cover
Contact Name
Maltha Kharisma
Contact Email
psrunp@gmail.com
Phone
+6282284572574
Journal Mail Official
maltha.kharisma@fbs.unp.ac.id
Editorial Address
Universitas Negeri Padang Fakultas Bahasa dan Seni Departemen Seni Rupa Jl. Prof Dr. Hamka Kampus UNP Air Tawar, Padang
Location
Kota padang,
Sumatera barat
INDONESIA
Serupa : The Journal of Art Education
ISSN : -     EISSN : 23023236     DOI : https://doi.org/10.24036/stjae
Core Subject : Education, Art,
Serupa: The Journal of Art Education menyambut baik kiriman yang memberikan wawasan tentang isu-isu terkini dan utama yang berhubungan dengan studi pendidikan maupun seni rupa. Jurnal ini menyediakan tempat bagi para peneliti dan praktisi pendidikan dan seni rupa untuk berdiskusi, mengejar dan mempromosikan pengetahuan di bidang yang muncul dan berkembang dalam studi pendidikan dan seni rupa. Bahasa naskah bisa dalam bahasa Indonesia. Harus ada diskusi kritis tentang masalah dan kontribusi baru dan signifikan untuk bidang terkait. Artikel dapat berasal dari salah satu bidang berikut: Pendidikan seni rupa, Seni Rupa, Kriya, Seni Grafis, Seni Patung, Seni Lukis, Seni Ukir Kayu,.
Articles 801 Documents
KONTAMINASI DIRI DALAM SENI LUKIS RAHMAT ADE PUTRA, Yasrul Sami, S.Sn, M.Sn, Ady Rosa
Serupa The Journal of Art Education Vol 2, No 2 (2014): Seri B
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v2i2.3206

Abstract

Contamination is a process where the outside elements come tothings that it is not should be and it is created a new uncommon formin a material, in a physics form even nature. This final works facedmany processes to go through and inspired by the unusual possessesthat experienced by the writer himself especially at college level. Asthe artist of these paintings, the writer hopes the entire devotee canenjoy this works in any condition. These paintings belong tocontemporary art that made reference to the observation,contemplation and then visualized it into lines, color and the formthat needed. And also supported by the tool and substances consideras artistic value which become the main elements in each work.Kata kunci : kontaminasi diri, seni, lukis.
UMAR BAKRI” DALAM KARYA SENI LUKIS REALIS KONTEMPORER PRADANA HIDAYAT, Drs. Idran Wakidi, M.Pd., Dra. Jupriani, M.Sn
Serupa The Journal of Art Education Vol 6, No 2 (2018): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (679.443 KB) | DOI: 10.24036/sr.v6i2.9112

Abstract

This final work aims to visualize “Umar Bakri” in the works of contemporary realist painting. Master is an unsung hero, her position in respectable in society, and many of the challenges and obstacles that a teacher must confront. The method of creation of this final paper uses five stages: preparation stage, elaboration stage, synthesis stage, and concept realization phase begins sketching, sketching move, tool and material preparation, process of work and finishing. The final stage is the completion to the exhibition.Keywords: “Umar Bakri”, Art, Contemporary Realist.
PERANCANGAN KOMIK SEJARAH JEMBATAN RATAPAN IBU DI PAYAKUMBUH Febri Ferdian, Drs. Abd. Hafiz, M.Pd, Drs. Mediagus
Serupa The Journal of Art Education Vol 4, No 2 (2016): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (640.424 KB) | DOI: 10.24036/sr.v4i2.8128

Abstract

This report aims to visualisating the story that has ever happened In the Ratapan Ibu Bridge into the medium of comics with cartoon style. The method that use is made comic with kartunal style. The stage is : 1) Preparation, finding the idea of art in reference about the Ratapan Ibu Bridge. 2) Elaboration, analyzing and summarizing the datas from the field, the history books, and articles from the internet. 3) Synthesis, decided techniques used for the process of creating the work. 4) The realization of the concept, a scenario stories and create. 5) The completion, re-evaluation the work. The result of the creation tell that Wira is a student of the high school being dragged to the days of 1949 and saw the tragedy that occurred on the Ratapan Ibu Bridge, in the end of story Wira back to the days of 2015.Kata kunci: Perancangan, Komik, Sejarah Jembatan Ratapan Ibu di Payakumbuh
PENGEMBANGAN MEDIA PEMBELAJARAN APLIKASI BERBASIS ANDROID PADA MATA PELAJARAN DASAR-DASAR SENI RUPA MEGGI MARIO, Drs. Suib Awrus, M. Pd., Drs. Abd. Hafiz, M.Pd.
Serupa The Journal of Art Education Vol 7, No 2 (2018): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (594.409 KB) | DOI: 10.24036/sr.v7i2.101284

