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INDONESIA
Besaung : Jurnal Seni Desain dan Budaya
Published by Universitas Indo Global Mandiri
ISSN : 25028626     EISSN : 25494074     DOI : -
Core Subject : Art, Social,
Arts Social Sciences
Besaung is a scientific journal Visual Communication Design Study Program, Faculty of Government and Culture of the University of Indo Global Mandiri which includes the results of research, meetings, community service, conceptual coordination (thinking), and analytical studies in the fields of art, design and culture. Besaung is expected to be a medium for writers to publish their works, so publishing this journal can help in advancing science in the fields of art, design and culture. This journal is published twice in one year in March and September.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 354 Documents
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Kerangka Evaluatif Integratif dalam Desain Interior Kafe: Menghubungkan Sustainable Interior Design dan Karakter Third Place Miky Endro Santoso; Tessa Eka Darmayanti
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7174

Abstract

Sustainable interior design studies tend to focus on the ecological performance of materials and systems, while studies on Third Place predominantly emphasize the quality of users’ social interactions within space. The separation of these two approaches indicates the limited availability of evaluative frameworks capable of examining ecological and social relations simultaneously in café interior design. This study aims to examine the integration of Sustainable Interior Design principles and Third Place characteristics in café interior design through an integrative evaluative framework. The research adopts a qualitative approach using a theory-driven evaluative case study strategy, with the interior design of Loka Rasa Café as a single case. The data consist of design documents, including conceptual narratives, spatial configurations, three-dimensional visualizations, as well as technical and material specifications, which are analyzed using an evaluative matrix based on sustainability and social space indicators. The findings reveal that ecological sustainability and Third Place characteristics do not operate as separate dimensions, but intersect in shaping the overall quality of interior space. Strategies such as the use of recycled materials, modular construction systems, and the optimization of natural ventilation and lighting not only enhance ecological performance but also reinforce spatial qualities that are inclusive, egalitarian, and conducive to social interaction. The novelty of this study lies in the development of an integrative evaluative framework that links ecological and social dimensions within a single indicator-based analytical model. The findings suggest that the quality of social interaction in informal public spaces can emerge as a direct consequence of sustainable design strategies. This study contributes to the development of a more holistic approach to interior design, although it is limited to a conceptual case and requires further validation through user-based empirical observation
Partisipatori Desain dalam Strategi Pengembangan Desain Produk Pandan dengan Menggabungkan Anyaman Pandan dan Kulit Sintetis untuk Memajukan Industri Kreatif Kendall Malik; Ferry Fernando; Yandri; Novia Murni; Ramadhani Kurniawan; Hanafi Malik
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7239

Abstract

This study examines participatory design as a strategy for developing pandan craft products by combining woven pandan and synthetic leather to advance the local creative industry in Nagari Padang Laweh Selatan, Sijunjung. The research is motivated by the limited design variation, finishing quality, and market competitiveness of traditional pandan products produced by Kelompok Wanita Tani Sejahtera Sijunjung. This study aims to describe the participatory design process, analyze the potential of material combination, and formulate product development strategies rooted in local knowledge and market needs. A qualitative case study method was applied through observation, semi-structured interviews, focus group discussions, visual documentation, and design experiments. The results show that the integration of woven pandan and synthetic leather can improve product structure, visual quality, functional value, and contemporary appeal while maintaining local identity. Several product prototype s, including bags, wallets, keychains, and coasters, were developed through collaborative exploration between artisans, researchers, designers, business actors, and prospective consumers. The findings indicate that participatory design strengthens artisans’ involvement, encourages knowledge exchange, and supports more realistic and sustainable product innovation. The study concludes that participatory design is an effective approach for empowering women artisans, increasing product value, and supporting community-based creative industry development
Analisis Semiotika Barthes dalam Film Pirates of the Caribbean: Dead Men Tell No Tales terhadap Budaya Maritim Nusantara Jesita Sani; Gheriya Ahmad
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7254

Abstract

Semiotic and maritime mythological representations in the film Pirates of the Caribbean: Dead Men Tell No Tales using Roland Barthes semiotic approach. The research is conducted based on the assumption that film is not only an entertainment medium but also a cultural communication medium that produces signs, symbols, and myths through visual narratives. The purpose of this study is to analyze denotative, connotative, and mythological meanings in the film, identify narrative structures through Roland Barthes five narrative codes, and examine maritime cultural representations contextualized with Indonesian maritime culture. This research applies a descriptive qualitative method through observation, documentation, and visual analysis of scenes, dialogues, and symbols in the film. The findings reveal that the film constructs meaning through representations of sea curses, ghost ships, sea rulers, mysterious ocean territories, and sacred artifacts that shape modern maritime mythology. Barthes five narrative codes demonstrate that the film’s story structure is developed through mystery, conflict, visual symbolism, and cultural references that strengthen the fantasy adventure atmosphere. The study identifies symbolic correlations between the film’s mythology and Indonesian maritime culture, including the legends of SS Ourang Medan, the Masalembo Triangle, Nyi Roro Kidul, Keris Kyai Sengkelat, and the Larung Sesaji ritual practiced by Javanese coastal communities. This research shows that global popular films can be contextualized with local values through representations of maritime culture and mythology.
Kajian Bentuk dan Makna Ragam Hias Songket Lepus Berakam Palembang Netty Juliana; Qothrun Nada Ma ruf Batu Bara
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.6956

