Jurnal Sendratasik
Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya
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Sistem Manajemen Sanggar Seni Sarai Sarumpun Di Kota Padang
Sumiarti Darni Rahayu;
Darmawati Darmawati
SENDRATASIK UNP Vol 8, No 1 (2019)
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.106525
This article aims to describe and explain the management system of the art workshop Sarai Sarumpun in order to manage the bun well to be able to set the schedule to appear so much in one day. This type of research is qualitative research with a descriptive method. The main instrument in this research is its own researchers and assisted with supporting instruments such as notebooks, note taking tools, video cameras, photo cameras, and tape recorders. The data types in this study are primary data and secondary data. Data collection techniques are conducted by way of library studies, observation, interviews, documentation. The steps for analyzing data are data reduction, data presentation and withdrawal of conclusions. The results showed that the management system run by the Art Gallery of Sarai Sarumpun can run well. The management system carried out by the art Snggar Sarai Sarumpun is included in the organization of the line (a form of organization where direct authority is in a vertical and fully from leadership to its subordinates). The advantage of the line organization, all decisions can be resolved directly because in a particular situation the leader becomes one of the main targets in problem solving. Disadvantages of the line organization, if there is an issue or problem can not be resolved quickly because the leader is not in place. Thus the management of the line Oganisasi to solve the problem or problems in the workshop, the head of the workshop became the first person to complete and resolve the issue.
Bentuk Penyajian Talempong Unggan Pada Acara Khitanan Di Kecamatan Sumpur Kudus Kabupaten Sijunjung
Yulianti Rahayu Nengsih;
Syeilendra Syeilendra
SENDRATASIK UNP Vol 8, No 1 (2019)
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.106421
This article aims to describe the performance form of Talempong Unggan at the circumcision event in Sumpur Kudus District, Sijunjung Regency. This type of research was qualitative which used descriptive method. The main instrument in this study was the researcher and assisted with supporting instruments such as stationery and cameras. Data collection techniques were carried out by doing observation, literature study and interviews. Steps of data analysis were taken to collect data, analyze data, describe data and make conclusions. The result shows that the performance of Talempong Unggan in the circumcision event contains two forms, namely the first in the form of procession on the road and the second in the form of sitting with cross-legged in front of the house / on the porch of the house. In the procession of Talempong Pacik in circumcision event, Unggan functions as accompaniment music from Bako family to accompnay children to be circumcised. The performance of Talempong Unggan which is played in front of the house in circumcision functions as entertainment music and waits for children who will be circumcised.
PERKEMBANGAN JOGET DANGKONG DI KECAMATAN MORO KABUPATEN KARIMUN PROVINSI KEPUALAUAN RIAU
Damayanti, Delvi;
Astuti, Fuji
SENDRATASIK UNP Vol 8, No 1 (2019): Seri E. September 2019
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.105830
Abstract This research aims to reveal and describe the development of Joget Dangkong in Moro District, Karimun Regency, Riau Islands Province. This research was a qualitative research with analytical descriptive method. The types of data used in this research were primary and secondary data. The main instrument in this research was the researcher herself and assisted by supporting instruments such as stationeries and cameras. Data collection techniques were conducted by means of literature study, observation, interviews and documentation. The data were analyzed by data reduction, data model (data display) and conclusion drawing / verification. The results confirmed that Joget Dangkong t was one of the arts and culture that was still being developed in the Moro Subdistrict of Karimun Regency, Riau Islands Province. Therefore, it  still exists and is accepted in the community until now. In 2019, Joget Dangkong has been developed into Joget Dangkong creations in terms of form, distribution and function, and Joget Dangkong is only performed on certain events. The response of the community was very good and very supportive in order to maintain Jogging Dangkong, because Joget Dangkong had developed from the main source to earn a living, so now it is an entertainment. The development of Joget Dangkong is possible in the midst of society to foreign countries such as Malaysia and Singapore. Joget Dangkong creation is very well responded by the community since the development of Joget Dangkong is in a positive form without violating applicable ethics and norms. Keywords: Development of Joget Dangkong
PEREMPUAN DI MEJA MAKAN
Sari, Nurima;
Indrayuda, Indrayuda
SENDRATASIK UNP Vol 8, No 1 (2019): Seri C. September 2019
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.105321
