRADAKON Fendi Adiatmono; Arif Rivai
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1668

Abstract

The essence of the Stone Age, mountain, and river heritage, has occupied an important role in culture. So far, it can reflect much of the trust and value of its people. Historical, aesthetic, anthropological, and symbolic studies of archaeological discoveries in the region have been able to reveal prehistoric culture. The focus of this section, especially how culture is developed, symbols are built and the appreciation of transmission of inheritance. It is related to the software and hardware of the royal government that was formed to be able to balance the mandate of the management of the land of the archipelago. In the field of history, aesthetics, anthropology, and symbols, the dimensions of life cycle are presented as dialectical patterns of view. It is found that small, large, and representative entities are patterns of view that have been applied dynamically to everyday life. Through a comprehensive approach to the history of society and artevactual, apart from its constitutional history, the authors emphasizes the analysis of social formation by looking at the processes occurring within societies with broader disciplinary comparations. Through the applied method of psychological Sunan Bonang, the Indonesian people are inspired and can have a good system of anthropological and psychological intelligence. Research of this book uses theory and method which are relevant with object and subject matter. So the context that is built into legitimate, in text, oral and visual, both present (represented by Arif Rivai Rumin's work) and past (pradakon Majapahit, Ancient Mataram, Pajajaran, Kuningan, Jambi, and Padang) have been used as reconstruction. The content of the study and his work inspires the public's sensitivity in formulating nationality through the compilation of software and hardware in a more integral way. The ultimate goal is the point of awareness, which makes filters and counters a global power that seeks to make all the people of Indonesia. Keywords: pradakon, intellectual people of IndonesiaKeywords: pradakon, intellectual people of Indonesia
Reconstruction Material Sumping Accesories with Customization Design (Joni Permana Artwork) Rika Nugraha; Elin Herlina
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1199

Abstract

Sumping is a type of jewelry worn on the ears. It is usually carved in the shape resemble with wings of a bird or swirls strands of leaves. Way of wearing sumping is tucking the earlobe on the curved hole sumping. It is found in Indonesia, especifically in Javanese culture and traditional dress, worn as attributes on Thailand clothing dancers. Sumping is one of the attributes of the completeness of the clothing dance like Java serimpi dance and puppet people. Works of art in the form of Sumping has been reconstructed by Joni Permana as costum art designer, Sumping which is now no longer used as the complement of traditional dance, through display design costumized Sumping has a point of interest in any performance. The reconstruction is done by not changing the form as well as its usefulness, but sumping effort of reconstruction is done so that the use of sumping maintained through a culture of innovation. Sumping has high cultural value as cultural products as well as aesthetic value in its works so that cultural heritage still has continuous existence.Keywords—.  Reconstruction, Sumping, Customization
The Design Of Kelom Kasep (Differentiation Strategy In Exploring The Form Design Of Kelom Geulis as Hallmark Of Tasikmalaya) Asep Sufyan
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1197

Abstract

Kelom geulis is a typical craft of Tasikmalaya Regency. Distinctive features that make Kelom Geulis interested and unique in the fans’view are the use of mahogany and albasia wood materials carved using embroidery motif techniques with the trademark that shows identity of Tasikmalaya.             Increasingly tighter industrial competition needs a new strategy and development of designs. One of the most strategic strategies is how to find a new market segmentation as well as a pioneer in creating innovations not only as a Follower but also as the first step of the craftsmen to be able to make a solution to his loving things that is well known as design. A good design work is a work of uniqueness and very intelligence in appreciating it to community. Differentiation is a way to create a unique position in the mind of the user, establishing status and market segmentation, and making the product position as a different product from the common products. In designing the design of the clones to be unique and valuable is required a method in the process of differentiation development. The differentiation is examined from aspects of form, feature, performance, durability, reliability, style and design.  Keywords: Differentiation, Design, Kelom. 
Aesthetic On The “Kaulinan” Of Sundanese, Kolecer Sonson Nurusholih; Gandara Permana
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1667

Abstract

In Indonesia, there are varieties of games with different cultural backgrounds, having value  and meaning contained in the game or toy. Many meanings are contained in every traditional game bounded by culture not universally. Every meaning has an aesthetic value relating to the attitudes and habits of the people where the toys are located. Likewise with the traditional game of Sundanese Kolecer, which will be made as object of the research. In this research, the author will study the aesthetics contained in Kaulinan Sunda Kolecer. The purpose of this research is to know the meaning of Kaulinan Sunda Kolecer. The study was conducted by using descriptive method with a paradoxical aesthetic approach. The results of the study found that kolecer as an artefact and kokoleceran as toy (kaulinan) of Sundanese people which have philosophical and educational values.Keywords—. Traditional Games, Kaulinan Sunda, Kolecer
SUNDANESE AESTHETICS IN DARSO’S VIDEO CLIP DULANG KURING 2 Lingga Agung; Moh Isa Pramana Koesoemadinata
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1662

Abstract

Abstract This paper aims to see how the aesthetics in the video clip Dulang Kuring 2 which was popularized by Alm.Darso. We used qualitative method as a method in collecting related data and to analyze video clip DulangKuring 2, we use Homi K. Bhabha Post-Coloniam theory about mimicry, hybridity, and “the third space”. The analysis focuses on Darso, the location (landscape), and the setting-property in the video clip. From the analysis that has been done, the aesthetics in the music video clip DulangKuring 2 is paradoxical because it mixes the local and global aesthetic codes. While through the Bhabha postcolonial, we find that the place (landscape), and setting-property gradually mimicry then after that we’ll see another step which is a hybridity that produces “the third space”. From the analysis, the video clip DulangKuring 2 is aesthetically very paradoxical yet hybrid because it targets the contemporary Sundanese society.Keywords: Aesthetic, Communication, Darso, Post-colonialism
TYPOGRAPHY ON DESIGN T SHIRT SUPORTER OF PERSIB   Muhammad Hidayatulloh; Iman Somargono
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1663

Abstract

AbstractAs  a  type  of  clothing  used  in  daily  life,  a  t  shirt  at  this  time often displays  images  and  text  on  the   surface.  Picture  or  text  in  a  t  shirt,  can act  as  aesthetic  element  or  a  form  of  expression  as  well  as   identity  for the wearer.  For  the  supporters  of  Persib,  t  shirt  becomes  one  of  the  attributes that  they   often  use  in  supporting  Persib  both  in  the  field  and  off  the  field. T  Shirt  of  the  supporters,  generally   uses  text  elements  as  part  of  the design  elements  and  conveys  messages  to  support  Persib.  Text  on  t   shirt supporters  of  Persib,  is  packed  in  such  a  way  to  attract  the  attention  of the audience.  In  the   perspective  of  typography,  the  letters  in  the  text  not  only play  a  role  in  preparing  a  textual  message   but  also  it  can  present  a  visual perception  that  is  able  to  support  the  message  containing  and  attract   the attention  of  the  audience.Keywords:  t  shirt,  supporter,  persib,  typography

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