Abstract

Songket Lepus berakam is a form of cultural heritage in the form of textile craftsmanship originating from Palembang City. This study aims to examine the forms of decorative patterns and the meanings of the ornamental motifs of Songket Lepus Palembang, which are influenced by the environmental conditions and socio-cultural context of the Palembang community. In addition, this research also analyzes the forms of decorative motifs of Songket Lepus berakam, including their colors and philosophical values embedded in the motifs of Songket Lepus Palembang, in order to deepen knowledge of songket weaving craftsmanship. The methodology used in this research is a qualitative method with a socio-cultural approach. Songket Lepus berakam consists of three main motif sections, namely: (1) the border motifs of the fabric; (2) the central body motifs of the fabric; and (3) the end section motifs of the fabric. The border motifs feature decorative elements such as umpak bintang simbar. The central body motifs include kembang bintang, tanjung, and mawar patterns. Meanwhile, the end section motifs consist of pucuk rebung combined with kembang kunyit designs. The colors applied in this songket are gold and maroon red. All decorative motifs are systematically arranged, forming various geometric patterns. This study is expected to contribute to the knowledge of Indonesian textile crafts, which are rich in distinctive regional motifs and colors. Furthermore, it is hoped that the younger generation will be able to preserve the cultural heritage of Palembang society in line with contemporary technological developments
Festival Segoro Topeng Kaliwungu sebagai Strategi Pelestarian Kesenian Tradisional di Kabupaten Lumajang Lily Meilan Rahmawati; Setyo Yanuartuti; Syaiful Qadar Basri
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7195

Abstract

The development of globalization and modern culture has caused the existence of traditional arts to face various challenges, especially the declining interest of the younger generation in local culture. Therefore, preservation efforts are needed that are able to maintain the continuity of traditional arts so that they remain known and develop in society. This research aims to examine strategies for preserving the Kaliwungu Mask art through the Kaliwungu Mask Segoro Festival from a cultural preservation perspective. The Kaliwungu Mask is a development of the Madurese Getak Mask which underwent an acculturation process in Kaliwungu Village, Tempeh District, Lumajang Regency. The method used in this research is descriptive qualitative with data collection techniques through interviews, observation and documentation. Gigih Enggarjati was the main informant and festival organizer in this research. The research results show that the preservation strategy is carried out through organizing festivals as the main media which functions as a means of promotion, cultural education and artist regeneration. Conservation efforts are also supported by educational institutions, studios and arts communities that actively teach the Kaliwungu Mask dance. However, there are several obstacles in its implementation, such as limited human resources, facilities and infrastructure, coastal environmental conditions, as well as the potential for a shift in philosophical values ​​due to the development of creativity. This research shows that the Kaliwungu Segoro Mask Festival has an important role as a medium for cultural preservation as well as strengthening the local cultural identity of the people of Lumajang Regency
Kajian Peran Naratif dan Simbolis Desain Produk dalam Cerita Rakyat Indonesia Nandang Septian; Rafeah Legino; Yulyta Kodrat Prasetyaningsih
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7322

Abstract

Indonesian folklore does not convey moral and social values only but also depicts the involvement of various physical objects or products that serve both narrative and symbolic functions. This phenomenon raises a fundamental question; why do certain products or objects appear in folklore, and how can their meanings be interpreted within the context of product design. This article aims to unfolding the role of objects or artefacts in Indonesian folklore and their cultural significance, both in the traditional context and its application in the modern era. This study uses Qualitative Content Analysis combined with Comparative Narrative approach to examine the role and meaning of product design objects in 38 purposively selected folklores that represent Indonesia's cultural and geographic diversity. The study identifies the roles of designed objects or products, such as weapons, textiles, musical instruments, jewellery, vehicle, and tools. Each object serves specific narrative functions, including magical aid, moral testing, and conflict resolution, while simultaneously reflecting the material culture and belief systems of the communities that produced them. Furthermore, the findings emphasise the potential of folklore as a resource for contemporary product design, inspiring culturally grounded yet innovative creations. The study concludes that understanding the narrative and symbolic roles of objects in folklore can bridge traditional cultural heritage and modern design practices, fostering both cultural sustainability and creative innovation.
Iklan Layanan Masyarakat Bijak Menyikapi Informasi Pada Video Pendek Untuk Orang Tua Usia 45 Tahun Ke Atas Muhammad Ihsan Raihan; Abi Senoprabowo
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7394