Abstract

Research aims to produce android-based learning media in eyes of the fine Arts Basics in SMKN 4 Padang. Using the 4-D models is difintion, design, development and dissemination. The data questionnaire, validity, practicality, and effectiveness with current kappa with avarage results from expert media 0.88 and values of 0.86 material were very high validity. While the average value of the media practicality by the teacher was 0.86 and the efectiveness of the media by teachers and students was 0.89 with very high practicality categories. Concluded the learning media the basics of fine Art lesson is very valid and easy learning medium.Keyword : Pengembangan, media, android-based, 4-D model, SMKN 4 Padang
HERISMAN TOJES DALAM PERJALANAN BERKESENIANNYA PRINANDA YEKI PUTRA, Drs. Erfahmi, M.Sn., Drs. Eswendi, M.Pd.
Serupa The Journal of Art Education Vol 5, No 2 (2017): Seri B
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (147.326 KB) | DOI: 10.24036/sr.v5i2.8221

Abstract

The purpose of this study is (1) to describe the journey of art Herisman Tojes (2) to explain the process of art Herisman Tojes. This study utilized the theoretical basis as explanatory material and guides the focus of research is the understanding of art, understanding the artist, the understanding of art, the notion of painting, as well as the connection between art and society. The data source of this research is the source of verbal spoken directly by the informant. Data collection procedures performed are observation, interviews, and documentation. The findings of researchers that Herisman Tojes art world has known since childhood, traveling art Herisman Tojes influenced by social institutions, self-will, and society. Her working process is done with a pure and gradual.Kata Kunci: Perjalanan Berkeseninan, Proses Berkarya
AYAT-AYAT TENTANG KESABARAN DALAM LUKISAN KALIGRAFI ARAB FITRI RUSLIYANI, Drs. Yusron Wkarya,M.Pd, Drs. Abd. Hafiz,M.Pd
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5526

Abstract

The purpose of this paper is to describe the verses about patience. It literally contains about keistiqomaan with faith and devotion in carrying out a series of trials that God gave human life as well as the rewards for those who are patient. The final works convey the intent and purposes contained in the verses of patience through the works of art of calligraphy as a well to better undestand and explore the greatness and power of God through the work of calligraphy. In making the work with the theme “patience verses in Arabic calligraphy painting”, the authors present aconcept forms, how said, and the media put more emphasis on the meaning of color resulting from mixing the basic colors for the display of color from dark to light will regard to the elements and priciples of art, so that the resulting ten work entitled: The rewards for those who are patient, God is with those who patiently, Leaders who provide guidance, Allah loves those who are patient, Patient and devoted, On the border land, God news, signs of God's power, People who win, and Patient.Keywords: Verses about patient, Arabic caligraphy
BENALU SEBAGAI MEDIA UNGKAP DALAM KARYA SENI GRAFIS TEKNIK SERIGRAFI MASDION, Dr. Budiwirman, M.Pd., Yofita Sandra, S.Pd., M.Pd.
Serupa The Journal of Art Education Vol 6, No 2 (2018): Seri E
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (783.021 KB) | DOI: 10.24036/sr.v6i2.9631

Abstract

The purpose of this work is to visualize the parasitic plant as a medium expressed in serigraphy , taking philosophy from the traits of living parasite from other trees and controlling the tree. The method used in the creation of this final work is a production printing. Every work that writers create is intertwined with each other because it has the same themes, ideas and concepts. After going through a long process then created the final work of the author with 10 titles. : “the King.” “the Political Chair.” “Bekap.” “Unbalanced.” “Provocation.” “Rare.” “Mutually blame.” “Lose.” “Tenth,” “Pawn.” is expected to art students after. Those final works of arts is expected to enhance students appreciation and spirit to do better increating graphic art.Keywords: parasites, artwork, serigraphy techniques
MANGGIS DALAM LUKISAN REALIS KONTEMPORER AFRI ARIN QURNIATY, Yasrul Sami, S.Sn., M.Sn.
Serupa The Journal of Art Education Vol 7, No 3 (2019): Seri C
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (396.916 KB) | DOI: 10.24036/sr.v7i3.103503

