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Jurnal Sendratasik

sendratasik
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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023201 DOI : 10.24036

Core Subject : Science, Education, Art, Social,

Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 15 Documents

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Search results for , issue "Vol 11, No 3 (2022)" : 15 Documents clear

Praktik Ketubuhan Silek Dalam Silek Galombang Binuang Sati Dan Tari Pasambahan Syofyani Shindi Lara Sati; Rustim Rustim; Ediwar Ediwar
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to reveal the practice of silek in the formation of the performing arts of Silek Galombang Binuang Sati and Syofyani's Pasambahan Dance as well as the silek body that is presented in the two performing arts. This research is expected to add references and knowledge about traditional dances that grow and develop in the archipelago, and can find the role of Silek in a performance. The discussion is focused on embodiment analysis which emphasizes on performance or often known as a performance-centered approach. Embodiment includes the body of the performer involved in the performing arts. The results of the study show that overall the two performances have different bodily experiences, even though they come from the same body (embodiment).

Makna Tari Inai Dalam Prosesi Malam Berinai Pada Adat Perkawinan Masyarakat Desa Teluk Majelis Kecamatan Kuala Jambi Nurul Annisa Syafwan; Indrayuda Indrayuda
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

This research is viewed from the meaning of dance about Tari Inai in the Malam berinai procession at the marriage custom of the Teluk Majelis village community, Kuala Jambi district. This type of research is qualitative and uses descriptive methods. The research instrument is the researcher himself and is assisted by supporting tools such as stationery and camera. By using literature study, observation, interviews and documentation is expected to collect the required information. Technique Source triangulation technique is a technique used to ensure the validity of this data. To analyze the data requires steps such as data collection, data presentation and drawing conclusions. The results showed that the Tari Inai is one of the traditional wedding ceremony processions of the East Malay ethnic group in Tanjung Jabung Timur. The meaning of the Tari Inai is as a night of giving blessings to the bride and groom who will lead a new life, as a night for a large family gathering, as a night to introduce the groom to the entire big family of the bride, and as a night of expressing welcome to the groom. who has entered the ranks of the bride's extended family. Tari Inai is also interpreted as a symbol of the willingness of both parents and family members to let go of the bachelors of their sons and daughters.

Teknik Bowing dalam Pembelajaran Praktek Instrumen Mayor (Gesek) di Prodi Pendidikan Musik Departemen Sendratasik UNP Fela Vio Mimanda; Yensharti Yensharti
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to explain the benefits orof thetechnique usesbowing in the practice course of major stringed instruments in the Music Education Study Program, Department of Drama, Faculty of Language and Arts, Padang State University. This type of research is qualitative with descriptive analysis method. The research instrument is the researcher himself. The object of research istechnique bowing in learning major string instruments 1 and 3 in music education study program FBS UNP. The research subjects were students of major string instruments 1 and 3, lecturers of major stringed instruments. Data collection techniques through literature study, observation, interviews and documentation. Data analysis techniques are data reduction, data presentation, and drawing conclusions. The results showed that the use of the Whole Bow (WB) had not been maximized because the strength of the index finger was not strong enough to push the swipe straighter or not controlled. The use of legato has not maximized the results because it has not been able to share the swipe as much because the strength on the index finger is not strong enough to control the swipe. The use of staccato has not maximized the results because a weak index finger in pushing the swipe and a stiff wrist cause friction to be less balanced. The use of spiccato has not maximized the results because the strength of the index finger that is not strong enough to push the friction causes the short length of friction to be less controlled to produce a shorter friction than the staccato. The use of legato staccato has not maximized the results because weak index strength and stiff wrists make friction not evenly distributed and staccato friction is less than optimal. The use of legato spiccato has not maximized the results because it is less able to produce a friction sound that is shorter than staccato due to the weak force on the index finger pushing the bow both up (Up Bow) and down (Down Bow).