Abstract The creation of the dance "Women at the Dining Table" aims to create a creative dance and express an idea of cultivation that departs from the today's issue of women's ethics at dining table. The creation of this dance begins by determining the type of dance object, the object of claim and the place of performance. The instruments used in the creation of dance are the time of the dance target, the production cost of the dance, the concept of cultivation and the process of cultivation. This dance entitled "Women in the Dining Table" is a dramatic type of dance with representational symbolic forms. The dance "Women at the Dining Table" is the artwork inspired by the ethics of todays’ women at the dining table. Today's eating ethics has not been noticed by women like Minangkabau saying is "sumbang makan". Eating ethics that are not good are caused by the influence and development of the era but as large as anything and as strong as the influence and development of the era, as Minangkabau women must reveal good eating ethics. The dance "Women at the Dining Table" is a dramatic dance with representational symbolic forms that are manifested through motion, stage, makeup, fashion, lighting, and music. Keywords: women at dinner table
STUDI DESKRIPTIF TENTANG KEGIATAN MENARI PADA ANAK USIA DINI DI TK AN-NUR DESA SIMPANG TIGA KECAMATAN HAMPARAN RAWANG KOTA SUNGAI PENUH
Huljannah, Annisa;
Iriani, Zora;
Asriati, Afifah
SENDRATASIK UNP Vol 8, No 1 (2019): Seri D. September 2019
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.105595
Abstract This study aims to determine and describe a descriptive study of the dancing activity at the Kindergarten An-Nur Simpang Tiga, Hamparan Rawang District, Sungai Penuh City. This type of research was qualitative research with a descriptive analysis approach. The instruments in this study were the researchers themselves and assisted with supporting instruments such as stationery and cameras. Then, the type of research used primary data and secondary data. Data collection techniques were carried out by means of library studies, observations (observations), interviews and documentation. Next, the steps in analyzing the data were data reduction, data presentation, verification and conclusions. The results showed that there were two dancing activities namely learning activities program and non learning program at An-Nur Kindergarten, Simpang Tiga, Hamparan Rawang District, Sungai Penuh. The dances are taught namely animal dance as the learning activity program and the Depati Parbo dance taught as the non leraning program. The planning carries out before the dance learning program by making RPPM and RPPH.  Whereas, the planning for non learning program is arranged to make a special schedule for training the  children to participate in dancing and prepare everything what the children need when practicing and performing the dance. Keywords: descriptive study, dancing activities, early childhood.
PERSEPSI SISWA TERHADAP PEMBELAJARAN SENI TARI DI KELAS XI IPS 2 SMA NEGERI 7 PADANG
Marde, Adinda Putri;
Iriani, Zora
SENDRATASIK UNP Vol 8, No 1 (2019): Seri D. September 2019
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.105481
Abstract This research aims to see and describe the students perception toward dance learning in SMA Negeri 7 Padang. Type of the research was qualitative with using descriptive approach. The instrument in this study was the researcher and it was supported by using supporting instruments such as stationery and camera. Types of data used were primary and secondary data. Techniques of data collection were done by using observation, interview and library study. The steps in analyzing data were done by collecting, classifying, describing data and drawing conclusion. The result shows that in general the perception of students at SMA Negeri 7 Padang in class XI IPS 2 is not good. It is because the teachers should use more varied methods or techniques in dance learning, facilities and infrastructures should be provided by the school for dancing, students perception on the dance and perception improvement and students motivation to join the dance lesson that can be supported by inviting the students to pay more attention to dance learning as the subject as important as the other lessons.Keywords: Student perception, Dance Learning
Ansamble Perkusi (Komposisi Musik SMK Negeri 3 Padang)
Dodo Pratama Ardedi;
Wimbrayardi Wimbrayardi
SENDRATASIK UNP Vol 8, No 1 (2019)
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.106415
This work aims to display the creativity of female students in school, and it can be a reference for teachers in developing talents, interests and creativities of female students. The form of this artwork is percussion ensemble, the author will combine the rhythmic patterns of single stroke, double stokes, and triols in 4/4 hours with a simple form. It does not only focus on the instrument itself, the author will also combine with vowels to build atmosphere. Percussion ensemble is a musical composition that is adopted from the game of similar percussion instrument, such execution is very interesting because there is no melody instrument here. the incorporation of the rhythmic pattern of single stroke percussion instrument, dooble stokes, and triols can show a rhythm by exploring it into the percussion instruments used. Percussion ensemble is played by six players that consist of two tambua players, one snare drum player, one floor drum player, one cymbal and cowbell player, one bongo player and one of triangel player.
