cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Canthing
Contact Email
salimasdi@yahoo.com
Phone
+6281225870059
Journal Mail Official
salimasdi@yahoo.com
Editorial Address
Akademi Seni dan Desain Indonesia Surakarta Jl. Garuda Mas No. 03, Pabelan, Solo
Location
Kab. sukoharjo,
Jawa tengah
INDONESIA
SENI
Published by Akademi Seni dan Desain Indonesia Surakarta
ISSN : 23020644     EISSN : 23020644     DOI : seni
Core Subject : Art,
Arts
Jurnal chanting adalah jurnal berkala terbit 2 kali dalam setahun yang bertujuan untuk mewadahi dan mempublikasikan berbagai pengkajian dan konsep penciptaan desain, serta berbagai pemikiran tentang karya seni.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
 1 
Search results for , issue "Vol. 9 No. 1 (2023)" : 8 Documents clear
MEMAHAMI PENTINGNYA PERAN RUANG BERSAMA DALAM MEMPERKUAT KETERIKATAN TEMPAT DI RUMAH SUSUN SEDERHANA Neni Nurul Rosalina
Canthing Vol. 9 No. 1 (2023)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Place attachment is a concept that has gained attention in recent years due to its potential in understanding the relationship between individuals and the built environment. It refers to the emotional bond or connection that people develop with a place, and is often influenced by various factors. In the context of public rental housing in Indonesia, the issue of place attachment is particularly relevant, as many residents face challenges in developing a sense of attachment and belonging to their homes. However, recent research suggests that the provision of high-quality public spaces in public housingcan play a critical role in strengthening residents' sense of place attachment, as well as promotingenvironmental behavior and community participation. Despite the potential benefits of public spaces inpublic housing, there is a need for further research to understand how these spaces can be designed andmanaged to effectively promote place attachment. Qualitative method used in this study to allow for amore nuanced and comprehensive understanding of the relationship between public spaces, placeattachment, and related outcomes, which could inform future policy and practice in the design andmanagement of public housing environments. Results show that accessibility, safety, and the presenceof natural elements in public spaces, such as trees and greenery, was positively associated withresidents' sense of place attachment. The improvement and maintenance of public spaces would promotepositive outcomes for residentsKeywords: place attachment, public spaces, public housin
ANALISIS POSISI KOLEKTOR DALAM GAGASAN SANENTO YULIMAN: STUDI KASUS BOOM SENI LUKIS 1980AN Yohanes De Britto Wirajati
Canthing Vol. 9 No. 1 (2023)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study discusses the strengthening of the collector's position in the art world of painting after the painting boom phenomenon of the 1980s. The data to be used are the ideas of Sanento Yuliman contained in six newspaper article titles in 1990. In this study, the research question was determined to be answered, namely: What is the collector's position on reciprocal social relations in the idea of Sanento Yuliman's painting boom? What social entities influence the collector's position? Also, how is Sanento Yuliman's idea related to the response to the collector's position in the field of painting? This research using qualitative research methods, namely case studies. Based on the analysis carried out, the following conclusions are drawn: (1) Collectors are in a pattern of reciprocal social relations with galleries and sponsors, which then become a determinant in the field of painting; (2) become stronger due to the commercialization that recently emerged as a result of the art boom painting, working with requires the role of a collector; (3) the position of collectors after the painting boom and their speed in moving the field of painting with the logic of business commercialization.Keywords: collector, sanento yuliman, field of painting, boom of painting
PENGARUH KONDISI EMOSI TERHADAP PEMBELIAN KOSMETIK SECARA DARING Pratita Rara Raina
Canthing Vol. 9 No. 1 (2023)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Impulsive buying behavior has been known since years ago, in fact the research about impulsive buying behavior has been done since early 70s. Impulsive buying behavior has been known with the sudden urge to buy something without intention or plan at earlier time. This research refers to earlier research about “Impulsive Buying Trait: An Effective Moderator for Shopping Emotions and Perceived Risk.” However this research omitted several variables such as perceived risk, impulsive buying intention, and impulsive buying trait, since three of them was not relevant Vol. 9 | No. 1 | Tahun 202324to the research. Generally, this research was to know the effect of emotional states to impulsive buying behavior.The object of this research was online cosmetic purchase, which was specifically targeted women who have been shopping cosmetics online for at least 5 times and for the last 6 months (from July – December 2015) she at least shop for 3 times. The data gathered by online questionnaire and the respondents were tested their validity by answering several questions about their online cosmetics purchase frequency. Respondents consist of 272 people who mostly are university students. Data then analyzed using logistic regression to test the hypothesis.The result showed that emotional states positively associated with impulsive buying behavior.Keyword: Arousal, Dominance, Emotional States, Impulsive Buying Behavior, Impulsive Buying Trait, Pleasure