Serdam Sebagai Alat Musik Tiup Bambu Lampung Barat: Kajian Organologi Uswatul Hakim; Ayuthia Mayang Sari; Hengki Armez Hidayat
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

Serdam is an artistic product in the form of a wind instrument, the only one in West Lampung and made of bamboo. Serdam is usually used to accompany oral literary vocals such as muayak, hahadoh, hahiwang and dance music along with other traditional Lampung musical instruments. The bamboo used for the manufacture of Serdam is bamboo of the type of bamban and is often found in the plantations of the people of West Lampung. The purpose of this study is to describe the physical form, tools and materials, the process of making Serdam, sound source and tone system and how to play the Serdam. Serdam has many physical similarities to bamboo wind instruments from other regions, but Serdam has a distinctive blowing technique and tone. The research method used is the descriptive qualitative research method. The data obtained from this study with data collection methods by observation, interviews and documentation studies. The results of this study indicate that the Serdam wind instrument is made of bamboo bamban which is often found in the plantations of the people of West Lampung. Serdam has a shape like a long tube that has four melody holes and one blow hole. This musical instrument still uses a traditional manufacturing process to this day. Serdam as the only wind instrument originating from West Lampung has many organological peculiarities that are not yet known by the supporting community.

Pelaksanaan Pembelajaran Seni Budaya di SMP Negeri 23 Kerinci Ingria Nada Contesi; Marzam Marzam
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

The purpose of this study was to describe the implementation of cultural arts learning with the material of Traditional Musical Instrument Playing Techniques at SMP Negeri 23 Kerinci. This type of research is a qualitative research with descriptive method. The research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. Data collection techniques were carried out by means of observation, interviews, and literature studies. The steps of analyzing the data, Describing, and Inferring. The results of the study indicate that the implementation of cultural arts learning with the material of Traditional Musical Instrument Playing Techniques at SMP NEGERI 23 Kerinci has not gone well. This is due to: (1) Teachers do not have angklung musical instruments which are being used as material for cultural arts subjects. This makes teachers take shortcuts by using a keyboard (orgen) instead of the traditional angklung musical instrument. (2) Some students still practice playing traditional musical instruments that are not in accordance with the indicators or in other words carelessly when playing traditional musical instruments. The results of the evaluation of learning techniques for playing traditional musical instruments, the highest score is 90 and the lowest value is 75.

Penyajian Musik Dalam Acara Pernikahan Nasional oleh Shine Music di Kota Medan Sheren Regina Stefani; Ance Juliet Panggabean; Junita Batubara
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to describe the presentation of music in the National wedding ceremony by Shine Music in Medan City. This type of research is descriptive qualitative. Data collection techniques were carried out by means of literature study, observation, interviews and documentation. The results of this study indicate that Shine Music has the advantage that it is able to develop in the industrial world in the city of Medan, especially in filling international wedding events in Medan. Shine Music has band and orchestra formats, but the term "orchestra" in the Shine Music format is not the same as the orchestral format used in academia. The term "orchestra" in Shine Music is used as a branding/promotion in the music industry business world in Medan to popularize the name Shine Music and has many fans. The author examines the Shine Music management system which is conceptualized and carries out its duties professionally. This is the advantage of Shine Music so that it can develop as a music organizer in the city of Medan.

Pembelajaran Teknik Tonguing pada Instrumen Flute dalam Mata Kuliah Praktik Instrumen Mayor Tiup Viandika Rizki Septiadi; Esy Maestro
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

The purpose of this study is to find out how the process of Learning Tonguing Techniques on flute Instruments in the Wind Major Instrument Practice Course in the UNP Music Education Study Program. In this study, an analytical descriptive method was used by utilizing qualitative data. The research instrument in this thesis is the researcher himself. In the implementation of Tonguing Technique Learning on flute Instruments in the Wind Major Instrument Practice Course in the Music Education Study Program UNP involves students of the class of 2021 who have just taken the wind instrument major 1 practice course. Learning outcomes are that students are able to understand some of the basic things of learning wind instruments properly and correctly. The tonguing technique is one of the basic techniques in the game of flute instruments and is one of the things that must be considered in flute instrument games. The tonguing technique had a great influence in the game of flute instruments. So in this case the researcher examines the learning process of the tonguing technique on the flute instrument by looking for the process, learning experience and learning evaluation.