HUBUNGAN MOTIVASI BELAJAR TERHADAP HASIL BELAJAR SISWA PADA PELAJARAN TARI DI KELAS X MAN 3 KOTA PADANG
Armayeni, Pebriza;
Yuliasma, Yuliasma;
Sudarman, Yos
SENDRATASIK UNP Vol 8, No 1 (2019): Seri E. September 2019
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.105883
Abstract This research aims to explain the correlation of learning motivation with the students’ learning outcome of the dance art in class X MAN 3 Padang. The problem of research was the difference of students’motivation in the class X MAN 3 Padang which were influenced by the teacher, materials, methods, media, and evaluation of the lesson. This research was quantitative research with correlational methods. Correlational research is a study tha measures the relationship between X dan Y variables. The research samples were 25 students of the class X-1 MAN 3 Padang. The instruments of the research were a questionnaire and a testof learning outcomes. The data were collected through interviews and observation as secondary data collection techniques. The results showed that there was a significant correlation between learning motivation and students’ learning outcomes at the dance subject at the MAN 3 Padang. It was proven by rxy value =0.759 which was higher than the rtable. 0.459. Thus,it has shown that the correlation between the two variables was significant. By proving this hypothesis, the learning motivation was demonstrated by attention, understanding diligence and confidence. The students’ learning outcome is improved when they are highly motivated to learn. Keyword: motivation, student learning results, dance lessons
ANALISIS SOAL UJIAN SEMESTER OLEH GURU SENI BUDAYA DI KELAS X SMK NEGERI 2 PARIAMAN
Sari, Welly Agita;
Sudarman, Yos;
Marzam, Marzam
SENDRATASIK UNP Vol 8, No 1 (2019): Seri E. September 2019
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.105703
Abstract This study aims to describe the implementation of analysis of examination questions by the cultural arts teachers at Class X of Accounting Department in SMK Negeri 2 Pariaman. This type of study was qualitative research with using descriptive analysis method. The instrument of the study was the researcher and it was assisted by interview note, observation note, and documentation files. The researcher was involved in the research as a participant observer. The types of data were primary and secondary with qualitative data analysis techniques that described the problem. The result of this study indicates that the analysis of examination questions of cultural art (music) done by the teachers of SMK Negeri 2 Pariaman, which have been tested on the final exam in odd semester 2018/2019, shows the results of the existence of categories of questions that are easy, medium and difficult, based on the results of examination of students correct answers which have been recapitulated and summarized. there are six items whose material are not related to the subject, the description of questions are too broad and the questions that the teachers have never been explained in the Indonesian traditional music insight material, then the questions can be removed, replaced or corrected. The results of the analysis of questions Keywords: semester exam analysis, cultural art teacher
ANSAMBLE PERKUSI (KOMPOSISI MUSIK SMK NEGERI 3 PADANG)
Ardedi, Dodo Pratama;
Wimbrayardi, Wimbrayardi
SENDRATASIK UNP Vol 8, No 1 (2019): Seri C. September 2019
Publisher : FBS Universitas Negeri Padang
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DOI: 10.24036/jsu.v8i1.105291
Abstract This work aims to display the creativity of female students in school, and it can be a reference for teachers in developing talents, interests and creativities of female students. The form of this artwork is percussion ensemble, the author will combine the rhythmic patterns of single stroke, double stokes, and triols in 4/4 hours with a simple form. It does not only focus on the instrument itself, the author will also combine with vowels to build atmosphere. Percussion ensemble is a musical composition that is adopted from the game of similar percussion instrument, such execution is very interesting because there is no melody instrument here. the incorporation of the rhythmic pattern of single stroke percussion instrument, dooble stokes, and triols can show a rhythm by exploring it into the percussion instruments used. Percussion ensemble is played by six players that consist of two tambua players, one snare drum player, one floor drum player, one cymbal and cowbell player, one bongo player and one of triangel player.Keywords: Ansamble Perkusi