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Department of Drama, Dance and Music, Faculty of Language and Arts, Universitas Negeri Semarang, Indonesia B2 Building, 2nd Floor, Sekaran Gunungpati, Semarang 50229, Central Java, Indonesia
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JSM (Jurnal Seni Musik)
Published by Universitas Negeri Semarang
ISSN : 23014091     EISSN : 25032860     DOI : 10.15294/JSM.V8I1
Core Subject : Art,
Arts
a peer reviewed journal publishing original research and conceptual papers on music, music education, music performance [see Focus and Scope]. It is publishes by Department of Drama, Dance, and Music Education (Sendratasik), Semarang State University (UNNES) two time a year, June and December, in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies. Conceptual Idea, publishes articles conceptually relevant to advancing the practice of music and learning, present theories of music, models, or philosophical position, etc. Articles may draw upon theory/or material developed in educational practice that recognize and address a wide range of pedagogical approach that would interest members from a variety of countries and teaching setting, including activities and art materials to help internationalize art curricula.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 350 Documents
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PROGRAM KERJA DIKLATSAR DALAM MENINGKATKAN KEMAMPUAN BERMAIN MUSIK SABDA KINNARA UNNES MARCHING BAND Nugroho, Christian Adi
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v5i2.11264

Abstract

The last few years in Semarang emergence a phenomenon of marching band unit raging from community organizations, universities and school environment, so that the unit of the newly established marching band can manage their unit. This study aims to: (1) knowing the purpose, methods and materials Diklatsar SKUMB; (2) Determine the ability to play music SKUMB members after attending basic training. The method used is a qualitative method, so this is a descriptive study that provides an overview as carefully as possible about matters under investigation. Data collection techniques in this study using observation, interview and documentation. Technique authenticity of data is done by triangulation techniques, and data analysis conducted in stages, data reduction, data presentation and conclusion or verification. The results showed that (1) Interest Diklatsar SKUMB is Increasing levels of experience and knowledge of students about the marching band; Improving student knowledge about management and the implementation of UKM’s; Improving the quality of work of the marching band; Improving leadership for participants of activities. (2) Educational materials basic training SKUMB includes elements of appearance (display and charts) as well as the skills of playing music (rhythm, melody, and harmony; (3) Ability to play music member SKUMB after attending basic training is successfully playing songs training materials in which includes the ability plays rhythm, melody and harmony.
AMBIENT SONG KARYA KELOMPOK MUSIK DINDING KOTA KAJIAN TENTANG PROSES PEMBUATAN DAN PEMANFAATAN SEBAGAI MEDIA MEDITASI Wangsa, Ciptaning Indra; Susetyo, Bagus
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (316.004 KB) | DOI: 10.15294/jsm.v5i2.11265

Abstract

Meditation is a step to know yourself for the good and balance life. It’s can be helped with used music for media called ambient music. In Semarang there is a musical group that plays ambient music named Dinding Kota. The purpose of this study to describe how to create an ambient that can be used as a medium meditation which has benefited as information for the public to know the ambient function. This research uses qualitative descriptive method with data collection in the form of interview, observation, and documentation. In making the ambient group has nine steps Dinding Kota in the form of contempatation, choose a background, choose themes and concept, choose an instrument, select pedal effect, set the pedal effect, set amplifier, and make ambientpart and ambient notes. The use of ambient as a medium of meditation done using headphone or a headset with a body sitting cross legged posisition or lying down and focus on listening to ambient music. Ambient is a type of music which resulted in another dimension there that may effect one’s thoughts and suggestios with the sound echoing hum’s that can be used as a medium of meditation.
ANALISIS BENTUK DAN MAKNA SYAIR LAGU GEREJA KRISTEN DALAM BUKU NYANYIAN PUJIAN DI GEREJA BAPTIS INDONESIA WANAMUKTI SEMARANG Saputra, Oktavian Harys
Jurnal Seni Musik Vol 5 No 2 (2016): December 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (295.632 KB) | DOI: 10.15294/jsm.v5i2.11266

Abstract

The researcher wants to know about the form and purpose of the ryhme of those songs that still being used at GBI Wanamukti, the problem formulation of this research are : (1). what type of song structure analysis of The Book of Nyanyian Pujian that is still being used at GBI Wanamukti Semarang? (2). what is the meaning that lies behind the rhyme in The Book of Nyanyian Pujian that is still being used at GBI Wanamukti Semarang?. The researcher used Qualitative Descriptive as the research method. The result of this research aim to know that "Jangan Aku Dilalu" NP 129, "Berkati Persembahanku" NP 359, "Bapa, Antarlah Kami" NP 360 are the songs that often being used at GBI Wanamukti Semaarang. "Jangan Aku Dilalui" NP 129 is a song with 2-piece structured pattern A (a a') and B (a b'). "Berkati Persembahanku" NP 359 has 1-piece with pattern A(a a'). "Bapa, Antarlah Kami" has 1-piece with pattern A (a a'). The meaning of the song "Jangan Aku Dilalui" NP 129 is about request to God to hear the church prayers as well as the recognition of God as the only hope of giving relief to the church. The meaning of "Berkati Persembahanku" song NP 359 is about regarding the request to God to bless the offering made for the church, as well as an acknowledgment that God is the main factor determining the success of the community. The song "Bapa, Antarlah Kami" NP 360 has the meaning of a request to the Lord to be with the congregation as they finished worship and will return to their respective homes.
PEMANFAATAN SOFTWARE PRO TOOLS SEBAGAI MEDIA PEMBELAJARAN RECORDING DI SEKOLAH MUSIK PURNOMO SEMARANG Glouca, Leokana; wafa, mochammad usman; raharjo, eko
Jurnal Seni Musik Vol 6 No 1 (2017): June 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (412.486 KB) | DOI: 10.15294/jsm.v6i1.14335

Abstract

ABSTRACT Researchers make the formulation of problems that can be studied in this research is "(1) How to use software pro tools as recording learning media at purnomo music school, (2) apasajakah supporting factor and drawing of recording learning in purnomo music school. The purpose of this research is to know, medikanripsikan and analyze (1) utilization of software pro tools as recording learning media at purnomo music school, (2) supporting and inhibiting factor of learning recording at purnomo music school. This research uses qualitative approach. Data collection techniques include observation, interviews, and documentation. Data analysis is performed using data reduction, data presentation and drawing conclusions or verification. The result of the research is learning recording at Purnomo Music School for 3 months with the intensity of meeting once a week and using lecture, demonstration and question and answer method. Utilization Software Pro Tools as learning media is done with three stages namely (1) planning, Purnomo Music School has a careful planning before implementing learning recording first to prepare curriculum and learning modules; (2) implementation, recording learning in Purnomo School of Music performed in two stages. First with the preparation of music equipment and computers or laptops that are done during the learning and the second stage is the teacher or teacher to do the introduction of the tool then demonstrate how to record, mix and make music composition; (3) evaluation, evaluation is done by the teacher at the end of the learning process that is after the participants of the course follow the training for 3 months. Supporting factors in learning recording are (1) the demands in terms of music technology in the digital era; (2) the existence of youtube media as media of music development; And (3) the background of the supportive course participants. The inhibiting factors in learning recording are (1) the difference of the participants' intelligence; (2) lack of interest in theoretical learning; (3) lack of motivation of course participants in learning; (4) a less supportive environment; (5) lack of consistency of learners in meeting the schedule of the course; (6) changing the mood of course participants in learning peroses; And (7) a power outage. Suggestions that can be submitted are (1) to the manager / owner of Music School Purnomo need to evaluate the implementation of recording class course so that it can apply promotion strategy to attract more candidate course participants; (2) to instructors / instructors need to learn and apply learning methods that can improve the motivation and mood of the course participants; (3) to the participants of the course is expected to improve motivation and mood in learning recording. Keywords: utilization, software pro tools, learning media, recording
EKSPRESI MUSIKAL: KAJIAN TENTANG KARATERISTIK PERMAINAN MUSIK SAXOPHONE KAORI KOBAYASHI sukmawati, garin ria
Jurnal Seni Musik Vol 5 No 1 (2016): June 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (654.418 KB) | DOI: 10.15294/jsm.v5i1.14881