Abstract

The rapid growth of short-form videos on social media platforms such as TikTok, Instagram Reels, Facebook Reels, and YouTube Shorts has transformed the way people access and share information. However, this convenience has also increased the risk of misinformation and hoax dissemination, particularly among adults aged 45 years and above who often face challenges in evaluating and verifying digital information. This study aims to design a Public Service Advertisement (PSA) entitled “Check Before Sharing Short Videos” as a digital literacy education medium for adults aged 45 years and above. The research employed a qualitative approach using Robin Landa’s Visual Communication Design method, consisting of orientation, analysis, concepts, design, and implementation stages. Data were collected through questionnaires, in-depth interviews, literature reviews, and Robert N. Entman’s framing analysis. The findings indicate that 71.3% of respondents watch short videos daily, 45% trust information because of persuasive narratives, and 38.8% are influenced by content that appears to originate from official sources. Although 62.5% of respondents recognize that not all online information is accurate, verification practices remain inconsistent, increasing the potential spread of misinformation. Based on these findings, three key campaign messages were developed: checking account credibility, examining content and context, and comparing information with official sources. The campaign was implemented through posters, billboards, Facebook Ads, Instagram Ads, WhatsApp Status, and supporting media. The study concludes that a simple, communicative, and audience-oriented visual communication strategy can enhance digital literacy and encourage more critical information-sharing behavior among older adults. as an educational tool to encourage more cautious behavior before sharing short videos
Upaya Pelestarian Sulaman Kombinasi Berbasis Sulam Bayang Di Rumah Sulaman Cici Koto Gadang Nabila Delfani; Ade Putra
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7427

Abstract

Sulam bayang is a traditional embroidery technique native to West Sumatra, possessing high aesthetic and philosophical values. However, its existence is increasingly threatened as it is now preserved only by a handful of artisans. One of the few places that consistently maintains this technique is Rumah Sulaman Cici in Koto Gadang, which has even developed it into combination embroidery through various product innovations. This study aims to describe the preservation efforts of combination embroidery based on sulam bayang conducted at Rumah Sulaman Cici, as well as to analyze the balance between product innovation and the maintenance of traditional values within the embroidery practice. This research employs a qualitative method with a descriptive approach. Data were collected through direct observation, in-depth interviews with the business owner, artisans, and sales partners, as well as documentation. The findings reveal that Rumah Sulaman Cici implements three main preservation strategies, namely: (1) maintaining sulam bayang as the core technique in every combination embroidery piece; (2) preserving traditional Koto Gadang floral motifs as a consistent visual identity; and (3) conducting sulam bayang training activities as a means of transferring skills to the next generation. This study concludes that the preservation approach at Rumah Sulaman Cici is integrative, combining sustainable production practices, adaptive innovation, and skill inheritance into a cohesive and mutually reinforcing strategy
Exploring User Needs for a Household Compost Bag Kit Made from Used Banners Using a Human-Centered Design Approach Baridah Mutmainah; Flavia Alice Mameli; Khansa Vidyaprabha
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7428

Abstract

Household organic waste remains the largest contributor to urban waste generation in Indonesia. Although it has the potential to be processed into compost, composting at the household level is not yet widely practiced. One of the reasons for this is the lack of practical, user-friendly facilities that meet users’ needs. On the other hand, waste from used banners from various promotional activities continues to increase every year, and the majority of this has not yet been utilized optimally. In fact, this material is strong, water-resistant and has the potential to be recycled into functional products of practical value. This study aims to develop a design for a household compost bag kit made from used banners using a Human-Centered Design (HCD) approach. The selection of used banners as the primary material is based on their suitability for the product’s functional requirements, while also serving as an application of the principle of upcycling. The research was conducted using qualitative methods through the stages of inspiration, ideation, and implementation. Data were collected through observation, in-depth interviews, and prototype evaluations involving prospective household users. The results of the study indicate that ease of use is the primary consideration for users when selecting a household composting device. Furthermore, the product’s ability to control odors, ease of transport, and the availability of clear composting guidelines were also identified as important requirements expressed by respondents
Reinterpretasi Kosmologi Pertiwi dalam Penciptaan Seni Lukis Dekoratif Monokromatik Biru Yulianto; Sugeng Nugroho; Halintar Cokro Padnobo; Martinus Dwi Marianto
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7442

Abstract

This creative research aims to respond to ecological crises and shift in contemporary cultural orientations by focusing on how the philosophical values of the Pañca Mahābhūta cosmology, specifically the Pertiwi (earth) element, are reinterpreted into the visual language of blue monochromatic decorative painting. The creative process adopts Dharsono Sony Kartika’s circular method, comprising stages of experimentation, contemplation, and execution. Artistic experimentation was conducted through exploring watercolor, reactive dyes, and white ink on paper and cotton fabric to examine layering techniques and visual transparency effects. The novelty of this research lies in the visual articulation strategy of the Pertiwi cosmology, which deconstructs the conventional literal representation of earth as terracotta or brown shades by shifting it into a decorative blue-and-white monochromatic spectrum. The creative outcomes demonstrate that the stylization of flora and fauna forms, combined with blue atmospheric rendering, yields visual characteristics that are contemplative, meditative, and symbolic. The three resulting paintings reveal that Pertiwi is no longer merely represented as a material earth element, but as a metaphor for harmony, sustainability, and spiritual interconnectedness between humanity and nature. This study contributes artistic knowledge regarding the efficacy of a monochromatic decorative approach and media layering techniques as a visual transformation strategy for Nusantara cosmology within contemporary fine art discourse

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