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INDONESIA
Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya
Published by Kementerian Pendidikan dan Kebudayaan
ISSN : 14115239     EISSN : 25984209     DOI : -
Core Subject : Art, Social,
Arts Social Sciences
The Patrawidya appears in a dark gray cover with a papyrus manuscript. The Patrawidya Journal is published three times a year in April, August and December. The study of the Patrawidya Journal article is on the family of history and culture. The Patrawidya name came from a combination of two words "patra" and "widya", derived from Sanskrit, and became an absorption word in Old Javanese. the word "patra" is derived from the word "pattra", from the root of the term pat = float, which is then interpreted by the wings of birds; fur, leaves; flower leaf; fragrant plants fragrant; leaves used for writing; letter; document; thin metal or gold leaf. The word "widya" comes from the word "vidya", from the root vid = know, which then means "science". Patrawidya is defined as "a sheet containing science" ISSN 1411-5239 (print) ISSN 2598-4209 (online).
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol. 20 No. 3 (2019): Desember" : 7 Documents clear
PENYUSUNAN UNDANG-UNDANG BURUH ANAK DI HINDIA BELANDA MASA KOLONIAL Darmarastri, Hayu Adi
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.455

Abstract

This article examines the attitude of the Dutch Colonial Government toward the existence of child labor as seen from the formation of child labor laws in Netherlands-Indies during the colonial period. The increasing number of plantation companies in the Netherlands-Indies in 1870 had an impact on increasing the need of labor. Apparently not only adults who became workers but children also involved in becoming laborers on plantations. The question raised in this article are how is the role of the Dutch Colonial Government in the process of drafting child labor laws in the colonial period? Are these laws able to eliminate the participation of children as worker in colonial period? This article used the critical historical method. The results of this research indicated that the establishment of a child labor laws was not based on the government’s desire to defend the interests of children as laborers but rather as giving legitimacy to children of a certain age as a legal workers.
BERJUANG DENGAN MELODI: MUSIK BANYUWANGIAN SEBAGAI MEDIA REVITALISASI IDENTITAS USING Endrayadi, Eko Crys; Nawiyanto
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.456

Abstract

This paper discusses the Using community’s effort to fight for its identity through Banyuwangian music by employing the historical method. Banyuwangian music is a form of cultural expression and identity symbols of Using community. The involvement of the Banyuwangi artists in Lekra organization that led to the arrest of the artists and the prohibition of Banyuwangian music at the beginning of the New Order, at once have formed a negative image of Using community. Through Banyuwangian music, Using artists seek to put an element of creativity and modernity in musical genre, thus becoming social media and culture to fight for Using identity. A harmonious blend of ecological and cultural elements in the Banyuwangian musical elements have led to the emergence of various Banyuwangianmusic genres that are acceptable to society at large and become the identity revival era of Using parallel with other communities. Banyuwangian music is very interesting to study because of the practice of music of ethnic groups in relation to the national level to represent local interests in the realm of culture. Local popular music rarely crosses the ethno-linguistic boundaries. However, the Banyuwangian music could break down the barriers of subaltern and become the media of Using community in achieving an equal identity.
PERIODISASI PERKUMPULAN PERUPA DI INDONESIA SEJAK 1930 HINGGA 2000AN Atmadiredja, Genardi
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.457

Abstract

In the history of the development of Indonesian art, many associations of artists are known to emerge as times change. This association of artists has a tendency and intention to work collectively in accordance with the times. Through a historical approach, this study tries to look at the periodization of artist associations in Indonesia based on the sociohistorical context underlying them. This study uses literature studies with a historical approach. In this study the periodization of artist associations in Indonesia was based on the development of the Sanento Yuliman version of painting. This study shows 4 (four) stages of the development of artist associations in the Indonesian art scene, including: periods of natural scenery and realism, periods of propaganda and associations of artists, abstractperiods and new art, and periods of association of contemporary artists.
MIGRASI PENDUDUK DAN PEMBENTUKAN HIBRIDITAS BUDAYA KULINER TRADISIONAL PENGKANG Humaedi, M. Alie; Purwaningsih, Sri Sunarti
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.458