MEMORI SEBAGAI IDE PENCIPTAAN KARYA SENI INSTALASI BERBASIS MEDIA KERTAS Yulianto
Canthing Vol. 9 No. 1 (2023)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Perjalanan manusia di muka bumi ini tak lepas dengan berbagi macam problema kehidupan. Tantangn-tantangan kehidupan sering kali muncul secara acak, tibatiba, dan tak dapat terelakkan. Pengahayatan terhadap memori dan pengendapan atas permasalahan kehidupan yang telah dilalui harus diresapi dengan kesadaran yang bijak merupakan tendensi penting dalam melakukan refleksi hidup berkelanjutan. Penciptaan karya “Nothing is a Coincidence (The Epitome of Memories#1)” lahir dari bagian proses pengendapan terhadap pertanyaan, pengalaman, dan permasalahan yang begitu acak dalam kehidupan. Selama proses penciptaan karya ini berdasarkan pada riset dan dukung oleh metode penciptaan pemikiran David Campbell. Terdapat lima tahapan yang ditawarkan David Campbell dalam penciptaan karya seni yakni: persiapan (preparation); konsentrasi; inkubasi (incubation); iluminasi (illumination); dan verifikasi (verivication. Tahapan-tahapan tersebut selama proses penciptaan disadari penuh sebagai tahapan yang bersifat holistik. Pada tataran medium, karya instalasi ini diciptakan dengan cara mengeksplorasi dan merespon limbah kertas berwarna putih. Dalam artian sempit karya ini diwujudkan untuk merepresentasikan gagasan yang bersumber dari kegelisahan batin personal seorang kreator dalam memahami memori dan problem perjalanan hidup. Dalam arti luas karya ini hadir sebagai salah satu sarana penyampaian pesan moral kepada para pengamat/penikmat seni, serta sebagai media alternatif kreatif dalam proses penciptaan karya, seni tiga dimensi.Kata kunci: memori, kertas, instalasi
REPRESENTASI FEMINISME DALAM KARYA-KARYA SENI NFT PADA ERA SENI RUPA CYBER TECHNOLOGY Dessy Rachma Waryanti
Canthing Vol. 9 No. 1 (2023)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Representasi perempuan telah hadir dalam dunia seni rupa sebagai objek artistik yang memiliki konteks. Hingga saat ini gerakan feminisme dengan perjuangan gender tampak masih belum selesai dan memiliki rentetan agenda yang terus diupayakan. Seperti dalam memperjuangkan kesamaan dan persamaan hak perempuan dengan laki-laki, mengikis domestifikasi peran perempuan dan laki-laki. Artikel ini berusaha meninjau hasil dari gerakan feminis yang telah dilaksanakan sejak abad ke 18 melalui tinjauan karya seni rupa cyber (NFT) yang memiliki unsur feminisme. Penulis menggunakan metode penelitian deskriptif kualitatif dengan meneliti karya-karya pilihan yang merepresentasikan perempuan dari awal kemunculan seni modern di Indonesia hingga abad seni rupa cyber yang akrab disebut dengan NFT. Pendekatan teori yang digunakan adalah teori kajian analisis semiotika dan gender dengan model kritik seni rupa feminis dimana peneliti menulis dan mengkaji karya seni secara sadar sebagai perempuan “reading as a woman” untuk mencari citra perempuan dalam karya sastra (dalam hal ini visual) dan pandangan stereotip di dalamnya. Kesimpulan dari kajian ini adalah citra perempuan dalam karya seni modern yang berbeda dengan citra perempuan pada karya seni rupa masa kontemporer dan cyber. Identitas perempuan tak lagi hadir sebagai pendamping suami, isteri, dan ibu, namun lebih menampilkan semangat juang, independensi dan ekspresi kegiatan perempuan seharihari sebagai manusia dengan nilai produktivitas yang sama dengan laki-laki di dunia material dan dalam struktur sosial.Kata Kunci: Representasi, Feminisme, NFT, Era Cyber Tech
KONSTRUKSI MAKNA SELENDANG SEBAGAI SENJATA DALAM FILM PAHLAWAN SUPER WANITA ‘SRI ASIH’ (2022) Devi Nirmala Muthia Sayekti
Canthing Vol. 9 No. 1 (2023)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper is aimed to observe the presence of scarf employed by woman superhero in the movie entitled ‘Sri Asih’ (2022). Up to this day, the function of scarf as a part of costume, either for dancing or other performances, is commonly used for property. It was a few numbers of studies observing the meaning attached to scarf when it is worn by the performer, or in other context. Meanwhile, the story of Sri Asih in its movie can construct new meaning related to the presence of the scarf. This research is using qualitative and descriptive way. By employing the theory of Reading Images by Theo van Leeuwen and Gunther Kress, this paper tries to explore how the presence of scarf can construct a new meaning beyond such a property of costume. Even more, the way of making meaning of its power to the Sri Asih’s scarf also prove that representation of scarf for women is closely related in Nusantara’s culture context. A number of women’s role often need scarf as their ‘weapon’ to walk on their job.Keywords: Sri Asih Movie, Analysis of Shawl, Costume, Semiotics, Reading Images
ADAPTASI DESAIN POSTER FILM SEBAGAI MEDIA PROMOSI DALAM PERSPEKTIF LINTAS BUDAYA DAN PEMASARAN GLOBAL Roudlotul Jannati Rochnadia Noorva Yudhitya
Canthing Vol. 9 No. 1 (2023)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

For the audience, movie posters may only be one of the marketing agendas to promote a film. However, for production studios and distributors, film posters must be able to persuade viewers and arouse their curiosity or interest in watching the movie. Movie posters can also be seen as an insight into a certain culture in life. This study reviews the strategies of filmmakers with marketers in publishing their film posters for other countries. A literature study was chosen as a research method to reach more insight from various sources, as well as compare findings from previous research. The findings from this study indicate that film posters are not designed in one version globally for audiences around the world, but are redesigned and sometimes translated according to the local culture, thoughts, and aesthetics of the people of that country.Keywords: Design, Film Poster, Marketing, Cross-Culture, Promotion
PERSEPSI MAHASISWA TERHADAP ISU-ISU GENDER DI JURUSAN SENI RUPA MURNI ISI SURAKARTA Aditya Eko Adrianto; Yuristia Wira Cholifah
Canthing Vol. 9 No. 1 (2023)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

A work of art is the creator’s expression and a medium for conveying a message to the audience. One message that can be voiced is gender. However, the dimensions and issues surrounding gender continue to change, making gender a concept still challenging to understand among university students. This issue is then carried over to the works of art produced by art students. Students tend not to understand gender issues in society. Works of art can be a medium of resistance to breaking narrow views on gender issues. Therefore, this study aims to analyze art students' understanding of gender using Judith Butler's gender theory. This study uses qualitative methods, observation data collection techniques, interviews, and documentation. Four students were selected as informants using the Purposive Sampling technique, with the criteria of students choosing gender as the central theme for their Final Project and having completed the Creation Methodology Course. The study's results show how art students perceive gender issues and how they express or challenge gender issues through art. Keywords: Gender issues, challenge, art students, works of art

Page 1 of 1 | Total Record : 8

 1 

Filter by Year

2023 2023


Reset
Filter By Issues
All Issue Vol. 11 No. 1 (2025): CANTHING VOL. 11 NO. 1 Tahun 2025 Vol. 10 No. 2 (2024): V10N2 Vol. 10 No. 1 (2024): chanting v10n1 Vol. 9 No. 1 (2023) Vol. 8 No. 2 (2022) Vol. 8 No. 1 (2022) Vol. 7 No. 2 (2021) Vol 7, No 2 (2021) Vol 7, No 1 (2021) Vol. 7 No. 1 (2021) Vol 6, No 1 (2020) Vol. 6 No. 1 (2020) Vol 5, No 1 (2019) Vol. 5 No. 1 (2019) Vol. 4 No. 1 (2017) Vol 4, No 1 (2017) Vol 3, No 1 (2016) Vol. 3 No. 1 (2016) Vol 2, No 2 (2014): Pengkajian dan Penciptaan Desain Vol. 2 No. 2 (2014): Pengkajian dan Penciptaan Desain Vol. 1 No. 1 (2012) Vol 1, No 1 (2012) More Issue