Abstract

Penelitian ini mengkaji tentang ekspresi musikal khususnya tentang karakteristik permainan musik saxophone Kaori Kobayashi. Tujuan penelitian ini adalah: (1) mendeskripsikan jenis lagu yang dimainkan oleh Kaori Kobayashi; (2) mendeskripsikan karakteristik ekspresi musikal yang ditunjukkan melalui melodi lagu, improvisasi, dinamik, dan aspek lain: gerak, suara, rupa, pelaku, pada permainan musik saxophone Kaori Kobayashi. Hasil penelitian ini menunjukan bahwa jenis lagu cover yang dibawakan oleh Kaori Kobayashi dimainkan dengan tempo larghetto (50-55 BPM), lento (45-60 BPM), dan tempo cepat atau allegretto (116-120 BPM). Genre musik yang dimainkan adalah smoothjazz, popjazz, dan softrock. Aspek penjiwaan di ungkapkan melalui suara yang dihasilkan dari jenis tiupannya dan ekspresi mimik wajah, serta penggunaan tiupan staccato pada saat membawakan lagu bertempo cepat. Karakteristik permainan musik saxophone dari Kaori Kobayashi dilihat dari aspek melodi lagu terlihat dari warna suara yang menggunakan jenis alat musik aerophone yaitu saxophone, menggunakan nada dasar G dan A dalam tangga nada saxophone, permainan modulasi nada juga dipakai dalam permainannya, serta ornamen dan nilai nada yang sering digunakan adalah not bernilai ½ dan ¼ ketuk. Aspek improvisasi terlihat dari progresi akord dan tangga nada, Kaori Kobayashi lebih banyak menggunakan not seperenambelasan, dengan ada variasi dibeberapa bagian yang menggunakan not seperdelapanan. Jangkauan nada yang digunakan Kai Kobayashi nada terendah adalah d¹, dan nada tertinggi improvisasi adalah d². Aspek dinamika permainan musik Kaori Kobayashi dimulai dari dinamika sangat lembut (pianissimo) ke tiupan keras (f= forte), dengan variasi penggunaan dinamika sesuai dengan karakteristik lagu yang dimainkan.
ANALISIS KOMPOSISI MUSIK TERBANG JIDUR GRUP GAPURA SEJATI DESA JATI WETAN KECAMATAN JATI KABUPATEN KUDUS PRASODJO, ANOM HASTO
Jurnal Seni Musik Vol 5 No 1 (2016): June 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (752.573 KB) | DOI: 10.15294/jsm.v5i1.15000

Abstract

The Result of this research shows that:(1) Polaritme found in all of musical instruments of Terbang Jidur played by Gapura Sejati Group and the musical pattern that judged by the differences of the musical instruments but they sounds very harmony (2) The melody used in song entitled “Sola” and “Tanaqol” all of them using vocal melody, in this case means that there are no instruments played as a melody instrument which used by Gapura Sejati Group.(3) “Sola” song has 3 parts, A-B-C, which are A – B – B – C – C. “Sola” has a sequence A(a,x), B (b,y), C (c,z). While “Tanaqol” song has 4 parts, A-B-C-D, which are A – B – B – C – C – D - D. In “Tanaqol” song has a sequence like this A(a,x), B (b,y), B’ (b’,y’), C (c,z), C (c,z), C’(c’,z’), D (d,xx), D’ (d,xx). (4) The Rhymes in “Sola” dan “Tanaqol” using arabic language and tells us the story about prophet Muhammad SAW. The Tempo that played by both songs using fast tempo/pace, which has the purpose of joining the dakwah/syiar about islamic religion (5)The Dynamic of both songs can be recoqnized when there is a repetition, and the tempo become faster. Based on the analysis research of the musical composition of Terbang Jidur by Gapura Sejati Group, the writer suggests to get more variation and new rhytm patterns in the playability of Terbang Jidur. In addition of patterns can be as: (1) To get more creativity of the players in musicalization skills (2) By a new companion or new concept of musical lines can be a new thing and it can become a challenge for the players itself.
KARAWITAN TARI WANARA PARISUKA DI OBJEK WISATA GOA KREO KOTA SEMARANG : KAJIAN GARAP GENDHING TARI GARAPAN BARU susanto, irwan; haryono, slamet
Jurnal Seni Musik Vol 6 No 1 (2017): June 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (506.846 KB) | DOI: 10.15294/jsm.v6i1.15005

Abstract

Garap music of Wanara Parisuka in Goa Kreo Attraction of Semarang City in the form of collaboration between gendhing-gendhing Java and kentongan music with various rhythmic playing pattern interesting to be studied. The problem discussed is how to garap music Wanara Parisuka Dance. The purpose of this research is to know, explain vocabulary gendhing and garap music of Wanara Parisuka Dance. The research used qualitative descriptive approach. The results show that the vocabulary gendhing used in the dance is in the form lancaran, namely: Lancaran Kotekan and the Wanara Parisuka. The first time was used as a material to support the dance part that was exhibited by the children, while the second was for the material to work on adult dance music. The two lancaran of the pelog nem are presented collaboratively using Javanes gamelan and kentongan devices repeatedly according to the pattern of dance moves in a lancar rhythm. Kendang plays the patterns of the game following the pattern of motion of dance, consisting of nine patterns namely: budalan mangkat, sabetan, joget muter, jogetan menggaruk, dolanan, loncat ulap, lampah tigo, megot, and budalan mulih. The kentongan plays three playing patterns, namely: kentongan 1, kentongan 2, and kentongan 3 with together
BENTUK MUSIK DAN FUNGSI KESENIAN JAMJANENG GRUP "SEKAR ARUM" DI DESA PANJER KABUPATEN KEBUMEN Fatkhurrohman, Ali; suharto, suharto; Susetyo, Bagus
Jurnal Seni Musik Vol 6 No 1 (2017): June 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1277.774 KB) | DOI: 10.15294/jsm.v6i1.15476