Abstract

The phenomenon of population migration has been going on for a long time on socio-economic or power factors. The formation of distribution production and kinship networks due to the marriage of various tribes occurred in migration centers, including cultural hybridity. One form of cultural hybridity is the practice of traditional culinary production of pengkang in Mempawah. The problem is how the character of hybridity in creative production of pengkang culinary is done along with cultural encounters due to the migration patterns of several ethnic groups. This ethnographic research is based on the disclosure of the culinary pioneer family profile through in-depth interviews and participation observation of various hybridity phenomena. This study succeeded in finding a correlation between migration of people from various ethnic groups: Malay, Bugis, Madura, and Chinese in kinship networks and the formation of traditional culinary hybridity characters of pengkang. This culinary hybridity can be seen in the taste, producting or presentation of pengkang packaged from the Malay tradition, reinforced by the adaptation of taste and choice of ingredients known in the traditions of the Chinese, Madurese, and Bugis communities.
SURAT-SURAT PERJANJIAN TANAH NAGARA AGUNG KARATON NGAYOGYAKARTA TAHUN 1827-1831: SEBUAH KAJIAN FILOLOGI HISTORIS Agusta, Rendra
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.459

Abstract

The agreement to divide the Mataram region after the Giyanti agreement still leaves a long problem, especially in areas outside the capital. After the Java war in 1830, areas in the Yogyakarta and Surakarta regions were reorganized by the Dutch East Indies government commissioner. The division gave birth to several derivative agreements, one of which was related to land agreements. The research was a textual study of Pengetan Kagungan Dalem Siti Dhusun from Karaton Surakarta. This research was conducted because this manuscript is a single manuscript or codex unicus which became the basis for the study of the Kraton Surakarta in 19th century. This paper also stores data related to rural ecology in terms of structure, area and tax burden. The research uses the philological method to present text descriptions and editions. Then use content analysis to reveal the contents of the land agreement. This manuscript contains the results of the land ratification of treaties Dutch government related to the management of the Nagara Agung agreed by Sultan Hamengkubuwono V in Yogyakarta and Sunan Pakubuwono VII in Surakarta.
PERKEMBANGAN KOTA KECIL MUNTILAN KABUPATEN MAGELANG Ritohardoyo, Su
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.463

Abstract

Gaps still become common condition in small-scale city development studies that so far has less attention. Therefore, this research is aimed to analyze the history of the development of small cities and regional economies; contribution of location factors and their relationship with the development. The study was conducted in the small town of Muntilan, Magelang Regency, Central Java Province using a secondary data analysis research method. The unit of analysis is a census researched village. Data analysis used were quantitative and qualitative techniques.
MUATAN SOSIAL, POLITIK, DAN BUDAYA KANDHA DAN SINDHENAN TARI BEDHAYA SEMANG DALAM NASKAH SERAT KANDHA BEDHAYA SRIMPI Adji, Fransisca Tjandrasih
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 20 No. 3 (2019): Desember
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.464

Abstract

Bedhaya dance is a classical dance that is very old and is the original art of kingdoms in Java. As a dance genre, bedhaya is placed as one of the most important arts in the Yogyakarta Palace. In the bedhaya dance, the important element to make it easier to know the story is in the kandha and the sindhenan. Kandha and sindhenan become mediations for the audience to understand the context of the bedhaya dance. as far as the author is concerned, the kandha and the sindhenan of bedhaya dance has never been discussed by observers of bedhaya dance. The things that are widely discussed are the choreography and symbolic meaning of the bedhaya dance. The Serat Kandha Bedhaya Srimpi is one of manuscript of the KHP Widya Budaya, Ngayogyakarta Hadiningrat Palace (with the text code W.7-B 24). That is the only manuscript that appeared in the period of Hamengku Buwana V which contained the bedhaya dance and which can still be read. In this manuscript there are kandha and the sindhenan of the Bedhaya Semang dance, which are different from the kandha and the sindhenan of the Bedhaya Semang dance in several other texts. To see the difference, an intertextual approach is used. The difference between the kandha and the sindhenan of Bedhaya Semang dance relates to the ideology of Hamengku Buwana V. Thus, through the kandha and the sindhenan of the Bedhaya Semang dance in the text W.7-B 24, the ideology of Hamengku Buwana V can be understood.

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