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Department of Drama, Dance and Music, Faculty of Language and Arts, Universitas Negeri Semarang, Indonesia B2 Building, 2nd Floor, Sekaran Gunungpati, Semarang 50229, Central Java, Indonesia
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JSM (Jurnal Seni Musik)
Published by Universitas Negeri Semarang
ISSN : 23014091     EISSN : 25032860     DOI : 10.15294/JSM.V8I1
Core Subject : Art,
Arts
a peer reviewed journal publishing original research and conceptual papers on music, music education, music performance [see Focus and Scope]. It is publishes by Department of Drama, Dance, and Music Education (Sendratasik), Semarang State University (UNNES) two time a year, June and December, in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies. Conceptual Idea, publishes articles conceptually relevant to advancing the practice of music and learning, present theories of music, models, or philosophical position, etc. Articles may draw upon theory/or material developed in educational practice that recognize and address a wide range of pedagogical approach that would interest members from a variety of countries and teaching setting, including activities and art materials to help internationalize art curricula.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 20 Documents
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Search results for , issue "Vol 9 No 2 (2020): December 2020" : 20 Documents clear
Penerapan Metode Ear Training Dalam Pembelajaran Paduan Suara SMP Negeri 1 Kudus Kwidura, Nugroho; Haryono, Slamet; Raharjo, Eko Raharjo
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.22486

Abstract

The choir at SMP Negeri 1 Kudus is one of the extracurricular activities engaged in music. The obstacle faced by the choir members of SMP Negeri 1 Kudus is notation reading. The application of solfeggio ear training method is used by the instructors as a choir learning method in SMP Negeri 1 Kudus. The purpose of writing this study is to train the sensitivity of choir members in guessing the tone and reading the notation. This study uses a qualitative approach. Data collection techniques used are observation, interview, and documentation. Extracurricular teachers use steps in applying the method of solfeggio ear training on choir learning. The first step is to observe the members and give the song material. The second step, the instructors use imitating method (imitation) by writing song notation and applying it. The final step is to try by singing and changing the basic tone to train the member's sensitivity in guessing the tone.
Eksistensi Grup Musik Tegalan Joend Pro Di Slawi Kabupaten Tegal Pratama, Narendra Yudha; Wafa, Mochammad Usman
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.33109

Abstract

Tegalan music is typical music of Tegal regency which lyrics use Ngapak language. A piece of music group that still exists until now is Joend Pro. Joend Pro's musical group was formed in the year 2009 by Imam Joend. Joend Pro's musical group is on the basis of the consciousness of Imam Joend, about the importance of the existence of the art area of the music as a characteristic of the regional arts of Tegal Regency. This research aims to know, describe, and analyze the existence of the Tegalan Pro music Group in Slawi Tegal Regency. This research uses qualitative descriptive methods with data collection through observations, interviews, documentation and library studies. The result of the study was to demonstrate the existence of the Joend Pro band. Joend Pro often conducts self-performing, provit performances, as well as entertainment invitations at government events. Joend Pro's musical group's existence is still acknowledged to exist until now by society. This is evidenced by the community's performance offerings to fill entertainment at weddings and other events.
Strategi Pembelajaran Ekstrakurikuler Karawitan Di SMA Negeri 1 Pemalang Iswangga, Komara Dika; Muttaqin, Moh Muttaqin; Wiyoso, Joko
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.37463

Abstract

The Learning strategies are learning components that must be applied in learning activities by teacher, including learning of karawitan extracurricular in High School 01 Pemalang. The purpose of this study is to describe the learning strategies used by teachers in karawitan extracurricular of High School 01 Pemalang, uses descriptive qualitative study methods. The data collection is obtained through observation, interviews, and documentation technique. While validity of the data was tested using source triangulation techniques, then data analysed by interactive analysis technique. The results showed that the learning strategies in karawitan extracurricular of High School 01 Pemalang was using a teacher-centered, that the teacher becomes the center of the learning which determines the material, methods, dan learning objectives. Then, the syntax (stage) of learning strategies are orientation, presentation, guided training, structured training, independent training, independet activities, and evalution.
Bentuk Komposisi Musik Tradisional Balo-Balo Grup Kampung Tirang Di Kecamatan Tegal Barat Kota Tegal Iqbal, Muhammad Nur; Aesijah, Siti Aesijah; Rachman, Abdul
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.39205

Abstract

The purpose of this study was to determine the composition of the traditional music Balo-balo group of Kampung Tirang in Tegal City. The research approach used by the author is descriptive qualitative. The research location is in Murareja Village, West Tegal District, Tegal City. Data collection techniques in this case use observation, interview and documentation techniques. The source of the data that is the focus of the author is the chairman and personnel of the Tirang Village group, who are then analyzed using analysis techniques according to the basic framework that has been prepared. The results of the study indicate that the traditional Balo-balo music of the Kampung Tirang group is an art that uses a pitchbled membranophone musical instrument, namely kencer or tambourine, main drum, kempling, kempyang and gong tambourine. In the lyrics, the group uses the original Tegal language or deles dialect, for example in the song entitled "Balo-balo Pitutur". The song is a three part song. Whereas in the main elements of the music, the Kampung Tirang group emphasizes the rhythmic patterns of the game which are very visible but still form harmony. In the main melody, the song Balo-balo Pitutur uses the Tegalan style with elements of pentatonic scales. The songs of the Kampung Tirang group are packaged with a humorous or joking concept, so that the expression in the music is very active, energetic but still structured, even though the song structure does not use a symmetrical scheme in general, but uses a three-part symmetric theory.
Komposisi Musik Ilustrasi Pada Kelompok Teater Kembang SMA N 1 BREBES Prabowo, Anik; Utomo, Udi; Sinaga, Syahrul Syah
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.39608

Abstract

Theater is a performing art which in its performance brings a story that is delivered through acting on the stage. Theater performance is inseparable from music as supporting atmosphere. Based on that, this research aims to know the types of illustration music composition in “Kembang” Theater group from SMA N 1 Brebes. This study used qualitative method. To obtain the accurate data, this study used observation, interview, and documentation. This research consists of data collection, data reduction, data presentation, and conclusion. The result shows that “Kembang” Theater always makes music composition that is suitable with the theme of the script on their performances. Illustrated music is always played live on stage with consideration of getting maximum results in every scene played. There are various types of illustration music composition in “Kembang” Theater group. They are opening music, happy music, wistful music, tense music, horror music, romantic music, comical music, sampakan music/convey music, transition music, and closing music. The types of script are divided into two types. There are tragedy script and comedy script. Not all types of Illustration music composition exists in all types of script. For example, sampakan music and comical music that only exist in comedy script.
Instrument Of Singing Performance Assesment With The Android Based Inventor App Wulandari, Monica Niken; Ahmadi, Farid; Djuniadi, Djuniadi
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.40592

Abstract

Singing performance assessment still subjectively graded by jury, teacher, or committee. To understand assessment aspects in singing, the information was obtained from two experts one from junior high school 24 Semarang and the other a musician, Purwacaka, who has Musical School Purwacaka in Indonesia. This research aimed to produce singing performance assessment application with App Inventor 2 (AI2) that managed by Massachussetts Institute of Technology (MIT). AI2 is a cloud-based saving that could be accessed from internet browser. ADDIE development model with 5 steps, which are: Analysis, Design, Develop, Implementation, and evaluate. Indicators in this research were practicality, attractiveness, accuracy, and quickness in assess. Data collection for needs analysis taken qualitatively by interview and documentation. The singing assessment application consist of four assessment criteria, there are: technique, expression, song interpretation, and demonstration that form 18 items. This application has been tested by three experts by result: attractive, accurate score, and faster score calculation. The improvement for this application was score that could only be seen one by one later should be showed entirely and could be printed Keywords: Performance Assesment, Singing, Based on Android, ADDIE
Analisis Bentuk Aransemen Lagu Anoman Obong Ciptaan Ranto Edi Gudel Untuk Paduan Suara Karya V. Mangunsongs Febriagazi, Tendian; Sunarto, Sunarto
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.42044

Abstract

The song Anoman Obong by Ranto Edi Gudel is a song that uses Javanese. The song was arranged into a choir format by V. Mangunsongs. The arrangement by V. Mangunsongs in the song Anoman Obong is unique, one of which is the combination of story and tragedy in the form of a SATB choir. This study aims to describe the form of the arrangement of the Anoman Obong song composed by Ranto Edi Gudel arranged for the choir by V. Mangunsongs. This study uses a qualitative approach with content analysis methods. Data collection was carried out through observation, interview and documentation methods. Interviews were conducted with competent speakers in this field as well as the aranger of Anoman Obong's song, namely V. Mangunsongs aka Eko Agus Kandung. The stages in analyzing data are data reduction, data presentation and conclusion. The validity of the data was obtained through the data source triangulation technique. Overall, the Anoman Obong song composed by Ranto Edi Gudel arranged for the choir by V. Mangunsongs has 111 bar rooms. The form of this arrangement is including free or group forms with Introductions (bar 1-24) - Part A (bar 25-35) - Part A '(bar 35-43) - Part B (bar 44-58) - Interlude (bar 58 -66) - Transition (bar 67-86) - Part B '(bar 87-101) - Postlude (bar 101-111). In this work, there are many changes in tempo and dynamic signs to support the atmosphere of Anoman Obong's story and tragedy. The results show that this work can transform a previously simple vocal song into a more complex choir.
Analisis Aransemen Lagu A Whole New World Ciptaan Tim Rice dan Alan Menken pada Instrumen String oleh Steve Deaprof Band di Pekalongan Kristerika, Agnes Firda; Susetyo, Bagus
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.42266