Abstract

The creation of this final work aims to convey about the crisis the value of honesty in the realm of  leadership that makes mangosteen a symbol of honesty. Through several stages of the method and  process of work that are passed: (1) preparation, (2) Elaboration, (3) Synthesis, (4) Realization of  the Concept, (5) Completion. The manifestation of the visualization of the final work of mangosteen in contemporary realist paintings entitled : (1) Tertinggal, (2) Dikendalikan , (3) Manggis dan Uang,  (4) Manggis dan Uang#2, (5)Sengaja,(6) Kejam,(7) Batas,(8) Pecah,(9) Rapuh, (10) Keras.Keywords: mangosteen, exploration, visual.
OBJEK WISATA KECAMATAN LINTAU BUO DALAM KARYA TEKSTIL DENGAN TEKNIK LATCH HOOK DAN CHAIN STITCH YELFI OKTARINI Mediagus, Erwin A
Serupa The Journal of Art Education Vol 1, No 2 (2013): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (912.183 KB) | DOI: 10.24036/sr.v1i2.1024

Abstract

AbstrakTujuan pembuatan karya akhir ini adalah (1) memperkenalkan objek wisata alam Kecamatan Lintau Buo dalam karya tekstil dengan Teknik Latch Hook dan Chain Stitch kepada wisatawan, (2) memvisualisasikan keindahan alam Lintau Buo melalui karya tekstil dengan teknik latch hook dan chain stitch, dan (3)Menampilkan karya tekstil dengan teknik Latch Hook dan Chain Stitch dengan dalam ungkap objek wisata kecamatan Lintau Buo dalam Teknik Latch Hook dan Chain Stitch. Bentuk gambaran keindahan objek wisata alam ini dikemas dalam karya akhir dengan judul : 1) Batang Aia Sinama Buo,2) Ngalau Indah Pangian,3) Talago Anguih,4) Air Terjun Tanjung Bonai,5) Panorama Pamasian,6) Panorama Tigo Tumpuak,7) Panorama Puncak Pato. Selanjutnya dalam karya akhir ini, penulis lebih mengutamakan objek wisata alam yang ada di Lintau Buo untuk diperkenalkan, penulis lebih menonjolkan keindahan objek wisata alam di Lintau .AbstractThe purposes of creating this final project are 1) to introduce the natural tourism objects in Lintau Buo District in textile products by using latch hook and chain stitch techniques to tourists, 2) to visualize the Lintau Buo’s natural beauty through textile products by using latch hook and chain stitch techniques, and 3) to exihibit the textile products in showing Lintau Buo tourism objects by using latch hook and chain stitch techniques. These views of natural tourism object are covered in the final project entitled: 1) Batang Aia Sinama Buo, 2) Ngalau Indah Pangian, 3) Talago Anguih, 4) Air Terjun Tanjung Bonai, 5) Panorama Pamasian, 6) Panorama Tigo Tumpuak,7) Panorama Puncak Pato. Then, in this final project, the writer emphasizes on natural tourism objects exist in Lintau Buo to be introduced to the tourists.
KATAK SEBAGAI OBJEK UTAMA DALAM KARYA SENI KERAMIK DESRI YULIANTI, Dra. Jupriani, M.Sn., Drs. Suib Awrus, M.Pd.
Serupa The Journal of Art Education Vol 6, No 1 (2017): Seri B
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (995.493 KB) | DOI: 10.24036/sr.v6i1.8305

Abstract

The purpose of this artworks is to show the beauty of the form of frogs in ceramic. Furthermore the artwork take the funny and unique character from this frogs. then, the artwork put the bright colors and give the florals into this artworks. The ceramis made into three dimensional artworks. The theme of this artworks is the human mind pattern which is develop forward (positive thingking). The title of this ceramic artworks are: First, “Jumping”. Second, “The story of three frogs”. Third, “The horde of frogs”. Fourth, “Dreaming”. Fifth, “Mother’s Hope”. Sixth, “Casper”. Seventh. “Protector”. Eight, “Confidence”.Kata Kunci: Katak, Keramik

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