Abstract

Jamjaneng is a music art that uses musical instrumental of kendang, gong, kempul (ukel), kemeng, thuling (kenthung) along with Islam-based religious song. The term Jamjaneng is derived from its founder, Syaikh Jamjani. This music art mostly performed as an entertainment part of wedding ceremony, khitan ceremony, slametan ocassion, and as an art program in the radio This research was aimed at finding out (1) The musical form of Jamjaneng art group “Sekar Arum” of Panjer Village in preserving its existence (2) The Functions within this Jamjaneng music art. The method of investigation was held through a descriptive-qualitative research with the analysis of data validity. The data was collected by conducting observation, interview, and document study. Technique of analyzing data of this research were data reduction, data presentation, and conclusion drawing/verification. The result of the study showed that the form of Jamjaneng music art were homophonic and polyrhythmic, the melodies were played simultaneously and had a different rhythmic pattern. According to Sudarsono, Jamjaneng music art had two functions, they were aesthetic function which shown at Jamjaneng Festival of Kebumen Regency and entertainment function which shown at wedding ceremony, khitan ceremony, and slametan occasion. Keywords: jamjaneng, Panjer, khitan, slametan
PENERAPAN METODE MENDONGENG DALAM PEMBELAJARAN ELECTONE DASAR BAGI ANAK USIA DINI DI YAMAHA MUSIC SCHOOL KUDUS Pratidina, Nirmala Nandya; widjajantie, kusrina
Jurnal Seni Musik Vol 6 No 1 (2017): June 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (433.838 KB) | DOI: 10.15294/jsm.v6i1.15533

Abstract

Storytelling method is a way to achieve learning purposes through storytelling so that learners are more enthusiastic in following a lesson. This study aims to know, describe, and conclude how the use of storytelling method in basic electone classes for toddlers in Kudus Yamaha Music School. This study uses qualitative methods with data collection through nontest techniques such as observation, interviews, and documentation. The results of this study are as follows know the use of storytelling method in basic electone classes and how the attitude of students in learning activities. As a result, the selection of music terms likened to fairy tales is also deemed appropriate and relevant. The simulation of music terms in fairy tales also matches with the age and capability of learners. In addition, students aged between 4 and 5 years old become more enthusiastic in listening to teachers in delivering teaching materials when taught by the storytelling method. Keywords: storytelling, early childhood, electone classes
Model Kemasan Bentuk Penyajian Musik Dangdut Klasik pada Grup Musik Rhomantika, Mijen, Semarang sulistyaningtyas, ummun nesya; Suharto, Suharto
Jurnal Seni Musik Vol 6 No 2 (2017): December 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (670.441 KB) | DOI: 10.15294/jsm.v6i2.16124

Abstract

Tujuan penelitian ini adalah untuk mengetahui, menganalisis dan mendeskripsikan model kemasan bentuk penyajian musik dangdut klasik yang ditampilkan oleh kelompok musik dangdut Rhomantika.Metode penelitian yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Teknik pengumpulan data berupa observasi, angket, wawancara, dan dokumentasi. Hasil penelitian menunjukkan bentuk penyajian pada grup musik Rhomantika termasuk dalam jenis penyajian musik campuran, yaitu penyajian karya musik yang memadukan antara penyajian vocal dan musik instrumental. Model kemasan musik dangdut klasik terdiri dari dua aspek yaitu indoor dan outdoor.Pada model kemasan indoor, dilakukan di dalam ruangan yaitu di studio Rhomantika. Kegiatan yang dilakukan adalah melakukan video shooting bersama seluruh personil dan penyanyi ibukota. Pada model kemasan outdoor, dilakukan di dalam ruangan yaitu di studio Rhomantika. Kegiatan yang dilakukan adalah menampilkan lagu sesuai konsep bersama penyanyi ibukota. Kedua model dilengkapi dengan bentuk penyajian baik tata rias, busana, panggung, lampu, suara sesuai model kemasan baik indoor maupun outdoor. The purpose of this research is to know, analyze and describe the packaging model of classical dangdut presentation form presented by Rhomantika dangdut music group. The research method used in this research is descriptive qualitative. Data collection techniques such as observation, questionnaires, interviews, and documentation. The results showed the form of presentation on the Rhomantika music group included in the type of mixed music presentation, namely the presentation of music that combines both vocal presentation and instrumental music. Classic dangdut music packaging model consists of two aspects: indoor and outdoor. In the indoor packaging model, done indoors is in the studio Rhomantika. Activities performed is to do video shooting with all personnel and singers of the capital. In the outdoor packaging model, done indoors is in the studio Rhomantika. Activities performed is to perform the song in accordance with the concept of singer of the capital. Both models are equipped with a form of presentation of good makeup, fashion, stage, lamp, sound according to both indoor and outdoor packaging models

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