Abstract

Aransemen instrumen string lagu A Whole New World oleh Steve Deaprof Band dibuat menarik dan modern, sehingga membuat lagu tersebut menjadi lebih variatif terutama pada isian (filler) string yang berbeda dari lagu aslinya. Hal ini melatarbelakangi peneliti untuk melakukan sebuah penelitian ini. Tujuan yang hendak dicapai penelitian ini adalah untuk mengetahui dan mendeskripsikan aransemen instrumen string lagu A Whole New World oleh Steve Deaprof Band. Pendekatan penelitian yang digunakan adalah deskriptif kualitatif. Lokasi Penelitian di kantor Steve Deaprof yakni di Jln. KHM Mansyur no.3, Bendan, Pekalongan. Teknik pengumpulan data antara lain: teknik observasi, wawancara, dan dokumentasi.Teknik keabsahan data. Analisis data dalam penelitian ini deskriptif kualitatif, yaitu analisis dalam bentuk pernyataan dan analisis yang diungkapkan dengan deskripsi Hasil penelitian menunjukkan bahwa aransemen instrumen string lagu A Whole New World memiliki 3 kali perpindahan tangganada (modulasi) dan fill in pada beberapa bagian lagu. ___________________________________________________________________ Abstract The string instrument arrangement of the song A Whole New World by Steve Deaprof Band was made attractive and modern, thus making the song more varied, especially in the different string fillers from the original song. This is the background for researchers to conduct this research. The aim of this research is to know and describe the string instrument arrangement of the song A Whole New World by Steve Deaprof Band. The research approach used is descriptive qualitative. The research location is in Steve Deaprof's office, which is Jln. KHM Mansyur no.3, Bendan, Pekalongan. Data collection techniques include: observation, interview, and documentation techniques. Data validity techniques. The data analysis in this research is descriptive qualitative, namely analysis in the form of statements and analysis expressed with descriptions. The results show that the arrangement of the string instrument A Whole New World has 3 times the scale shift (modulation) and fill in on several parts of the song.
Pengembangan Bahan Ajar Musik Vokal Berbasis Folk Song “Seu Azi” Untuk Mendukung Proses Internalisasi Nilai-nilai Luhur Budaya Pada Mahasiswa/I STKIP Citra Bakti, Ngada, Flores, NTT Dopo, Florentianus -
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.42678

Abstract

The purpose of this research is to develop a vocal music teaching material product based on the folk song (folk song) seu azi which is a folk song in the Ngada culture. This development research (R & D) follows the ADDIE research and development procedure which consists of 5 stages of teaching material development, namely 1) analyze, 2) design, 3) development, 4) implementation, and 5) evaluation. The results of this study were 1) the material expert trial obtained a score in good category (4.17), 2) lecturers who taught Vocals were also in the good category (3.88), and 3) students were in the very good category. (4.27), so that the average score is 4.10 (Good). Based on the results of these trials, teaching material developed is suitable for use by students of the Music Education Study Program, STKIP Citra devotion for Vocal Music Courses.
Nilai Karakter Pada Lirik Lagu-Lagu Kids United Purwani, Neli; Sari, Nindya Novita
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.43619

Abstract

Learning French in class always pays attention to 2 aspects namely cognitive and moral. Moral aspects also have a role in the development of students, so that they have good morals and personalities such as learning to adapt in the school environment to foster a sense of tolerance in order to be able to control their own emotions while also having high knowledge. The purpose of this research is to describe the character value contained on the songs of Kids United and linguistics elements expressing the character value. This type of research is a descriptive research with a qualitative approach. Whereas the data collection methods used in this research are the listening method and the note technique. Then the results of data analysis in this research indicate that Kids United’s three songs contain 3 dominant character values ​​from eight national character values ​​according to IHF, such as (1) loving, caring and cooperate; (2) confident, creative, hard work and never give up; (3) responsibility, discipline and independent.

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