Penerapan Primary Chord dan Secondary Chord dengan Pendekatan Primary Beat pada Mata Kuliah Harmoni Manual Olan Yogha Pratama; Robby Ferdian
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to provide basic knowledge and skills for students in the application of Primary and Secondary Chords by limiting the chord composition roadmap centered on the melody of the song which is in the primary beat position. This research can be used as a reference for students in restructuring the Chord Progression of a song or better known as the Reharmonization of Chord for the beginner stage. This research method uses a qualitative research method with an Art Practice-Based Research approach with the object of study in the form of a Kelok Sembilan folk song and a literature study on the theory of the concept of the application of Primary and Secondary Chord harmonies. The results showed that the Primary Beat approach made it easier for students to determine the chord progression arrangement for the song twists, students only needed to follow the strong beats of each bar as a reference for determining the chord progression, so both in theory and practice, students did not have much difficulty playing it. This approach is also very effective to be applied in restructuring the chord progression of other simple songs because it is able to give a newer and fresher feel to the chord progression.

Pembelajaran Musik Ansambel Tradisional Minangkabau di SMP Angkasa Lanud Padang Febri Yelmi; Irdhan Epria Darma Putra
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to describe how the Implementation of Minangkabau Traditional Ensemble Music Learning at SMP Angkasa Lanud Padang. The type of descriptive qualitative research is a research method that describes the findings in the field by describing the things to be studied in the form of words. The data collection technique is from direct observation or observation of how the implementation of Minangkabau traditional ensemble music learning, then interviews with related parties, literature studies and documentation as data collection in the process of implementing Minangkabau traditional ensemble music learning. The results of the study at the time of the implementation of Minangkabau traditional ensemble music learning did not show maximum results in the application of the learning process because based on observations not everything was carried out following the learning design that had been made by the teacher. In practice, the teacher is not fully able to play the traditional musical instrument talempong rea itself. Such a short time makes the practice process ineffective. Students only know how to play talempong musical instruments and cannot fully play talempong rea music in groups. Due to the lack of mastery of the material and the limited use of tools owned at school.

Studi Deskriptif Kompetensi Pedagogik Guru dalam Pembelajaran Musik Ensambel Sejenis di Madrasah Tsanawiyah Negeri 1 Kerinci Afdhal Syukron; Jagar Lumbantoruan
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

Learning similar musical ensembles is one of the learning materials in arts and culture subjects at Madrasah Tsanawiyah Negeri (MTsN) 1 Kerinci. The formulation of the problem in this study is to describe the pedagogical competence of teachers who teach arts and culture, include: (1) Understanding the characteristics of students, namely understanding the physical, intellectual, social, emotional, moral and socio-cultural backgrounds. (2) Mastering learning theory, namely adjusting the learning method according to the subject matter. (3) Developing a curriculum, namely making, selecting, compiling, and developing the right curriculum for students. (4) Organizing educational learning activities, namely increasing student competence in observing listening, seeing, reading, listening, asking questions, associations, concluding, and communicating. (5) Utilizing technology in learning. (6) The development of the potential of students, namely providing facilities for the realization of the potential development of students. (7) Communication with students, namely creating interaction with students. (8) Conduct assessment and evaluation, (9) Conduct reflective activities in similar musical ensemble learning at MTsN 1 Kerinci.

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Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

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+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Hengki Armez Hidayat

Contact Email hengkiarmez@fbs.unp.ac.id

Phone +6281363124849

Journal Mail Official sendratasikfbsunp21@gmail.com

Editorial Address Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location Kota padang, Sumatera barat INDONESIA

Abstract

Abstract

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Abstract

Abstract

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Abstract

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Abstract

Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA